Gagosian Gallery is pleased to present Endless Night, a series of new paintings by Dexter Dalwood.

The title of the exhibition is taken from a line in William Blake's poem Auguries of Innocence -- "Some are born to sweet delight, some are born to endless night." In these new paintings Dalwood explores a rather morbid fascination with the latter via the death scenarios of famous public figures both real and fictional-- from the tragic suicide of photographer Diane Arbus to the graphic homicides in novels such as F. Scott Fitzgerald's The Great Gatsby.

Merging real history with art history, Dalwood incorporates distinctive painterly elements or devices borrowed from other artists. In Gorky's Studio, a thickly painted black rectangle evoking Clifford Still's dense abstract fields blocks the scene of the artist's suicide; The Crash conjures W.G. Sebald's fatal road accident in the English countryside, as seen from inside a car whose shattered windscreen is a whorl of expressionist paintwork; in Under Blackfriars, dangling feet protrude from the top of the image above the waters of a Monet-esque river scene, referring to the mysterious death of Italian banker Roberto Calvi, who was found hanged beneath the bridge in 1982.

Dalwood's approach embodies both the manner and matter of historical memory from which the history of painting is itself inextricable. He begins by making drawings and collages constructed from images culled from all manner of printed matter. Mixing references to the history of art and painterly language that are by turn direct and obscure, his paintings suggest an equivalence between real or imagined historical events and historically indexed artistic styles while constructing a rhetorical system for examining the many lives and deaths of painting.