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Horton Gallery

Exhibition Detail
KF + CM 4EVER
504 West 22nd St
New York, NY 10011


November 18th, 2010 - December 30th, 2010
Opening: 
November 18th, 2010 6:00 PM - 8:00 PM
 
Keltie Ferris\' studio wall, Bushwick, Brooklyn by Mark Mahaney, Keltie FerrisKeltie Ferris,
Keltie Ferris' studio wall, Bushwick, Brooklyn by Mark Mahaney

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Horton Gallery, Chelsea is pleased to announce KF + CM 4EVER, the
second New York solo exhibition by Brooklyn-based artist Keltie
Ferris.

Ferris' large abstract paintings mirror the aggressive vibrations of
the city in their intensity of spirit, their layered surfaces, and
their angular compositions. Ferris balances the
mechanical/photographic quality of the sprayed oil paint with
hand-painted grounds, wielding the brush and palette knife to carve
forms out of the sprayed haze. In this way, figure and ground tussle
with each other for supremacy and create dynamic labyrinth-like
pictures. Working forward from a faceted acrylic ground, to an oil
pastel latticework, to a final exploding spray-painted blur, Ferris's
paintings extend forward as if stepping out of the frame.

While evocative of this city's omnipresent graffiti, airbrushed
t-shirts, and American cartoon culture, the paintings draw on the
rigor and strength of modernism, from Pollock's hand-thrown paint, to
Mondrian's city grids, to create an abstraction emblematic of life
here and now in New York City.

Treating each mark like a found material, Ferris builds her work like
a bird builds a nest, or a beaver a damn. Each mark remains openly and
honestly itself, and of it's material: the spray is not masked, the
oil pastel is not blended, and all 48 colors from the box set are
used. These lattices create rainbow matrixes and striped textures that
radiate through more transparent marks.

The work is non-verbal, more like noise then language, more akin to
flashing lights and potential energies then anything namable.
Therefore each painting is titled by a set of punctuation marks, such
as (((!!!))) created by the artist to emblematize the emotive, nearly
expletive nature of her work. Other titles, as well as the title of
the show, allude to bathroom graffiti, notebook valentines, as well as
the ambition of marking a space and marking a future.

Keltie Ferris (b. 1977, Louisville, KY) lives and works in Brooklyn.
She received a MFA from Yale University in New Haven, CT and a BFA
from Nova Scotia College of Art and Design (NSCAD). In addition to
Horton Gallery, she has been featured in exhibitions at the Nerman
Museum, Overland Park, KS; Deitch Projects and D’Amelio Terras, both
New York, NY; David Castillo, Miami; and Pilar Corrias, London,
England. Her work has recently been discussed in The New York Times,
Modern Painters, Artforum, and Details, among others. She is the
recipient of both a Jacob Javits Fellowship and a Rema Hort Mann
Foundation Grant. Her work was the subject of a solo show at the
Kemper Museum, Kansas City, MO, for which a publication is available.


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