Integrity can be measured by the way others speak about you. That may seem harsh, but legacy is a hard judge and strict. Will you ever be mistreated by others' words? Of course you will. But, with time and distance, if you are remembered at all, people might say nice things about you. Your integrity will be the reason for your fine reputation.

In the case of Henri Matisse, his artistic integrity was evidenced by his groundbreaking work as a founder of Modern Art. It cost him dearly at a psychological level, but he pursued color as a subject (a trademark of Fauvism) and gave the world a legacy of exquisite joy in art. He lost two marriages (one legal and one common law) partly because of his single-minded adherence to his art and his art direction, and he suffered sleep disorders much of his life due to his "not painting like the others".

Matisse was a self-integrated artist; one who painted according to his own authentic vision.

What is the path to artistic integrity? A young Henri Matisse was searching for answers, and just beginning to follow his independent path. In the 1890's, he came under the influence of the Impressionists, who were not universally popular. No lesser light than Camille Pissaro himself said to Matisse, "...you are gifted. Work, and don't listen to anything anyone tells you." (circa 1897)

In memoirs, his friend Maurice Boudot-Lamotte testified that, "Matisse respected nobody and nothing." Matisse's artistic direction was purely his own; unique and self-directed. A legacy worth more than gold, I'd say.

Artistic Integrity Red Meat:

Integrity (Stanford definition)

Artistic Integrity:
"Holding to artistic values; incorruptible; exhibiting wholeness; self-integration." Unknown attribution.

 

Artist's Traits

The Colorist

It is a pleasant surprise to see that the dictionary definition of the word integrity includes "artistic integrity" as a prime category of the virtue.

Merriam-Webster has it as follows:

Integrity 1 : firm adherence to a code of especially moral or artistic values : Incorruptibility.

While the topic of artistic courage leaves much room for study, here we have a term that artists may "own": artistic integrity. What is it, and how does one get it?

Here are some general quotes on integrity to chew on:

Albert Camus, "Integrity has no need of rules." 1.
Ralph Waldo Emerson, "A little integrity is better than any career." 2.
Eckhart von Hochheim, "In silence man can most readily preserve his integrity." 3.
Oliver Goldsmith, "Both wit and understanding are trifles without integrity. The ignorant peasant without fault is greater than the philosopher with many. What is genius or courage without a heart?" 4.

Artist's Traits

The Colorist

 

In the post, Characteristics & Goals, we began a path of exploring some traits that it would behoove the fine artist to acquire. See the traits posts here.

The artist that I aspire to be has:

Commitment
Courage
Creative Integrity
Decisiveness
Excellence
Generosity
Knowledge
Self Understanding

Decisiveness

Matisse said something to the order of, "Make your lines decisive!" Unfortunately I have lost the attribution to this quote, but our great Modernist is known for his superb rendering of the simple, graceful and purposeful line.

By the way, I have quit using Matisse images because I was reminded that he has an active estate, and is also not past the 70 year rule vis-a-vis fair use. Try this site for an pictorial homage to the man (apparently with rights?)

The trait of decisiveness comes with competency. If you believe in yourself and your materials, you can be bold with marks and with colors. Draw much. Make a promise to yourself to draw at least 1,000 drawings this year.

Be Keen

Mental agility helps. Test yours here.

Now that you (may) hate me for that, let's get back to mental agility. In order to be resolute in one's art, I suggest having a keen mind.

Our Henri Matisse was known for his sharp wit. He generally dominated in groups, sometimes taking over the direction of his class of art students from slow teachers. He was a class clown and a general agitator. A rather unusual story is told of his having defeated a master hypnotist when he was a youth - Henri being the only one to resist the powerful stage man.

Art itself has been held up as a pursuit beneficial to honing the mind. Other general fitness activities, social interaction, active learning, and one of my required pursuits, reading, can keep the gray matter healthy.

Is your I.Q. hardwired? Is there any wiggle room for your brain to grow?
Make these smart choices to become a smarter artist:

• Hang out with people smarter than yourself.
• Blog.
• Study language.
• Become interested in new things.
• Read an artist's biography.

The Colorist

Artist's Traits

There has been a strong case put forth against excellence in art. The whole Postmodern Art movement declares that "dominant paradigms" need upturning, like beauty and skill.

My contemporary hero, Wolf Kahn, wrote that he regrets his latter-day skills in technique, because formerly, without his expertise as an oil painter, he was freer to "overwork" his images. Our current subject, Henri Matisse, worked years to undo his formal art training in order to create his Modern Art statement of pure, "over-wrought" and sensational color.

Because of Wolf Kahn's influence, I frequently take a pastel work and bring it well past any coherent finished point. I literally ruin the artwork, over-filling the tooth of the paper and muddying the colors. In the process, many wonderful discoveries occur! New color combinations and compositions come about. New possibilities with the medium are revealed.

In the dock for excellence, one can argue that the very definition of the word "artist" includes the idea of skill. And as my prime exhibit, I refer you to the high quality of current art. Evidence of Postmodernism's faults is everywhere present.

How to reconcile my personal beliefs about rudimentary values in art versus excellent technique? Maybe there doesn't need to be a reconciliation when one considers that there is a continuity to the artist's progress from his early to his late works. The unity of an artist's corpus is undeniable in the fact that both his early works and his later works are created by the same hand.

I feel that many more paintings await me with greater powers as a pastelist. I'll be thinking about the finer use of my medium as my studio life progresses this year.

 

The Colorist.

Artist's Traits.

Early in my career as an artist I was advised to never give away my art. The idea is to establish your value, and often people who get something for nothing hold that something to its ticket price.

Maybe one model for the uncertain economic times we are living in will be for the (established) artist to now, sometimes, gift his art. The goodwill can't hurt, and there is that old word: exposure. My own path has been to donate at least one work per year to organizations.

An artist can also give time, expertise and labor.

One of the great examples of generosity in art history can be found in the life of Vincent van Gogh. He loved humankind, and really created his inimitable body of works for our enjoyment.

Here are musicians Chet Atkins and Don McLain performing Vincent, which is about VVG's unselfish love. Find the words to the song here.

The youth here may not remember this song, but those of us in the 50 plus category will now go for a tissue...





“I feel that there is nothing more truly artistic than to love people,” Vincent van Gogh.

 

Casey Klahn

For my part I know nothing with any certainty, but the sight of the stars makes me dream. Vincent van Gogh

In our last post, we studied the trait of generosity, as exemplified by Vincent van Gogh. How do we make the transition from the world's best known self-taught artist, van Gogh, to the subject of knowledge? Is there a contradiction here? Isn't knowledge the stuff of formal education?

In order to be fair, we may have to ask if art training is necessary. Before we go too far in this, I have to say that I have never found it becoming when someone brags about their lack of letters. I prefer to speak of the merit of someone who excels in spite of their deficit in formal training.

One of my favorite creeds is: "Be, Know, Do". Art is a "doing" activity, and one "is" an artist. By contrast, knowledge is not art. Need an example of the limits of knowledge in art? A highly valued characteristic of good art is the quality of "looseness". Can one even teach "looseness"?

The ultimate "loose" artist, Mr. van Gogh, was as pitiful a student as ever darkened an art academy doorstep. He was dismissed from the Royal Art Academy in Antwerp, where he was disappointed in the pedantic character of the training. My feeling is that if the art environment (art school, for instance) values open marks, then the artist has that much greater chance of being loose.

"Now, if you can forgive someone for immersing himself in pictures, perhaps you will also grant that the love of books is as sacred as that of Rembrandt, indeed, I believe that the two complement each other." VVG

Knowledge and art appreciation fit together hand-in-glove. For me, it is true that the more I learn about art, artists and art impedimenta, the broader my love of it all becomes. I seem to appreciate more and different types of art, and at the same time, paradoxically, I feel that my critical faculties get sharper, too.

The long and short of it is that knowledge is essential to the growth of the artist. Didn't go to art school? Make it up with a lifetime of personal study. Go to museums and galleries. Look at as much notable art as your sore eyes will devour. Read about art, the lives of artists and study art history. Look online at the current world of art.

You say you did go to art school? You're not finished learning, either, Rembrandt. As every true student finds out, learning is a lifelong task that only begins with proper schooling. Thirst for knowledge is the hallmark of the learned.

Many times we have heard that it isn't what you know, it's who you know. I say, know thyself.

Next Post:
Self Understanding

Artist's Traits

 

 

 

Photo: Lorie Klahn

 

"Know yourself. Don't accept your dog's admiration as conclusive evidence that you are wonderful."
Ann Landers.

Self Understanding is imperative to the risk-taker. Often, I look to my days as a rock climber for analogies to explain something. When I did the daredevil sport, and it came time to try the next harder grade, it was only when I could do a thorough self-diagnostic that I knew I was ready to advance. Energy? Check. Fitness level? Check. Equipment? Check. Weather? Maybe, well okay-check.

The artist may advance his images with greater confidence if he knows what his limits and abilities are. When you began the painting, you were envisioning a Michelangelo. In the end, for some reason, it turned out as a Klahn. Not that it's bad, but still not what you envisioned!

"Trust not yourself,
but your defects to know;
make use of every friend
and every foe."
Alexander Pope.

Do I mean introspection? Navel-gazing? Not too much. We are not writing philosophy; we are making pictures. Wasn't it Oscar Wilde who said, "...the shallow know themselves"? But, a little self-awareness of, for instance, the will to finish a particular painting might be good to have. You may ask yourself, "Do I care enough about trees-in-a-glen to make this image really speak?"

Some self understanding will keep you against that day when the nay-sayers come about and denounce your work. "If I ever decide to buy something like that, stop me!" "Everyone can't be Rembrandt!" "Art is okay for you, if you can make a living at it!"




Why do you make this art? Are you strong in yourself? Do you feel the art in your bones? It might be good to know the why of it for when that day of doubt arrives.

"To reach any knowledge of oneself is a rare and precious bonus. Most people live to the end in doubt and uncertainty. What a torment! It's not a matter of finding the right path, but of finding one's own path, as Nietzsche said, 'Become who you are.' Alas! for [sic] one moment of certainty, how many hours of doubt!" Henri Edmund Cross

I think that having a solid "first person authority," knowing what you think, understand and believe, can help in making your art unique and authentic. It is one piece of the originality puzzle that all artists seek to solve.

Have you ever had the experience of revisiting a painting that you haven't looked at for a while, and discovering that it has a trace of van Gogh in it? You didn't know you had that in you, and you are wondering how that happened. There is no end to the delight of self discovery through art.

"I know...that I myself have no special talent; curiosity, obsession and dogged endurance, combined with self-criticism, have brought me to my ideas," Albert Einstein.

Another common phrase for the self-seeker is "Don't fool yourself". Once in a while, use some tools for checking in on your own ideas and beliefs about yourself. Sometimes, the mirror is a good device, and sometimes it is the mirror of a friend that tells the truth.

Have you ever overheard others speaking well of you? I hope you get the chance, as it is a wonderful thing to hear un-solicited praise. And, at the same time, the truth can be helpful when it's not exactly praise.

Another fun example of third party input is to secretly observe people looking at your art. I once posted some cartoons on a bulletin board, and a friend of mine made sure that I stood ten feet away and watched reactions. Didn't Mark Tobey make a point of going to his own openings in disguise?

Next Post: I'll be asking you to add your traits-to-be-gained. What are your desired traits for the artist's life?

References:

Stanford on Self Knowledge.
Extreme self-thought.

 

Artist's Traits