> DESCRIPTION
Her new body of
work relies upon personal symbolism, but these specific anecdotes are obscured
from plain sight. Minckley uses found and altered objects that are combined and
recontextualized to present curious forms that are sentimentally charged with
spiritual, domestic, biological and psychological suggestions.
The materials
she uses include images from church thrift stores, medical instruments,
containers for delicacies; birds meant to lure or scare as well as epigraph
pages from books. Her method is a hermetic process that relies on a
self-referential vocabulary of her own investigations and interests, which
simultaneously opens up, asking that some sort of narrative be written by the
viewer to connect them all cohesively.
Minckley creates
a rich approach to her art making that can seduce the viewer with its visual
presence but also and perhaps more importantly she provides twists that compel
the viewer to think and contemplate each work beyond its physical presence.