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Toomey Tourell Fine Art

Exhibition Detail
Silver Deposit Paintings
49 Geary Street
San Francisco, CA 94108

August 23rd, 2011 - September 30th, 2011
September 8th, 2011 11:00 AM - 7:30 PM
, Jimi GleasonJimi Gleason
, Jimi GleasonJimi Gleason
, Jimi GleasonJimi Gleason
, Jimi GleasonJimi Gleason
, Jimi GleasonJimi Gleason
Emulsive Glow, Jimi GleasonJimi Gleason, Emulsive Glow
Magnetic (Layer), Jimi GleasonJimi Gleason, Magnetic (Layer)
Radiance, Jimi GleasonJimi Gleason, Radiance
Saturated Absorption, Jimi GleasonJimi Gleason, Saturated Absorption
Untitled 10 x 10_1, Jimi GleasonJimi Gleason, Untitled 10 x 10_1
Untitled 10 x 10_2, Jimi GleasonJimi Gleason, Untitled 10 x 10_2
Untitled 12 x 9, Jimi GleasonJimi Gleason, Untitled 12 x 9
Untitled 12 x 9, Jimi GleasonJimi Gleason, Untitled 12 x 9
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Closed as of April 2015
sculpture, traditional, modern, figurative, abstract, surrealism, landscape, realism, pop, conceptual, performance, video-art, graffiti/street-art, installation, digital, mixed-media, photography

Toomey Tourell Fine Art is pleased to announce “Silver Deposit Paintings”, an exhibition by Los Angeles painter Jimi Gleason. The works on display emphasize seductive surfaces, nontraditional materials and the luminescent use of silver deposit to catalyze intimate reflection on the mechanics of perception. The paintings will be on view August 23-September 30, 2011. There will be reception for the artist on September 8, from 5:30 p.m. – 7:30 p.m.

Gleason’s new collection is consistent with the iridescent paintings he’s developed over the last decade, but its execution is a radical departure. Using a silver-deposit surface coat, he creates paintings that are ethereal and glassy; sheets of solid vapor that respond to the play of light and react to their environment.

The silver-deposit paintings began in 2008 as a mutation of Gleason’s soft, glowing iridescent works. They’re easily understandable as paintings, though it’s difficult to imagine how they were created. They’re enigmatic, betraying no evidence of traditional method—the application of paint on canvas. The viewer’s first impression is that Gleason has found a way to freeze the immaterial. From there, the silver surfaces, which are highly reactive to light effects and different viewing positions, invite involvement and suggest the infinitely broad experiential possibilities of art.

Born in Newport Beach, California, Gleason received his BA from UC Berkeley in 1985. He studied printmaking at the San Francisco Art Institute before relocating to New York City, where he worked as a photo assistant and photo technician. Returning to California, Gleason was employed in the studio of Ed Moses for five years. Combining the disparate technical and compositional skills developed during his exposure to printmaking, photography and mixed-media painting, Gleason is now the subject of considerable curatorial and critical applause. His work is exhibited in significant public institutions, including the Armand Hammer Museum, the Long Beach Museum of Art, the Seattle Art Museum, the Tucson Museum of Art and the Frederick Weisman Art Museum. The artist’s paintings are actively collected by a growing number of major public and private collections around the world.

This is Gleason’s sixth show with Toomey Tourell Fine Art.

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