BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

Treister will talk about her m ost recent project\, \;Post-Surveillance Art \;(2014)\, an d revisit \;HEXEN 2.0 \;(2009-2011)\, a major project char ting the increase in intelligence gathering in the Web 2.0 era and the US g overnment and military&rsquo\;s role in the development of the Internet.&nb sp\;

Suzanne Treister (born 1958\, London) currently lives and w orks in London. She was a pioneer of digital and web-based art in the early 1990s\, developing fictional worlds and international collaborative organi sations. Recent solo exhibitions and events include \;Supper for Sn owden\, \;Thyssen-Bornemisza Art Contemporary\, Vienna\, Austria ( 2014)\; \;In The Name of Art and Other Works\, Annely Juda Fin e Art\, London\, UK (2013)\; \;HEXEN 2.0\, Cleveland Institute of Art\, USA\; P.P.O.W\, New York\, USA (both 2013)\; D21 Kunstraum\, Leip zig\, Germany\; Hartware Medien Kunstverein\, Dortmund\, Germany\; Science Museum\, London\, UK\; and \;The Real Truth. A World&rsquo\;s Fair< /em>\, Raven Row\, London (all 2012). \;

DTEND:200000 DTSTAMP:20141023T052823 DTSTART:190000 GEO:51.5330714;-0.0395103 LOCATION:Chisenhale Gallery\,64 Chisenhale Road \nLondon\, E3 5QZ SEQUENCE:0 SUMMARY:Post-Surveillance Art\, Suzanne Treister UID:361934 END:VEVENT BEGIN:VEVENT DESCRIPTION:

As part of their current Invit es exhibition\, the ARKA group will screen a selection of short films by ar tists and film-makers that have influenced their own moving image work.

DTEND:170000 DTSTAMP:20141023T052823 DTSTART:150000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Screening: Invites Artist’s Presentation\, The ARKA Group UID:361932 END:VEVENT BEGIN:VEVENT DESCRIPTION:

An evening of video and live w orks that explore notions of transgression in the physical and virtual envi ronments of late capitalism. The event will include contributions from Holl y Childs\, Jesse Darling\, Rozsa Farkas\, Rosie Hastings\, Hannah Quinlan A nderson amongst others.

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Drinks from 6 .30pm.

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Holly Chil ds \;is a writer and artist based in Melbourne. She makes work exploring digital semiotics\, transformations of language and culture\, ab erration and economics. Her first novella No Limit was released by Hologram in April 2014. Her writing has appeared in Going Down Swinging\, Overland and Endless Lonely Planet. She has recently presented readings at Poetry Wi ll Be Made By All!\, Luma Foundation\, Zurich\, Emerging Writers&rsquo\; Fe stival\, Melbourne and Next Wave\, Melbourne. In 2014 she was awarded an Au stralia Council Early Career Residency to develop her second novella Dankla nds at Arcadia Missa gallery and publishers\, London.

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Jesse Darling \;works in sculpture\, installation\, text and "dasein by design"\, thinking about networked subje ctivity and the way that structures - architectural\, [bio]political\, phil osophical - manifest in physical and social bodies. Recent solo exhibitions include presenting a series of new sculptures in How Can It Hurt You When It Looks So Good with Arcadia Missa at START Art Fair\, London and Not Long Now at LimaZulu\, London\, both 2014. Recent group exhibitions include End s Again at Supplement Gallery and Snow Crash at Banner Repeater\, both Lond on\, 2014.

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Ró\;zsa Zita Farkas \;is a writer and curator interested in exploring bodi es through networks. She is the founding director of Arcadia Missa\, London and has co-curated independent projects including The Posthuman Era Became a Girl\, South London Gallery and Re-Materialising Feminism\, ICA and The Showroom\, both 2014. Her writing has been published in Mute Magazine\, Ero s and DPI Studioxx\, and she has presented at events for Transmediale\, ReS ource006 and Rhizome. Since 2010 she has guest lectured at University of th e Arts\, London.

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Rosie Hastin gs \;and \;Hannah Quinlan Anderson \; are artists who live and work in London. They graduated from BA Fine Art at Goldsmiths (2014\, 2013) and have worked collaboratively over the past yea r. Recent projects include @GAYBAR - a series of exhibitions and events exp loring new horizon&rsquo\;s within gay bar culture and Where is the Body?\, a bi-monthly reading group focusing on queer theory texts. Hannah and Rosi e also manage Rye Lane Studios\, an artist-led space in Peckham\, founded i n May 2014.

DTEND:210000 DTSTAMP:20141023T052823 DTSTART:190000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Performance: Then Nothing Happens Because Nothing Ever Does\, Holly Childs\, Jesse Darling\, Rosie Hastings\, Hannah Quinlan Anderson UID:361931 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Writer Ossian Ward discusses t he work of Lizzie Fitch and Ryan Trecartin in relation to collaborative pra ctice and their current solo show.

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Dr inks from 6.30pm.

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 \;

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Ossian Ward is Head of Content at Lisson Gallery and a writer on contemporary art. Until 2013\, he was the chief art critic and Visual Arts Editor at \;Time Out London \;and has con tributed to magazines such as \;Art in America\, \;Esq uire\, \;The News Statesman \;and \;Wallpaper \, as well as newspapers including the \;The Guardian\, t he \;Observer\, \;The Times \;and \;T he Independent on Sunday. His new book\, titled \;Ways of Look ing: How to Experience Contemporary Art \;is published by Laurence King.

DTEND:210000 DTSTAMP:20141023T052823 DTSTART:190000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Talk: Ossian Ward\, Ryan Trecartin & Lizzie Fitch UID:361930 END:VEVENT BEGIN:VEVENT DESCRIPTION:

This panel discussion examines the ways in which the theatrical and immersive staging of contemporary fil m and video work blurs the boundary between the virtual and physical world. Speakers include Lisa Å\;kervall (Bauhaus-University Weimar)\, Bridge t Crone (Goldsmiths College)\, Nicolas de Oliveira (London Metropolitan Uni versity) and Nicholas Ridout (Queen Mary University of London).

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Drinks from 6.30pm. \;

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Lisa Å\;kervall \;is a postdoctoral research fellow at the interdisciplinary research center &l dquo\;Media and Mimesis&rdquo\; at Bauhaus-University Weimar in Germany. He r publications in English include: Cinema\, Affect and Vision (in Rhizomes 16\, Deleuze and Film\, 2008) and Character-Witness\, Actor-Medium (in Acti ng and Performance in Moving Image Culture: Bodies\, Screens\, and Renderin gs\, Transcript\, 2012). Her monograph Kinematographische Affekte: Deleuze und die Transformation der Kinoerfahrung (Cinematic Affect: Deleuze and the transformation of cinematic experience) is forthcoming from the German pub lisher Wilhelm Fink Verlag in 2015.

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< strong>Dr Bridget Crone \;is a curator\, writer and lecturer i n Visual Cultures at Goldsmiths College\, University of London. From 2006-1 1\, Bridget was director of Media Art Bath &ndash\; a publicly funded commi ssioning agency based in South West England\, and has experience curating i n a variety of contexts in the UK including at The Showroom\, London (2003- 6)\, The ICA\, London (2012) and Arnolfini\, Bristol (2010\, 2012). She has also curated projects in Australia including The Ian Potter Museum\, Melbo urne (2005)\, and the large\, multi-site commissioning and research framewo rk The Cinemas Project (2014). Bridget has published extensively and recent ly edited The Sensible Stage: Staging and the Moving Image (Picture This / Cornerhouse\, 2012).

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Nicolas de Oliveira \;is a curator\, writer and course leader for the MA Curating the Contemporary programme at London Metropolitan University an d Whitechapel Gallery. He founded Unit 7 Gallery (1986-89) the Museum of In stallation (1990-2003)\, and Notice Gallery (2005-8) and currently co-direc ts SE8 gallery. His books include Installation art\, and Installation art i n the New Millennium: Empire of the Senses\, (Thames &\; Hudson\, 1994 a nd 2003)\, two major international surveys of the practice. With his partne r Nicola Oxley he has co-written a series of artist's books and monographs on Hans Op de Beeck\, Stefan Brü\;ggemann and Patrick Jolley. Their fic tion work includes the novella Sand (Ludion\, 2011) published as part of th e book Hans Op de Beeck: Sea of Tranquillity\, The Door Ajar which focused on Antonin Artaud and the monograph Patrick Jolley: All that Falls (Gandon Editions\, 2012 and 2013).

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Ni cholas Ridout \;is Professor of Theatre in the Department of D rama at Queen Mary University of London. He is the author of Stage Fright\, Animals and Other Theatrical Problems (Cambridge\, 2006)\, Theatre &\; Ethics (Palgrave\, 2009) and Passionate Amateurs: Theatre\, Communism and L ove (Michigan\, 2013) and co-editor\, with Joe Kelleher\, of Contemporary T heatres in Europe (Routledge\, 2006). He is the co-author\, with Claudia Ca stellucci\, Romeo Castellucci\, Chiara Guidi and Joe Kelleher of The Theatr e of Socì\;etas Raffaello Sanzio (Routledge\, 2007). He is currently working on the relations between bourgeois theatre\, slavery and mass luxur y consumption.

DTEND:210000 DTSTAMP:20141023T052823 DTSTART:190000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Talk: Virtual Immersion UID:361929 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Directors of Marlborough F ine Art are delighted to announce the first London exhibition of Belgian ar tist Robert Devriendt. \;

DTEND:20141128 DTSTAMP:20141023T052823 DTSTART:20141028 GEO:51.5084606;-0.141152 LOCATION:Marlborough Fine Art\,6 Albemarle Street \nLondon\, W1S 4BY SEQUENCE:0 SUMMARY:Unsolved Cases\, Robert Devriendt UID:361928 END:VEVENT BEGIN:VEVENT DESCRIPTION:

52-54 Bell Street

DTEND:20150117 DTSTAMP:20141023T052823 DTSTART:20141114 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:Art & Language – Nobody Spoke UID:361640 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141023T052823 DTSTART:180000 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:Art & Language – Nobody Spoke UID:361641 END:VEVENT BEGIN:VEVENT DESCRIPTION:

29 Bell Street

DTEND:20150117 DTSTAMP:20141023T052823 DTSTART:20141114 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:I HEART 1984 \, Jonathan Monk UID:361638 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141023T052823 DTSTART:180000 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:I HEART 1984 \, Jonathan Monk UID:361639 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150110 DTSTAMP:20141023T052823 DTSTART:20141127 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Solo Exhibition\, Berlinde De Bruyckere UID:361636 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141023T052823 DTSTART:180000 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Solo Exhibition\, Berlinde De Bruyckere UID:361637 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150110 DTSTAMP:20141023T052823 DTSTART:20141127 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Worry Will Vanish\, Pipilotti Rist UID:361634 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141023T052823 DTSTART:180000 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Worry Will Vanish\, Pipilotti Rist UID:361635 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Frith Street Gallery is please d to announce an exhibition of monochrome fabric works by Polly Apfelbaum.< /p>\n

In 2013 Polly Apfelbaum was awarded a residency at The American Academy in Rome. The works exhibited here grew o ut of the artist&rsquo\;s experience in that city and in particular her fas cination with the drapery and coloured fabrics depicted in Renaissance and Baroque paintings which she saw there. The series started out as a constant ly changing studio installation with large squares of loosely draped fabric punctuated by hanging beads. The artist describes them as having an improv isational quality\; like a musician improvising on a theme. Hence the title &ldquo\;Colour Sessions.&rdquo\;

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&ld quo\;I was thinking about the movement and order of thought\, of colour and light\, the angel in the Fra Angelico Annunciation in San Marco\, drapery\ , the way that curtains conceal and reveal. My work is spatial but always r elated to painting. The Colour Sessions can be read as monochrome paintings \, but they are fragile monochromes &ndash\; paintings that are falling off the wall. I recently discovered that the sheen of the fabric is the result of weaving threads of two colours together in a very tight weave &ndash\; it makes it difficult to locate the surface or pin down the color. So even the &lsquo\;monochrome&rsquo\; is actually two colors. The beads bring anot her spatiality into play\, moving farther off the wall\, into the space of the gallery.&rdquo\;

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As with most of Apfelbaum&rsquo\;s work no two installations of this work are ever the same . They respond to the architecture of the space\, keeping certain essential things consistent but introducing variations and change over time. In this regard\, there will never be any definitive version\; rather each interpre tation is as important as any other\, with the work always taking on a diff erent meaning in a new context.

DTEND:20141220 DTSTAMP:20141023T052823 DTSTART:20141107 GEO:51.5111622;-0.137096 LOCATION:Frith Street Gallery\, Golden Square\,17-18 Golden Square \nLondon \, W1F 9JJ UK SEQUENCE:0 SUMMARY:Colour Sessions\, Polly Apfelbaum UID:361633 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Fake Films and a Few Frames More is an exhibition by the artist Laura Pawela of major video works never before se en in the UK. \; The exhibition will include important early works from Untitled/Friedrich (2008) and Sugar (2009)\; through to more recent works such as a new single-screen version of her powerful video installation Songs of Insatiability (2011)\; and Past Present Continuous (2010)\, a meditation on future of ruins of half-built fol lies in European cities exhibited as part of her solo exhibition at Propaga nda Gallery\, Warsaw.

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Pawela recently exhibited in You Canno t Step into the Same River Twice at th e Pump House Gallery\, Battersea\, Cri mestory at the Centre of Contemporary Art\, Toruń\, and in Manchester Contemporary 2013. \; Last year she was awarded the prestigious Silesian Voivodeship Artistic Award for achievemen ts in the field of the visual art. She is currently working on the mockumen tary Pink Horizon\, with Tomasz Kolankiewicz\, with support from the Polish Ministry of Culture.

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Supported by the Polish Cu ltural Institute.

DTEND:20141123 DTSTAMP:20141023T052823 DTSTART:20141121 GEO:51.5315021;-0.0565947 LOCATION:IMT Gallery\,Unit 2\, 210 Cambridge Heath Road \nLondon\, E2 9NQ SEQUENCE:0 SUMMARY:Fake Films and a Few Frames More\, Laura Pawela UID:361582 END:VEVENT BEGIN:VEVENT DTEND:210000 DTSTAMP:20141023T052823 DTSTART:180000 GEO:51.5315021;-0.0565947 LOCATION:IMT Gallery\,Unit 2\, 210 Cambridge Heath Road \nLondon\, E2 9NQ SEQUENCE:0 SUMMARY:Fake Films and a Few Frames More\, Laura Pawela UID:361583 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Pure Evil Gallery is honored t o present the new solo show Distortions by Mr Cenz \; where he offers h is perception of a futuristic and melancholic world\, through a wide range of feminine portraits and urban landscapes.

Mr Cenz is a London based graffiti artist who has been scribbling on surfaces since 1988. His d istinctive work can currently be seen all over streets of London. It featur es layers of intricate and flowing letterforms\, shapes and line work\, whi ch are abstracted in a unique and aesthetically pleasing way. His style is full of funk and movement and fuses different skills together such as reali sm and graffiti letterforms. His work is open to individual interpretation and has been described as surrealist graffiti art for the soul. \;

To appreciate the beautiful and fantastic world of Mr Cenz\, the PUR E EVIL GALLERY will present new work on canvas from the 16th to November th e 9th \, 2014 in The Department store \, 96\, 98 Leonard St\, London UK.

DTEND:20141109 DTSTAMP:20141023T052823 DTSTART:20141016 GEO:51.5245707;-0.0813512 LOCATION:Pure Evil Gallery\,108 + 96-98 Leonard Street \nLondon\, London EC 2A 4XS SEQUENCE:0 SUMMARY:Solo Exhibition\, Mr Cenz UID:361537 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Whistleblower:
&ldquo\;O ne who reveals something covert or who informs against another.&rdquo\;
&ldquo\;One who stops a current ongoing action.&rdquo\;

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Lazarides is thrilled to present Whistleblower\ , the latest showcase of dynamic paintings and mixed-media landscape instal lations by New York born artist Marcus Jansen.

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Over the last decade Jansen&rsquo\;s subject matter continues to question a puzzling\, fast moving world transformed through rich gestural p aintings. The artist leads his audience on a journey across multiple views of abstract narrative scenes\, combining action painting with objective sub ject matter while playing with space\, light and perspective. The new serie s of complex constructions comment largely on socio-political issues of tod ay\, suggesting depth and movement within a flat plane using dramatic contr asts of colour\, form\, and texture.

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Jansen belongs to a new generation of artists exploring urban influenced fo rms of expressionism\, constructing  \;landscapes with an embedded conn ection between street art and contemporary art disciplines. Demonstrating a keen awareness of his surroundings the artist creates a surreal atmosphere filled with subconscious revelations that foretell of a future fraught wit h consequence. Violent brush strokes\, changing textures\, and distinctive contrast of colour reflect an explosive spontaneity that is the direct and raw effect of emotion. Jansen&rsquo\;s intellectually provocative and parad oxical work encourages discourse among viewers\, continuing his quest to di ssect truth from fiction in a world with expanding questions and mystery. T he themes that run through Jansen&rsquo\;s work are vast in scope and indic ative of his insightful ability to see the correlations that connect them\, increasing surveillance\, global dominance and genetically modified food a re just a few. In his work lies a deeply rooted spirituality that becomes e vident by his willingness to explore the unknown\, bringing our attention t o the things we would normally over-look while reminding us that within our struggle resides beauty.

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Mar cus Jansen
A former soldier\, Marcus Jansen started his caree r selling paintings on the streets of New York after previously studying gr aphics and commercial painting in Moenchengladbach Germany in the 1980&rsqu o\;s. Jansen&rsquo\;s rise to artistic fame came after a chance meeting wit h former MOMA Travelling Exhibitions Director\, Jerome A. Donson\, responsi ble for preparing major exhibitions for the likes of Jackson Pollock\, Robe rt Rauschenberg and Willem de Kooning\, Donson referred to Jansen&rsquo\;s work as being &ldquo\;reminiscent of the Ash-Can School and the innovator o f modern expressionism&rdquo\;.

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Since then Jansen has participated in various international museum exhibitions a nd bienniales\, including winning the Laguna Art Prize 2013\, Venice Italy\ , the 12th International Print &\; Drawing Biennial in 2007 at the Natio nal Taiwan Museum of Fine Arts and The PERMM Museum of Contemporary Art in Russia\, 2013. Besides his work being included in the U.S. Department of St ate and Art in Embassies program his museum collections span the United Sta tes\, South America\, Russia and Europe. Notable collections featuring Jans en&rsquo\;s work include: Moscow Museum of Modern Art (MMOMA)\, Russia\, Th e New Britain Museum of American Art\, The Museo Nacional de Brasí\;l ia \, Brazil\, The National Taiwan Museum of Fine Art\, Taiwan and the Smit hsonian Institution in Washington DC.

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The artist&rsquo\;s work has been noted in publications such as: Rolling S tone\, Vanity Fair\, Art News\, The New York Times\, La Repubblica and the Boston Globe. His recent project &ldquo\;The Art Album&rdquo\; book release d in New York City shows Jansen&rsquo\;s work on the cover alongside other world recognized artists such as Takashi Murakami\, Daniel Richter\, Chuck Close\, and Jonathan Meese. Upcoming solo museum exhibitions include the (M ACRO) Museum \;of Contemporary Art\, Rome in May/June 2015.

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Jansen is a New York native currently working ou t of his studio in SW Florida.
http://www.marcusjansen.com

DTEND:20141120 DTSTAMP:20141023T052823 DTSTART:20141024 GEO:51.5169912;-0.1332548 LOCATION:Lazarides Rathbone Place\,11 Rathbone Place \nLondon \, W1T 1HR SEQUENCE:0 SUMMARY:Whistleblower\, Marcus Jansen UID:361348 END:VEVENT END:VCALENDAR