"Judith Liebe takes us on a vivid journey into what I call the hollowing out of identity today: the woman's body as ironic automaton, as a shell built by plastic surgeons, as a special effect even more than a sexual object; as a construction, a renovated uptown apartment; a collage. It is journey of Baroque artifice as Surrealist alienation. We are indeed not only tourists in our own city; we are tourists in our own body."
Norman Klein ,Institute of Fine Arts ,California, author of "History of Forgetting" and "From Vatican to Vegas a history of special effects"