Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
Nowhere

collectively GRASP

Exhibition Detail
Tomorrow is Eager, the anomalies of phenomena
850 Greenwich Street (off Columbus Avenue)
San Francisco, CA 94133


May 30th, 2009 - June 27th, 2009
Opening: 
May 30th, 2009 5:00 PM - 8:00 PM
 
tabloid phoenix, Chris RitsonChris Ritson, tabloid phoenix,
2008, magazines, glue (c-print), variable
© Chris Ritson
> QUICK FACTS
WEBSITE:  
http://collectivelygrasp.com
NEIGHBORHOOD:  
other
EMAIL:  
info@collectivelygrasp.com
PHONE:  
415 673 3744
OPEN HOURS:  
Closed
SCHOOL ASSOCIATION:  
San Francisco Art Institute (SFAI)
TAGS:  
installation, video-art, sculpture
COST:  
FREE
> DESCRIPTION

Tomorrow is Eager, the anomalies of phenomena

May 30 – June 27, 2009

Works by Chris Ritson

 

Opening Reception: Saturday, May 30, 5 to 8pm

sidewalk BBQ—LIVE MUSIC—BYO food + drink + cups

 

San Francisco, CA— Looking at transformative processes in nature and the ways we come to understand them, Chris Ritson’s work adopts media that belong, more traditionally, to the world of science than art.  Highlighting society’s prerogatives in “understanding” nature, he orchestrates intricate yet discrete environments, creating temporal narratives.  As the relationships between the materials unfold, be they living or chemical, the necessary constructions by which we view and quantify nature become akin to alchemical secrecy or mystic divinations-- the products of grade school science become a language of the divine.

 

Manifested as object, Ritson’s pieces are scientific specimens, cataloged during the peak of their lives, like a captured butterfly—contained, destroyed and often pinned under glass for future analysis and preservation.  In reality, the artist’s works—constructed from the detritus of the city, forest or beach—crumble, die and fade away.  His other works depict the body through discarded media by reconfiguring magazines, photos and advertisements into monstrous perversions of human form.

 

Tomorrow is Eager, the anomalies of phenomena is an examination of the fragmentation of self through the directions of media, placed in the context of a shared symbolic memory of a natural, original state.  The show chronicles the imperialist ideology and the capitalistic function implied in the ontology of design, and strives to address the subsequent exploitations of life assumed marginal from the ruling order. 


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.