Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
Los Angeles

Cerritos College Art Gallery

Exhibition Detail
After Image: The Photographic Process(ed)
Curated by: James MacDevitt
Fine Arts - 50
11110 Alondra Blvd
Norwalk, CA 90650


November 5th, 2012 - December 13th, 2012
Opening: 
November 5th, 2012 4:00 PM - 8:00 PM
 
San Luis Reservoir, CA 5, Matthew BrandtMatthew Brandt, San Luis Reservoir, CA 5,
2011, C-Print Soaked in San Luis Reservoir Water, 30 x 40 inches
© Courtesy of M+B Los Angeles and Copyright Matthew Brandt
Rolling Door, Scott HazardScott Hazard, Rolling Door,
2011, D-Prints, Wood, Glass, 15 x 8 x 12 inches
© Courtesy of the Artist
Unknown, Curtis MannCurtis Mann, Unknown,
2011, Chemically Altered C-Print with Protective Varnish, 22 x 20 inches
© Courtesy of the Artist and Kave Gupta, Chicago/Berlin
Sunset Airplane Wilderness Ranch, Letha WilsonLetha Wilson, Sunset Airplane Wilderness Ranch,
2010, Folded Photograph Mounted on Paper, 40 x 27 inches
© Courtesy of the Artist
< || >
> ARTISTS
> QUICK FACTS
WEBSITE:  
http://www.cerritosgallery.com
NEIGHBORHOOD:  
san gabriel valley
EMAIL:  
info@cerritosgallery.com
PHONE:  
(562) 860-2451 x 2612
OPEN HOURS:  
Mondays (11AM-4PM, 5PM-7PM), Tuesdays (1PM-4PM, 5PM-7PM), Wednesdays (11AM-4PM), Thursdays (1PM-4PM)
SCHOOL ASSOCIATION:  
CA), Cerritos College (Cerritos
TAGS:  
sculpture, modern, figurative, landscape, realism, conceptual, video-art, mixed-media, photography, Scratch, Poke, sew, bleach, FOLD, Cut
COST:  
Free, Parking $2
> DESCRIPTION

The Cerritos College Art Gallery is pleased to present after image: the photographic process(ed), a group exhibition featuring thirteen local, national, and international contemporary artists working to surface the physicality of the photographic process and, by extension, the embodied nature of image viewership. Through the manipulation of photographic prints (using various non-traditional strategies, such as bleaching, cutting, folding, poking, pouring, scratching, sewing, and soaking), the exhibiting artists work to counteract naïve assumptions regarding the inherent ephemerality of technologically-based representation; erasing the over-determined idealization of the theorized image in favor of the endlessly contextual materiality of the photographic object


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.