Using images pulled from a wide range of cultural material—drug-seizure websites and self-help books, newspaper clippings and holiday craft manuals—Amanda Ross-Ho locates sites within culture’s representational flow, carving out designated points of focus. Recognizing that contemporary culture moves not as a linear narrative, but rather as a string of analogies, Ross-Ho proposes intersections between seemingly unrelated images and objects.

Ross-Ho presents her images and objects not only on the floor and walls, but also on armatures of her own making. These armatures, built from sheet rock, wood and latex paint, enlist the architecture of the gallery space itself as yet another point of 'intersection.' (From website)