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Los Angeles

Rosamund Felsen Gallery

Exhibition Detail
1923 S. Santa Fe Ave.
Los Angeles, CA 90021

October 13th, 2012 - November 10th, 2012
October 13th, 2012 5:00 PM - 7:00 PM
Studio shot M.A. Peers by Grant Mudford, M.A. PeersM.A. Peers,
Studio shot M.A. Peers by Grant Mudford
© Rosamund Felsen Gallery
downtown/east la
Tue-Sat 10-5
figurative, surrealism, realism, conceptual, M.A. Peers, MA Peers, Rosamund Felsen Gallery, Rosamund Felsen

Rosamund Felsen Gallery is pleased to present the fifth solo show of paintings and works on paper by M.A. Peers. Peers’ new exhibition pursues the binary avenues that characterized her recent Project Series exhibition at Pomona College Museum of Art: firstly, a new series of large-scale borderline abstractions that bring to bear an increasingly virtuosic formalist painting vocabulary on progressively atomized and indeterminate subjects.

Deriving in part from her earlier series depicting generic male yuppies dissolving in haloes of prismatic color, Peers’ new work (including one piece appropriately entitled Disintegrating Yuppie) pushes the intensity of her luminous abstraction to the point where only fragmentary ghosts of her figurative and landscape elements remain.

This body of work is paired with Peers’ taxonomic examinations of the exacting aesthetic criteria used to differentiate and evaluate purebred dogs. These latter take the form of larger-than-life oil paintings on paper depicting current top-ranked whippets in the American Kennel Club conformation standings, seen from the side, in the standard show-ring pose. 

Drawing on inspirations as diverse as George Stubbs, Bernd and Hilla Becher, Marcel Duchamp, Thomas Kincade, and Sigmar Polke, Peers’ simultaneous investigation of minute objective specificity and amorphous aesthetic disembodiment conjure a psychedelic nausea of disturbing beauty and complex emotional import. 

M.A. Peers is a Los Angeles-based painter whose work has been exhibited internationally since her emergence from UCLA grad school in 1994. She is ironically most recognized for her initially anonymous portraits, Dog of the Soviet Space Program, commissioned by the Museum of Jurassic Technology, though her more personal work has garnered considerable acclaim from critics and fellow artists. Her well-loved dog works are rooted in a lifelong engagement with the world of human/canine collaboration, including her ongoing involvement as an owner/handler in the conformation ring, as well as breeding, Agility, Competition Obedience, Coursing, and the newly emerging sport of Canine Nose Work.

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