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London

Raven Row

Exhibition Detail
Gone with the Wind & Resonance Open 2011
Curated by: Ed Baxter
56 Artillery Lane
London E1 7LS
United Kingdom


June 9th, 2011 - July 17th, 2011
Opening: 
June 8th, 2011 6:30 PM - 8:30 PM
 
,
© Courtesy of the Artist and Raven Row
Musica da camera n. 182, Walter MarchettiWalter Marchetti, Musica da camera n. 182,
January 1990, Mixed Media, Variable
© Fabrizio Garghetti
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WEBSITE:  
http://www.ravenrow.org/
NEIGHBORHOOD:  
spitalfields
EMAIL:  
info@ravenrow.org
PHONE:  
+44 (0)20 7377 4300
OPEN HOURS:  
Wed-Sun 11-6
TAGS:  
conceptual, performance, installation, sound art, sculpture
> DESCRIPTION

This exhibition brings together three pioneers of sound art, Max Eastley (born 1944, UK), Takehisa Kosugi (born 1938, Japan) and Walter Marchetti (born 1931, Italy). Each artist has developed a distinct approach to the problem of representing immateriality, while sharing a lightness of touch, approaching sound with patience, restraint and fidelity. As well as presenting new and historic work, the exhibition will comprise live performance, and a selection of material from the artists' substantial archives.

 

Max Eastley is an artist and musician whose sound sculptures play on a balance between the natural environment and human intervention. His musical collaborations include the 1975 album New And Rediscovered Musical Instruments with David Toop, produced by Brian Eno. His response to the interior of Raven Row will be a meditation on the 18th century Picturesque, achieved with 21st century technology and a ‘Bergsonian’ approach to time.

 

Takehisa Kosugi is a major figure in modernist sound art. In the early 1960s his event pieces were realised by Fluxus in Europe and the USA. Kosugi pioneered the development of Japanese experimental music with Group ONGAKU and the Taj Mahal Travellers. Since 1977 he has been a composer/performer at Merce Cunningham Dance Company, and became its Music Director in 1995. As well as archival material, Kosugi will present a number of works including the sound installation Mano-Dharma, electronic, 1967/2011.

 

Walter Marchetti was a founder member of ZAJ, a recalcitrant Mediterranean parallel to Fluxus, which in the 1960s produced action-music-performances, anarchic gags, and elegant assaults on the music establishment. Marchetti  befriended John Cage in 1958, and went on to collaborate with him on a number of projects. His work has often focused on the grand piano – for more than 50 years he has been preparing them like a chef intent on marinating sound. Two of Marchetti's pianos, alongside works from Emanuele Carcano's collection, will be exhibited.

 

Alongside these positions, Resonance104.4fm will be installed at Raven Row for the duration of the exhibition, broadcasting, and hosting workshops and live events, as well as presenting an ‘overhung’ sound installation – the ‘Resonance Open’ – with contributions solicited from local and international sound artists.

Artists in the Resonance Open Include:


Giulio Ammendola, Joe Farley & Marcos Gomez, Dominick Allen, Alex Allmont, Mario Athanasiou, Jon Aveyard, Mike Ballard, Fari Bradley, Sandra Cross, Richard Crow, Leslie Deere, William English, Rosie Farrell, Ella Finer, Becca Foster, Jodie Marks, Siobhan Martin, Mark Maxwell, Erin Newell, Charlotte Norwood, Andrew Rowe, Dan Scott, Richard Sides, Edd Simpson, Tom Slater, Aymee Smith, Naoko Takahashi, Freddy Toppen, Joe Walker, Chris Wallace, Mandy Williams, et al

 

The exhibition is curated by Ed Baxter, director of Resonance104.4fm.


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