“Gold Rush: Artist as
Prospector” seeks to address the pioneering spirit and moxie that is
mythologized in the American West. This show examines how contemporary artists find, organize, and select
materials and experiences to mine moments and
transform the everyday. The Gold
Rush and Dot-Com boom urged many opportunistic, desperate, and hopeful
Americans to take a gamble and venture west to try their hands at prospecting
and entrepreneurship. While some
'49ers and dot-comers did accumulate vast amounts of wealth, most did not. The Gold Rush and Dot-Com Boom live on
as Americans hoping to strike it big as a result of luck, perseverance, or
gall. The 9 artists in “Gold Rush”
have used the city and situations that arise out of urban existence to think
about architecture, neighborhoods, landscape, money, pedestrianism, and
tourism. Felipe Dulzaides, Alice
Shaw, and Patricia Diart employ photography, performance, and minor acts of
civil disobedience to disrupt, frame, and question the way that architecture is
representative of our social, civic, and personal aspirations. Ledia Caroll, Packard Jenning, and Lee
Walton have created situations and events that blur the distinction between art
contexts and the everyday to engage the local community and address the
ever-changing landscape and geography of our neighborhoods. Pang Hui Lim and Been Needham address
the gamble that Californians play between environmental stewardship and ever
growing urban development. Kate
Procass and Mojca Pungercar explore pedestrianism by creating situations that
illuminate the way we understand and interface with our environments. These artists have created filters
through which they have manipulated, sorted, scavenged, and framed the
seemingly mundane