The current ubiquity of transmediated and telepresential dialogues, most notably via the casual and partially-inscriptive technologies of computer-aided chat programs and cell-phone text messaging, certainly complicates the age-old distinction between written and oral communication, and between langue and parole. In part, this conceptual convergence is predicated on the collapsing of linguistic signifiers into the immanent patterns of (un)becomings inherent to computational code. In such an (intra-)active environment, the living fluidity of dialogue is often actualized by digits (a technophenomenological fusion of finger movement and binary language) and the lifeless permanence of inscription can manifest as a dynamic system of inSCRIPTion.
Reveling in the physical and conceptual opacity of words, the fourteen contemporary artists participating in inSCRIPTion at the Cerritos College Art Gallery, in aiming for a field of matrixial encounters, produce materialized event-scores that hover somewhere between notation and realization and which play games with language through transplantation into various deviant contexts. Some of the diverse multi-media works in the exhibition demand that the artist and/or viewer to perform an action, while others emphasize the creative and performative act of reading itself. Still others contain moving, as opposed to static, text and/or process found language through a scripted algorithm. The end results of these (re)visualized schemas include readymade actions, speaking objects, and literal semiotic machines that nevertheless remain discursively framed, which is not to say trapped, by the national, racial, gendered, and sexed, political/philosophical structures in which they are embedded.
Participating Artists: Lisa Anne Auerbach, John Divola, Jonmarc Edwards, Mark Steven Greenfield, Jim Jenkins, Sherry Karver, Jason Manley, Katja Mater, Anna Mayer, Owen Mundy, Christina Ondrus, Lizabeth Eva Rossof, Cody Trepte, and Penny Young