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Los Angeles

Human Resources

Exhibition Detail
Release of "Halsted Plays Himself," by William E. Jones
410 Cottage Home St.
Los Angeles, CA 90012


December 16th, 2011 7:00 PM - 9:00 PM
 
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© Courtesy of the Artist and Human Resources
> QUICK FACTS
EVENT TYPE:  
Screening
WEBSITE:  
http://humanresourcesla.com/
NEIGHBORHOOD:  
downtown/east la
EMAIL:  
info@humanresourcesla.com
PHONE:  
213-290-4752
OPEN HOURS:  
Thu-Sat 12-5 or by appointment
TAGS:  
Book release, screening
> DESCRIPTION

Book release event for the publication of William E. Jones' "Halsted Plays Himself" (Semiotext(e)/Native Agents) w/screening of "LA Plays Itself" 7pm 

Fred Halsted's L.A. Plays Itself (1972) was gay porn's first masterpiece: a sexually explicit, autobiographical, experimental film whose New York screening left even Salvador Dalí repeatedly muttering "new information for me." Halsted, a self-taught filmmaker, shot the film over a period of three years in a now-vanished Los Angeles, a city at once rural and sleazy. Although his cultural notoriety at one point equaled that of Kenneth Anger or Jack Smith, Halsted's star waned in the 1980s with the emergence of a more commercial gay-porn industry. After the death from AIDS of his long-time partner, lover, spouse (and tormentor) Joey Yale in 1986, Halsted committed suicide in 1989.

In Halsted Plays Himself, acclaimed artist and filmmaker William E. Jones documents his quest to capture the elusive public and private personas of Halsted--to zero in on an identity riddled with contradictions. Jones assembles a narrative of a long-gone gay lifestyle and an extinct Hollywood underground, when independent films were still possible, and the boundary between experimental and pornographic was not yet established. The book also depicts what sexual liberation looked like at a volatile point in time--and what it looked like when it collapsed.

About the Author
William E. Jones is an artist and filmmaker who teaches film history at the Art Center College of Design in Pasadena. He has made two feature length experimental films, Massillon (1991) and Finished (1997), several short videos, including The Fall of Communism as Seen in Gay Pornography (1998), the feature length documentary Is It Really So Strange? (2004), and many video installations. His films and videos were the subject of retrospectives at Tate Modern, London, in 2005, and at Anthology Film Archives, New York, in 2010. He has worked in the adult video industry under the name Hudson Wilcox.

Human Resources is an art/performance space currently located at 410 Cottage Home St in Chinatown, 90012. 

Human Resources is a team of creative individuals which seeks to broaden engagement with contemporary and conceptual art, with an emphasis on performative and underexposed modes of expression.

Human Resources is entirely volunteer run and seeks to foster widespread public appreciation of the performative arts by encouraging maximum community access. Human Resources also serves as a point of convergence for diverse and disparate art communities to engage in conversation and idea-sharing promoting the sustainability of non-traditional art forms.


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