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Los Angeles

Craig Krull Gallery

Venue Display
Craig Krull Gallery
Bergamot Station
2525 Michigan Ave. Building B-3
Santa Monica, CA 90404
Venue Type: Gallery

Neighborhood:
santa monica/venice



,
Umbrella Tree, Nancy MonkNancy Monk, Umbrella Tree,
2008, Acrylic and ink on pigment print
© Courtesy of the Artist and Craig Krull
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> CURRENT EXHIBITIONS & EVENTS
October 18th - November 22nd Urban and Pastoral
Ann Lofquist
 
October 18th - November 22nd Drawings
Hilary Brace
 
> QUICK FACTS
WEBSITE:  
http://www.craigkrullgallery.com
EMAIL:  
info@craigkrullgallery.com
OPEN HOURS:  
Tue-Fri 10-5:30; Sat 11-5:30
PHONE:  
310.828.6410
FAX:  
310.828.7320
GALLERY TYPE:  
Contemporary
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DESCRIPTION

The gallery was established in 1991 as Turner/Krull Gallery in West Hollywood. During the gallery’s three years on Melrose Avenue, the program was exclusively photo-based.

The inaugural exhibition, “Photographing L.A. Architecture,” demonstrated Krull’s interest in the cultural history of Southern California and also marked the beginning of his representation of noted L.A. artists such as Julius ShulmanJames Fee, and Edmund Teske. The program also included exhibitions of prominent photographers whose work had not been widely exhibited in the area, including, William Eggleston, Robert Adams and Frederick Sommer. Curatorial projects included, “Action/Performance and the Photograph,” a group exhibition examining the relationship of still photography to performance art.

In 1994, Craig Krull became one of the founding galleries at the new Bergamot Station Art Center. Since that time, the gallery has expanded its scope, no longer exclusively photo-based, it now represents major Southern California painters and sculptors such as Peter AlexanderDennis HopperLlyn Foulkes,Astrid PrestonDan McCleary and Don Bachardy. Sharing the poet Gary Snyder’s belief that, “our place is part of what we are,” the gallery is characterized by “place oriented” work, that which demonstrates a relationship between the artist and their environment or cultural milieu. Curatorial efforts reflecting this interest included, “Photographing the L.A. Art Scene: 1955-1975,” which explored that seminal period in L.A. art history. The gallery has also re-introduced artists such as photographer, Charles Brittin, an important chronicler of the Beat Generation. For this exhibition, Krull collaborated with Walter Hopps, producing the only catalogue of Mr. Brittin’s work.

The gallery is divided into three interconnected exhibition spaces of differing sizes. Exhibitions may focus on a single artist, but are more often comprised of two or three concurrent “solo” shows that explore complimentary themes, issues, or aesthetics. In fact, as simple as it may sound, beauty has always been a fundamental aspect of the gallery’s program.

 

The gallery emphasis is photo-based media and painting.


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