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106 Green

Exhibition Detail
After the Gold Rush
106 Green St.
Brooklyn, NY

May 16th, 2009 - June 6th, 2009
May 16th, 2009 5:00 PM - 8:00 PM
After the Gold Rush (poster), Tom SanfordTom Sanford, After the Gold Rush (poster),
Sculpture Park, Aaron SpanglerAaron Spangler, Sculpture Park, woodcut
Soaring Hawk, Gina MagidGina Magid, Soaring Hawk, wood
© Gina Magid
Landscape Before Dying (mirage#3), Mamie HolstMamie Holst, Landscape Before Dying (mirage#3),
acrylic on canvas, 24x24
, Anke WeyerAnke Weyer, 11x14
untitled (rust, white, and blue), Jim LeeJim Lee, untitled (rust, white, and blue),
2009, acrylic and flashe, 33x20
< || >
mixed-media, young, neil

In the tradition of artist run spaces and apartment shows, 106 Green will open its inaugural exhibition, After the Gold Rush, on May 16th. The opening reception will be from 5-8 pm, with an after party performance by Parlor Grand at Coco 66 in Greenpoint.

Originally inspired by an apocalyptic screenplay by artist and actor Dean Stockwell, After the Gold Rush, Neil Young’s third solo effort, is an epic record encompassing love, loss, social critique, and a tragic American landscape.  Most of the album was recorded in Young’s make-shift basement studio during the spring of 1970, in the late days of the Vietnam war and the dawn of a decade of economic tumult.  The songs shift in theme and musical genre, and depict visions from the medieval to the extraterrestrial in service of what appears to be an apocalyptic end, but with a hint of redemptive optimism. The album was met with lukewarm reviews. Rolling Stone then dismissed as ‘dull’ what it now calls a ‘masterpiece’.

While none of the work in this exhibition is based on Mr. Young’s music, perhaps it reflects something of its spirit. With varying strategies and media, the artists offer meditations ranging from the interpersonal to the epic; most capturing a north American angst that is both interwoven with the past and undeniably contemporary. Much of the work depicts a sort of cosmic spirituality where urban, rural, interior, and technological landscapes merge; and at its core offers a challenge and possible alternatives (however small) to the excesses of the Bush era boom.

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