Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticity and abi... [more]
This exhibition is called Private and Confidential, the pieces are beautifully framed prints, that vibrate with luminous colour and luscious brush strokes, these seductive effects give a warm and enticing atmosphere to the imagery, but underneath is a certain and sudden shock as the mind realises the figurative imagery that challenges the imagination and beckons satire and paradox, and the cartoon, these seem to rent through the surface of appearances.....perhaps to comfort the knowing viewer wi... [more]
Three rooms into the modern art section of the Museu Nacional d’Art de Catalunya the film Tide Table is projected on the wall. It’s a typical William Kentridge piece: animated black and white drawings, frolicking bathers are observed by Ghadhafi-like generals, a cow is slaughtered in a cabana, lots of political innuendo. Even though the film is combined with a couple of drawings by the South African artist, it’s pretty much a stand-alone presentation. It lacks the kind of conte... [more]
NEW YORK PHOTO DIARY, JUNE 24 2015 - Catherine Troiano
Last Wednesday, Klompching Gallery re-opened in their new location at 89 Water Street, DUMBO. The gallery has been located in DUMBO since it opened seven years ago, but until recently was one of a number of arts businesses situated on the second floor of 111 Front Street. Two Trees Management, a prominent real estate company in the neighborhood that has been a long-standing proponent of DUMBO arts, enabled the move and Klompching is one of te... [more]
Bikkel was born in Curacao,lives and works in the Netherlands. In 2002 she finished her studies at Willem de Kooning Akademie with Judicium exceptional.
She is glass artist and painter.
to the website [more]
Fire and Forget: Artists Respond to Modern Warfare by Vanessa Gravenor Marina Abramovic, Ron Amir, Roy Brand, James Bridle, Luis Camnitzer, Mircea Cantor, Joan Castro, Marcelo Cidade, Jem Cohen, Martin Dammann, Chto Delat, Öyvind Fahlström, Harun Farocki, Robbert & Frank, Daniil Galkin, and Keren Yeala Golan, Rudolf Herz, Damien Hirst, Clara Ianni, Emily Jacir, Hunter Jonakin, Joachim Koester, Korpys/Löffler, Barbara Kruger, Armin Linke, Robert Longo, Jazmin Lopez, Kris Martin, Michael Müller, Timo Nasseri, NEOZOON, Katja Novitskova, Tal R, Pipilotti Rist, Frank & Robbert, André ROBILLARD, Julian Röder, Henning Rogge, Martha Rosler, Hrair Sarkissian, Ori Scialom, Timur Si-Qin, Santiago Sierra, Javier Téllez, Ulay, Julius von Bismarck, Sharif Waked, Gillian Wearing, He Xiangyu, Amir Yatziv, Ala Younis at KW Institute for Contemporary Art
June 14th - August 30th
Entering Fire and Forget. On Violence, the viewer passes through two of the four rotating gates in Daniil Galkin’s installation Tourniquet. Beyond this eerie passage, a provocative text speculates on the impact of technology on modern warfare. Its thesis can be characterized as follows: since modern technology has largely emancipated warriors from a traditional active sense of duty—allowing them to literally fire and forget—does this change in confrontation halt the production and inev... [more]
We all dream of undiscovered treasures, particularly hidden gems in unknown or obscure places. When we think about what mid 20th century American art history, we often immediately think of abstract painters like Jackson Pollock. Yet, there were other forces of creativity at work, often in relatively remote places as far as the art world is concerned. One such artist was Edward E. Boccia, an American painter, born in 1921 in New Jersey (d. 2012, St. Louis, Missouri). Virtually unknown today, the i... [more]
June 2015, there are 2 more balls cast and 1 more wax in line, to complete the set. Why make balls? As one critic who was trying to be nice wrote, "Yet again, another ball..." and then went on to (kindly at least) attribute some symbolism to it that I certainly never intended.
And so I asked myself, yeah, why am I making balls? Not that I like to let critics dictate my directions, but I do admit they can get you thinking about your art. In this case I wasn't able to argue my favorite: "... [more]
International artist Tom Estes has been invited by curator Rebecca Feiner to act as Honorary Mayor of DEN-City1. Estes describes himself as a “Sci-fi inspired Carnival Sideshow Conceptualist, combining a bare-bones formal conceptualism with an eternally adolescent, DIY comic-prank approach”. Organised with Middlesex University, DEN-City1 is part of The London Festival of Architecture, a month long celebration of architectural experimentation, thinking and practice.
I’ m sure I... [more]
The 40th Anniversary Show was remounted at the spacious Beverly Arts Center in Chicago. Women Artists over the decades (since 1972) Over 50 women spanning generations participated in this legendary exhibit. Myself, a current Affiliate, and former President/Director in 99-2001. It is very special and a Chicago Gem.
ARC Gallery & Educational Foundation of Chicago is at Beverly Fine Arts Center! celebrating 40 years- and only getting better!
ARC 40th Anniversary Exhibit--- Reception May 2, 7-9pm Ea... [more]
Video is an exceedingly difficult medium to wrangle into a gallery space: Do you serve it up movie theater-style, with chairs and set screening times? Do you play it on a loop and allow people to walk in and out? Headphones or no headphones?
Video demands long looking, but it rarely gets it. How many times have you watched mere seconds of a work of video art before turning to something else? Actually maybe a better question, how many times have you actually watched a work of video art from beginni... [more]
In early 2012 Icelandic post-rock band Sigur Rós challenged filmmakers to create videos for their album Valtari. Photographer Ryan McGinley chose the song “Varúð,” an eight-minute dream narrated by a raspy head voice over an unsteady piano and transparent strings. In his video a barefoot girl in a glittery gold wig and a washed-out blue nightie skips through the streets of New York City in slow motion. She passes trucks, taxicabs, construction workers, and business men, m... [more]
One of the most startling impressions that one takes away from seeing the reunited Migration Series at the Museum of Modern Art is how current the paintings still feel—current in a way that Céline still does, or Christopher Isherwood, or John Steinbeck, documentors of a very specific moment of transition, faithfully recording sensitive observations. Jacob Lawrence’s cycle of sixty paintings on the subject of the Northern Migration is both a landmark work for an artist who was just tw... [more]