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London

Raven Row

Exhibition Detail
Reflections from Damaged Life. An exhibition on psychedelia
Curated by: Lars Bang Larsen
56 Artillery Lane
London E1 7LS
United Kingdom


September 26th, 2013 - December 15th, 2013
Opening: 
September 25th, 2013 6:30 PM - 8:30 PM
 
The Little General (Pinball Machine), Öyvind FahlströmÖyvind Fahlström,
The Little General (Pinball Machine),
1967–8, Oil on photopaper on vinyl, plexiglass, metal, magnets, styrofoam floats with lead keels in a pool
© Collection Sharon Avery-Fahlström
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WEBSITE:  
http://www.ravenrow.org/
NEIGHBORHOOD:  
spitalfields
EMAIL:  
info@ravenrow.org
PHONE:  
+44 (0)20 7377 4300
OPEN HOURS:  
Wed-Sun 11-6
TAGS:  
mixed-media
COST:  
Admission free
> DESCRIPTION

To many artists in the sixties who referred to the counterculture, or who used hallucinogenic drugs as an artistic tool, the term ‘psychedelic’ was seen as compromised and the idea of a ‘psychedelic art’ resisted. It is for this reason that ‘psychedelic art’ cannot be easily categorised as a genre; neither can it be understood as an entirely overlooked art form.

This exhibition sets out to question what ‘psychedelic art’ might be, and reassess the artistic problems it poses. Rather than through the framework of counterculture and the hippie scene, it focuses on how specific artistic practices inflected the drug culture and its concepts of transformation and non-human perception. It seeks to redefine the psychedelic in terms of an art that deals with events and effects: events in social space as well as in the nervous system, and effects that spread as a kind of unconditional exchange between free subjects in a new sensorial community. The exhibition explores the experimental spirit, conceptual fluidity and formal obscenity of the psychedelic, and aims to expose the viewer to the experience of ‘otherness’ through artworks that deal with the non-sentimental sensitivity of the hallucinogenic drug experience.

Since the very idea of a ‘psychedelic art’ is tenuous, the exhibition does not propose a canonical presentation, but attempts to establish a series of artist experiments that relate to the many ‘plateaux’ of the psychedelic, and its multiple histories as they unfolded in particular cultural contexts in Europe, Scandinavia, Latin America and Japan. Although the focus will be upon historical projects from the sixties and seventies, the exhibition will include work from the fifties until the present day. 


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