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WHAT i S T H E; ;" MYSTERY " O F T H E; M O D E R N.

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murat danis

WHAT i S   T H E;        

;" MYSTERY " O F  T H E;  M  O  D  E  R  N..  

(  MODE   E R N..)


I m p r e s s i o n ism;  was a movement; against concrete l i n e s  of  drawing; and s e e ing.. (and knowing; too.) In  Quantum M e c h a n i c s;   scientists w e r e;  writing     "  the n e w philosophy o f  M o d e r n  S c i e n c e "..I m p r e s s i o n i s m; w a s; parallel to this n e w  philosophy..R e l a t i v i t y     -R e a l   a t i v i  t y-      ;  & indefinitness  Principle o f  Verner Kari Heisenberg;  defined t h e character o f  the  M O D  E R N.. (& impressionism , i n the  art.)

Relativty o f  a  MODERN  P a i n t i n g;   is based  i  n   " 4 S i d e s "   o f  a   canvas..there must b e 4 relative p i c t u r e s; i n    " ONE PAiNTing.."     (when canvas  i s  t u r n e d..  a new picture must o c c u r.. & these 4 pictures a r e relative to e a c h  other because they all are m a d e  o f;  " O N E; P a i n t ing "..)  ( S o, modern painting can not b e signed b y; the artist, i n fact; because,  there are 4 relative pictures, i n there; and none o f them a r e   m a d e ; b y;  the a r t i s t..  it is  t h e " p u r e  ; -& the a b s o l u t e;-   RATiO;     that d e v i d e d ;  the main subject     ,into 4 related parts..     -into 4 sides o f  the canvas-   ..I n  f a c t;  everyone of the " 4 "   has EARNED   a  MODE;  ;  so this painting i s   ; "MOD E R N " ..  I  call  t h i s  JOB;    a s  an   "  ANGELs  J O B ";  -or work-     o r  the  whole  MOVEMENT;  (made at O N C E)   w a s  a   O  r i g i n a l  ;   MOVE  b y   ;"  t h e GOD'  s ".  (so modern painting; a d d s " the GOD " into the a r t ; by his  original movement  ..t h e n;  religion has been  added to art &there is no need; to religious subjects b e i n;  art.     -or " religious orders ,cults, o r d e r s i n art; -   - so art could go deeper to the soul o f mankind and into psycology  and science;  area..) (of course can artist ;play the A n g e l  r o l e; with his Ratio;  t h e n  he  i s  a  pure; religion; m a n;  o r  he must be the A n g e l  of  the GOD' s..but this concept  h a s " realtivity " i n  it  ,too.) . and A n g e l s;     -by the m e a n s  of  the  RATiO; -   h a s    m a d e ;    the " 4 "  PARTs..and they are ANGEL i o u s l y;  r e l a t e d ;  ( and  REAL a t e d;  )  to  e a  c  h;      o    t   h   e    r..                             -can U  write U' r  name  o n  such a   w o r k-..)


ExAMPLE    S  E T  s     ;  TO THE 4 MODEs   -RELATED-;         O  F    " T H E   M  O  D  ERN  "  :





" ONE PAiNTing "  ;     becomes " 4 Pictures "..       - "4 STROKES   ;OF ONE-Painting.. "..-    ......w h e n;    " 4  MODE;  i s   ;E R N ed  "..              ..Impressionists especially  ;  Van Gogh; had;  " square brush s t r o k e s "  ...o n the painting.. (pointers had these circular brush strokes; too..) ..( these strokes  w e r e ; tiny windows opening i n art' s space     -or in paint ;or in the color of the light-    ;or  to  the  " REAL ABSOLUTE "..) (W h e n  "U"  w r i t e;  every  " l e t t e r "  can  b e  ; described  a s;  tiny " square "  " s t r o k e s "  ; -or windows- ;    opening  i n t o ;  the   R E A L;  a b s o l u t e..  (I m a k e  ; my  " tiny "  ; strokes; -or windows-  w h e n I write my ; " 4 sided "  ONE PAGE;  w r i t i n g s;     -o n   a  tuval  like; 1 PAGE-    ....SO;  my MODern; p a i n t i n g s  with Spatula;  c  a  n  ;  h a  p  p  e  n;   i n   m i n u t e s;   sliding;  i n  relativity,,i  n  the;  PAiNT..)


........to  t e s t;  i s   something   i  s  MODERN;            ..  ;t  h  e  n;   w e   must     , turn  i t;  o n  4  sides..(U can use U' r  ARMs;and hands to do this; and this  i s ;  a     ; " contemporary;  t h i n g;  to  DO"..)   i f   there  is  related;  but apart;  PARTs; o c c u r;  then , it si Modern; i t  ha s   s c i e n c e;  & the relativeness  ;- or relativity-;  i  n  it..   (S O;  art  has; involved; Science;  i  n;       ;  -after;Religion;or GOD has been involved i n art.. -..) (that m e a n s;  social science can not u s e  art; -or artists-;   a s a Laboratory; t o  M A K E;  their  ;    s c i e n c e P H E N O MENONs..)  (art history h a s  b e c o m e;  t h e  PHENOMENON  producer;  t o ;  SOCiOLOGy;    and social s c i e n c e s..   i n  recent centuries..

-because t h e  r e a l   SOUL;  o f  the  s c i e n t i f i c   MOVEMENT;  could'nt;  b e   " installed; i n   ART ";       in  contemporary b a s e s ; too..      modern paintings "brush stroke experiments"    on the paint; w a s  not;     contemporary  (suddenly occuring in daily life..) e n o u g h..SO;  eXpressionism;  H A S;  emerGED.     .-e r u p t e d;  o  u  t-     ..  a  s  a    contemporary  a  c  t;    i  n   art..  MODERN  iMPRESSiVE;  P A i N T i N G;  HAS  to  B  E;    ; " D O N E ";   " e Xpressively;  i n   m i n u t e s " ;     ; b  u  t  i t;   s t i l l;    w    a    s   to   b  e;  & o c c  u r;ED;      i   n;   " impressive "   m a n n e r s..    -at least; it must begin impressive then can change into ;  eXpression s..   ;    (related t o    what has been impressed..   then expressed o u t;    ; 4 the   "  u n i t y    "       o f art;        & t h e  ARTist..)-     ,)


L E O N A R D O;  DA ViNCi;   w   a  s;   CONTEMPORARy;                               -i n  my  oppinion-.  (h e   has  established; BEAUTy; as a STATE; i n  ART; i n F r o n t;   b u t ;  t h e r e     i s   ; a very strong;  DARK;  &a b s o l u t e;  REAL  S i D E;  i n the depths  o f  his   w  o  r  k  s.. (they invent there are codes o f true Christ;   -&the beauty o f the nature ;(as woman) & the ;p u r e  religion ;   i n it..)  ,,rather t h e n;  h e      w  a  s;  MODERN;      ;  o  n     the     ; s u r f a c e..

....   b   u  t;   MODERNism;    i  s      " i  n b e t w e e n ";         the  " BEAUTY STATE "  & the,      " REAL ABSOLUTE LAYER  , b e h i n d.."..i n his Paintings..

...m y   opinion  i  s;   " t h e MiSTiQUE  - &MYSTERiOUS-   ;SMiLE "         o f; the     " MONA L i s a ";        ,; i  s   " MODERNity; "  ;  p  u  t  in;  contemporarily..      (a very sudden -a daily  fast move of-     the contemporary ;      " but MODERn  ;MOVE; "              ; that can not b e;  replayed,          or     ;  r e MADE;a  b  l  e....)


MODE ern i t y;   b  u  t;  in   " all o f  a  sudden "  state...          L   e  o  n  a  r d   o,     w   a  s     a    MAN;  i  n    M a n y;    M O D E s...  h e  was  M o d e r n;   i  n   his   " e x p e r i m e n t s ";  ...   b  u  t;  w h e n   it    c o m e s   TO;  A R T;        -because he thinks h e is an a r t i s t;     i n the c e n t e r; o f all his doings-   ,,(s   o,      h  e  was not the  o n e  ;  to   i n v e n t ;  " MODERN  PAinting " )     ....  i n s t e a d;   H  E;  MADE;    ; " his  M O D E R N;  MOVE; "       i n a contemporary  w a y;        -that can not  b e   ;     "reMADE";       -this is the MiSTiQUE; &MYSTERiOUS ;smile o f       the  " Mona Lisa  "..)   ..


M  y;   standARt;    i  s     SO..    a   R E A L;  M O D E R N;   PAiNTiNG;  can   not  b  e       ;M A D E   ;again;            -  " reM A D E "  -...(in  art world today;      U can  not  b e   s u r e   o f,      buying,  a       r e a l;  original painting..      -they might b e  " r e production "  ;    a  perfectly m a d e ";    ;   " reMADE "  ... " 4 Sided r e l a t i v i t y, "      c a n    not   b  e,  imitatted,     because;  GODs;  M o v e  ;    i s  i n -included  i n-  ;  this; impressively-expressed,    contemporary;  i m p r o visation; thecniQ u e;  o  f  a   painting    p e r f o r m a n c e;   (by the means of  the  p r e  writings o f "ONE PAGE "  -4 sided-  parallel-     ; installed    s u b j e c t      ;i n  paint;  -so imaginary l i n e s  can be Liberal in dancing w i t h ;  t h e  colors o f  the  l  g h t..-   )..


T h i s;   i    s;     M y   " MODERN  MONA L i s a ";   w    i   t    H,   

  " a MistiQUE;       E Y E;(eye i s MODERN version)    S m i L E.. "   

;(not the mistiQUE;Smile o f  the  MOUTH;     ;the CLASSiCAL;  s m i l e..of original Leonardo' s MONA LiSA..)


 

MODERN & CONTEMPORARy;  

"   M   O    N    A       L i S A;     " MistiQ U E;      L   i     P     s "  ....


Posted by murat danis on 5/14/12







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