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20111005081547-1_presley_ward_role_model_2008 Joie de Vivre   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Presley Ward at People's Gallery September 7th, 2011 - October 22nd, 2011
Posted 10/5/11

“Imagine a very small formal motif and try to execute it economically . . . the essence of the subject must always become visible, even if this is impossible in nature. .... The absence of foreshortening also plays a crucial part in the process.... I begin to execute forms, as if I know nothing about painting or, have I discovered a small, undisputed personal possession, a particular sort of threedimensional representation on the flat surface!” —Paul Klee, The Diaries of Paul Klee 1898-1918[i]   “T... [more]

20110912143226-nauman_combinations_described_chicago Sign Language   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Bruce Nauman at Donald Young Gallery September 16th, 2011 - October 16th, 2011
Posted 10/3/11

Bruce Nauman’s installation at Donald Young Gallery centers around simple gestures: fingers on both hands are flexed and touched together in different combinations.   A video projected on a screen shows the artist’s hands doing this, while speakers embedded in the walls around the screen emit voices describing the gestures being enacted, “Right hand, thumb and first finger, left hand thumb.” And so on.  To most viewers, the permutations of fingers being curled and uncurled appears at first meanin... [more]

20111002201035-1b604e8eb97f8c66464503f4b1ddc68d50f122e634b4eaac7bbb9868ce12ba495g Never Quite Like This Before: Fifteen Years of Gatson   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Rico Gatson at Exit Art September 30th, 2011 - November 23rd, 2011
Posted 10/2/11

In Three Trips Around The Block, Exit Art presents a fifteen-year retrospective of New York-based Rico Gatson. Through video, sculpture, and paintings, the show traces the evolution of Gatson’s work. There is a particular urgency invoked by showing a retrospective of Gatson’s oeuvre at this specific Obama-era moment. With a national vocabulary entrenched in misappropriations of concepts like post-race, colorblindness, and post-Blackness, we find ourselves coming up empty handed. There is no language t... [more]

20111017080131-07-image-_untitled__2011 Georg Herold at Sadie Coles HQ   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Georg Herold at Sadie Coles - New Space September 14th, 2011 - November 5th, 2011
Posted 9/24/11

Sometimes the only reaction you have to a show is “hmmm…ok.” Not because the art is bad, or indeed because it is so spectacular that you are lost for words to describe it, but because the exhibition offers you nothing in the way of engagement. Georg Herold at Sadie Coles HQ is one of these: a selection of works arranged in a large, white space with no curatorial intervention whatsoever. Not bad, not wonderful. Herold offers two themes in this show: monumental human figures constructed from f... [more]

20110716022549-75 The Tropes of the Tropical   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Miguel Calderón, Sofía Cordoba, George Kuchar, Mads Lynnerup, Carlos Ruiz-Valarino at Queen's Nails July 16th, 2011 - August 6th, 2011
Posted 8/9/11

Another thematic summer group show based on an image of summer-related ecstasy but one that chilly and windswept San Francisco can never truly grasp.  SF Tropical at Queens Nails Projects tries to address the word and conjured image that is the TROPICAL as refracted through the fog coming off the Bay. Mark Twain has been apocryphally quoted as saying, “The coldest winter I ever spent was a summer in San Francisco.”  And though the weather was quite cool for summer, it definitely wasn’t the coldest... [more]

20110715104852-1 Jake or Dinos Chapman   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Jake and Dinos Chapman at White Cube, Hoxton Square July 15th, 2011 - September 17th, 2011
Posted 7/31/11

"Jake or Dinos Chapman" is the result of a year spent by the Chapman brothers working in isolation from one another. As the “or” of the title implies, it is unclear – and perhaps irrelevant – which artist has produced which works. Moreover, the authorial split suggested by the exhibition’s title and by its spanning of both White Cube’s galleries (in Mason’s Yard and Hoxton Square), is belied by the polyreferential, "articulated" corpus of work on show. The upstairs gallery at Mason’s Yard houses a de... [more]

20110724210834-larry_zox__banner__1962__collage__oil__staples_on_board__72x72_in Evolving Patterns   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Larry Zox at Stux + Haller June 30th, 2011 - August 5th, 2011
Posted 7/24/11

Installed in a small rear gallery at Stephen Haller, eight early collages by Larry Zox (1937-2006) offer an intimate and rare glimpse into the process, method, and ultimate evolution that lead up to the American artist’s celebrated geometric abstractions.  With “Larry Zox: Collage Paintings from the 1960s,” thick card stock and heavy paper is torn, painted, and aggressively stapled to wood board.  The raw spontaneity and brute force of these pieces suggest Abstract Expressionism’s influence, evok... [more]

20110510085724-2 Richard Long at the Haunch of Venison   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Richard Long at Haunch of Venison May 27th, 2011 - August 20th, 2011
Posted 6/20/11

What is it about land art that gives it such an enduring appeal? Since its heyday in the 1960s and 70s as a new marker in the expanded field of sculpture, land art has continued to subsist with few fundamental changes. Artists like Richard Long have continued to take walks, arrange stone circles and make expansive marks in the landscape. In the museum-like surroundings of Haunch of Venison, Long has assembled a collection of works that display a remarkable consistency throughout the forty-year career o... [more]

20110321075621-ww Places Strange and Quiet   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Wim Wenders at Haunch of Venison April 15th, 2011 - May 14th, 2011
Posted 4/24/11

Wim Wenders’ photographs are like establishing shots: the wide angle images at the beginning of film scenes that locate the action to follow. This is no surprise since they were taken as the filmmaker scouted for locations in countries including Brazil, Japan, Italy, Germany and the US, taking the roads less traveled to seek out the enigmatic, evocative places that haunt these large-scale images. The forty photos, spanning 1983 to 2011, play out over the walls of the Haunch of Venison ga... [more]

20110301164522-004__3 Art that takes Risks   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Gao Brothers at Walsh Gallery March 4th, 2011 - May 7th, 2011
Posted 3/14/11

In the United States, you can make a sculpture of former President George W. Bush’s head atop a phallus without fear of governmental reprisal, as was demonstrated recently at Western Exhibitions.  In the recent Westboro Baptist Church judgment, the United States Supreme Court has ensured that even the most disgusting and worthless acts of free speech are protected.  And if as an artist your freedom of speech and expression is stifled, the art world will not be silent about it, as the recent David W... [more]

20110205044701-pomegranates A Long-Expired Bacchanal   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Jeanne Dunning at Donald Young Gallery February 18th, 2011 - April 9th, 2011
Posted 3/7/11

Since the late 1980s, Chicago photographer and filmmaker Jeanne Dunning has used abstraction and other techniques to transform objects, the body, and food into something deceitfully grotesque, in a style akin to Edward Weston’s famous pepper. In her new work at the Donald Young Gallery, Dunning arranges classical still lifes of ripe fruits and vegetables on dark, rich-looking drapery and then waits, leaving the transformation up to nature, and photographing the decay. The main gallery space is... [more]

20110228233429-joeldean-ss3 Painting within Paintings: Part 1   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Joel Dean at Sight School February 11th, 2011 - March 13th, 2011
Posted 2/28/11

I sat down this week with Joel Dean the co-director of Important Projects, an alternative exhibition space run out of his home, to discuss his recent solo exhibition Damn Your Eyes currently on view at Sight School in Oakland. The show is comprised of a series of sculptures and site-specific installations that ultimately function as a single painting.This is Dean’s first solo showing since graduating from SAIC in Chicago and I was interested to hear his thoughts on the installation and a bit about I... [more]

20110228230033-joeldean-ss2 Painting within Paintings: Part 2   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Joel Dean at Sight School February 11th, 2011 - March 13th, 2011
Posted 2/28/11

Parker Tilghman: In terms of vocabulary, even though your forms seem abstract or arbitrary I definitely see them being used continuously in other paintings as a way to call attention to the space that is being created. Joel Dean: Absolutely. I think another thing that is important is that everything has the show has some sort of narrative. Like the large shapes, X with Friends, for instance just being that sound of an x. Like a stupid reference to text. Or like the A form on the stage, like that b... [more]

20110109222517-img_4333-zw Roy Villevoye, The Histories   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Roy Villevoye at Motive Gallery January 15th, 2011 - March 5th, 2011
Posted 1/24/11

At the last Venice Biennale, Elmgreen & Dragset put a bored art collector floating face down in the swimming pool of his fancy house (that is, the Nordic Pavilion at the Giardini). You could tell the guy was dead, but you couldn't get close to see his face. Roy Villevoye's installation at the Motive Gallery, on the contrary, hits you harder. Not only are the two bodies lying on the gallery's floor so close you can touch them (don't, though – hyperrealist art is expensive), but you ha... [more]

20110114190905-hortongallery001169 Agitation, Aggression, Compulsion, Regression   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Bryan Zanisnik at Horton Gallery January 13th, 2011 - February 19th, 2011
Posted 1/16/11

Bryan Zanisnik’s latest solo show at Horton Gallery consists of a series of new large-scale C-prints and a five-minute video, which, in short, depict the chaotic inner workings of a crowded consciousness. The photographs show, in brilliant color, various studio installations of collections of objects: clocks, baseball cards, soap bottles, toy cars, greeting cards.  Objects are melted together, tied up, hanging suspended.  In Off Season, a triptych of filing cabinets appear to be in mid-explosion... [more]

20110114184838-01320110115 Chance/Covert Operations   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Seth Price at Friedrich Petzel Gallery (West 22nd Street) January 7th, 2011 - February 19th, 2011
Posted 1/16/11

One of the most delightful aspects of Seth Price’s show of new video works at Petzel Gallery is the element of chance.  Unless you’re by yourself in the gallery, the movements of your fellow art viewers dictate your progress through the exhibit.  In Non Speech, Fire & Smoke, each video work is presented as a solo experience and can be viewed by only one person at a time, in separate viewing booths—recalling both the earliest days of cinema at penny arcades and the contemporary condition of solit... [more]


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