> DESCRIPTION
Susanne Vielmetter Projects
in pleased to present new paintings by Robert Olsen and Adam Ross. In
a book published in 1516, the word "Utopia" was coined
by Sir (Saint) Thomas More to describe a fictional island off the coast
of the Atlantic Ocean. This fictional place was described
as a perfect and orderly society in which reason triumphed, personal
property
did not exist and religious toleration was practiced. The word itself
comes from the Greek root ou-topos, meaning
"no place". This play on words, which contrasts the literal
idea of "no place" with the romantic idea of a "perfect
place," hints at the very nature of utopia itself as an unattainable
ideal.
Idealized fictional
spaces have played a large part in the work of both Robert Olsen and Adam Ross.
It was for this reason that the notion of exhibiting together appealed to
both artists. Olsen's version of isolated urban spaces and Ross'
paintings of hyper-real science fiction-evocative spaces deal with two versions
of this subject matter. Both artists explore an idealized landscape, and
although their formal approaches differ, they are both interested in permeating
these invented places with a desire of utopian perfection. Their
paintings are really located in "no placeā, existing as an idealized
version of places in the mind.
Robert Olsen
received his MFA at the University of California, Los
Angeles. His work has been shown in exhibitions at the
Tang Teaching
Museum at Skidmore
College, Saratoga
Springs; at the Harris Art Gallery
at the University of La Verne, La Verne, at
the Plane Space Gallery in New York; at the
Luckman Fine Art Complex, California State University Los Angeles, and at the University of North Texas,
Denton, Texas.
Adam Ross earned
his MFA at the University of California, Santa
Barbara. He has had solo exhibitions at the Museum of Contemporary Art,
San Diego, CA,
the Hales Gallery, London, Angles Gallery, Santa Monica, the James
Harris Gallery,
Seattle, Sara Meltzer
Gallery, New York, the Rio Hondo College Art Gallery, Whittier, the
Santa Barbara Contemporary Arts Forum, Santa
Barbara, among others. His work has been included in
group exhibitions at Leo Castelli Gallery, New York, Museo de Bellas Artes de
Castellon, Castellon, Spain; John Michael Kohler Arts Center, Sheboygan; The
Cleveland Institute of Art, Cleveland; the Luckman Gallery, Los Angeles; the
Museum of Contemporary Art, San Diego, CA; the Orange County Museum of Art,
Newport Beach; Walter and McBean Galleries, San Francisco Art Institute, San
Francisco; the Pasadena Museum of California Art, Pasadena; The New Museum of
Contemporary Art, New York; The Henry Art Gallery, Seattle, WA; The Museum of
Contemporary Art, Los Angeles; the University Art Museum, California State
University, Long Beach, CA; the San Francisco Museum of Modern Art; White
Columns, New York; the University of California Art Gallery, Irvine; the
Weatherspoon Art Gallery, University of North Carolina, Greensboro and at Los
Angeles Contemporary Exhibitions, Los Angeles.