Human Resources is pleased to present "Molly Larkey: The Lost Alphabet, Pants That Fit, and Other Implausible Disguises." In her new body of work, Larkey continues to investigate the boundaries between the self and the world, by looking at the ways the individual is both hidden and revealed through representation in language and clothing. Including painting and sculpture, the new works incorporate flatness and volume, painted gestures and printed patterns, symbolic language and raw materiality, and evoke a bodily presence while remaining within abstraction. The variety of works in the exhibition - ranging from large sculpture to small painting - actively engage the viewer within the architecture of the exhibition space.
In making welded metal sculpture, Larkey responds to a tradition of modernist male sculptors, from Anthony Caro and Tony Smith to lesser known figures such as Julio Gonzalez and Jorge Oteiza. The sculptures reveal hidden subjects: phrases broken down into fragments of language, and dress patterns made into armor-like edifices. By injecting familiar, everyday content into this tradition of abstraction, Larkey provides a slippage between looking, reading, and wearing - evoking and questioning the different ways that one interacts with an object in the world.
Similarly, in the paintings, what seems to be a straightforwardly painted surface reveals itself to be layers of raw canvas, fabric, clay fragments, and paint. For "The Lost Alphabet," Larkey imagines an alternative to the basic elements of language, suggesting that the world is not as fixed as it might seem, and that new modes of communication are possible. In the series "Masks," each painting contains within it an abstracted face; the paint becomes a kind of make-up, and the painted surface becomes a series of false fronts. Using different materials and techniques to extract both solid forms and subtle gestures, the paintings confuse negative and positive space, yielding lyrical shifts between the covering and the covered-up.
Molly Larkey (b. 1971, Los Angeles) lives and works in Los Angeles, CA. She received a MFA from Rutgers University, New Jersey and a BA from Columbia University, New York. Her work has been featured in exhibitions at PS1 Moma, New York; The Saatchi Gallery, London; The Drawing Center, New York; Horton Gallery, New York; Samson Projects, Boston; Bobbie Greenfield Gallery, Santa Monica; Ochi Gallery, Ketchum; among others. She is the founder of Statler Waldorf Gallery, an alternative art space, which she runs from her home in Echo Park.
Human Resources is an art/performance space currently located at 410 Cottage Home St in Chinatown, 90012.
Human Resources is a team of creative individuals which seeks to broaden engagement with contemporary and conceptual art, with an emphasis on performative and underexposed modes of expression.
Human Resources is entirely volunteer run and seeks to foster widespread public appreciation of the performative arts by encouraging maximum community access. Human Resources also serves as a point of convergence for diverse and disparate art communities to engage in conversation and idea-sharing promoting the sustainability of non-traditional art forms.