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London

Scream

Exhibition Detail
Unweave the Rainbow
27 – 28 Eastcastle Street
London W1W 8DH
United Kingdom


January 27th, 2012 - March 10th, 2012
 
Gearface, Gearface,
2009, Acrylic and Mixed Media on Polyurethane Foam
© Scott Hove
> ARTISTS
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fitzrovia, bloomsbury
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TAGS:  
sculpture, mixed-media
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> DESCRIPTION

"There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel's wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine -
Unweave a rainbow, as it erewhile made

The tender-person'd Lamia melt into a shade."

John Keats, Lamia, 1884


Scream is proud to present ‘Unweave the Rainbow’, its second annual curated exhibition of
emerging artists.  The sequel to last January’s ‘States of Reverie’, ‘Unweave the Rainbow’
features young artists from the USA, UK, China and Poland, each with a unique style, who have
in common a psychedelic, other worldy or surreal sensibility.


The exhibition title is inspired by John Keats’ 19th Century poem ‘Lamia’, an allegory for man’s
attempt to separate emotions and sensuality from reason, this poem inspired the selection of
artists in ‘Unweave the Rainbow’.  The practice of each artist featured in this exhibition
demonstrates tension between dream and reality, imagination and reason.


Several of the artists work in 2 or 3 dimensions, for example Caroline Jane Harris who creates
otherworldly handcut photographs; Jen Stark whose psychedelic paper sculptures are also
handcrafted, and Scott Hove who creates surreal cake sculptures fit for the fairy palace of Keats’
Lamia.  Ye Hongking uses a collage of multi-coloured stickers to create depictions of Nirvana.
Malgosia Stepnik, Andrew McAttee and Cain Caser are all exhibiting paintings with explosive
neon palettes that inhabit the entire spectrum of the rainbow.


Jen Stark was born and grew up in Miami, Florida, and cites the indigenous tropical plants and
cultural diversity as influences on her artwork.  She was commissioned this year by the Ft.
Lauderdale Museum of Art to create a 90ft by 35 ft mural to adorn the outside of their building,
and she exhibited at the recent Art Basel Miami at PULSE and Scope Art Fair with LMAK
Projects.


At Scream she will exhibit two of her signature paper sculptures whose geometrical shapes can
be found in natural and organic forms. Stark’s practice displays an almost Platonic obsession with
Form and the problem of universals, of translating the essence of what she observes in nature
into 3 dimensional paper sculptures.  She has been creating art since the age of 4, and graduated
from Maryland Institute College of art in 2005.  Her artwork recently graced the cover of Harvard
Business Review, and she has been featured in Modern Painters, Nylon, New American
Paintings and PUSH Paper: 30 Artists Explore the Boundaries of Paper Art.  Stark started
experimenting with coloured construction paper and a Xacto knife whilst studying in the south of
France,wherethe transformation of an ordinary material into something multi-layered and magical began.  In her work geometry, nature and mathematics collide, and the complex process
can take several weeks.     
 
Caroline Jane Harris transforms paper into unique kaleidoscopic marvels that encapsulate the
inherent beauty of nature. She is fascinated by natural phenomena, and the geometric
symmetries found in all levels of existence such as the bronchi of a lung, river networks and
neuron activity.  Pre-programmed visual preferences, encoded neurally in innate reference
patterns are considered in the relationship between humans and their environment.

Eastern Printmaking and Paper-cutting techniques influence her work. Japanese wood-block
prints whose simple lines capture the essence of organic forms, inform her lineated ‘hand-cut
white paper’ compositions. Her work exceeds the viewer’s expectation of the possibilities of
paper.  Harris was shortlisted for the Club Monaco Emerging Artist's Award at the The Other Art
Fair this November.   She graduated in 2009 with a BA in Fine Art Printmaking from the University
of Brighton, was artist in residence at The Muse at 269 this year, and won the Silver Arts Award
at the 2010 Flipside Film Festival.      
    
Ye Hongxing also employs Eastern techniques and Chinese ceramic decorative patterns, which
she fuses with the traditionally Western medium of oil paint.  Hongxing will exhibit 2 works from
her ‘Thanka’ series at Scream, both works depicting a circular collaged motif inspired by Indian
deities, and composed of jewel-coloured stickers.  East meets West in her practice, which
embraces realism in its echoing of organic forms, with a heavenly visionary aesthetic. 

Hongxing is one of the rising stars of the Chinese contemporary art scene, and was selected as one of the top 20 emerging painters in China at the Dragonair Emerging Chinese Artist Awards (DECAA),
and her work has been well received internationally, with exhibitions including Art Scene Beijing;
Chongquing Art Museum; Nanjing Museum of Contemporary Art; the 7th Annual Exhibition of
Sculptures and Installations in Venice; Art Taipei in Taiwan; Art Cologne and Miami Basel.  Born in
1972, Hongxing graduated from China’s leading art academy – the Central Academy of Fine Arts
in Beijing – with a Master’s Degree in 1998.      

Malgosia Stepnik is exhibiting the 5th painting in her series ‘Journey to Self’.  The canvas
represents the Tabula Rasa we embark on our life journey with, which leaves us open to endless
possibilities.  The intention here was to represent on canvas the openness and purity of a child’s
mind, and the effort to retain that purity of thought as an adult in contemporary society.  ‘Tabula
Rasa (Baby Dreams)’ has a pared down aesthetic with a heavenly quality, enhanced by the used
of phosphorus paint that emits an ethereal glow when the lights are dimmed.  Stepnik studied
Sociology with Psychology in her native Poland, before moving to London to pursue Modern and
Contemporary Art Studies at Christie’s, and graduating with First Class hons in BA Fine Arts at
City & Guilds London College of Art.  Her knowledge of psychology and sociology is inherent in
her art, which has intellectual and psychedelic elements.      

Andrew McAttee’s paintings inhabit the more vibrant end of the rainbow, and the canvas he is
exhibiting at Scream is a glorious riot of cosmic symbols that pops with colour.  His work is a
hybrid of graffiti and fine art, and he applied his Pop aesthetic to the drab disused public spaces
of urban London, sending a message out that beauty can be found in the most unlikely places.
McAttee studied Fine Art at Central St. Martin’s where he became interested in abstract
expressionism, the influence of which is clear in his paintings.  Since graduating in 1995 he has
exhibited in New York and Europe in exhibitions such as ‘Yeah, Yeah, Yeah’ at Forster Gallery,
and shown his work in Scope Art Fair at Miami Basel, and the London Art Fair.  He worked on a
project with Sony PS3 this year, and his work is included in private collections across the globe,
including the US, Europe, South Africa, and Middle East.   McAttee had a solo show at Lebenson
Gallery in Paris this autumn, and has an exhibition at Pure Evil Gallery in London next March.
His work has been featured in publications including The Observer, The Daily Telegraph and New
York Magazine, and in the publication Walls and Frames.      

Cain Caser’s paintings have a similar Pop sensibility as McAttee’s, with roots as a graffiti artist,
experience of rave culture, and an abstract expressionist style that are evident in his neon
portraits of unexpected figures such as Agatha Christie.  He is exhibiting until 7th January 2012 in
a solo show 'Hypnagogia' at Gallery 94.  Born in 1973, Caser’s developed his art on the streets of
London from the tender age of 12, and his current work plugs a void between figuration and
abstraction, reminiscent of Jean-Michel Basquiat.  His abstract neon portraits exploit the tendency
to see faces where none exist, and in turn be interpreted according to the visual hierarchy of the
viewer.  He explains “The motivations of my younger self, ego and excitement, are the same cues
that I paint by today. My working method currently is to cut up and photocopy sketches with paint
on paper creating a collaged drawing, which then serves as maquette for a painting.”
   
Scott Hove is based in California, and creates sculptures and installations exploring our search
for gratification through indulgence, and society’s celebration of the artificial.  Unusually, he
chooses to convey his message through the medium of cake.  However there is a twist, Hove’s
cake is inedible and often comes with teeth.  His surreal cakes with their menacing fangs portray
the fight between desire and guilt, and bring to mind a kind of 21st century version of the
Surrealist vagina denta, as symbolized by Salvador Dali’s depictions of Lions with manes, or
Meret Oppenheim’s Fur-covered cup and saucer.


At Scream Hove will exhibit ‘Gearface’, a baby pink confection with jutting teeth, and ‘Anger
Cake’, a candy-coloured gateau adorned with cherries, whose centerpiece is a gaping feline jaw.
Hove is in the middle of constructing ‘Cakeland’ in a warehouse in Oakland, California, an
installation comprised of full length mirrors, taxidermy pieces, 10,000 plastic cherries, lights and
fake cake.  Hove’s unusual sculptures and installations have been exhibited at galleries around
the world including; San Jose Museum of Art; San Francisco’s Dudley Gallery; Artspace
Shreveport LA; and La Halle Saint Pierre in Paris.       


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