Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticity and abi... [more]
Turning the Tables on Global Self-Evidence by Edo Dijksterhuis Georges Adéagbo, Brook Andrew, Raqs Media Collective, Marjolijn Dijkman, Mark Dion, Meschac Gaba, Simryn Gill, Mona Hatoum, Romuald Hazoumè, Femke Herregraven, Tsang Kin-Wah, Rivane Neuenschwander, Lucy + Jorge Orta, Batoul S'himi, Taryn Simon, Andrea Stultiens, Pascale Marthine Tayou, Ghana ThinkTank, Tintin Wulia, Chen Zhen at Museum De Lakenhal
June 27th - October 4th
Empty prisons, abandoned shipyards, derelict factories—in the past couple of decades these raw and unpolished places have become very popular as locations for art fairs, biennials, and temporary exhibitions. Often it’s simply because of their atmospheric quality. Or to stress the fact that the art on show really is connected to the outside world and not only functions within the artificial ecosystem of the museum. But it works best if the location’s identity and the exhibition... [more]
Jae Hwan Lim is a socio-politically driven artist, who criticizes the lurking bureaucracy and corruption that limit democratic freedoms in his home country, the Republic of Korea. Creating paintings and videos that poetically illuminate corruption in politics and religions, Lim is currently undertaking his Bachelor of Fine Arts in Studio at the School of the Art Institute of Chicago. His multi-national background influences him to embody the political issue-makers through which he actively experi... [more]
The Constitution of the Republic of Korea Article 1 Section 2: “The sovereignty of the Republic of Korea shall reside in the people, and all state authority shall emanate from the people.” Through representation and the re-enactment of narratives from the media, I create paintings, drawings, performances, and videos that criticize the hidden bureaucracy and corruption that disregard the Constitution and limit the democratic freedoms in my home country, South Korea. My artworks make commentar... [more]
In a recent lecture on the work of Harun Farocki, Thomas Elsaesser proposed that in a time pervaded by performative approaches to social life, “we are all now insurance companies, risk-assessing a world of catastrophe and danger.” This statement connects Farocki's notion of operational images with Ulrich Beck's concept of a risk society, while also alluding to current states of precariousness and self-regulation, and a resurgent popular fascination with narratives and images of disaste... [more]
Published in Art India Magazine
Sourav Roy responds to Rameshwar Broota’s multi-generic journey over the last ﬁfty years.
Rameshwar Broota. Metamorphosis VI. Oil on canvas. 1986. Images courtesy Kiran Nadar Museum of Art, Delhi.
Contemporary art discourse constantly refers to the male gaze as it stays trained on a female body: longing, projecting, mapping, invading. But when the male gaze turns inwards, towards its host male body, not... [more]
“People here need art to be fun, that’s the first step. Then maybe when they start understanding more, it can also be conceptual. But to attract them, it must be fun,” explains Murodjon Sharifov, one of a handful of contemporary artists working in Tajikistan, a post-Soviet Muslim country struggling with the aftermath of a devastating civil war, religious radicalization, and extreme poverty. The country’s dictatorship—President Emomali Rahmon has been in power over 2... [more]
My upcoming solo exhibition – “Colors Of An Apocalypse 2015″ – will take place in the amazing Romanesque Baptistery on Lake Como, Italy, on July 3-4-5, in the beautiful Lenno town.
The octagonal Baptistery and its enchanting structure will give strenght and evocative power to my exhibition which will show 25 works from my “Lacer/actions” project. Each artwork will be introduced by a phrase from “The Apocalypse of John”. Images and words to su... [more]
Three rooms into the modern art section of the Museu Nacional d’Art de Catalunya the film Tide Table is projected on the wall. It’s a typical William Kentridge piece: animated black and white drawings, frolicking bathers are observed by Ghadhafi-like generals, a cow is slaughtered in a cabana, lots of political innuendo. Even though the film is combined with a couple of drawings by the South African artist, it’s pretty much a stand-alone presentation. It lacks the kind of conte... [more]
Welcome to the fourth installation of the Artslant podcast series, Working (it) Out.
My name is Gillian Dykeman, and I'm a visual artist living in Toronto, Ontario. This summer, I am interviewing artists to ask about the role of audience in their practice. Each interview will begin with one question: "Does art require an audience?"
Working (it) Out with Gillian Dykeman
Episode Four | Duke & Battersby: Empathy Symphony
Careerism and playing to an audience (5:00)
Letter wr... [more]
Basel, June 2015: Maxa Zoller is the new curator of this year’s Film Sector at Art Basel. Leading up to her film programme this week, Olga Stefan spoke with the Cairo-based curator and lecturer about the blurred lines between film and video art and their implications on modes of viewing; how film can be commodified; political films and their impact at art fairs; and the spaces of free expression in Cairo.
Olga Stefan: Could you describe for us what this all-encompassing category of... [more]
The 40th Anniversary Show was remounted at the spacious Beverly Arts Center in Chicago. Women Artists over the decades (since 1972) Over 50 women spanning generations participated in this legendary exhibit. Myself, a current Affiliate, and former President/Director in 99-2001. It is very special and a Chicago Gem.
ARC Gallery & Educational Foundation of Chicago is at Beverly Fine Arts Center! celebrating 40 years- and only getting better!
ARC 40th Anniversary Exhibit--- Reception May 2, 7-9pm Ea... [more]
Video is an exceedingly difficult medium to wrangle into a gallery space: Do you serve it up movie theater-style, with chairs and set screening times? Do you play it on a loop and allow people to walk in and out? Headphones or no headphones?
Video demands long looking, but it rarely gets it. How many times have you watched mere seconds of a work of video art before turning to something else? Actually maybe a better question, how many times have you actually watched a work of video art from beginni... [more]
My upcoming solo exhibition – “Colors Of An Apocalypse 2015 / The Decomposed Publicity Posters″ – will take place in an amazing Romanesque temple, on Lake Como, Italy. The show is exceptionally scheduled for 3 days, on July 3-4-5, 2015, in the beautiful Lenno town, in the historical center – 50 meters from the lake shore! – where we admire one of the most stunning examples of Romanesque art in Northen Italy: St. John Baptistery (XI Century), a really be... [more]
"Oh God, it's coming up now, I recognize the sound... I mean, I don't need to see this when I'm at work!" We looked on fearfully as a large-scale penis enters stage left, in profile, and decants a trickle of urine onto an unsuspecting potted plant.
This was Dark Threat of Absence (2002) a two channel projection at the center (physically and thematically) of the only comprehensive institutional presentation of Elaine Sturtevant's work in America since the '70s (the show has traveled to L.A. after it's New York de... [more]