Can graphic design ever truly be considered as a fine art form? Ren Adams has taken on that question by exploring the combination of printmaking and digital media into a collection of surreal two-dimensional images called “Alchemy of Image/The Language of Information Space.” These graphic pieces are striking aesthetically, yet leave something to be desired after initial observation.
Adams blends an interest in history, science, technology, art, and basically everything about the... [more]
Voynich Manuscript. image via Yale University's Beinecke Rare Book & Manuscript Library
We've never done this before. This year we launched our first-ever Curator's Open, where we asked you to use our massive database of art to curate our booth at EXPO Chicago. We then handed over the submissions to an expert jury of curators to decide which show we should put on. They selected Amsterdam-based curator and critic Manus Groenen's show "Cryptographics: a tribute to the Voynich Manuscript."
We’re pumped to be doing our first #Instaresidency, where we hand over our Instagram to an artist for a week and let them sort out the rest. First up: digital artist and filmmaker Theodore Darst.
Darst first caught our attention through an exhibition, Only Real, in 2014 and then on Instagram with his dynamic animations playing with form, depth, and Macklemore. Using a range of digital software programs from CINEMA 4D After Effects to Photoshop, Darst abstracts his subjects through addin... [more]
Middlesex by Jessie Zechnowitz Forrest Bess at Berkeley Art Museum and Pacific Film Archive
June 11th - September 14th
Among the giants (Rothko, Still, and Pollock) represented by the Betty Parsons gallery in the 50’s and 60’s, there roamed the small but potent work of an artist named Forrest Bess. He hailed from Bay City, Texas, a bait fisherman and oil rig roughneck by day, and a conduit for the visualization of eternal truths by night.
Parsons heard his name through the grapevine, and when she came to Texas, she ate him up with her silver spoon. Parsons mounted no less than six solo exhibits of B... [more]
Published in http://www.artindiamag.com/quarter_04_03_14/index.html
Acts of drawing are sometimes summed up as dirtying the paper delicately,1 but Ayesha Sultana’s drawings in Outside the field of view, her first solo at Experimenter, Kolkata, mounted from the 9th of May to the 26th of June, are anything but delicate. Sultana ‘dirties’ the paper vigorously and obsessively, while reining in her mark-marking within perfectly geometric shapes. Nine graphite drawings of various si... [more]
The total oeuvre of more than two thousand drawings and paintings were literally Rabindranath Tagore’s last harvest. Dated between 1928 to 1941, created by a man consumed, they are unlike anything else bearing his name, which would turn out to be their undoing. Disenchanted with being turned into an institute back home and a mystic world over, troubled by failing health and thoroughly shaken by the goings on in the family, the nation and the world, painting was both Tagore’s last roar an... [more]
Creation is a new painting series by American artist John C. Kuchera. He was born in Cleveland Ohio and has lived in New York City since the early 1980s. Creation 1,2 and 3 will be featured in a group art exhibit in Chelsea called the 20” x 20” art show. Opening reception is Sunday, August 17, 2014, from 6-8pm. 253 west 24 Street in New York City. The Art Exhibit will be on view from August 17 to September 14, 2014.
He likes to do at least 12 of each of the series to ensure... [more]
James B. Clover at Yeelen Gallery
There is actual art out there within the walls of Miami’s white cubes and there is a strong possibility that it will make you feel something other than a hang-over. Where is it going to be? Within the confines of the new 10,000 square foot space now occupied by Yeelen Gallery, in Little Haiti.
Yeelen will be exhibiting the American artist and consummate academician James B. Clover this September, opening reception with the artist will be on September... [more]
To borrow a thought from Deleuze and Guattari, art is not chaos, but a composition of chaos that makes possible a wide range of unpredictable new emotions and ideas. It pushes at the borders of the imagination, inviting new ways of seeing, and sharping our capacities for critical reflection. Truly powerful art may even change how we perceive our world, and re-situate our agency within it.
The Mike Kelley retrospective (currently on view at LA MoCA), reminds me of a quote by filmmaker David Lyn... [more]
Scream are proud to present the first solo exhibition by young British artist Caroline Jane Harris. The artist explores the complexities of nature through a labour-intensive paper-cutting technique. Harris is inspired by the natural world and is conscious of the strong yet subtle links between natural life forms and us. She explores the intricacy and beauty of nature, which echo human and man-made systems, by responding to visual phenomena such as geometric, linear and circular motifs found in a... [more]
Industrial landscape inspires paintings
Barbara Gallo Farrell, Poughkeepsie Journal12:03 p.m. EDT June 5, 2014
(Photo: Courtesy photo)
Editor's note: Portrait of the Artist is a regular feature in Enjoy! that spotlights artists with exhibits in the Hudson Valley. If you are an artist in a current or upcoming exhibit and would like to be included in this feature, email firstname.lastname@example.org. This week's Portrait of the Artist features JoAnne Lobotsky, whose work is on display at Betsy... [more]
The Kemang 58 gallery is a alternative spot for art lovers to enjoy various indonesian arts where The kemang 58 gallery exhibit solo and group arts continuously The concept was to meet the art lovers and patrons to the artist in hope that there is a communication build between them to share idea, characters, style and backgrounds The galery where located jn kemang raya 58, jakarta was built from a beautiful house.
We welcome you to check an ongoing exhibit that been host at http://www.talentaorganizer.com/gallerykemang58.htm
by Kerry Kugelman
In her most recent body of work, Jennifer Faist continues to extend her material and chromatic vocabulary into more subtle and complex areas. Hovering between painting and painted sculpture, Faist’s artwork asserts a robust physical presence while supporting delicate, light-soaked areas of color.
Celebratory by dint of her trademark up-tempo, saturated palette, Faist’s latest works also have a hint of the elegiac. It is as though the transient beauty of a cut flower... [more]