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Los Angeles

LACMA - Los Angeles County Museum of Art

Exhibition Detail
In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States
5905 Wilshire Avenue
Los Angeles, CA 90036

January 29th, 2012 - May 6th, 2012
January 29th, 2012 11:00 AM - 8:00 PM
Rainy Day Canapé, 1970    , Dorothea TanningDorothea Tanning, Rainy Day Canapé, 1970 ,
1970, Mixed media
© Philadelphia Museum of Art, gift of an anonymous donor
Mon-Tue,Thu 12-8; Fri 12-9; Sat-Sun 11-8

North America represented a place free from European traditions for women Surrealists from the United States and Mexico, and émigrés fleeing war-torn Europe. While their male counterparts usually cast women as objects for their delectation and imagination, female Surrealists delved into their own subconscious and dreams. The knowledge they derived from such exploration empowered them to create extraordinary visual images, both personal and universal. Their art was primarily about identity: portraits, double portraits, couple portraits, self-portraits, self-referential images, and masquerades that demonstrate in deceptively straightforward as well as ambiguously abstract terms their trials and pleasures.

Arranged thematically, approximately 175 works in a variety of media date from 1931 to 1968. A handful of slightly later examples demonstrate Surrealism's historical overlap and influence on the feminist movement. Iconic figures such as Louise Bourgeois, Leonora Carrington, Frida Kahlo, Lee Miller, Kay Sage, Dorothea Tanning, and Remedios Varo are represented, along with lesser known or newly discovered practitioners, including Maya Deren, Helen Lundeberg, María Izquierdo, Jacqueline Lamba, and Janet Sobel.

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Member Viewing Days

This exhibition was organized by the Los Angeles County Museum of Art and the Museo de Arte Moderno, Mexico. It was made possible through a generous grant from the Terra Foundation for American Art.

The organizers are grateful for the special collaboration of the National Council for Culture and the Arts (Conaculta), Mexico, and National Institute of Fine Arts (INBA), Mexico.

The Los Angeles presentation was made possible in part by The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts and is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Resnick Pavilion

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