Concurrently, the gallery will present an exhibition of new work by Stephen Aldrich. A pivotal moment in Aldrich's career occurred in 1968 when he met the influential photographer, Frederick Sommer. A musician and art student at Prescott College in Arizona, Aldrich was soon enlisted by Sommer to interpret his innovative, abstract musical scores, thus beginning a long relationship of mentoring and collaboration. In the last decade of Sommer's life, Aldrich worked with him on an extraordinary group of collages, while at the same time, developing his own unique approach to the medium. Working with fine 19th century engravings from books and journals as his source material, Aldrich cuts imagery with mind-boggling precision and complexity. There is an obsessive quality to the work in its overlappings, rhythms, repetitions and patterns that may, in part, be attributable to his background in music.
Complementing the literary theme of this exhibition, the gallery's foyer will feature works from Danae Falliers' series, Library. These color photographs of books on shelves are subtly manipulated so that the books, though still identifiable as books, become slightly blurred, linear, geometric abstractions.
Danae Falliers, library39(physics), 2013, archival pigment print, 21 x 28", edition of 5