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Morono Kiang Gallery

EVENT
Exhibition Detail
Varvara Shavrova: Between the Borders
Bradbury Building
218 W. Third St.
Los Angeles, CA 90013


January 24th - March 28th
Opening: 
January 24th 4:00 PM - 8:00 PM
 
Borders/Grey,Varvara ShavrovaVarvara Shavrova, Borders/Grey,
2008, oil on canvas, 58 1/4 x 78 inches
© Varvara Shavrova/Morono Kiang Gallery
Borders/Orange,Varvara ShavrovaVarvara Shavrova, Borders/Orange,
2008, oil on canvas, 58 1/4 x 78 inches
© Varvara Shavrova/Morono Kiang Gallery
Borders/Purple,Varvara ShavrovaVarvara Shavrova, Borders/Purple,
2008, oil on canvas, 58 1/4 x 78 inches
© Varvara Shavrova/Morono Kiang Gallery
Borders/Indigo,Varvara ShavrovaVarvara Shavrova, Borders/Indigo,
2008, oil on canvas, 58 1/4 x 78 inches
© Varvara Shavrova/Morono Kiang Gallery
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> QUICK FACTS
WEBSITE:  
http://www.moronokiang.com/
NEIGHBORHOOD:  
downtown/east la
EMAIL:  
info@moronokiang.com
PHONE:  
213-628-8208
OPEN HOURS:  
Tuesday to Saturday, 12 to 6
TAGS:  
painting, landscape, abstract
COST:  
Free
> DESCRIPTION

‘The sole cause of man’s unhappiness is that he does not know

how to stay quietly in his room.’

- Pascal, Penseés, 136

 Morono Kiang Gallery is proud to present the United States debut of Varvara Shavrova, a Russian-born, Beijing-based artist. A reception for the artist will be held on Saturday, January 24 from 2 to 6 PM.

Varvara Shavrova's newest paintings and video work are set against the backdrop of the longest border in the world, shared between Russia and China. Along the seam of this vast expanse of land, the artist explores the metaphysical terrain of her own global nomadism—from Russia, England, Namibia, South Africa, and Ireland to China. And it is through this meandering exploration that she aims to investigate the power of borders themselves. 

Based on video footage the artist shot while riding on a moving train across the countryside, Shavrova’s paintings re-interpret stills of blurred trees amidst a transitory landscape. Nature seems to pulse with a nervous kinetic energy in a predominantly monochromatic palette framed by bold stripes of somber color.

The goal of Shavrova’s project is to posit the existence of a contemporary reality that cannot be bound by borders. In a world of contested space inscribed by myriad competing powers, the artist finds a clearing where the border loses its structure and, thus, its resonance. In this moment where the border is divested of its power, fears about national conflict, political rivalry, and the contest for land lose their grip.

In effect, Shavrova examines the lasting imprint that borders—physical, political, cultural, and historical—contribute to our own notions of freedom and belonging.


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