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Blackfriars Hoarding

Exhibition Detail
No More Icons
Curated by: Carly McGoldrick
Blackfriars Bridge, Victoria Embankment,
City of London
London EC4Y
United Kingdom

April 5th, 2012 - June 27th, 2012
April 4th, 2012 7:00 PM - 9:00 PM
Untitled Photogram No.4, Jacob Farrell and Matthew DarbyshireJacob Farrell and Matthew Darbyshire,
Untitled Photogram No.4,
2012, Photographic paper, glass and fixings
© Courtesy the artist and Herald St Gallery, London
0207 278 3259
sculpture, pop, conceptual, installation, mixed-media

No More Icons
Gabriele Beveridge, Giles Round, Jacob Farrell & Matthew Darbyshire, Peles Empire, Rowena Harris

Blackfriars Hoarding, 5th April - 27th June 2012 

Private view: Wednesday 4th April, 7-9pm 
Sponsored by Briska Cider
Drinks after at The Punch Tavern, 99 Fleet St, EC4Y 1DE

Gone are the days of icons. Once religious objects housed in churches, now icons are people who we celebrate in magazines and on screens. Anyone can be an icon just as long as they are accessible. They have to really mean something. Yet the closest we usually get to icons is in two-dimensional form: flattened, stylized and reproduced, these images become iconic through looking a certain way. The icon is no longer extraordinary. Being iconic is just a style.

Rod Barton Gallery is pleased to present No More Icons, an exhibition of recent sculpture and installation at Blackfriars Hoarding. Located alongside Blackfriars Bridge, the space is only viewable through a series of windows. Participating artists will each use a window to exhibit newly commissioned work, as the window gallery is revised in relation to the contemporary icon. Mainly experienced through media imagery, the icon is a figure who appears to be tangible but is ultimately out of reach. Channelling this shift from the three-dimensional to the two-dimensional, here space appears compressed: works are visible yet inaccessible, presented in the consideration that they will only be seen from the front. In correspondence to the increasingly expanded definitions of sculpture and installation, each work employs different mechanisms in exposing the gap between surface and representation. Exploring what it is to be iconic, recognisable objects are either reused or reproduced as the manipulation of image-making is revealed.
- Carly McGoldrick

Nearest tube: Blackfriars, with stair access down to the river from Victoria Embankment

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