New Exhibition Featuring
Shelley Adler, Eve Brandstein, and Michael Knight
November 30 - December 24, 2010
Saturday, December 4th, 5- 8 PM
Artists' Q & A Panel:
Saturday, December 18th, 3 PM
(Followed by Poetry Reading by Eve Brandstein)
Shelley Adler: "New Work"
In her new exhibition, Shelley Adler calls upon her love of old photographs and transforms them into small scale oil paintings to capture moments of casual sublimity that often go unnoticed in our everyday lives. Exploring human body language and vibrant juxtapositions of color, Adler breathes life into vintage black and white photographs of people unknown to her. Adler's work is the thoughtful product of her intuitive response to modes of human expression. "I do feel that I am intuiting truth about [my subjects] as I paint them, and I try to communicate my understanding of them as I work to complete a painting," Shelley says. This exhibition also includes Adler's explorations in painting contemporary still lifes, landscapes, and portraiture.
Eve Brandstein: "Word Forms"
In her new exhibition, Word Forms, Eve Brandstein blends her painting's sensual symbolism with the emotive voice found in her poetry to create levels of harmony and tension between her writing and forms of visual expression. Brandstein paints her subjects from live models before turning to rhythmic lines of poetry that are then directly layered onto the canvas to accompany her ambiguously painted figures. In light of her new exhibition, Eve reflects, "For me, making art and writing poetry come from the same place and have the same urgency that pour out of me in different ways. It was only natural for me to allow the two mediums to meet this way." By pulling together these two art forms, Brandstein extracts a vital narrative that exposes what her painting and poetry cannot express alone.
Michael Knight: "Border Crossings"
In his latest exhibition, Border Crossings, artist Michael Knight uses the ubiquitous crow as a symbol for human migration prompted by instinct, necessity, and fate. Knight creates unique works that he coins "digiglyphs;" -- a combination of hand drawing and traditional monoprint techniques with digital manipulation. Distorted maps become the backdrop of silhouetted black birds within a repetition of hand-drawn rings in-order to symbolize the rippling effects of time. "Black birds are symbolic of humans as survivors," explains Knight, "My work is communicating the rhythms of migration and the change that occurs when someone with established patterns of living moves from one place to another and has to understand how to fit in." Knight's work beckons the viewer to reflect on how these rhythms affect their own lives and our world at large.