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20160429110742-20160428180617-kerryjamesmarshall_20160421_072
by Tempestt Hazel
Kerry James Marshall at Museum of Contemporary Art (MCA)
I. I don’t subscribe to transcendental notions, generally. I like for things to be firmly rooted in reality and then negotiate from... [more]
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by Andrea Alessi
JAMM Art Gallery
Five thousand women are murdered annually by their fathers, sons, brothers, or husbands in so-called honor killings. Or at leas... [more]
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by Alex Anderson
Nathan Mabry at Cherry and Martin
Nathan Mabry’s exhibition gripgrabstacksqueeze, at Cherry and Martin, opens with a black, partially abstract, figurative... [more]
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by Sola Agustsson
M. Lamar at ONE National Gay & Lesbian Archives
In Funeral Doom Spiritual, a multimedia installation that recently opened at ONE Gay and Lesbian National Archives at the USC Li... [more]
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by Edo Dijksterhuis
It took a crisis to spark off the next revolution in technology. In 2009, a year after Lehman Brothers’ disastrous cra... [more]
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by Olivia B. Murphy
Last Thursday evening, with the sun setting and the air slightly chilled, I stood on the corner of 22nd Street and 8th Ave with... [more]
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by Lauren McQuade
Walking down the nonlinear streets in Downtown’s Arts District, Traction Avenue looks about the same today as it did two we... [more]
20160411120327-omerfast_02
by James Loks
Omer Fast at BALTIC Centre For Contemporary Art
A consistent theme across Omer Fast’s work are the many facets of trauma, particularly those which arise from the confl... [more]
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by Pınar Üner Yılmaz
Karşı Sanat
“Will women always die? Let some men die too. I killed him for my honor,” uttered Çilem Doğan, defending... [more]
20160408072021-adriana_lara_install_view
by Jesi Khadivi
Adriana Lara at Kraupa-Tuskany Zeidler
Interesting. The word says a lot and nothing at all. We often leverage it to describe people, projects, and ideas that we don&r... [more]
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by James Loks
How and why an artist comes to be represented by a gallery is a seemingly mysterious process, one of many parts of the industr... [more]
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by Edo Dijksterhuis
Aukje Dekker at Vriend van Bavink Project Space Pacific Place
I’m not a gambling man by nature, never quite understood the allure of the blackjack table or roulette wheel. But when A... [more]
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