BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION: DTEND:20141228 DTSTAMP:20140831T010017 DTSTART:20141122 GEO:34.448907;-119.247681 LOCATION:galerie102\,102 W. Matilija St. \nOjai\, California 93023 SEQUENCE:0 SUMMARY:Holidaze Group Show\, Select gallery artists UID:353981 END:VEVENT BEGIN:VEVENT DTEND:20141122T180000 DTSTAMP:20140831T010017 DTSTART:20141122T160000 GEO:34.448907;-119.247681 LOCATION:galerie102\,102 W. Matilija St. \nOjai\, California 93023 SEQUENCE:0 SUMMARY:Holidaze Group Show\, Select gallery artists UID:353982 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141109 DTSTAMP:20140831T010017 DTSTART:20141004 GEO:34.448907;-119.247681 LOCATION:galerie102\,102 W. Matilija St. \nOjai\, California 93023 SEQUENCE:0 SUMMARY:Colorimetry\, Craig Stockwell\, Amaranth Ehrenhalt UID:353979 END:VEVENT BEGIN:VEVENT DTEND:20141004T190000 DTSTAMP:20140831T010017 DTSTART:20141004T170000 GEO:34.448907;-119.247681 LOCATION:galerie102\,102 W. Matilija St. \nOjai\, California 93023 SEQUENCE:0 SUMMARY:Colorimetry\, Amaranth Ehrenhalt\, Craig Stockwell UID:353980 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Join artist Stas Orlovski in c onversation with Steve Roden (sound)\, Beau Leduc (post-production)\, and L os Angeles Times Staff Writer Carolina Miranda. The discussion will focus o n the ideas\, themes\, and processes behind Chimera\, Orl ovski&rsquo\;s new multimedia installation combining wall drawing\, collage \, stop-motion animated projections\, and sound.

DTEND:20141102T140000 DTSTAMP:20140831T010017 DTSTART:20141102T130000 GEO:34.1471726;-118.1399628 LOCATION:Pasadena Museum of California Art (PMCA)\,490 East Union Street \n Pasadena\, CA 91101 SEQUENCE:0 SUMMARY:In Dialogue: Chimera\, Stas Orlovski UID:353966 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Join B urning Down the House curators Claudia Bohn-Spector and Sam Mellon for an introduction to the exhibition and hear artists Ellen Brooks\, Jo A nn Callis\, and Eileen Cowin discuss their process and how issues of gender and identity have shaped their work.

DTEND:20140914T160000 DTSTAMP:20140831T010017 DTSTART:20140914T150000 GEO:34.1471726;-118.1399628 LOCATION:Pasadena Museum of California Art (PMCA)\,490 East Union Street \n Pasadena\, CA 91101 SEQUENCE:0 SUMMARY:Insight Talk: Burning Down the House\, Ellen Brooks\, Jo Ann Callis \, Eileen Cowin UID:353965 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Michael Duncan\, co-curator of An Opening of the Field: Jess\, Robert Duncan\, and Their Circle\ , leads an exhibition walkthrough\, providing context and stories about the complex interactions of these Bay Area artists and poets of the 1950s and 60s.

DTEND:20141115T160000 DTSTAMP:20140831T010017 DTSTART:20141115T150000 GEO:34.1471726;-118.1399628 LOCATION:Pasadena Museum of California Art (PMCA)\,490 East Union Street \n Pasadena\, CA 91101 SEQUENCE:0 SUMMARY:Insight Talk: An Opening of the Field: Jess\, Robert Duncan\, and T heir Circle UID:353962 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Moderated by curator Michael D uncan\, this panel will discuss Jess and Robert Duncan&rsquo\;s circle in r elation to the development of the art and literature scenes of the 1950s an d 60s\, as well as touching on the group&rsquo\;s use of collage as a forma tive concept in their writings and art works. Panelists include artist Rich ard Kraft\, writer and curator Kristine McKenna\, and publisher and designe r Lisa Pearson.

DTEND:20141026T140000 DTSTAMP:20140831T010017 DTSTART:20141026T130000 GEO:34.1471726;-118.1399628 LOCATION:Pasadena Museum of California Art (PMCA)\,490 East Union Street \n Pasadena\, CA 91101 SEQUENCE:0 SUMMARY:In Dialogue: An Opening of the Field: Jess\, Robert Duncan\, and Th eir Circle\, Richard Kraft UID:353961 END:VEVENT BEGIN:VEVENT DESCRIPTION:

As part of their class assignm ent\, students in Chicano Studies 7 and Chicano Studies 54 will be particip ating in this campus tradition to commemorate the Day of the Dead\, or Dia de los Muertos. The altars\, or Ofrendas\, will be commem orating various aspects of religion in ancient Mexico\, including the Mesoa merican culture\, Mexican Revolution &\; Soldaderas\, immigration\, hist orical women\, Guadalupe-Tonantzin\, and traditional family cultures.

\n

A reception is planned Saturday\, November 1st\, and will coincide with the class meeting.

\n

Instructor: Angelita Rovero-Herrera

DTEND:20141120 DTSTAMP:20140831T010017 DTSTART:20141101 GEO:34.0416679;-118.1510339 LOCATION:Vincent Price Art Museum\,East Los Angeles College 1301 Avenida Ce sar Chavez \nMonterey Park\, CA 91754 SEQUENCE:0 SUMMARY:Community Focus: Student Altars 2014 UID:353959 END:VEVENT BEGIN:VEVENT DTEND:20141101T160000 DTSTAMP:20140831T010017 DTSTART:20141101T120000 GEO:34.0416679;-118.1510339 LOCATION:Vincent Price Art Museum\,East Los Angeles College 1301 Avenida Ce sar Chavez \nMonterey Park\, CA 91754 SEQUENCE:0 SUMMARY:Community Focus: Student Altars 2014 UID:353960 END:VEVENT BEGIN:VEVENT DESCRIPTION:

In collaboration with the USC Initiative for Israeli Arts and Humanities\, USC Fisher Museum is proud to host A Conversation with Miri Chais.

\n

Join Israeli Los Angeles-based artist\, Miri Chais\, and Fisher Curator\, A riadni Liokatis\, for a conversation and walk-through of the new exhibition Miri Chais. Re:Mind. This multi-media site-specific insta llation probes the increasingly pervasive immersion of technology and augme nted reality into our human experience and the human mind. Doors open at 6: 00 pm and the program begins at 7:00 pm.

DTEND:20141007T200000 DTSTAMP:20140831T010017 DTSTART:20141007T190000 GEO:34.0184163;-118.2891492 LOCATION:USC Fisher Museum of Art\,823 Exposition Boulevard \nLos Angeles\, CA 90089 SEQUENCE:0 SUMMARY:A Conversation with Miri Chais\, Miri Chais UID:353958 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Schedule for One-Da y Symposium

\n

12-12:15  \; \; \; \; \; \; \; \; \; \; \;&nb sp\; \; \; \; Opening remarks by curator Jan Christian Bernabe< /p>\n

12:30-1:30 \; \;&n bsp\; \; \; \; \; \; \; \; \; Gina Osterloh \, artist

\n

1:45-2:45 \;  \; \; \; \; \; \; \; \; \; \;  \; \; Kiam Marcelo Junio\, artist

\n

2:45-3:00 \; \; \; \; \; \; \;  \; \; \; \; \; \; Coffee break

\n

3:00-4:00 \; \; \; \; \; \ ; \; \; \; \; \; \; \; Jeffrey Augustine Songco \, artist

\n

4:15-5:15 \;  \; \; \; \; \; \; \; \; \; \;  \; \; Ronaldo Wilson\, artist

\n

5:30-7:00 \; \; \; \; \; \; \; \;&n bsp\; \; \; \; \; Closing roundtable discussion

\n

7:00-8:00 \; \; \; \;  \; \; \; \; \; \; \; \; \; Reception DTEND:20141016T190000 DTSTAMP:20140831T010017 DTSTART:20141016T120000 GEO:33.981264;-117.37445 LOCATION:UCR Barbara and Art Culver Center of the Arts\,3834 Main Street \n Riverside\, CA 92501 SEQUENCE:0 SUMMARY:Queer Sites and Sounds: One-Day Symposium\, Gina Osterloh\, Kiam Ma rcelo Junio\, Jeffrey Augustine Songco\, Ronaldo Wilson UID:353957 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Drawn from the Cent er for Art and Thought&rsquo\;s virtual exhibition\, Queer Sites and So unds explores the possibilities of queer engagement across multiple vi rtual spaces and showcases queer new media and digital interventions. The w orks included here and online challenge and exceed how Filipino bodies\, affects\, and processes are conventionally understood and how they are enta ngled with other queer bodies and practices virtually and offline.

\n

The Internet\, which is seemingly boundless in its sublime scope and its spatial dimensions\, is ironically r eplete with social and communal boundaries: some cohere normative modes of communality\, while others de-center or unsettle real-time or real-world so cial relations and expectations. Even at its most evanescent\, the virtual is never detached from the offline world and vice versa. Queer Sites an d Sounds starts with the premise that\, as José\; Muñ\;oz writes in his book Cruising Utopia\, &ldquo\;&lsquo\;queerness&rsq uo\; allows us to question or even feel that\, in this globalized digital a nd new media present\, something is amiss ... something just doesn't feel r ight\, but that's alright.&rdquo\;

\n

Queer Sites and Sounds is a timely exhibition in that Fil ipino queer digital and new media cultures continue to be an understudied f ield\, despite the saturation of digital and new media technologies within the Philippines and throughout the diaspora. Though there have been Filipin o Internet ethnographies prior to Web 2.0 as well as seminal studies of rac e online\, Filipino queer digital and new media cultures represent a highly focused area of cultural phenomenon that is in need of intellectual and cr eative interventions. \;

\n

Many questions are ripe for exploration: How does the exchange of inform ation within the Filipino diaspora via the Internet unsettle or perhaps aff irm Western notions of gender and sexuality? How might we think of the onto logies of digital and media technology as always already queer? How do Fili pino queer digital and new media practices overlap other queer communities of color? How do we study these queer diasporic digital entanglements? How might we deploy queer as an analytic frame to discuss the forms wh ich content takes&mdash\;forms that go beyond the expected\, that make us s cratch our heads\, that leave us feeling unsettled or that something is ind eed amiss?

\n

The Queer S ites and Sounds exhibition at Culver Center of the arts features work by Eliza Barrios\, Kiam Marcelo Junio\, Kat Larson\, Miguel Libarnes\, Gina Osterloh\, Jeffrey Augustine Songco\, and Ronaldo Wilson. Works by additio nal artists may be found online at www.centerforartandthought.org.

\n

 \;

\n

Starting from the perspectives of Filipinos around the worl d\, the Center for Art and Thought harnesses the potential of digital and n ew media technologies in order to foster dialogues between artists\, schola rs\, and the broader public. \; A web-based nonprofit organization\, we believe that the convergence between art and critical thought is a crucial way to generate new modes of knowledge production and creative and critica l lenses for understanding and transforming global conditions. \;

\n

 \;

\n

Queer Sites and Sounds is presented at U C Riverside&rsquo\;s ARTSblock&rsquo\;s Culver Center of the Arts. The exhi bition has been curated by Jan Christian Bernabe\, the Operations\, New Med ia and Curatorial Director for the Center for Art and Thought\, along with assistance from Clare Counihan and Matthew Andrews. Support for the exhibit ion has been provided by the California Institute of Contemporary Arts\, UC Riverside&rsquo\;s Queer Lab\, UC Riverside&rsquo\;s Department of Media a nd Cultural Studies\, and donors to the Center for Art and Thought. General support for UCR ARTSblock programs has been provided by UC Riverside&rsquo \;s College of Humanities\, Arts\, and Social Sciences\, and the City of Ri verside.

\n

One-D ay Symposium\, Free Admission - Thursday\, October 16\, 2014\, 12pm - 7pm
Reception\, Free Admission - Th ursday\, October 16\, 2014\, 7pm - 8pm

DTEND:20141101 DTSTAMP:20140831T010017 DTSTART:20140904 GEO:33.981264;-117.37445 LOCATION:UCR Barbara and Art Culver Center of the Arts\,3834 Main Street \n Riverside\, CA 92501 SEQUENCE:0 SUMMARY:Queer Sites and Sounds\, Eliza Barrios\, Kiam Marcelo Junio\, Kat L arson\, Miguel Libarnes\, Gina Osterloh\, Jeffrey Augustine Songco\, Ronald o Wilson UID:353955 END:VEVENT BEGIN:VEVENT DTEND:20141016T200000 DTSTAMP:20140831T010017 DTSTART:20141016T190000 GEO:33.981264;-117.37445 LOCATION:UCR Barbara and Art Culver Center of the Arts\,3834 Main Street \n Riverside\, CA 92501 SEQUENCE:0 SUMMARY:Queer Sites and Sounds\, Eliza Barrios\, Kiam Marcelo Junio\, Kat L arson\, Miguel Libarnes\, Gina Osterloh\, Jeffrey Augustine Songco\, Ronald o Wilson UID:353956 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Untitled (hot c old) is a series of vignettes depicting rudimentary scientific experim ents that present cause and effect. Layered on top of these events\, an arm comes into the picture plane\, as if on top of the video screen\, and begi ns making marks as the experiments play out. These performative gestures tr ansform the empirical narratives. Each series of marks remain abstract\, wh ile also exemplifying various states of intention or volition. A quasi-chal k board is gleaned\, questioning the advancement of knowledge through abstr acted visual means. The juxtaposition emphasizes the subjectivity of the vi ewer\, questioning modes of interpretation.

\n

Laura Riboli&rsquo\;s art works explore the way in which formal abstraction is understood through the body\, in time. Often employi ng the look of science fiction\, the works examine the perceptual machinati ons by which we come to understand physical properties and virtual experien ces.

\n

Laura Riboli&rsquo\; s work has been included in exhibitions at The Hammer Museum (Los \;Ang eles)\, Taxter &\; Spengemann (New York)\, LACMA (Los Angeles)\, Laura B artlett \;Gallery (London)\, and Museo d&rsquo\;Arte Contemporanea Roma (Rome). She is \;represented by Wallspace\, New York. She lives and wo rks in Los Angeles.

\n



The Culver Center Digital Mural Project Series is curated by adjunc t media curator Jeff Cain. He is faculty at the USC Roski School of Art and Design\, and director of the Shed Research Institute.

The Cul ver Digital Mural Project at UCR ARTSblock&rsquo\;s Culver Center of the Ar ts presents a series of changing projects on the two screens inside the fa& ccedil\;ade&rsquo\;s glass kiosks that face the pedestrian mall. These proj ects are an opportunity to extend ARTSblock programming into the public spa ce.

UCR&rsquo\;s College of Humanities\, Arts and Social Scien ces (CHASS) and the City of Riverside have provided support.

DTEND:20140914 DTSTAMP:20140831T010017 DTSTART:20140818 GEO:33.981264;-117.37445 LOCATION:UCR Barbara and Art Culver Center of the Arts\,3834 Main Street \n Riverside\, CA 92501 SEQUENCE:0 SUMMARY:Culver Digital Mural Project: Lisa Riboli\, Lisa Riboli UID:353954 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The California Museum of Photography at UCR ARTSblock will present Alink a Echeverrí\;a&rsquo\;s \;first major solo museum presentation. T he artist&rsquo\;s \;work\, which equally engages the histories of docu mentary and fine art photography\, investigates collective memory\, ritual\ , and identity. The exhibition will explore relationships among imagery\, r eligiosity\, and faith in contemporary Mexico\, and will include selections from &ldquo\;The Road to Tepeyac&rdquo\; (2010) as well as other \;pro jects.

\n

Public reception with gallery talk by the art ist - Saturday\, November 1\, 2014\, 6pm - 9pm

DTEND:20150124 DTSTAMP:20140831T010017 DTSTART:20141101 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:Solo Exhibition\, Alinka Echeverría UID:353950 END:VEVENT BEGIN:VEVENT DTEND:20141101T210000 DTSTAMP:20140831T010017 DTSTART:20141101T180000 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:Solo Exhibition\, Alinka Echeverría UID:353951 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Flash! \;contemporary art series presents \;House Party \;(2013) from Anthony Lepore's photographic series &ldquo\;Nocturne&rdquo\; (2012-1 3). One unifying thread throughout the series\, emphasized by the title\, i s a black backdrop upon which staged scenes are captured. The artist&rsquo\ ;s sculptural treatment of commonplace objects and his own household plants serve as uncanny meditations on his relationship to nature within a domest ic setting. House Party \;depicts a set-like interior space\, a scene at once evoking quotidian reality and a dreamlike artificiality.

\n

Flash! \;contem porary art series features single works made within the last year. The exhi bitions are presented on the third floor of the CMP. \;Flash: Antho ny Lepore \;is the sixth exhibition in the series.

DTEND:20141129 DTSTAMP:20140831T010017 DTSTART:20140816 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:Flash: Anthony Lepore\, Anthony Lepore UID:353948 END:VEVENT BEGIN:VEVENT DTEND:20141101T210000 DTSTAMP:20140831T010017 DTSTART:20141101T180000 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:Flash: Anthony Lepore\, Anthony Lepore UID:353949 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141101T170000 DTSTAMP:20140831T010017 DTSTART:20141101T160000 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:But Not Forgotten: Collectors Talk and Exhibition Walk Through UID:353947 END:VEVENT BEGIN:VEVENT DESCRIPTION:

But Not Forgott en presents a selection fromthe Steve and Mary DeGenaro Postmortem and Memorial Photography Collection\, housed in the California Museum of Photo graphy&rsquo\;s permanent collection. \; Postmortem portraits\, as phot ographs of the deceased are called\, are often described in the past tense\ , a practice which dated to the nineteenth century that has since ceased.&n bsp\; This is not the case\, and the majority of photographs in this exhibi tion date from the twentieth century. \; These pictures were made or co mmissioned as a source of comfort in a time of grief\, and were the last ch ance to capture the visual essence of a lost loved one.

\n

Steve DeGenaro amassed these photographs thr ough twenty years of scouring antique shops and flea markets\, trading with other collectors\, and bidding in auctions. \; The DeGenaros are not a lone in collecting postmortem photographs\, but their collection is particu larly notable for its diversity of imagery. \; Collected with an eye to ward the most artistic and poignant portraits\, the DeGenaro collection als o spans centuries and continents. \; Seen en masse\, the photographs il lustrate a shift in mourning practices\, toward the more public nature of l oss\, even as traditions have changed so that postmortem portraits are no l onger a de facto part of death.  \;

\n

But Not Forgotten is an exhibition organized by the California Museum of Photography at UCR ARTSblock. The photographs present ed here are a selection from the Steve and Mary DeGenaro Postmortem and Mem orial Photography Collection\, which Steve DeGenaro generously donated to t he museum between 2009 and 2012. \; These photographs\, along with the images that were not included in the exhibition\, are available for viewing by appointment at the CMP&rsquo\;s Library and Study Room.

\n

Collectors Talk and Exhibitio n Walk Through - Saturday\, November 1\, 2014\, 4pm
Reception - Saturday\, November 1\, 2014\, 6pm - 9pm< /span>

DTEND:20150221 DTSTAMP:20140831T010017 DTSTART:20140809 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:But Not Forgotten: Selections from the Steve and Mary DeGenaro Post mortem and Memorial Photography Collection UID:353945 END:VEVENT BEGIN:VEVENT DTEND:20141101T210000 DTSTAMP:20140831T010017 DTSTART:20141101T180000 GEO:33.981438;-117.374333 LOCATION:UCR/California Museum of Photography\,3824 Main Street \nRiverside \, CA 92501 SEQUENCE:0 SUMMARY:But Not Forgotten: Selections from the Steve and Mary DeGenaro Post mortem and Memorial Photography Collection UID:353946 END:VEVENT BEGIN:VEVENT DESCRIPTION:

*Presented in conjunction with the Torrance Artists Guild and the South Bay Watercolor Society

\n

This year's Juror is Scott Canty\, Director and Curator of the Los Angeles Municipal A rt Gallery. Artists from Long Beach are now welcome to apply in addition to other cities in the South Bay.

\n

 \;

DTEND:20141206 DTSTAMP:20140831T010017 DTSTART:20141108 GEO:33.8405666;-118.3437333 LOCATION:Torrance Art Museum\,3320 Civic Center Drive \nTorrance\, CA 90503 SEQUENCE:0 SUMMARY:South Bay Focus 2014: Contemporary and Traditional Art Juried Exhib ition UID:353943 END:VEVENT BEGIN:VEVENT DTEND:20141108T210000 DTSTAMP:20140831T010017 DTSTART:20141108T180000 GEO:33.8405666;-118.3437333 LOCATION:Torrance Art Museum\,3320 Civic Center Drive \nTorrance\, CA 90503 SEQUENCE:0 SUMMARY:South Bay Focus 2014: Contemporary and Traditional Art Juried Exhib ition UID:353944 END:VEVENT END:VCALENDAR