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Join us for this fascinating p anel discussion exploring issues around outdoor sculpture\, and art that re lates to its surrounding environment. A panel of leading artists\, curators and commissioners including Clare Lilley\, Director of Programme at Yorksh ire Sculpture Park\; Robert and Nicky Wilson\, co-founders of Jupiter Artla nd\; and artist\, Alec Finlay\, will be looking at how practitioners have r esponded to the ever-shifting definition of the landscape\, and considering what the role and motivations of the commissioner may be. Alice Workman\, Director of Hauser &\; Wirth Somerset\, will chair the discussion.

DTEND:160000 DTSTAMP:20141026T001854 DTSTART:150000 GEO:51.1076221;-2.4454617 LOCATION:Hauser & Wirth Somerset\,Durslade Farm Dropping Lane\, Bruton\nSom erset\, BA10 0NL SEQUENCE:0 SUMMARY:Panel Discussion: Art in the Landscape UID:362264 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Arebyte galle ry is happy to present the upcoming exhibition &ldquo\;Journey&rdquo\;\, fe aturing works by seven national and international artists curated by Agnese Reginaldo.

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The main idea of the exhibition looks a t the impulse that has always driven people to move and travel far in searc h of something. The concept is inspired by the epic Italian poem &ldquo\;L& rsquo\;Orlando Furioso&rdquo\;\, where the characters are continuously look ing for something\, an object or a person\, desiring it passionately. Each goes on several adventures going into all regions of the world in a quest f or finding it.

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< span style="font-size: medium\;">The inconclusive journey is translat ed into a circular movement because no solution is found and they always co me back to where it started from. The obsession and repetition of the resea rch method makes Orlando lose his mind\,it can be found on the Moon\, the o nly place where it is possible to retrieve what has been lost on Earth.

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The exhibition displays a range of mediums from video\ , performance\, sound and poetry looking at the voyage\, a trip into unknow n experiences\, an exploration of the body and mind\, a search of things to be found\, a starting point with no ending. \;

DTEND:20141109 DTSTAMP:20141026T001854 DTSTART:20141103 GEO:51.5428731;-0.0228743 LOCATION:arebyte gallery\,4 White Post Lane Queens Yard\nLondon\, E9 5EN SEQUENCE:0 SUMMARY:Journey\, Joseph Moore & Stephanie Vella\, Salvatore Insana\, Leono r Serrano-Rivas\, Peter Matthews\, Asaki Kan\, Amina Abass-Nazari\, Eden Mi tsenmacher UID:362208 END:VEVENT BEGIN:VEVENT DTEND:210000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.5428731;-0.0228743 LOCATION:arebyte gallery\,4 White Post Lane Queens Yard\nLondon\, E9 5EN SEQUENCE:0 SUMMARY:Journey\, Amina Abass-Nazari\, Salvatore Insana\, Asaki Kan\, Peter Matthews\, Eden Mitsenmacher\, Leonor Serrano-Rivas\, Joseph Moore & Steph anie Vella UID:362209 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Laura Palookaville are proud to present the launch of a limi ted edition record This is a Game Called &lsquo\;Hello\, Hello\, Here i s X.X.&rsquo\;\, a sound work by Mark Jackson edited from original rec ordings of an interview between William S. Burroughs and Roger Clarke.

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This is a game called &lsquo\;Hello\, hello\, here is X.X.&rsquo\;< /em> is composed of edits from an interview Clarke conducted in 1995 with W illiam S. Burroughs at his home in Lawrence\, Kansas. Rather than a documen t of an interview (the original tapes comprise of seven hours of material)\ , the record seeks to augment the space in which the recordings were made\, dwelling upon moments such as a search around the house for a rainstick\, a pause in the interview whilst food is prepared\, a visit to his home-made orgone accumulator and trips to feed the fish amidst a cacophony of annual cicadas in the Kansas summer.

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The launch will include a discussion between Mark Jackson and Roger Clarke on the project and the circumstances of the original interview.

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This is a game called &lsquo\;Hello \, hello\, here is X.X.&rsquo\; was produced and commissioned by Gordo n Shrigley for Laura Palookaville and engineered by Frank Merritt of the Ca rvery\, London\, with sleeve design by Foxtrot Hotel\, London.

DTEND:20141108 DTSTAMP:20141026T001854 DTSTART:20141108 GEO:51.5315021;-0.0565947 LOCATION:IMT Gallery\,Unit 2\, 210 Cambridge Heath Road \nLondon\, E2 9NQ SEQUENCE:0 SUMMARY:Laura Palookaville presents: This is a Game Called ‘Hello\, Hello\, Here is X.X.’\, Mark Jackson\, Roger Clarke UID:362200 END:VEVENT BEGIN:VEVENT DTEND:210000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.5315021;-0.0565947 LOCATION:IMT Gallery\,Unit 2\, 210 Cambridge Heath Road \nLondon\, E2 9NQ SEQUENCE:0 SUMMARY:Laura Palookaville presents: This is a Game Called ‘Hello\, Hello\, Here is X.X.’\, Roger Clarke\, Mark Jackson UID:362201 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Treister will talk about her m ost recent project\, \;Post-Surveillance Art \;(2014)\, an d revisit \;HEXEN 2.0 \;(2009-2011)\, a major project char ting the increase in intelligence gathering in the Web 2.0 era and the US g overnment and military&rsquo\;s role in the development of the Internet.&nb sp\;

Suzanne Treister (born 1958\, London) currently lives and w orks in London. She was a pioneer of digital and web-based art in the early 1990s\, developing fictional worlds and international collaborative organi sations. Recent solo exhibitions and events include \;Supper for Sn owden\, \;Thyssen-Bornemisza Art Contemporary\, Vienna\, Austria ( 2014)\; \;In The Name of Art and Other Works\, Annely Juda Fin e Art\, London\, UK (2013)\; \;HEXEN 2.0\, Cleveland Institute of Art\, USA\; P.P.O.W\, New York\, USA (both 2013)\; D21 Kunstraum\, Leip zig\, Germany\; Hartware Medien Kunstverein\, Dortmund\, Germany\; Science Museum\, London\, UK\; and \;The Real Truth. A World&rsquo\;s Fair< /em>\, Raven Row\, London (all 2012). \;

DTEND:200000 DTSTAMP:20141026T001854 DTSTART:190000 GEO:51.5330714;-0.0395103 LOCATION:Chisenhale Gallery\,64 Chisenhale Road \nLondon\, E3 5QZ SEQUENCE:0 SUMMARY:Post-Surveillance Art\, Suzanne Treister UID:361934 END:VEVENT BEGIN:VEVENT DESCRIPTION:

As part of their current Invit es exhibition\, the ARKA group will screen a selection of short films by ar tists and film-makers that have influenced their own moving image work.

DTEND:170000 DTSTAMP:20141026T001854 DTSTART:150000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Screening: Invites Artist’s Presentation\, The ARKA Group UID:361932 END:VEVENT BEGIN:VEVENT DESCRIPTION:

An evening of video and live w orks that explore notions of transgression in the physical and virtual envi ronments of late capitalism. The event will include contributions from Holl y Childs\, Jesse Darling\, Rozsa Farkas\, Rosie Hastings\, Hannah Quinlan A nderson amongst others.

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Drinks from 6 .30pm.

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Holly Chil ds \;is a writer and artist based in Melbourne. She makes work exploring digital semiotics\, transformations of language and culture\, ab erration and economics. Her first novella No Limit was released by Hologram in April 2014. Her writing has appeared in Going Down Swinging\, Overland and Endless Lonely Planet. She has recently presented readings at Poetry Wi ll Be Made By All!\, Luma Foundation\, Zurich\, Emerging Writers&rsquo\; Fe stival\, Melbourne and Next Wave\, Melbourne. In 2014 she was awarded an Au stralia Council Early Career Residency to develop her second novella Dankla nds at Arcadia Missa gallery and publishers\, London.

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Jesse Darling \;works in sculpture\, installation\, text and "dasein by design"\, thinking about networked subje ctivity and the way that structures - architectural\, [bio]political\, phil osophical - manifest in physical and social bodies. Recent solo exhibitions include presenting a series of new sculptures in How Can It Hurt You When It Looks So Good with Arcadia Missa at START Art Fair\, London and Not Long Now at LimaZulu\, London\, both 2014. Recent group exhibitions include End s Again at Supplement Gallery and Snow Crash at Banner Repeater\, both Lond on\, 2014.

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Ró\;zsa Zita Farkas \;is a writer and curator interested in exploring bodi es through networks. She is the founding director of Arcadia Missa\, London and has co-curated independent projects including The Posthuman Era Became a Girl\, South London Gallery and Re-Materialising Feminism\, ICA and The Showroom\, both 2014. Her writing has been published in Mute Magazine\, Ero s and DPI Studioxx\, and she has presented at events for Transmediale\, ReS ource006 and Rhizome. Since 2010 she has guest lectured at University of th e Arts\, London.

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Rosie Hastin gs \;and \;Hannah Quinlan Anderson \; are artists who live and work in London. They graduated from BA Fine Art at Goldsmiths (2014\, 2013) and have worked collaboratively over the past yea r. Recent projects include @GAYBAR - a series of exhibitions and events exp loring new horizon&rsquo\;s within gay bar culture and Where is the Body?\, a bi-monthly reading group focusing on queer theory texts. Hannah and Rosi e also manage Rye Lane Studios\, an artist-led space in Peckham\, founded i n May 2014.

DTEND:210000 DTSTAMP:20141026T001854 DTSTART:190000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Performance: Then Nothing Happens Because Nothing Ever Does\, Holly Childs\, Jesse Darling\, Rosie Hastings\, Hannah Quinlan Anderson UID:361931 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Writer Ossian Ward discusses t he work of Lizzie Fitch and Ryan Trecartin in relation to collaborative pra ctice and their current solo show.

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Dr inks from 6.30pm.

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Ossian Ward is Head of Content at Lisson Gallery and a writer on contemporary art. Until 2013\, he was the chief art critic and Visual Arts Editor at \;Time Out London \;and has con tributed to magazines such as \;Art in America\, \;Esq uire\, \;The News Statesman \;and \;Wallpaper \, as well as newspapers including the \;The Guardian\, t he \;Observer\, \;The Times \;and \;T he Independent on Sunday. His new book\, titled \;Ways of Look ing: How to Experience Contemporary Art \;is published by Laurence King.

DTEND:210000 DTSTAMP:20141026T001854 DTSTART:190000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Talk: Ossian Ward\, Ryan Trecartin & Lizzie Fitch UID:361930 END:VEVENT BEGIN:VEVENT DESCRIPTION:

This panel discussion examines the ways in which the theatrical and immersive staging of contemporary fil m and video work blurs the boundary between the virtual and physical world. Speakers include Lisa Å\;kervall (Bauhaus-University Weimar)\, Bridge t Crone (Goldsmiths College)\, Nicolas de Oliveira (London Metropolitan Uni versity) and Nicholas Ridout (Queen Mary University of London).

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Drinks from 6.30pm. \;

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Lisa Å\;kervall \;is a postdoctoral research fellow at the interdisciplinary research center &l dquo\;Media and Mimesis&rdquo\; at Bauhaus-University Weimar in Germany. He r publications in English include: Cinema\, Affect and Vision (in Rhizomes 16\, Deleuze and Film\, 2008) and Character-Witness\, Actor-Medium (in Acti ng and Performance in Moving Image Culture: Bodies\, Screens\, and Renderin gs\, Transcript\, 2012). Her monograph Kinematographische Affekte: Deleuze und die Transformation der Kinoerfahrung (Cinematic Affect: Deleuze and the transformation of cinematic experience) is forthcoming from the German pub lisher Wilhelm Fink Verlag in 2015.

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< strong>Dr Bridget Crone \;is a curator\, writer and lecturer i n Visual Cultures at Goldsmiths College\, University of London. From 2006-1 1\, Bridget was director of Media Art Bath &ndash\; a publicly funded commi ssioning agency based in South West England\, and has experience curating i n a variety of contexts in the UK including at The Showroom\, London (2003- 6)\, The ICA\, London (2012) and Arnolfini\, Bristol (2010\, 2012). She has also curated projects in Australia including The Ian Potter Museum\, Melbo urne (2005)\, and the large\, multi-site commissioning and research framewo rk The Cinemas Project (2014). Bridget has published extensively and recent ly edited The Sensible Stage: Staging and the Moving Image (Picture This / Cornerhouse\, 2012).

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Nicolas de Oliveira \;is a curator\, writer and course leader for the MA Curating the Contemporary programme at London Metropolitan University an d Whitechapel Gallery. He founded Unit 7 Gallery (1986-89) the Museum of In stallation (1990-2003)\, and Notice Gallery (2005-8) and currently co-direc ts SE8 gallery. His books include Installation art\, and Installation art i n the New Millennium: Empire of the Senses\, (Thames &\; Hudson\, 1994 a nd 2003)\, two major international surveys of the practice. With his partne r Nicola Oxley he has co-written a series of artist's books and monographs on Hans Op de Beeck\, Stefan Brü\;ggemann and Patrick Jolley. Their fic tion work includes the novella Sand (Ludion\, 2011) published as part of th e book Hans Op de Beeck: Sea of Tranquillity\, The Door Ajar which focused on Antonin Artaud and the monograph Patrick Jolley: All that Falls (Gandon Editions\, 2012 and 2013).

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Ni cholas Ridout \;is Professor of Theatre in the Department of D rama at Queen Mary University of London. He is the author of Stage Fright\, Animals and Other Theatrical Problems (Cambridge\, 2006)\, Theatre &\; Ethics (Palgrave\, 2009) and Passionate Amateurs: Theatre\, Communism and L ove (Michigan\, 2013) and co-editor\, with Joe Kelleher\, of Contemporary T heatres in Europe (Routledge\, 2006). He is the co-author\, with Claudia Ca stellucci\, Romeo Castellucci\, Chiara Guidi and Joe Kelleher of The Theatr e of Socì\;etas Raffaello Sanzio (Routledge\, 2007). He is currently working on the relations between bourgeois theatre\, slavery and mass luxur y consumption.

DTEND:210000 DTSTAMP:20141026T001854 DTSTART:190000 GEO:51.5457751;-0.1544284 LOCATION:Zabludowicz Collection\,176 Prince of Wales Road \nLondon \, NW5 3 PT SEQUENCE:0 SUMMARY:Talk: Virtual Immersion UID:361929 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Directors of Marlborough F ine Art are delighted to announce the first London exhibition of Belgian ar tist Robert Devriendt. \;

DTEND:20141128 DTSTAMP:20141026T001854 DTSTART:20141028 GEO:51.5084606;-0.141152 LOCATION:Marlborough Fine Art\,6 Albemarle Street \nLondon\, W1S 4BY SEQUENCE:0 SUMMARY:Unsolved Cases\, Robert Devriendt UID:361928 END:VEVENT BEGIN:VEVENT DESCRIPTION:

52-54 Bell Street

DTEND:20150117 DTSTAMP:20141026T001854 DTSTART:20141114 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:Art & Language – Nobody Spoke UID:361640 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:Art & Language – Nobody Spoke UID:361641 END:VEVENT BEGIN:VEVENT DESCRIPTION:

29 Bell Street

DTEND:20150117 DTSTAMP:20141026T001854 DTSTART:20141114 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:I HEART 1984 \, Jonathan Monk UID:361638 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.5209651;-0.1695948 LOCATION:Lisson Gallery\,29 and 52-54 Bell Street \nLondon\, NW1 5DA SEQUENCE:0 SUMMARY:I HEART 1984 \, Jonathan Monk UID:361639 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150110 DTSTAMP:20141026T001854 DTSTART:20141127 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Solo Exhibition\, Berlinde De Bruyckere UID:361636 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Solo Exhibition\, Berlinde De Bruyckere UID:361637 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150110 DTSTAMP:20141026T001854 DTSTART:20141127 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Worry Will Vanish\, Pipilotti Rist UID:361634 END:VEVENT BEGIN:VEVENT DTEND:200000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.511961;-0.1409689 LOCATION:Hauser & Wirth (Savile Row)\,23 Savile Row \nLondon \, W1S 2ET SEQUENCE:0 SUMMARY:Worry Will Vanish\, Pipilotti Rist UID:361635 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Frith Street Gallery is please d to announce an exhibition of monochrome fabric works by Polly Apfelbaum.< /p>\n

In 2013 Polly Apfelbaum was awarded a residency at The American Academy in Rome. The works exhibited here grew o ut of the artist&rsquo\;s experience in that city and in particular her fas cination with the drapery and coloured fabrics depicted in Renaissance and Baroque paintings which she saw there. The series started out as a constant ly changing studio installation with large squares of loosely draped fabric punctuated by hanging beads. The artist describes them as having an improv isational quality\; like a musician improvising on a theme. Hence the title &ldquo\;Colour Sessions.&rdquo\;

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&ld quo\;I was thinking about the movement and order of thought\, of colour and light\, the angel in the Fra Angelico Annunciation in San Marco\, drapery\ , the way that curtains conceal and reveal. My work is spatial but always r elated to painting. The Colour Sessions can be read as monochrome paintings \, but they are fragile monochromes &ndash\; paintings that are falling off the wall. I recently discovered that the sheen of the fabric is the result of weaving threads of two colours together in a very tight weave &ndash\; it makes it difficult to locate the surface or pin down the color. So even the &lsquo\;monochrome&rsquo\; is actually two colors. The beads bring anot her spatiality into play\, moving farther off the wall\, into the space of the gallery.&rdquo\;

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As with most of Apfelbaum&rsquo\;s work no two installations of this work are ever the same . They respond to the architecture of the space\, keeping certain essential things consistent but introducing variations and change over time. In this regard\, there will never be any definitive version\; rather each interpre tation is as important as any other\, with the work always taking on a diff erent meaning in a new context.

DTEND:20141220 DTSTAMP:20141026T001854 DTSTART:20141107 GEO:51.5111622;-0.137096 LOCATION:Frith Street Gallery\, Golden Square\,17-18 Golden Square \nLondon \, W1F 9JJ UK SEQUENCE:0 SUMMARY:Colour Sessions\, Polly Apfelbaum UID:361633 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Fake Films and a Few Frames More is an exhibition by the artist Laura Pawela of major video works never before se en in the UK. \; The exhibition will include important early works from Untitled/Friedrich (2008) and Sugar (2009)\; through to more recent works such as a new single-screen version of her powerful video installation Songs of Insatiability (2011)\; and Past Present Continuous (2010)\, a meditation on future of ruins of half-built fol lies in European cities exhibited as part of her solo exhibition at Propaga nda Gallery\, Warsaw.

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Pawela recently exhibited in You Canno t Step into the Same River Twice at th e Pump House Gallery\, Battersea\, Cri mestory at the Centre of Contemporary Art\, Toruń\, and in Manchester Contemporary 2013. \; Last year she was awarded the prestigious Silesian Voivodeship Artistic Award for achievemen ts in the field of the visual art. She is currently working on the mockumen tary Pink Horizon\, with Tomasz Kolankiewicz\, with support from the Polish Ministry of Culture.

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Supported by the Polish Cu ltural Institute.

DTEND:20141123 DTSTAMP:20141026T001854 DTSTART:20141121 GEO:51.5315021;-0.0565947 LOCATION:IMT Gallery\,Unit 2\, 210 Cambridge Heath Road \nLondon\, E2 9NQ SEQUENCE:0 SUMMARY:Fake Films and a Few Frames More\, Laura Pawela UID:361582 END:VEVENT BEGIN:VEVENT DTEND:210000 DTSTAMP:20141026T001854 DTSTART:180000 GEO:51.5315021;-0.0565947 LOCATION:IMT Gallery\,Unit 2\, 210 Cambridge Heath Road \nLondon\, E2 9NQ SEQUENCE:0 SUMMARY:Fake Films and a Few Frames More\, Laura Pawela UID:361583 END:VEVENT END:VCALENDAR