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紊乱的诗意,加上无逻辑的哲学

 

陈源初紊乱的诗意,加上无逻辑的哲学

标签:  艺术家  美国  2011-01-11 17:18

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                                                                                  文:   杰,格劳恩Jay Groen

               艺术家,作家,耶鲁大学经济学家

     陈源初是一个独立工作的当代艺术家。在相当长的一段时期内,他的艺术是以一种孤独的,没有其它艺术家有类似的风格,去表达他心中的理念。但是他能我行我素地 追求理想,独立地在自己的道路上前进。今天,艺术圈已经扩大,与商业,投资横贯,许多富豪依傍艺术使他们变得更富有。这是个繁荣,激动人心和物质至上的消 费的年代。比较起一百年前的贫困朴实来说,现在全世界情况与以前不同。富有的更富了,贫穷的依然一贫如洗。整个世界经过人类的努力,不论是用哪种意识形态 和哪种经济制度,在大家都宣称自己是完美准确地情形下东方西方居然殊途同归,整个世界的经济和生活提高了。但是不完美的地方却无所不在。陈源初特别注意了 解这方面的世界形态。还有,由于人类贪婪的本性,生活好后要求更好,永无止境。乃至很多富豪的财富已到富可敌国的状态,但是他们巧取豪夺绝无停歇的可能。而国家,城市,也在欣欣向荣地,蒸蒸日上地,毫无节制地,无可救药地发展。所谓的发展,就是更多的工厂,道路,桥梁,车辆,房屋,衣物,饰品,消费,娱 乐。陈源初的艺术,不但在画面上描绘了与环境有关的内容,更重要的,是他在引导人们去思想:不是哪一种生活方式更好,而是怎样生活使人类更有前途。鼓励极 度的消费以刺激经济的飞速成长,在陈源初看来无疑是给人类灌输有毒的激素,而使人类早日走向灭亡。陈源初的目标是明确的:必须抑制人类无限止的急剧扩张, 而把人类的精力引向环境的保护,精神文化的提高,教育的普及上去。我在多次访问陈源初工作室时他愤慨地倾诉:我们的时代应认为对财富的无止境追求是可耻 的,而现在各界都在追捧富豪,羡慕巨富,这是人类极可悲的,无知的状态!在他的作品中,这些愤慨明显而强烈地表达出来。


我觉得有时候陈源初的想法几近幼稚。然而细想之下不无道理。很多表面的繁华隐藏着忧虑,急速的前进意味着后退,美丽的外形遮盖着丑恶,严正的发誓说明了谎 言。这种对事物的深刻洞察,透过表象分析内在的思维正如他的艺术,从来没有见到他一件一看到什么就是什么意思的作品。譬如美丽的风景,娇艳的花卉,挺拔的 人像,他说:以前我画了不少直觉的表象,但很快我就不满足了,我必须要加上更深的思维。小时候喜欢喝糖水,现在喜欢喝茶,喝时是苦的,回味的时候是甜的。 喝酒也是,我并不贪图那口味,而是在乎于酒后的迷茫。他作品中的流露,正是如此。“心猿意马,指桑骂槐,张冠李戴,骑驴看马,口是心非,貌似神离,醉翁之 意不在酒。这就是我的作品!”他如是说。

我要强调陈源初艺术的当代性,是在于他的艺术之内涵的真实的、肯定的积极意义,和不随世俗大流的独立开拓精神。当代艺术的概念现在已在很多方面已经被人误解.如果你去问十个艺术界的人士,什么是当代艺术,恐怕有十个不同的答复,甚至许多著名的“当代”艺术家会答复不出或答非所问。当代艺术通常有两种意涵,一个是指目前这个时代正在实践中的艺术风格,另外一个是指从1960年代后期开始到现在21世纪的艺术。如果是指后者,当代艺术也可以理解为后现代艺术,或者说有意识反对现代主义信条的艺术。事实上,现代主义包括了20世纪以来具有前卫特色、与传统文艺分道扬镳的各种美术流派和思潮,又称现代派。现代主义的源流可以追溯到法国的印象主义。19世纪80年代,法国后印象主义艺术家塞尚Paul Cézanne(19 January 1839-22 October 1906)把自然形体分析为几何结构并注重色彩的主观意识,在艺术史上是现代绘画的鼻祖,对之后的现当代艺术有着不可忽视的影响。法国的后印象主义新印象主义象征主义画家们重视艺术语言自身的独立价值,而不象印象主义一味记录和描绘自然,主张绘画摆脱对文学、历史的依赖。这些都是现代主义美术体系的理论基础。

  从近代的艺术史上我们清楚地看到,不管哪种已确立地位的艺术流派与风格,只要其成为权威,后代的新的艺术家们就义无反顾地冲破这种权威而创立自我的独立风 格。这正是当代艺术家的伟大和可爱可敬之处!事实上,历史上古典的艺术家们也是这样不断地创新而发展过来的。没有创造力的艺术是没有生命力的。

  而在今天,概念上的误区是:当代艺术即是媚俗艺术!这是盲目地跟从那些纷乱的,在艺术市场中能卖个好价钱的无知艺术家得出的结论。的确,在上世纪初和中期, 由于长期以来传统的唯美的学院派艺术让经过战争和工业革命洗礼的新一代感到陈旧,落伍和厌烦,追求新生活的愿望使艺术家们对传统艺术的沉重压力产生了强烈 的反叛。因此,普罗大众能轻易获得的达达艺术,普普艺术开始大行其道,乃至一发不可收拾。今天,废物,垃圾,排泄物都被奉为艺术,还有一大批资深评论家争 先恐后地为其大唱进行曲,并挖空心思地用尽深奥的学术语言为他们传经颂道。年轻的艺术学院的学生们,盲然地跟从着这浩浩荡荡又乱七八糟的潮流,对常规的艺 术训练提不起精神,一出校门,就迷失在这“当代艺术”的汪洋大海中。

   殊不知,当代艺术的精髓却正是反对盲从,反叛流行的和已被权威和大众认可的,确定的,似乎不可动摇的形式和概念。当时杜象的小便池不是因为它的美,而是彰显 了杜象的反叛精神而产生了历史意义。可笑的是,现在文雅之士把复制品的复制品(杜象的大作本来就是复制品)供为上品,啧啧称赞其美以示自己的品味。真是愚蠢至极。

   在今天,我们需要的当代艺术,不是那些媚俗的垃圾,模仿那些50-70年 前曾风光一时的艺术品。那时的反叛传统的经典作品现在已成为传统。当代的需要,就是要脱离这些传统,反对这些传统,把这些传统视为毫无价值的胡闹。上世纪 中的反叛和创新已在当代成了陈旧,教条和束缚。它给与当代的艺术界和大众一种沉重的压力,黑暗的阴影,乌七八糟的迷惑。今天这些似是而非的半个多世纪前的 流行作品的摹仿品,实质上是一种“伪当代”作品。大量的傻笑,大脸,光头,丑恶的变形,惨不忍睹的血腥,暴力,变态的赤裸,无厘头的抽象,随意的涂抹,神 经病或巫师一般的行为艺术,垃圾,废物,或造成巨大浪费和环境污染的装置等等,使认真的艺术家们,评论家和学生们心寒,使广大群众迷惑不解,使收藏家和投 资者如履薄冰。

  世界的艺术界,该是醒悟的时候了!再也不能与这些伪当代同流合污了!拿出我们的反叛和独创精神,为我们时代真正的,崭新的新当代艺术奋斗吧!

在我经常与陈源初在世界各地旅行时,发现他的许多想法和看法与常人不同。当我们在拉斯维加斯大街上乘车前进时,我说,我们一路上见到的建筑都很有特色。他 说, 我看到异状的建筑改变着透视的角度向我扑来。在盐湖城我带他去看摩门教大家庭的大屋时给他解绍摩门教一个男人有十几个女人,真幸运,我说。太惨了!他说。 我是经济学家,我说:马克思的学说认为资本家剥削工人。他说:我做了二年资本家亏光了本,我被工人剥削光了。我们在五星级酒店看着金碧辉煌的大堂,我说: 真是漂亮!他说:人类的末日不远了。我们看到一个美貌的明星,我说,好美啊!他说:我看到了一张充满了皱纹的脸。我们在世贸中心顶楼餐厅吃着丰盛的晚餐, 大家酒足饭饱。他说:不知道刚才在路边讨钱的那个乞丐今晚吃什么。电视上出现了某位世界大富翁骄傲的笑脸,我说:真风光。他说:真无耻。

陈源初就是这样一位艺术家,四十年来,不盲从外界的五花八门的流派,不屈从于生活的煎熬,为了卖钱而去苟合市场的需要。他自我地,孤立地在独自的小道上向他心中的目标攀登。

不仅在陈源初的视觉作品中,在他的文学作品中我们也可看到他异样的思维。陈源初自己定义为“紊乱的诗意,加上无逻辑的哲学”,“不想给你任何自以为是的正确引导,只想让你看看我的异想天开”。

 

 

 

紊乱的诗意,加上无逻辑的哲学

紊乱的诗意,加上无逻辑的哲学

紊乱的诗意,加上无逻辑的哲学

 

 

Posted by Yuan Chu Chen on 4/22




平行世界中的复合型构成----谈陈源初的绘画 南京艺术学院 张晓珊

平行世界中的复合型构成----谈陈源初的绘画

南京艺术学院 张晓珊  ----载于《当代艺术与投资》09年第2期

艺术作为整个社会体系中的顶层建筑,一直以来都会表现出对当时的最高自然科学成就的极大敏感度。从达芬奇的精确透视到达利画作中对弗洛伊德理论的精彩阐释,莫不如此。

   而当今的基础物理学科当中一起人们广泛关注的话题性理论便是平行世界(Parallel universe)理论。基于量子物理体系提出的平行世界理论第一次但肯定不是最后一次彻底动摇了我们整个的世界观。根据量子理论的量子系统的不确定性, 我们对该系统的测量不可能得到一种确定的结果。可我们眼之所见的世界却又是唯一确定的。则这种确定只可能是一种测量仪器与被测量系统发生关联所致。而不确 定性被传达到了整个系统,于是整个系统处于一种综合的叠加状态。


  我们的世界曾经会产生的种种可能被无限的叠加复合起来。我们每一次试 图观察这个世界的时候即是对这个世界做出一个测量。这种测量之后产生的直接效应便是带来一次基于这次测量所产生的分裂,即多个平行世界的产生。每一个构成 这个体系的元素根据各自的效应继续运动下去,在同一个时间与空间中蜕变成长为不同平行世界中的新的元素。而我们便生活在这样的一个被无限复合的若干的平行 世界中。各自处在各自的平行世界中的我们面对一个不知从何时被分割甚至不确定我们的确切维度的世界显得异常的微不足道。而我们所要共同面对的便由这些不同 的平行世界所构成的一个公共物理实体世界。

  陈源初的 绘画作品从一个比较直观的角度表现了这种具象世界中的支离破碎的纷杂复合状态。反复出现的人类文明世界——钢铁建筑,高速公路……;与之并行的我们称为是 自然的景象——森林,山川,各种动物……;整个画面就像一个切面,在某个相同的时刻,纵向的穿过了若干个平行世界。没有任何的主次顺序,也没有任何被确定 下来的感知主体。在他的画作中你甚至不能确定何为背景:一座吊车被制造出之后也可以成为一件存在的感知主体。而人也可以被认为是吊车的背景。亦或以吊车为 背景,以动物作为感知主体去感知人与吊车的存在……如此循环往复下去,呈现在观者的眼前是一种在平行世界中的复合性构成。

  从画面上来 看画家并不打算过多的去解释这些平行世界之间的联系,而是更多的留待观者自己去体察这些关联——站在不同的维度会得出不同的结论。在这一点上,作品表现出 的姿态是开放的,没有确定指向的。而从另一个层面来看,作品又是确定的:它在表达多种平行世界的复合性以及关联性。

Posted by Yuan Chu Chen on 4/20




空间的第四维 ——旅美艺术家陈源初作品解读 游 江(深圳美术馆)

 

空间的第四维

——旅美艺术家陈源初作品解读

游 江(深圳美术馆)

 

空间的第四维

——旅美艺术家陈源初作品解读

 江(深圳美术馆)

 

 

旅美艺术家陈源初近日先后在江苏省美术馆、上海多伦现代美术馆举办了自己的个展,展出了他近些年创作的油画作品。总的来说,他的作品所展现出来的是一种结合自然主义和视觉蒙太奇来表现的一种超现实主义风格。作品中各种“具象”的组合和表现,充满了戏剧效果,带给人视觉与心灵的震撼。 正如海德格尔指出的:“通向语言的道路要让人们经验作为语言的语言,而不是把语言解释为这个或那个东西,并因此与语言失之交臂。”把语言当作反映生活的工具,其实也就是解释——用语言对生活进行解释。艺术语言不同于文本语言,艺术语言对于意义的传达呈现出多元的构成,是图像时代的一种新的视觉叙事。技术性观视下的读图时代,使得艺术作品中充满着各种具象世界的符号,这些符号是艺术家本体结合生命体验的选择,亦是一个历史阶段时代精神的体现。在作品中,陈源初用一种“他者”的视角,通过对特定符号的叠加来达到与观者之间的对话。这些符号,看似毫无关联杂乱无章,但按照一定的构思组接起来后,伴随着不同受众的心理顺序,作品的所要传达的意义在与观众的互动中,不断地涌现出来。其实,这个处理的方法很像电影中运用的蒙太奇,即把分切的镜头组接起来的手段。在这里与之不同的是,艺术作品并不是连续的影像,不存在某种生活或心理的逻辑,但它却联系着暗含在作品中作者的观点倾向及其美学原则。回顾人类的艺术史,文艺复兴时期的艺术家们就已完成了艺术作品中二维平面的三维塑造,而在陈源初的作品中,以我看来,他是想表达另外一维的空间,即第四维的,它不是时间的记录而是一种精神的传达。 虽然阿瑟·丹托批判了现代主义艺术以来关于艺术创作中哲学表达的滥用和价值失范,但是艺术作品中潜藏的心理的或是下意识的思想是存在的,不可否认的。如果艺术作品永远仅仅停留在形式和技巧的探讨,那么20世纪以来的艺术创作,也许就会变得十分平淡无奇。对一件包含着许多不同元素的蒙太奇画面的作品来说,每个元素之间在未加组合下,可能是毫无关联的,可是一旦将其描绘在同一件作品中,它们之间就产生了相互作用,形成某种联系和关系,这不是对现实的一种新的创造,而是一种视角和观念。可以说,这种蒙太奇般的处理方式是艺术家的一种情绪的表达。

  

在陈源初的作品中,常出现眼睛、女性人体的形象以及各种工业化的产物,“眼睛”在他的画中具有双重的意义,一是艺术家自身假借作品之眼对于现实世界的凝视,二为艺术家与观众之间、现实自身与观众之间的凝视。凝视在作品中的这种表现,使得人与人之间的人性毫无掩饰,在相互的作用中,产生出某种心理暗示。对于观众来说,对于作品的理解是自由的,作品所要表达的内涵和情感,每个人的理解是不同的、多层面的,所以我们无需追求视觉传达的普遍意义。在他的作品中,我感受到的是在进步的理念下,工业文明使得现实世界充斥着物欲和自我强调之重及个人现实的虚幻,作品中所创造出来的虚幻、幻想甚至恐惧,像一面镜子一样反映着现实世界、反射出人的本质。

 自然主义追求绝对的客观性,崇尚单纯地描摹自然,着重对现实生活的表面现象进行如实的记录,而在陈源初的作品中,他并没有一味的排斥艺术本体在艺术创作的时候所运用的想象、夸张、抒情等主观因素,从某种程度上说,他将具象生活中各种物象的种种切面,如森林、山川、巨轮、以及各种动物等,进行主观的关照,在一定创作理念下,进行了有意味的组合,从而形成自己的艺术特色和风格。现实主义强调的是对生活的反映和表现。在表现形态上,现实主义的作品的基本特征是描述性的,陈源初在作品中也是对现实生活的一种表现,不过这种表现是艺术化的,是一种艺术的叙述。他克服了描述性的语言缺乏创造的弊端,而是在主体的选择下,将生活中的种种集体或是个体的经验,用一组相关的视觉符号表现出来,从一个侧面反映出世界中的人与事。超现实主义认为艺术应为思想的照实记录,艺术创作应处于一种纯粹精神上的自动性,是以各种形式来表达思想的实实在在的活动。陈源初在艺术作品中并没有一味的追求对于现实的简单描摹,而是用自动性记述法( Automatism )和誊印法( decalmamia )等方法,放弃逻辑的、有序的经验记忆为基础的现实形象,将现实观念与本能、潜意识的经验相融合,追求一种意外的趣味及意象的暗示性,从而呈现人的深层心理中的形象世界。作品中那些象征的符号和简化的形象,使作品带有一种自由的抽象感和无限的张力。

 

陈源初的作品具有东西方多元文化的背景,绘画技巧上也呈现出多元化的表现,这与其的游学经历和知识背景有着密切的关系。20世纪以来,艺术史上流派众多,不断涌现的艺术流派形成了多元的审美观,而多元的审美又进一步解放了艺术家的创作空间。可以说,陈源初艺术创作中的复合多元的理念就是基于这样一个全球化多元化的时代背景。对于他的作品,我们不能简单的用东方的或是西方的来概括,他的作品不是对现实世界的简单描摹,也不是媚俗的大众表达,而是从一个层面反映着现实社会

存在的问题,它是对自身的质问也是对人类自身的反思,我想这就是它的价值所在。

 

 

 

 

Posted by Yuan Chu Chen on 4/18




刘筱 浅谈陈源初油画作品中的水墨意趣

 

浅谈陈源初油画作品中的水墨意趣

 

                              江苏省国画院学术部研究院  刘筱

 

近年来中国油画家在对艺术问题的思考和实践过程中越来越强调民族文化传统的重要性,一些对中国传统艺术情有独钟的风景画家吸收传统山水画的写意性和笔墨用法,创造出了极富中国画“笔墨情趣”的油画风景画。

陈源初先生并不是一位单纯的风景画家,他的创作涵盖面广、画面内容丰富,但自然风景始终是他创作构成的一部分。在他近期的作品中,他开始吸收中国传统水墨画的某些特点,创造属于自己的“笔墨意趣”。

中国传统绘画把笔意、笔法放在很重要的位置,重视笔墨运用,从单纯用笔墨勾勒物体形象,发展为皴擦点染、破墨泼墨,来体现笔力的雄劲或秀丽和水墨渲染的变化和苍润。同时把书法和绘画融为一体来丰富表现形式,增加画面的遒劲和形式感,有效地提高了作品状物抒情与表达自我的能力。而油画则以写实见长,讲究刻画对象的实际结构和透视,在表现人物活动、活动场景等方面略胜一筹。

陈源初先生主要从以下两个方面进行了结合。

首先,以油画材料结合中国传统山水画的创作,用油画材质表达强烈的个人感受。也就是在发挥油画材质性能特点的基础上借用写意山水画的技巧来体现中国传统的审美情趣。

在作品《H401》中,画家利用油画材料的性能,以中国传统审美意识为指导作画,注重抒发主观情绪。强调“意”和“神”的表达,不拘泥于“形似”和“笔到”,有时意到笔不到、神似形不似。减弱形体塑造的成分,增强书写的因素。在绘画方式上,画家用油画笔模仿毛笔的侧锋、偏锋、中锋等笔法,运用中国画“点擦皴染”的手法;在构图上,画家以中国画的“经营位置”为原则,讲求平面布局中的色、线、形的变化对比与呼应,虚实、疏密、开合、起伏、繁简、聚散的 相生相应,画面空间处理趋于平面化和抽象化。

但我们注意到,就在这平面化和抽象化之中,有一个女人体若隐若现,于是大家悉心一笑。我们都知道,陈源初先生的绘画有这样一种普遍风格,那就是所谓的“叠加绘画”,也就是在一幅绘画作品中将属于不同空间、时间的物体和场景单纯覆盖叠加,从而形成一种时空交错的具有哲学意味的视觉形式,这也使得他的作品尤其耐看。在借鉴了中国山水画的传统审美意识和运用了传统中国画的技法之后,陈源初先生照旧开始自己的绘画叠加,不同于以往相对写实的场景互相叠加的效果,作品《H401》传递出的是一种现代水墨的情趣。

第二,油画写实造型结合传统人物画的写意性和笔墨法,用油画这种视觉形式表现富有写意感的人体姿态。

作品《H402》很好的诠释了这个结合。

在对人体的刻画上,运用中国传统水墨的线和皴法,轮廓以重线勾勒,水墨用笔,枯笔渲染色调,忽略细部明暗、色彩、结构的刻画,以表现人体外形姿态为主,以写印象写感觉取代面对客观对象的写生。色彩上更为单纯,在大片“泼彩”上作线条勾勒,充分运用线条的魅力,既有逸笔泼彩的意境,又具有表现主义风格形式的痕迹。整体形象更为凝练,意境的传达也更典雅蕴藉,充满东方的、民族的情调。整个画面具有很浓的写意趣味。 

反观作品《H401》,《H402》仿佛是《H401》的一个镜中影像,彻底的倒了个,将原先在《H401》中作为前景的抽象平面化泼彩移作背景铺垫,反将若隐若现的人体至于画面前景作为主要描绘对象,且人体面部朝向正好相反,动态也是相反的,整个画面的色调也是由《H401》的暖色调转入《H402》的冷色调。不知道是不是陈源初先生在自己的创作实践上进行的一个小小的游戏。

Posted by Yuan Chu Chen on 4/18




汪贤俊 陈源初“生态主义”意象交织的油画图景

 

一粒沙里见世界、半瓣花上说人情

----美籍华裔画家陈源初生态主义意象交织的油画图景

汪贤俊,南京艺术学院美术学博士,中国集美大学艺术学院讲师

英国画家、浪漫主义诗人威廉.布莱克(William Blake,1757-1827)有著名诗句:“一沙一世界,一花一天堂。双手握无限,刹那是永恒。”(To see a World in a Grain of Sand /And a Heaven in a Wild Flower, /Hold Infinity in the palm of your hand /And Eternity in an hour. 出自布莱克《天真的预兆》 Auguries of Innocenceby) 说的是绵延宇宙永恒,个体生命有限,而有限之中又包含无限。在有限的生命中洞见生死的轮回,人间的悲欢,世间的沧桑。在陈源初的油画中,常有撑满画面的双眼将此洞悉。

   画面中,无论是年轻的修眉俊眼,还是年长的慈眉善目,不再做顾盼神飞,或目光炯炯的描绘,不像古典唯美肖像画那样,通过眉宇眼神的描绘,营造矜持自得, 或神采怡然的美,而是做欲言又止的叙述,无可奈何的控诉,所有的眼神中都有淡淡的忧伤,难以言表的渴望。这双眼睛究竟看到了什么?是满目的疮痍,干涸的土 地,迁徙逃难的飞禽走兽;只剩下城市的森林,林立的烟囱,交织的高速公路,灯红酒绿,物欲横流。陈初源透过画面中的双眸,又将所见的图景重叠在画面上,营 造成意象交织的油画图景。

  不是单纯依靠描绘技法,而是以警示的预言与哲理,陈源初通过油画提醒他的观众,人类一步步走向绝境的可能性,展示了自然环境恶化,濒危物种匿迹的景观。当代中国油画家的重要成就,以及在国际上的重要影响,归因大致有:一是画家对本土历史文化的反省,尤其是对文革及其后遗症的反省,如张晓刚何多苓等;二是画家对本土市井的现实关照,当下客观冷静的描绘或表象玩世的调侃,如刘小东岳敏君方力钧等;三是画家将本土的历史和现实置于全球化的背景之下,思量文化冲突与融合,如王广义、钟飚等。无论是查古观今,还是内外考量,对人的关注,对人性的剖析,以及对当代中国人的生存状态的思考,浓郁的“人文主义”精神始终闪耀期间,这可能是当代中国油画的主流和最为突出之处。而陈源初的油画游离如此主流之外,将“人文主义”思考延伸到“生态主义”(Ecologism)领域,这恰恰又迎合了当代语境的另一主流思潮。

   传统的东方哲学、处事之道强调“天人合一”,尊重大自然的规律,子曰“天何言哉?四时行焉,百物生焉,天何言哉?”(《论语?阳货》),故:“君子有三 畏:畏天命、畏大人,畏圣人之言。”(《论语?季氏》),而不像西方那样,强调人对自然的征服。《圣经》就有:“神说:‘我们要照着我们的形象,按着我们 的样式造人,使他们管理海里的鱼、空中的鸟、地上的牲畜和全地,并地上所爬的一切昆虫。’”(创世纪1:26)尤其是文艺复兴把人的自觉意识推向了新高, 相对于上帝的创造,将人的创造,人的地位凌驾万物之上,其积极意义不言而喻,但如果走的太远,人类自我和贪欲膨胀的太厉害,甚至完全站在自然的对立面,后 果恰是人类自我的迷失,对自然无情无尽攫取的贪欲,将人类赖以生存的环境毁坏。在陈源初的油画中,常有老者貌似耶和华的圣像显现,将此凝视——这难道就是耶和华创造万物,创造人类的初衷,现在看来又如此令人绝望,犹如世纪末一般。

  陈源初的油画中凝聚着绝望的情绪。被誉为第一个环境保护主义者的美国作家、哲学家梭罗(Henry David Thoreau,1817-1862),早在十九世纪就曾敏锐地指出:“多数人生活在静静的绝望之中。”面对当下,画家陈源初将 富有二十世纪意象特征的“荒原”做了图解,画面有着诗人艾略特(Thomas Stearns Eliot,1888-1965)在《荒原》(The Waste Land,1922年)中所描绘的绝望的诗意:“我们唯一的健康就是疾病……整个地球都是我们的医院”。在这里,“死树毫无阴凉,蟋蟀难解愁闷,枯石不带 水声。”画面中有在飞机轰鸣声中惊慌失措的飞鸟,在鱼网内和污水下喘息的游鱼,以及挖掘机的肆虐里疲于奔命的野马山牛。而这些曾被古希腊的剧作家福克勒斯 (希腊文Σοφοκλη? 英文Sophocles,约公元前496-前406)如此描绘过:“他用圈套诱捕欢快、轻灵的鸟类,/面对成群的野兽,海底的生命,/他退而织网,把它们 一网打尽。/人啊,你的技巧多么娴熟,头脑多么聪明! /他征服一切,他捕来悬崖上和野窟里的猎物,/用技术把它们驯服,他训练公马,/在它的毛茸茸的脖子上夹着轭,/也同样对待那不知疲倦的山牛。”同样的画 面,以不同的视角出现,产生如此强烈的对比,古希腊人在赞美人的能力时,如此具有“人文主义”的气息;悲剧作家福克勒斯在戏剧中可能看到人性的力量和悲 剧,却无法料到未来自然的悲剧。

  中国的古人可能也无法料到,那被马可?波罗赞美的国度,曾被外邦人羡慕的王土,就如汤因比 (Arnold Joseph Toynbee,1889–1975)所说的,在“文明的挑战中”,尴尬又无奈地接受了由西方开始的现代化,而今,却又如此豪情万丈地开始着对自然的征 服。反讽的是在如此“文明”、“进步”中,我们又回到了对当下的绝望,回望曾有的自然之道、天地人和。梭罗认为这种“绝望”是由人们的生活方式、道德准则 和价值观念造成的,因此,真正“文明的人”不需要专注衣食住行的所谓“人道”,而是应该成为“更富睿智的野蛮人”。1949年出生于上海的陈源初,在演习中国水墨画中度过了他早年的岁月,直至1972年移居香港,后去纽约学建筑,学艺术,还对此念念不忘。在水墨画中,陈源初领 悟到中国艺术的精神,也体悟到中国的宇宙精神,以自然为师,强调对自然尊重的价值观。老子说,“道大,天大,地大,人亦大。域中有四大,而人居其一焉。人 法地,地法天,天法道,道法自然。”梭罗理解的“更富睿智的野蛮人”就如同中国传统社会里退隐山林的逸士高人,笑傲江湖,以鸟兽鱼虫为伍,以青松明月为 朋。陈源初亦将此作为理想中的生活方式,对他来说办厂经商仅是基本的生存需要,“志于道,据于德,依于仁,游于艺”才是自己的人生理想。

   “道法自然”的态势同样流露在油画制作的层面上,如水墨画自然流淌、随意氲化、斑驳而沉着的底色,薄薄地依附在画布上,并局部的保留下来,与具体的形象 部分相互映衬,形成虚实相间,又朦胧含蓄的画意。“花非花雾非雾,夜半来天明去。来如春梦几多时?去似朝云无觅处。”(白居易:《花非花》),技巧上的应 用呼应着主题和内容,将大自然做女性的比喻,她不再是慈祥的母亲,肥沃土地的象征,也不再是天真的少女,生机活力的隐喻;在陈源初画面中反复出现的裸女,就有如被伤害,被凌辱的卖笑女子,像白居易诗中写的那样伤感而凄迷,人物形象的唯美气息,映衬在贫瘠的土地上,污秽的山林水泽中,有的还缠绕着美艳的大瓣花卉,伴随着缤纷的落英。

  透过如花一样女人,青春易逝的命运,同大自然的命运做对应,陈源初将 关注生态主义的描绘延伸到生态女性主义 (Ecofeminism, Ecological feminism)的具体视角,以此为关注点,更容易使观念形象化,视觉审美的意味也尤为充分。“生态女性主义”是将女性主义与生态学思想结合的产物,此 种观念认为:对女性的压迫与自然的退化之间存在著某种关系,导致压迫与支配女性的社会心态,直接关联到导致滥用地球环境的社会心态。生态女性主义理论者批 判性别歧视、种族歧视、对自然的控制、物种至上主义(Speciesism),以及其他各种社会不平等,是一种把女性解放和自然解放紧缚在一起的认识。陈源初的 油画通过画面背景整体感极强的描绘,将自然、以及被城市化的自然,看为整全(holistic)的有机体,认可自然的内在价值(immanence value),相信人与其他物种、大地的平等价值,而且共同组成一个不可分割的有机整体。同时,通过画面中个体化的物象,细致描绘汽车、飞机、女人和动 物,以及具有神秘气息的眼睛瞳孔,等等,将当代科技与曾有的传统和智慧,乃至巫术结合起来,以求重返人的自然性。

  当观念落实在画面上,通过物象与物象的交织,使得物象在画面中具有诗歌意象(image,imagery)一般的美学意味。在学习摄影过程中,陈源初掌 握了底片多次曝光技术,并将其形式应用到绘画当中,建构出多义性的“图底同构”的关系,主体物象的“图”和背景物象的“底”,以互补效果构成画面,通过 “替代”、“拼置”、“填充”和“正负”的方式,形成特殊的视觉效果,有如诗歌意象的交叠。特写的眼睛“替代”成汽车的轮胎、轮船的探照灯、夜晚的窗户, 裸女的身躯“替代”为枝蔓花卉、土地道路,等等。在题为《195w16》的作品中,人物的“负像”图映衬在黑夜“正像”底上,“正负”交替,生发成孤独、 压抑的意象,如悲情的诗歌。诗歌意象是 “言不尽意,立象尽之”,将难抒之情、难言之理,由意象代抒代言,产生逻辑语言所无法达成的“言有尽而意无穷”的艺术效果。陈源初油画作品中的诗意,如同李商隐的无题诗,或者更确切地说像上世纪70、80代的朦胧诗歌。特别是一双双闪烁在画面中的眼睛,让人想起顾城的诗句:“黑暗给了我黑色的眼睛,而我却用它来寻找光明”,内涵的多义性和不确定性,给观众提供了广阔的想象空间和回味余地。

   这些仅以数字和字母组合为画题的作品,在构成上同样有着古体无题诗的形式美,这在于画面有着强烈的建筑结构感和编织纹理,内在的结构和纹理支撑着画面。 绘画犹如写作,个人经历会或隐或现,1985年在肯辛顿大学读建筑学学士的经历,以及1975年任宝通纺织厂总经理的经历,陈源初出其不意地以形式而非内容的方式表现出来。画面中的编织纹理尤其给人印象深刻,会联想起画面中的女性,“生态女性主义”的物象由此演化为女性的传统角色,农耕时代男耕女织的诗意畅想,画中的女子曾是九天下凡尘的织女,还是南海中会织绡的鲛人。

  时隐时现的编织纹理得以保留映衬在画面中,是由于陈源初在 描绘物象时采用了类似水彩画技法的半透明画法;同时编织纹理让这些纷繁复杂的物象有了组织感,繁而不乱。半透明的物象又营造成相互幻化的景象,就像《红楼 梦》中描绘的用孔雀羽毛织成的衣料,不同的角度有不同的华彩。机械幻化为人脸,动物幻化为人形,花枝幻化为美女,有如蒲松龄笔下的山妖、鬼怪和狐仙。中国 传统民间信仰认为万物皆有灵性,山川湖泊、蛇虫禽兽、乃至花草树木、顽石器物等,都可修炼成性,化为人形。众生平等,那些得道的或仙或妖甚至受人崇敬,白 蛇化为白娘子,槐树开口成媒人。在陈源初的画中,我们似乎看到画家从乡土民间继承过来的,对待自然善良仁爱的温情。

  陈源初却将此作宇宙生命的理解,那些若隐若现的物象,就如庄子所说:“方生方死,方死方生,方可方不可,方不可方可”。画家认为:“冥冥之中,自然界千万年过来了。混混沌沌的人类,生生死死的也过来了。还会千秋万代地过下去。”而“这些透明的人就是冷眼旁观的人。”陈源初设想的“上苍”不同于宗教世界的“上帝”,对待世人没有救赎,没有特别的怜爱,“而是冷眼旁观,由其自生自灭”。“天地不仁,以万物为刍狗”(《道德经》第五章)。

  宇宙生命是无限的,画面是有限的,画面的内容更是有限的,在无限之中做有限的描绘,陈源初实 质上是在绘画的过程中,探讨世界在自我寻找中的可能性。无限的是岁月时空的轮回,有限的恰是人类灵魂的羁绊,当有限转换为无限,而无限转化为有限,有限与 无限界线打破,人类便无所谓永恒与短暂,更无所谓个体的生与死。禅宗所说佛需经过三层境界:“第一层是落叶满空山,何处寻行迹——寻而不得;第二层是空山 无人,水流花开——似悟到而实未悟到;第三层是万古长空,一朝风月——瞬间悟到”。画家其实处在“似悟到而实未悟到”困境中,所以我们才看到,如此一片图 景的画作;等到哪一天画家真的心如止水,画作可能会另有境界,也可能不用再画画,张眼四望,皆是美景。

  在一篇访谈中陈源初说:“我只用过自己的眼睛”,其实,作为画家的陈源初更多地是在用自己的心灵,透过幅度适中的油画叙述着:一沙一世界,一花一天堂,一树一菩提……

  正如王国维所谓“一切景语皆情语也”。



 

汪贤俊 <wbr> <wbr> <wbr>陈源初“生态主义”意象交织的油画图景

 

汪贤俊 <wbr> <wbr> <wbr>陈源初“生态主义”意象交织的油画图景

汪贤俊 <wbr> <wbr> <wbr>陈源初“生态主义”意象交织的油画图景

 

 

 

 

 

 

Posted by Yuan Chu Chen on 4/16




陈源初 胡言梦语 四

 

陈源初   胡言梦语   四

 

很多梦想后荒凉来理解。烟雾和粉尘,步步莲花,在所有其跌宕起伏,也全在深深浅浅的红色。光风轻云,逐步扩大生活的图片,作为羽毛蝴蝶,变态,滑稽可笑,收获是生活的厚报,然后一掷千金,以前从未有现在什么?向西风离别?冷烟银行栏,清理掉灰尘、 朦胧诗云等船 !返回是否?绿色雕像双饮料 !广大百姓捉襟见忖,无法温饱,下一个珠门帘,外流窗口,反映了眼,什么感受 !渐渐地,外面的月亮,映出内疚?黄浮絮凝、 不风、 刑期,什么都没有 !在深夜,冷。竹和柳树外, 堤一侧的眼睛,长汀树,零无数 !长棉切刀、 切悲观数千射线 !所以,微笑,让心充满阳光。始终相信追求是更好、 种植剑兰和淡泊就是幸福。在开花谢钟,享受到别人自己也感染攻击,听听穷苦民众凄惨的声音,心突然的洞察力,没有一种不同的生长? 这一点,可惜穷人的呻吟被禁,而不是以惊天动地,但步行到商店和另一个同胞的悲沧口味,做真正的自我 !绝望的时间,使时间,惊鸿草木的世界,爱一个爱,不要求所有的时间,在此时刻,永远在身边的所有解释原因。翻岭忧郁和一个空的订购单,数千射线、 哭泣,薄柳时代的变化,横斜空间阴影,跳舞没有弹簧歇,乍一看,通过黑夜,飘无数的眼泪、 春风十里黄河路、 河砂绿色!水波纹,充满了青山,筱墙看到黑暗、 琵琶玩?梧桐叶落,草是渐逝,相思,红色粉尘轧制、 繁华的总理,天雨夏的岸边,无限柔情缠绕你的身体,持续的爱担心是的俞已溶解到枕边的梦想,安慰,耳语初恋的诗,音韵学漂流、 作为高亢的情绪,与安静的声音,在梦中打开的心结的抽泣着了,啊,古代雕刻一代又一代的温暖到现在,和苦难的人一起,三千年未变,心隐隐隐隐作痛,月亮如此悲伤,通过了谁的悲伤、 轻型的相思,轻忧郁的是谁在江湖,炸毁了悠扬的笛子?与风漂流、 思想不知道在哪里搁浅,也从来没有在整个秋天,和静静地过对散文已是不再冷漠,但复制的承诺已经不见了。这种方式,是宗教哲学的范围之外。可以说相比在科学先驱的科学思维的方向中的第一个学校的自然哲学家加强。领取最多孤独,会吗?让所有的方式在一起,成为生命中的监护人,即使地球与天堂同老 。很久,仍是没有遗憾,只有想要包括生命,这一页,最后一章中一页,永远想念。这些自然哲学家从曝光和留才的杂文片段。所知道的一小部分基于 1000 多年后的工作。对于招聘的哲学家,才作出的所以不是在能够考虑如何将得出这些结论的不同结论。但是基于已知的信息,以确定是否这些早期希腊哲学家,与基本的材料和相关问题的更改种类组成的宇宙的问题。年悠悠,爱也微弱,一旦走了多少风暴道,请参阅做世界沧桑、 是和不知道谁失败对歌、 写道和夏,继续思考,不知道从什么开始、 也不知道何时结束,是大多数结束的回忆,也是多年的结束?也许,一切都是最终的。多少人花天酒地,多少人路边乞讨,经历了这些年来,很多事情,没有痕迹会理解 ,但生活,在这个时间、 浪漫的夜晚,爱的银行希望来到,水中的厚泥陪伴喝醉了誓言的永恒的风景。欣赏持久性小笔画下跌大橡树,卷云云舒适安静,难过的时候,总是对自己说: 嘿,坚强 !向下和默默地对自己说: 没什么大不了的。是的痛苦生活是很多,和谁不能走路通过沧桑,直接进入成熟吗?贫苦两端的广阔无限、 云水深、 控股恒嫩度和怀旧当地球与天堂得到旧-恨,很久、 很久的时间在一起、 周到记住永久萦绕在前额。始终相信,简单的事情,简单的人,悠闲游荡在阴影之中,习惯了安静的集合的所有喜怒哀乐的时间流中。或许,人间悲情,在回望过去的感情,可以在这里出现,又溟没。

 

 

 

 

 

 

 

                        
Posted by Yuan Chu Chen on 3/25




陈源初 胡言梦语 三

 

陈源初

胡言梦语  

虽 然中国的当代艺术都可以在美国发现的前任但中国艺术家的渴望性能和对美国文化的移近是显而易见。中国如果可以在国家的经济方面继续发展,政治文化的政策更 宽松,对社会道德环境卫生交通管理等,进一步加强对腐败官员和犯罪分子药物的惩罚更广泛和严重,在世界上各国友好沿,在台湾问题妥善处理,在满足国防的需 要夏不参与任何军事竞赛,在全上海的超越世界水平的突出显示性能夏建制领导的世界的领导作用,使全感激的后裔在回顾的时候,这个世纪将命名中国到世纪表示 敬意。美国流行文化是青春期的文化而不是成人文化。如果中国要成为世纪的带领其他国家的领导人,必须建基于原始有丰富、 精致、 精英文化,其中包括不只年轻的一代,但更重要的是世界各地的人们知道的真相和真理,根据成熟的成年人,不只是美国醒目的明星流行文化的悠久历史。在文化艺术领域内,荷兰人在活到其高超的电影技术和强大的明星阵容和庞大的受众群体,形成了世界电影的制作中心、 电影泰国斯坦尼克克,后天,1012,c 哪里起来,在其投入的资本和生产的壮举和内涵的影片都是在商代具有领先地位的世界当然票房的收入也在不断刷新了历 史的高度。艺术,意大利,对现代艺术的法国,但中央为艺术不可避免的古典艺术来到美国。只是看看当代艺术流派是离不开美国,你可以知道美国的上世纪的文化 的影响。中国开放的艺术和文化、 文 学和艺术的新的经济环境按为新的文学和艺术追求。在文学世界里,在新的时代开始从疤痕文学已成为一个新的空间,但有多伤痕文学和文化革命的文学叙事形式的 趋同,和从文革文学模型无瘢痕和研究成为前奏对文学的社会原因尚未得到充分研究。从文学生产的角度看,伤痕文学的结果是文艺路线调整、 它逐渐达到了文学叙事过渡到个人叙事的政治意识形态,逐渐打破的历史是已完成的叙事文学的文化革命中的样式和具有自身特色和当代文学的意义。在电影行业,1979年是非常重要的改革和对外开放文化革命是解放的文化产品,其中大量释放到新一代的领导人之前重要决定,以丰富人们的文化革命影片重新生活的俘虏。

因为任何的负面倾向的政权,现在在电源中坚定地成为之后建立的文学开放也成为了趋势的不稳定制度已被阻止,虽然当前开放是相当有限的但进一步自由化是在拐角。美国将不再能够完成第二个美国世纪,特别是在晚 1940 's 到早期 70 作为世界上占主导地位的国家。视角的历史,并且在许多方面从上个世纪,21 世纪有一个不同的特派团,以及和平和繁荣、 打击恐怖主义,防止扩散的全球经济不景气的情况下,消除核武器的威胁打击全球的传染性疾病,缓慢和停止升温、 支持恶劣天气和地球的灾难造成的巨大损失、 节约能源、 环境保护等等,是在新世纪新的使命。包括在 1918 年 ; 来自东部、 好兄弟和柳堡苏联影片的母亲,在 10 月,列宁和列宁的故事风的红色光谱英国电影奥利弗麻花的数百万英镑 ;意大利电影的那个偷自行车,朝鲜还发布了如花姑娘的人。在艺术领域,在原始发送,学院根据商代墨水当代艺术开始大行其道,从圆明园画家村,星星画会,没有画到摄影写实,现实主义、 厦门达达玩 CB 现实主义、 理性主义、 现代主义先驱发送,政治波浪一般,侯现代学说等等,

容忍和放松也是前所未有的中国政府。大部分中国的政治领导人,现实主义者,仔细计算了他们自己的国家和个人利益的利益。他们长大了学习马克思主义、 社会主义和共产主义意识形态的倡导,和政治会议被广泛应用在新闻中,其实只是继续的政治理想和口号在夺取政权之前,没有人真正相信和实行马克思主义、 社会主义和共产主义的意识形态。就像美国的政治领导人相信,所谓的美国的普遍有效性的理想选择,他们促进美国理想仅为美国的利益提供了法律的前面。与俄罗斯的斯大林、 千年的仪式和传统和占领的土地在中国的信贷的态度,不同的疏忽中国创始人不宣扬了。现今在艺术和文化,根本不像在中国,被监禁的严酷的第一个30 年是不稳定的政权因阻止了目前的政权。尽管中国经历了 30 年的曲折和转后的日历中现实主义的方式,而不是理想主义者的代理方式。30 多年来作为非经济的大规模运动的创始 人,保持个人的力量给中国带来了巨大灾难和动乱。虽然这种干扰是领导人负责,但它看起来像民主独裁制度和群众的无知的实质的基础。相对爆发的一场灾难之后 的经济复苏,如严重的疾病产生的免疫反应类似于华人社区厌恶动荡,导致今天的现实主义和政策的限制下的民主一党专政。

Posted by Yuan Chu Chen on 3/24




陈源初 胡言梦语 二

 

陈源初   胡言梦语   

 

深蓝色背景棚的破发点、 生态与环境、 黑洞不全......让我用差异的宇宙以反映人文精神的油画风景,墨水溅到的方式,新鲜和陈旧,云层和墨水风景美丽的油画,薄雾开始了数以百计的鸟群,自然充满了灵气,人类通过人的思维出现在风景,人文经典音乐、 歌曲和歌曲演奏在将来的。我的艺术的具体形式的那些思维感觉左-我看看和谐简单起见,幻灭,灭绝内存的美感的意境。茂密的植被和黑暗隐藏忧郁心情的悲伤的短缺。但是占主导地位的非理性和艺术的融合汇集的一个理性因素固有的活动,以充分调动,挖掘、 演示人类环境的主观感觉、 悟性、 选择、 歧义的定义及其标准中存在。然而,早上出现了暮光之城酿造的黎明明星相的心情,是残忍良好的视野,而不是无知,人类,和环境危机面临必须立即使用改变既定的做法,无论多少的生命,它是重要的如何的历史,如何奉承。盛开花朵装饰地球,你将完美的反常现象,地球将变成花,一反常态。神秘的天空,闪烁的星星闪耀在他眼中美丽。奢侈品牌、 珍馐佳肴、 蘑菇艺术、 艺术是人的感情,在我眼前闪过的结晶。哦,不,我会相当朴实站立和轻茶菜。认为它是一个起点,知识是感官感知可以怀疑,你不能信任我们的感官,不"我思故我在","我听说,因此我是",但:"我想,因此我"思因此总和。事情已授予或采取的授予,并且我怀疑我是独立于肉体的思想。我是一个双重的存在,我做爱,以为。我的画是一个二进制,面,有固有。我在这幅画的照片时,在这幅画后得想,一边看着我的画有想,需要问一个问题。我经常使用砂和灰夜一单一颜色灰色的天希望观察他们的知识、 能力、 素质。训练自身素质。也许它不会工作,但只有创新可以为创造性思维提供广泛知识的环境和生态的平台和广阔的空间。我们找出那种生活,社会,艺术是需要不断地重新发现和怀疑 !没有刚性的标准存在,或固定的说法,不管它是如何客观,都毫不怀疑 !在空间中的壮丽星云、 广阔的时空视野体现了我焦虑和无助感、 缺乏人类的道德价值观,我怀疑的谎言中昏昏欲睡和困惑。黎明即将到来,我看着窗外的小屋,宇宙、 科学、 生活、 艺术、 和其他大量经验、 思想的理解和感受与大量的文本,图像和艺术表演和遗传,再思考。

Posted by Yuan Chu Chen on 3/23




陈源初 胡言梦语 二

 

陈源初   胡言梦语   

 

深蓝色背景棚的破发点、 生态与环境、 黑洞不全......让我用差异的宇宙以反映人文精神的油画风景,墨水溅到的方式,新鲜和陈旧,云层和墨水风景美丽的油画,薄雾开始了数以百计的鸟群,自然充满了灵气,人类通过人的思维出现在风景,人文经典音乐、 歌曲和歌曲演奏在将来的。我的艺术的具体形式的那些思维感觉左-我看看和谐简单起见,幻灭,灭绝内存的美感的意境。茂密的植被和黑暗隐藏忧郁心情的悲伤的短缺。但是占主导地位的非理性和艺术的融合汇集的一个理性因素固有的活动,以充分调动,挖掘、 演示人类环境的主观感觉、 悟性、 选择、 歧义的定义及其标准中存在。然而,早上出现了暮光之城酿造的黎明明星相的心情,是残忍良好的视野,而不是无知,人类,和环境危机面临必须立即使用改变既定的做法,无论多少的生命,它是重要的如何的历史,如何奉承。盛开花朵装饰地球,你将完美的反常现象,地球将变成花,一反常态。神秘的天空,闪烁的星星闪耀在他眼中美丽。奢侈品牌、 珍馐佳肴、 蘑菇艺术、 艺术是人的感情,在我眼前闪过的结晶。哦,不,我会相当朴实站立和轻茶菜。认为它是一个起点,知识是感官感知可以怀疑,你不能信任我们的感官,不"我思故我在","我听说,因此我是",但:"我想,因此我"思因此总和。事情已授予或采取的授予,并且我怀疑我是独立于肉体的思想。我是一个双重的存在,我做爱,以为。我的画是一个二进制,面,有固有。我在这幅画的照片时,在这幅画后得想,一边看着我的画有想,需要问一个问题。我经常使用砂和灰夜一单一颜色灰色的天希望观察他们的知识、 能力、 素质。训练自身素质。也许它不会工作,但只有创新可以为创造性思维提供广泛知识的环境和生态的平台和广阔的空间。我们找出那种生活,社会,艺术是需要不断地重新发现和怀疑 !没有刚性的标准存在,或固定的说法,不管它是如何客观,都毫不怀疑 !在空间中的壮丽星云、 广阔的时空视野体现了我焦虑和无助感、 缺乏人类的道德价值观,我怀疑的谎言中昏昏欲睡和困惑。黎明即将到来,我看着窗外的小屋,宇宙、 科学、 生活、 艺术、 和其他大量经验、 思想的理解和感受与大量的文本,图像和艺术表演和遗传,再思考。

 

 

 

 

Posted by Yuan Chu Chen on 3/23




陈源初 胡言梦语 一

 



胡言梦语   一

 

人与自然、 人与城市的空间和空间结构创意之间的当代社会生活的探索。材料、 组成、 着色,笔是更大胆、 更开放。对性能先锋的色情内容和重大改进。诉诸纯粹感官的绘画。有些艺术家使用超越现代绘画,主要形式、 想法和灵感的形式主义。有很多的装置,广泛使用的图像,包括电视、 电脑、 视频、 幻灯片投影仪,讲故事,艺术保留。要赢一个大型的复杂一些设备。逼真的商业做法仍然存在。新兴形式,如街头艺术,是实际上比喻绘画的站点。现在混凝土和抽象没有明确的边界,但论思想与理性解构和当代社会、 文化、 哲学、 艺术与生活的思考。视角的历史,并且在许多方面从上个世纪,21 世纪有一个不同的特派团,以及和平和繁荣、打击恐怖主义,防止扩散的全球经济不景气的情况下,消除核武器的威胁打击全球的传染性疾病,缓慢和停止升温、 支持恶劣天气和地球的灾难造成的巨大损失、 节约能源、 环境保护等等,是在新世纪新的使命。中国 30 年的经验在日历中重大案件的审理,但在现实主义的方式,而不是理想主义者的方式行事。30 多年来作为非经济的大规模运动的创始人,保持个人的力量给中国带来了巨大灾难和动乱。虽然这种干扰是领导人负责,但它看起来像民主独裁制度和群众的无知的实质的基础。相对爆发的一场灾难之后的经济复苏,如严重的疾病产生的免疫反应类似于华人社区厌恶动荡,导致今天的现实主义和政策的限制下的民主一党专政。一些综合艺术抓住人们的注意力、 绘画、 雕塑、 安装、 视频、 声音、 和聚集在一起,一起的工作的一大块,在视觉艺术跨度安装、 摄影、 视频和其他样式内合成。许多艺术家焦点跨族群、 文化、 空间和时间上的做出独特的视觉思维的连锁反应。跨到视觉艺术、 表演艺术、 视觉艺术和表演艺术的空间繁殖工程的叙述形式。使用摄影和视频录制的电视节目,组成了工作。关注生存和内存,经验之间的关系的表示形式的空间和时间,强调思想、 心理和概念。中国如果可以在国家的经济方面继续发展,政治文化的政策更宽松,对社会道德环境卫生交通管理等,进一步加强对腐败官员和犯罪分子药物的惩罚更广泛和严重,在世界上各国友好沿,在台湾问题妥善处理,在满足国防的需要夏不参与任何军事竞赛,在全上海的超越世界水平的突出显示性能夏建制领导世界的领袖作用,使得全感激的后裔在回顾这世纪的时候,中国将用于到世纪表示敬意的名称。美国当代艺术,绘画中的主要概念概念勘探、 概念图已经存在、 仍然有几个 pop、 抽象的极简主义,所以老和传统和当代的做法出现和更后现代的比喻、 半比喻或抽象混合发生。女性艺术家在展览和访客在性交,和性交,在绘画中之间司法、 社会实践探索艺术和关系。与俄罗斯的斯大林、 千年的仪式和传统和占领的土地在中国的信贷的态度,不同的疏忽中国创始人不宣扬了。现在在艺术和文化,根本不像在中国,被监禁的严酷的第一个 30 年因任何的负面倾向的政权,现在在电源中坚定地成为之后建立的文学开放也成了趋势的不稳定制度阻止了,虽然当前开放是相当有限的但进一步自由化是在拐角,司法、 社会实践活动。

 





 

 

 

 

   
Posted by Yuan Chu Chen on 3/20




Yuan Chu Chen To explore art and the relationship between justice, social practices.

 

Yuan Chu Chen

To explore art and the relationship between justice, social practices.

 

China's 30 years of experience in major trials calendar, but in a realist manner, rather than idealist way of acting. For 30 years as founder of non-economic and massive campaigns to maintain personal power gave China an enormous disaster and unrest. Although such disturbances are leaders responsible, but it looks like democracy dictatorial system and the ignorance of the masses in real terms are based. Relative to the outbreak of economic recovery after a disaster, such as serious illness resulting from immune response similar to Chinese community loathed the upheaval, resulting in today's realism and the policy of limited democracy under one-party dictatorship. Unlike Russia's attitude towards Stalin, the Millennium of ritual and tradition and the occupation of land in China's credit, Chinese founder of negligence was not aired. Nowadays in the arts and culture, not at all like the first 30 years of harsh imprisonment in China, were blocked because of the unstable regime any negative tendencies of the regime, now in power after become firmly established, literary opening also became a trend, although the current opening is fairly limited, but further liberalisation is right around the corner. United States will no longer be able to complete the second United States century, especially in the late 1940 's to the early 1970 's as the world's dominant Nations. From the perspective of history, and in many ways from the previous century, the 21st century has a different mission, in addition to peace and prosperity, combating threats of terrorism, preventing the proliferation of nuclear weapons, the Elimination of the global economic downturn, fight global infectious diseases, slow and stop warming, support for huge losses caused by severe weather and disasters of the Earth, energy conservation, environmental protection and so on, is a new mission for the new century. China if can in national of economic aspects continues to development, political culture of policy more loose, on social moral sanitation traffic management wait further strengthened, on corrupt officials and criminals drug of punished more widely and severe, on world States friendly along, in Taiwan problem Shang properly processing, in meet Defense of needs Xia not participation any military race, in full of, beyond world level of highlight performance Xia formed led world of leader role, makes full grateful of descendants in recalled this century of when, Name that will be used by the Chinese to pay tribute to the century. United States contemporary art, painting main concept conceptual exploration, concept drawing already exists, there are still few pop, abstract, minimalist and so old and traditional and contemporary practices emerge and more after modern figurative, half-figurative or abstract blending occurs. Now concrete and abstract without clear boundaries, but on ideology, with a rational deconstruction and reflection of contemporary society, culture, philosophy, life and art. Exploration of contemporary social life between man and nature, people and cities, space and space structure ideas. In terms of materials, composition, coloring, pen is bolder and more open. Pornographic content and significant improvements to performance at the vanguard. Resorting to purely sensual painting. Some artists use beyond the formalism of modern painting, mainly forms and ideas and inspiration. There are a lot of installations, extensive use of images, including TVs, computers, video, slide projector, telling stories, art retained. Some devices to win a large complex. Photo-realistic business practices still exist. Emerging forms such as street art, are actually a figurative painting, for a site. Some comprehensive art caught people's attention, drawing, sculpture, installation, video, sound, and come together, the combined work of synthesis of a large piece, within the Visual Arts spans installation, photography, video, and other styles. Many artists focus on cross-ethnic, cultural, spatial and temporal make a unique visual thinking with knock-on effects. And across the Visual Arts and the performing arts, spatial reproduction of Visual art and performance art works of narrative form. Using photography and video to record the show, composed works. Concerned about the relationship between survival and memory, experience the representation of space and time, emphasized the ideological, psychological and conceptual. A female artist at the exhibition and visitors in front of intercourse, and in painting during sexual intercourse, to explore art and the relationship between justice, social practices.

 

 

 

 

 

Posted by Yuan Chu Chen on 3/20




Yuan Chu Chen Realism and Freehand Aabstract and Representational

 

Yuan Chu Chen

Realism and Freehand

Aabstract and Representational

 

The contemporary art, painting main concept conceptual exploration of The United States, concept drawing already exists, there are still few pop, abstract, minimalist and so old and traditional and contemporary practices emerge and more after modern figurative, half-figurative or abstract blending occurs. Now concrete and abstract without clear boundaries, but on ideology, with a rational deconstruction and reflection of contemporary society, culture, philosophy, life and art. Exploration of contemporary social life between man and nature, people and cities, space and space structure ideas. In terms of materials, composition, coloring, pen is bolder and more open. Pornographic content and significant improvements to the avant-garde. Resorting to purely sensual painting. Some artists beyond the formalism of modern painting, mainly form and concept mastery. There are a lot of installations, the extensive use of images, including TV, computers, video, slide projector, telling stories, popularization of the art. Certain devices to large composite win. Photo realistic business practices still exist. Emerging forms of street art, are actually a figurative painting, in other venues. Some comprehensive art caught people's attention, drawing, sculpture, installation, video, sound, and come together, the combined work of synthesis of a large piece, within the Visual Arts spans installation, photography, video, and other styles. Many artists focus on cross-ethnic, cultural, spatial and temporal make a unique visual thinking with knock-on effects. And across the Visual Arts and the performing arts, spatial reproduction of Visual art and performance art works of narrative form. Using photography and video to record the show, composed works. Concerned about the relationship between survival and memory, experience the representation of space and time, emphasized the ideological, psychological and conceptual. A female artist at the exhibition and visitors in front of intercourse, and in painting during sexual intercourse, to explore art and the relationship between justice, social practices. United States the problems facing contemporary art: in today's world people actually asked art what? artistic and philosophical, scientific or religious coexistence, faith looking back to the past, and on the negative and cynical will look forward, paving the way for free thinking and pure art. Pursuit of social reality should remain profitable part. Just like during the conversion of the 19th century to the 20th century, when the United Kingdom was the most prominent powers. Militarily, United Kingdom on the powerful Royal Navy dominated the world's oceans. It is a world economic leader, first industrial later in finance, of world importance in many topics, such as restrictions on the slave trade, the fight against piracy, the development of international law, it was the superpower. United Kingdom in every continent (except Australia), a region or (in addition to rule India) are not a dominant country. In 20th century, the United States though not occupation and rule in any country, but with the United States's military power and political influence in the country it is the dominant power in the world. Now, 21st century, United States remains the most powerful nation, but it no longer dominate the country. United States still provide a lifestyle of appealing, but China, Russia and even U.A.E., Viet Nam and other countries's life was greatly improved, many Chinese (including Taiwan and Hong Kong and Macao people) get rich in China to achieve a Chinese dream. United States if it is to maintain the status of the 20th century, this means that the need to revitalize and restore support the United States in the 20th century became prosperous and powerful factors in the second half. Which the United States is losing. East-West national cultural traditions, philosophy, geography, human environment, aesthetics, logical thinking and other aspects of different led to differences between Eastern and Western art had become a necessity. Despite "differences" inevitable, "and" more natural: humans have created mankind's art. It was considered Western art trends "realism", Oriental art trend "Freehand", the view was expressed that the Western art trends "abstract," Oriental art "representational"; a view, you'll find both of these contradictory! But meditation and thought, I feel that it is receiving. In fact? Chinese easy to learn about "image" and "number", "image" and "a few" roughly equivalent with vast and subtle. The "image" and "number" the coexistence of all things (including art) presents the charm. Art (artist), high and low, East and West, "masters of art" be whispering the dialogue, can walk side-by-side!

 

 

 

 

 
   
                       
Posted by Yuan Chu Chen on 3/19




Late night dreams

 

 

Yuan Chu Chen

Late night dreams

 

Its late night, I slowly go into the dreams ... Countries have asked the artist to contribute to society is a pressure on the artists. Artists volunteer to contribute to society is a kind of self-pursuit, is undoubtedly a noble act. Western concept of art for art actually has a confusing, since the concept of art in different times and under different forms of Government are not the same. In ancient China and Western countries from ancient times to the present artists played themselves in isolation, isolated self and society, is a State of protection of the natural state of the art of traditional. Historical experience in the ethical sense is a natural purification of academic ethics. East and West, Africa, Arabia, South America, primitive, ancient, medieval, modern, modern, and contemporary, the concept of art and the artist's pursuit is different. Some postmodernists to Greenberg's complete denial of thus creating controversy, postmodernism and modernism can coexist are later replaced modernism to modernism, really just a general theoretical issues. Academia "Western" and "China" is not a pure concept. Portugal Spain dominate the sea era, era of the British Empire, and the United States for world domination, "the West" in every period has a new meaning. Actual China today, with the Western concept of "China" a considerable distance. Western concept of correcting it sounds that connotation of Qin Han and Tang dynasty during Yuan, Ming and Qing dynasties, and we understand, of course, there are differences. This geographical concept is undoubtedly wrong on multiple meanings but in reality adhere to exist. In the West, requiring artists to contribute to society to civil, theorist, or spontaneous voices of artists, or can be called a noble taste, no pressure to artists. More considered, should be left in a natural state of art, but must reflect ourselves, or contemporary society and people's life and spirit. In the former Soviet Union, China, North Korea, all States require the artist to contribute to society, and even to express yourself without contributing to society in accordance with the established criteria for combat or persecution. Indeed express themselves in practice would also be useful to society, while the country's standards to advocate or promote a particular policy may be bad for the country, advocates for the Stalin purge dissidents disastrous, as advocates of the cultural revolution is one of the shinianhaojie formation. Of course, when the authorities have ordered, but still remain under pressure like Lin Fengmian pursued alone. Today, the Chinese Government has also asked the artists to contribute to society? 20th century is the United States centuries, this is an indisputable fact that, without any other economic or lifestyle of the country to have this title. In the late 20th century, many brutal incidents broke out successively, destroyed the United States's century-old dream: 9-11 attacks, Iraq war, Afghanistan war setbacks, United States broke out of the global economic crisis and the economic recession. In Iraq and Afghanistan's setback to a large extent how corrupt the United States's reputation, the global economic crisis was stabbed United States energy. People all over the world became suspicious, United States political system, economy, essential values such as life does have its advantages. As the 21st century arrived, United States's position in the world decreased significantly. United States industry's share in the economy has been smaller than in the 20th century, and now China. At present, the United States as the largest single economic area financial sustaining its political influence and cope with the lasting withdrawal of the economic crisis. In 2008 the Bush Administration had implemented in 2009 he has been the center of the financial rescue plan. United States stressed that financial institutions are too big to fail, and the Government continues to strengthen its control of interest rates and monetary policy. With the end of the 20th century, 21st century, 21st century will also be United States centuries is not obvious. Belittling despise United States to great-power status and image as an international leader in the climax occurred in articles and books. United States is no longer the world's largest manufacturing center, China's national strength will be over The United States around 30 years.

 

 

 

 

Posted by Yuan Chu Chen on 3/16




Late night dreams

 

 

Yuan Chu Chen

Late night dreams

 

Its late night, I slowly go into the dreams ... Countries have asked the artist to contribute to society is a pressure on the artists. Artists volunteer to contribute to society is a kind of self-pursuit, is undoubtedly a noble act. Western concept of art for art actually has a confusing, since the concept of art in different times and under different forms of Government are not the same. In ancient China and Western countries from ancient times to the present artists played themselves in isolation, isolated self and society, is a State of protection of the natural state of the art of traditional. Historical experience in the ethical sense is a natural purification of academic ethics. East and West, Africa, Arabia, South America, primitive, ancient, medieval, modern, modern, and contemporary, the concept of art and the artist's pursuit is different. Some postmodernists to Greenberg's complete denial of thus creating controversy, postmodernism and modernism can coexist are later replaced modernism to modernism, really just a general theoretical issues. Academia "Western" and "China" is not a pure concept. Portugal Spain dominate the sea era, era of the British Empire, and the United States for world domination, "the West" in every period has a new meaning. Actual China today, with the Western concept of "China" a considerable distance. Western concept of correcting it sounds that connotation of Qin Han and Tang dynasty during Yuan, Ming and Qing dynasties, and we understand, of course, there are differences. This geographical concept is undoubtedly wrong on multiple meanings but in reality adhere to exist. In the West, requiring artists to contribute to society to civil, theorist, or spontaneous voices of artists, or can be called a noble taste, no pressure to artists. More considered, should be left in a natural state of art, but must reflect ourselves, or contemporary society and people's life and spirit. In the former Soviet Union, China, North Korea, all States require the artist to contribute to society, and even to express yourself without contributing to society in accordance with the established criteria for combat or persecution. Indeed express themselves in practice would also be useful to society, while the country's standards to advocate or promote a particular policy may be bad for the country, advocates for the Stalin purge dissidents disastrous, as advocates of the cultural revolution is one of the shinianhaojie formation. Of course, when the authorities have ordered, but still remain under pressure like Lin Fengmian pursued alone. Today, the Chinese Government has also asked the artists to contribute to society? 20th century is the United States centuries, this is an indisputable fact that, without any other economic or lifestyle of the country to have this title. In the late 20th century, many brutal incidents broke out successively, destroyed the United States's century-old dream: 9-11 attacks, Iraq war, Afghanistan war setbacks, United States broke out of the global economic crisis and the economic recession. In Iraq and Afghanistan's setback to a large extent how corrupt the United States's reputation, the global economic crisis was stabbed United States energy. People all over the world became suspicious, United States political system, economy, essential values such as life does have its advantages. As the 21st century arrived, United States's position in the world decreased significantly. United States industry's share in the economy has been smaller than in the 20th century, and now China. At present, the United States as the largest single economic area financial sustaining its political influence and cope with the lasting withdrawal of the economic crisis. In 2008 the Bush Administration had implemented in 2009 he has been the center of the financial rescue plan. United States stressed that financial institutions are too big to fail, and the Government continues to strengthen its control of interest rates and monetary policy. With the end of the 20th century, 21st century, 21st century will also be United States centuries is not obvious. Belittling despise United States to great-power status and image as an international leader in the climax occurred in articles and books. United States is no longer the world's largest manufacturing center, China's national strength will be over The United States around 30 years.

 

 

 

 

Posted by Yuan Chu Chen on 3/16




Yuan Chu Chen Popular culture

 

Yuan Chu Chen  
 
 
Popular culture 
At present, China Steel, grain, rail, shipbuilding, electricity and essential areas such as the consumer goods industry is the world's largest and most competitive producers. China is rapidly expanding automotive manufacturing, energy, highways, petrochemical, cement, minerals and heavy machinery sectors, and soon (or already are) in these areas in China will be the first in the world. Along with aircraft production, development of the space industry, laying the Foundation for the development of considerable scientific and technological progress in China opens up future prospects. China are from huge export economy model converted to large-scale expansion of domestic demand, increasing development in poor remote areas. China's industrial advantages, as well as the concomitant export capabilities, of course transformed into financial power. China now has more than two trillion dollars in foreign exchange reserves of any country. China is the world's most effective use of Keynesian fiscal policy of the country, substantial demand to stimulate the economy, using their financial capacity to implement one of the most successful economic stimulus projects. Put in huge amounts of money on large-scale infrastructure projects, such as infrastructure, subways, bridges, dams, water conservancy, the Western region development, and so on. These infrastructure projects not only provide a stable market and continued to work in the area of the basis, can bring a lasting capacity for the national economy. As part of the economic stimulus package, China has started to build wind farms, solar plants, developing promising electric vehicle. In the field of scientific research, China is clearly a significant investment to get its technology strength, expanding rapidly upgrading universities and research institutes, while investing in education for ordinary. Although these measures are effective in stabilizing the enhance their economic productivity, but historically, a country transformed from industrial advantage takes years to financial advantages and technological superiority is, such as the United States in the late 19th century with industrial advantages, has a financial advantage in the early 20th century, but it was not until the mid-20th century, the University clearly beyond the United Kingdom and Germany's top universities. Nucleus of a strategy to obtain advantages in the areas of the new economy in China will depend on future scientific and educational research technology leader in power. At the beginning of this century, the Chinese Government has used $ 800 billion in United States Treasury bonds as a lever to United States put pressure on the Treasury and the Federal Reserve, direction and policy affect the dollar value. If China's current economic development trends and policies continue and improve, it will quickly emerge from the current global economic crisis, the workers ' and peasants ' financial industry will be more advanced and diverse and healthy than when the crisis started. Conversely, if the United States current trends and economic policies, when it gets out from the crisis, and economy will be more distorted and weakened than before. At this trans-century economic crisis, the Obama administration has woefully inadequate spending on new infrastructure. His economic stimulus projects aimed primarily at maintaining existing assets and employment in certain public areas, particularly with regard to State and local governments as well as public education, very little manufacturing and banking. United States recession is not the real reason from manufacturing to services, but from a new and dynamic areas of foreign currency they no longer export capabilities of traditional, static fields, such as there is no input to stimulate renewable energy and biotechnology products, medical technology, computer software and other high-tech, and so on. These are complex areas of high intelligence, could not easily increase. Unless these new competitive field is large enough to more than other countries, to cover the cost of all imports, otherwise the United States the decline is hard to recall. There are other emerging powers in the world, such as Russia and India; some are in decline, major powers, such as the EU and Japan; some of it is in some ways the rise in other areas in decline and instability in countries such as Brazil and Iran. In the world if China is to play an effective and constructive leadership role in the transaction, it must be able to lead on issues of world importance, at least in some countries. Such issues including the threat of international terrorism, the proliferation of nuclear weapons, global economy, global pandemics and climate warming. China and the United States, and Russia and India and other countries and regions, the establishment of effective and constructive relationship, including the neighboring Slavic countries, such as Belarus and Ukraine, Central Asia and the Caucasus, as well as Southeast Asia, the Arabian Gulf. They have emerged or rehabilitation to such a degree, and aspired to become a prominent or even dominant power of the region, with a traditional sphere of influence. China to create and play with a leadership position in the world, must be established as a world leader's image. China has to learn how to get world leaders to act before.Over the past half a century, United States political leaders in other countries have performed, caused worldwide revulsion and even anger and contempt. This requires more attention to the cultural styles of leaders and playing background. Political commentators in the United States popular culture, "soft power" to their people as well as the attractiveness of the rest of the world, this popular culture was largely welcomed by the young people, especially those popular with young, radical with the rebel spirit.
 

Posted by Yuan Chu Chen on 3/16




Yuan Chu Chen Art and environment

 

Yuan Chu Chen

Art and environment

 

Ever since the industrial revolution in the West, its art, no longer is a refined a few patents. Its content diverse people to cope with. Experience of Western contemporary art such as naphthalene blaze of revolution, was unprecedented in the great cultural revolution in China. While Western art revolution leaked thousands of miles out of China's cultural revolution has died. First rushed out of the cage is the economy, like male lion as shocked the world. Who says the only Western with a market economy, and we can lock in a planned economy? Who said you have shares, futures, currency trading, and we can have! Who says that only you have the richest, we immediately in the shortest amount of time. Ice art for many years, has ushered in a belated spring. Abstract, pop, Dada, who said only you? We will! Art auctions? It's all too easy, we will strive for a better and better. So far the development of the market economy with Chinese characteristics, effect is huge. Art and culture are also driven by the people, the Government's acquiescence, surging. In particular the culture of mass consumption popular, entertainment and art together, which is to drive home the fun. Literally, art and economy are the two areas. Like art and politics, art and economy, however, cannot be completely separated. From a planned economy to a market economy is just an economic model, but changes in the material sphere is huge. Reform led to a widespread view that not only has the legitimacy and necessity of everyday life for political impact is indirect, but it is fundamental. Along with economic development, the new dominant values, personal interests, experiences and knowledge determine political judgments. Effect brought about by the globalization of the market economy in China does make the world by surprise. "Worlds apart" to describe both before and after the reform and opening up of China in the field of material is not excessive. In the arts, New York, London, Paris, Venice, Basel, Manami and many urban arts community in other Western countries, Chinese artists to exhibit or attend the activity, and is often important and primary status, forced to unite China's strong economy. China has existed for 5,000 years, in poor times, it is impossible to receive world attention. Has been gradually on the historical, national, political, economic, cultural and geographical differences, ideological, ethnic differences, differences in social systems blurred. Very intense relationship between politics and art in the last century has not become a problem in the new century, adult artists of modernism and contemporary art, an important role is far more significant than on the political sensitivity to economic concerns. Instead in the works of artists of the younger generation often has nothing to do with economic issues. Chinese contemporary art has many of the same political combination of intentionally or unintentionally, especially for the memory of the cultural revolution, of course, is a form of art. But with regard to media and comment, artists and critics try to avoid direct confrontation with the political. Understand ideas, concepts of politics and ideology, and is often associated with Confucius and Mencius on the philosophy of Lao Zi and Zhuang Zi, it is safer. Brazenly to combine art and acute political issues is dangerous, it's not necessarily popular. Ideological inertia and the lessons of history and social reality, creators, critics and watched the bias towards peace. But in the press and publishing, online media, exhibition review, political issues remain displayed on the resource allocation, and complexities of Political Affairs indicated that the complexity of society, not just ideology, more environmental problems, ecological problems, official corruption, terrorism, natural disasters, relocation issues, price rise rate, stocks of gold, Government taxes, unemployment, wages, and so on, are connected with a political offence. Many installations and concept works, especially the image works, artists and critics are most works with academic value, expression is with all these political disclosures and intent. There were a number reflecting the private life as an expression of the artist's personal experience of the work, in a variety of different ways, but every corner of the society reflects the political to awaken this artist special insight and imagination, even affects those who grew up familiar with cartoon game cartoon TV show the young generation's political image and concept. Chinese contemporary art is not political, but with politics does not seem to be clearly separate. I began to compose some works devoted to the whole of nature and humanity's symbiotic relationship, explore thinking about deterioration of the ecological status of the development of human civilization, humankind should go from here? In my mind there has been a lot of different forms of spacecraft, people were scrambling to flee the impending destruction of the planet, endless space, where there is one planet, you can splurge for our unlimited human? Rather than allow the Earth Bled, rather than to protect the Earth. Was strongly advocated by our artists to all mankind: guardianship of water--water is to protect their own lives a water use--not wasting resources, reused water to stop dripping faucet caution--check maintenance cleaner--try to use SOAP to reduce water pollution. Concerned about air quality--and don't forget you are breathing, turn off the lights – at one point, less pollution. Less with electric--for slowed Earth warm of out a put force reduction with air conditioning--reduced energy consumption support green lighting--everyone are with energy lamp uses can regeneration resources-don't until energy depletion of that day do "bus family"--to ride public transportation for wing Dang "bike hero"--protection atmospheric, begins with a reduced exhaust emissions--drove people of responsibility with no lead gasoline--drove people of select using regeneration paper--reduced forest felled, electricity email lunar new year alternative greeting cards--reduce Earth burden. Grain new fashion – thrifty glory. Noise pollution control – let us mutual supervision, maintaining peaceful environment--let yourself, admit "environmental labeling"-shop for green food with fluoride-free products – ozone layer protection optional phosphate-free detergent-the protection of rivers and lakes, buying environmentally friendly battery-prevention of pollution by cadmium mercury selected green packaging-reducing waste disaster. Recognize green logo--guarantees itself health buy no pollution-food--maintenance ecological environment less with one-time products--savings Earth resources owned shopping bags--less with plastic bags owned meals box--reduced white less with one-time chopsticks--don't let forest changed sawdust garage skillfully uses--let limited of resources extended life exchange donation extra items--idle waste, donation glory recycling waste plastic--development "second oilfield" recycling waste battery--prevent tragedy repeated recycling waste paper--recycling forest resources recycling bio garbage --Regeneration green fertilizer promoting garbage classification recycling--finger beat garbage pollution-refused food wildlife--change bad of diet habits refused with wild flora and fauna products--don't let endangered life died in you hand in, not hunting and feeding wildlife--protection has vulnerable of chain suppression poaching and sale wildlife of acts--exercise you sacred of right do animal of friends--good stay life, and everything coexistence not buy rare wood appliances--don't destroyed rainforest, tree planting Ranger--and desert for struggle, adoption tree- -Champions of the Greenwood.

 

 

 

Posted by Yuan Chu Chen on 3/15





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