STREET now open! Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
Nowhere

Rowley Kennerk Gallery

Exhibition Detail
We Thought Maybe You Were in the Plot
119 N Peoria St
#3C
Chicago, IL 60607


May 21st, 2010 - July 31st, 2010
Opening: 
May 21st, 2010 6:00 PM - 8:00 PM
 
Untitled Concretion, Judith GeichmanJudith Geichman, Untitled Concretion,
1994, gravel, obsidian, acrylic, oil on canvas over masonite , 25 x 20 in.
© Courtesy of the artist and Rowley Kennerk Gallery
> ARTISTS
> QUICK FACTS
WEBSITE:  
http://www.rowleykennerk.com
NEIGHBORHOOD:  
other
EMAIL:  
info@rowleykennerk.com
PHONE:  
773.983.0077
OPEN HOURS:  
Tue-Fri: 11-6; Sat: 12-5
> DESCRIPTION

Rowley Kennerk Gallery is please to announce the opening of, “We Thought Maybe You Were in the Plot,” with Judith Geichman, Ben Gill, Emily Kennerk, Ryan Richey, and Valerie Snobeck.  Please join us for the opening this Friday, May 21, from 6-8pm.  

A few pages into ‘Tender is the Night’ a young ingénue is laid out, “on the pleasant shore of the French Riviera, about halfway between Marseilles and the Italian border.”  It is a crisp, indelible image of ideal summer.  A few other American ex-pats spot her alone on the beach and engage her. ”We thought maybe you were in the plot,” says a woman described as “a shabby-eyed, pretty young woman with a disheartening intensity."  She continues, “We don’t know who’s in the plot and who isn’t.”

With this running joke, Fitzgerald deftly exposes the anxious social machinery humming just below the surface of this sleepy resort town.  Or, to be more accurate, the complicated way that the beauty and attractive ease of this scene are inextricably tied to it’s own insecurity and incestuous decay.

As our summer exhibition, Rowley Kennerk Gallery has collected the work of a few disparate artists who share a distinctly complex or complicated visual vocabulary.  Like that girl on the beach, their work is hard to pin down – to determine it’s place. Like that pleasant shore, there is difficulty built into the work’s appeal.  And like Fitzgerald’s writing, their artwork must be more than any one thing, at any one time.

A paragraph later, the woman’s husband scolds her, ”get a new joke, for God’s sake!”


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.