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Los Angeles

Hammer Museum

Exhibition Detail
Transparent Cities
10899 Wilshire Boulevard
Los Angeles, CA 90024


April 23rd, 2009 7:00 PM - 8:40 PM
 
Transparent Cities, Madison Brookshire, Michael Pisaro, Cassia Streb, April GuthrieMadison Brookshire, Michael Pisaro, Cassia Streb, April Guthrie,
Transparent Cities,
2009, Sound recordings, digital video and live musical performance, 68 min.
© 2009
Transparent Cities, Madison Brookshire, Michael Pisaro, Cassia Streb, April GuthrieMadison Brookshire, Michael Pisaro, Cassia Streb, April Guthrie,
Transparent Cities,
2009, Sound recordings, digital video and live musical performance, 68 min.
© 2009
Transparent Cities, Madison Brookshire, Michael Pisaro, Cassia Streb, April GuthrieMadison Brookshire, Michael Pisaro, Cassia Streb, April Guthrie,
Transparent Cities,
2009, Sound recordings, digital video and live musical performance, 68 min.
© 2009
Transparent Cities, Madison Brookshire, Michael Pisaro, Cassia Streb, April GuthrieMadison Brookshire, Michael Pisaro, Cassia Streb, April Guthrie,
Transparent Cities,
2009, Sound recordings, digital video and live musical performance, 68 min.
© 2009
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> QUICK FACTS
EVENT TYPE:  
Performance
WEBSITE:  
http://www.hammer.ucla.edu
NEIGHBORHOOD:  
culver city/west la
EMAIL:  
info@hammer.ucla.edu
PHONE:  
310-443-7000
OPEN HOURS:  
Tue-Fri 11-8; Sat-Sun 11-5
ARTS ORGANIZATION:  
The Hammer Museum
SCHOOL ASSOCIATION:  
UCLA (University of California Los Angeles)
TAGS:  
landscape, realism, conceptual, performance, video-art, digital, music, experimental, experimental/performance, video, mutlimedia, interdisciplinary, Interdisplinary
COST:  
FREE
> DESCRIPTION

Transparent Cities is a collaborative work of music and video by Madison Brookshire, April Guthrie, Michael Pisaro, and Cassia Streb. Reflecting and reporting on the city of Los Angeles, the performance examines the rhythms of the city using layers of video and sound. Its long, contemplative recordings, juxtaposed with live performance, become a meditation on the complex relationship between reality and recording, presence and absence, lived experience and re-presented time.

A full description of the piece can be found here.

ALL HAMMER PUBLIC PROGRAMS ARE FREE. Tickets are required, and are available at the Billy Wilder Theater Box Office one hour prior to start time. Limit one ticket per person on a first come, first served basis. Hammer members receive priority seating, subject to availability. Reservations not accepted, RSVPs not required.

Parking is available under the museum for $3 after 6:00pm.

This performance is being produced as part of the Hammer Museum’s Artist Residency Program.

The Hammer Museum’s Artist Residency Program was initiated with funding from the Nimoy Foundation and is supported through a significant grant from the James Irvine Foundation.

Public programs are made possible, in part, by a major gift from Ann and Jerry Moss.

Additional support is provided by Bronya and Andrew Galef, Good Works Foundation and Laura Donnelley, an anonymous donor, and the Hammer Programs Committee.

 

 


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