A conversation organised by Artangel in association with Camden Arts Centre to open up the layers of narrative and ideas in Lindsay Seers’ presentation Nowhere Less Now at The Tin Tabernacle in Kilburn.
Lindsay Seers studied at the Slade School of Art and Goldsmiths College in London during the 1990s. She has emerged as one of the most distinctive new figures in British art. Her installation Extramission 6 (Black Maria) was one of the highlights of Altermodern, the Tate Triennial in 2009. The same year, Seers exhibited It has to be this way at Matt’s Gallery in London. In 2010/11 Seers presented a sequel, It has to be this way² , commissioned by SMK (National Gallery of Denmark) and Mead Gallery, Warwick and presented by Baltic Centre for Contemporary Art, Gateshead.
Brian Dillon is a writer and critic, and UK editor of Cabinet magazine. He contributes regularly to art magazines, newspapers and journals in the UK, USA and Ireland, as well as writing books that range in subject matter from contemporary art to the history of hypochondria, the physical space of writing to the aesthetics of decay.
Read more about the project here.