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Lora Schlesinger Gallery is proud to present Robert Ginder&r squo\;s Apotheosis. The show opens April 11th and runs through May 23\, 2015. This will be our inaugural exhibition for our new ga llery space at Bergamot Station. The exhibition is Robert Ginder&rsquo\;s f ourth solo show with the gallery.

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Robert Ginder&rsq uo\;s paintings are a devotional meditation on the material world. The exhi bition Apotheosis focuses on the aggrandizement of conventional ob jects. Through the use of gold leaf and traditional painting techniques\, G inder creates venerable artifacts that elicit respect for subject matters t hat are ordinarily seen as mundane\, so that they can be examined in a diff erent light.

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His California suburban landscapes wit h golden skies are contemporary secular icons\, reminiscent of 14th century Italian Renaissance paintings. The houses become icons for pres ent day\, reflecting the roots of our culture and our concept of &ldquo\;ho me&rdquo\;. \; The images become universal in the concept of a &ldquo\; house&rdquo\; and the fulfillment of human needs and dreams. A modern scene painted on wood panel with oil paint and gold leaf\, brings the validity a nd veneration of an early sacred painting to a contemporary body of work th at is timely and timeless.

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Ginder&rsquo\;s still-li fe works heighten the traditional elements of a still-life painting\, to ac centuate the simplicity of each piece. \; The hyper-traditional imagery is presented in an unexpected larger-than-life scale\, pushing the subject &rsquo\;s inherent qualities. The effect makes the work contemporary by giv ing it a cinematic size and splendor.

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Robert Ginder lives and works in New York. His work has been exhibited internationally s ince 1984. In 2012\, he was included in the Belvedere Castle &\; Museum& rsquo\;s Gold Exhibition\, in Vienna\, Austria. In 1992\, he was t he recipient of the New York Foundations for the Arts Fellowship. His work can be found in the collection of the Fisher Museum of Art at USC\, Brookly n Museum and the La Jolla Museum of Contemporary Art. \; \;  \;

DTEND:20150523 DTSTAMP:20150328T015242 DTSTART:20150411 GEO:34.0279746;-118.4679684 LOCATION:Lora Schlesinger Gallery\,Bergamot Station B5b 2525 Michigan Ave. \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Robert Ginder's "Apotheosis"\, Robert Ginder UID:378613 END:VEVENT BEGIN:VEVENT DTEND:20150411T190000 DTSTAMP:20150328T015242 DTSTART:20150411T170000 GEO:34.0279746;-118.4679684 LOCATION:Lora Schlesinger Gallery\,Bergamot Station B5b 2525 Michigan Ave. \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Robert Ginder's "Apotheosis"\, Robert Ginder UID:378614 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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Concurrently on view in the Thinkspace project room are new works by Erik Jones inColor/Full. \;Originally from St Petersburg Florida\, Jones currently lives and works in New York city. His technically complex mixed-media works combine the figurative with the geometric in seamless col lusion and concert. Jones' \;'hyperrealistic figuration is offset by ge ometric patterns and momentums that seem to live and breathe as symbiotic o rganisms. The figure is ensconced by these colorful geometric expanses\, as each"wears" \;the other and becomes virtually indivisible from its cou nterpart. Clothed by pattern and color\, the body is set within and against expressionistic modules of sculpted graphic space. In his new body of work \, Jones takes his penchant for spatial play and surreal composition to the next level in a series of Dimensional Paintings. These works invade the th ird dimension\, literally\, as surfaces peel from their supports\, images s lide from the walls\, and paint pools on the floor.
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Jones begins his works by compiling a figurative reference from several photographic images\, then designing harmonious geom etric fields by compositing form\, color and shape digitally. The compositi on is then projected and traced onto paper and materially executed with sev eral painstaking layers of watercolor\, ink\, pencil\, oil pastel and acryl ic. This expert combination of illustration and painting techniques account s for the depth and dimensionally of the work. The combination of graphic p atterning\, color blocking\, line and hyperreal figuration meld into an ent irely elevated visual plane of oppositional\, and yet entirely confluent an d continuous\, axes. The visual delight of these paintings resides in this inspired reconciliation. The Dimensional Paintings take this impulse to the next level by revealing some of the materiality and process that remains o therwise concealed in the high finish of the work. This intentional disclos ure of tension and process - a literal stripping and dismantling of planes - takes the paintings into a sculptural realm\, revealing the artifice and construction of their dynamic oppositions.  \;
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As the title of the exhibition suggests\, the w ork is \;full\; \;saturated to the point of rupture\, the paintings burst with color and movement\, and spill unapologetically into r eal space and time.
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DTEND:20150418 DTSTAMP:20150328T015242 DTSTART:20150328 GEO:34.031982;-118.37656 LOCATION:Thinkspace\,6009 Washington Blvd. \nCulver City\, CA 90232 SEQUENCE:0 SUMMARY:Color/Full \, Erik Jones UID:378593 END:VEVENT BEGIN:VEVENT DTEND:20150328T210000 DTSTAMP:20150328T015242 DTSTART:20150328T180000 GEO:34.031982;-118.37656 LOCATION:Thinkspace\,6009 Washington Blvd. \nCulver City\, CA 90232 SEQUENCE:0 SUMMARY:Color/Full \, Erik Jones UID:378594 END:VEVENT BEGIN:VEVENT DESCRIPTION:
Thinkspace is pleased to present \ ;The Air is Thick \;featuring new works by Los Angeles based artis t Seth Armstrong. Armstrong's paintings self-consciously capture a sense of looking\, arresting moments with cinematic detail and voyeuristic curiosit y. Varying in scale\, the paintings offer views that are alternately intima te and vast\, moving expertly between the monumental and the minute. Laden with detail and suggestion\, each piece offers a moment in the trajectory o f a larger narrative\, and the viewer is compelled to realign the fractures of these inconclusive moments. Hanging the works on suggestion rather than on the overt\, Armstrong builds tension and excitement in every painting w ith the possibility and expectation of action. Surfeited with this palpable sense of permanent anticipation and arrest\, the air is indeed thick enoug h to cut. \; \;
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Originally from Los Angeles\, Armstrong studied painting in Northern Holland \;and completed a BFA at San Francisco's California Co llege of the Arts. His deft handling of oil paint clearly demonstrates a fa cility inspired by traditional painting techniques\, and a material aptitud e for the dense capture of light and color. The intense realism of his styl e is often tempered by a looser\, more painterly approach\, and by a styliz ed handling of light and dimension. With viscous luminosity and substantive flesh\, qualities achieved with a seamlessly clean application\, his works feel heavy with tactility and dense with tangible space and body. Armstron g's use of stark saturated contrasts is offset by a tendency towards styliz ed hyper-color\, creating both depth and edge that exceeds the muted tones of the real. These contrasts achieve a sense of brooding visual tension tha t manages to evoke both nostalgia and strangeness simultaneously.

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In The Air is Thick\, Armstrong continues to explor e themes that have consistently fascinated his output: the intrigue of illi cit looking\, and the fine line between intimacy and trespass. Just as cine ma manages to satisfy our innate love of voyeuristic access\, so too do the paintings offer us views onto private lives that both frustrate and satisf y. The suggestion of constant narrative pervades even the stillest and leas t active views\, as Armstrong reminds us of the secret recesses behind all closed doors and all quiet faces.

DTEND:20150418 DTSTAMP:20150328T015242 DTSTART:20150328 GEO:34.031982;-118.37656 LOCATION:Thinkspace\,6009 Washington Blvd. \nCulver City\, CA 90232 SEQUENCE:0 SUMMARY:The Air is Thick \, Seth Armstrong UID:378591 END:VEVENT BEGIN:VEVENT DTEND:20150328T210000 DTSTAMP:20150328T015242 DTSTART:20150328T180000 GEO:34.031982;-118.37656 LOCATION:Thinkspace\,6009 Washington Blvd. \nCulver City\, CA 90232 SEQUENCE:0 SUMMARY:The Air is Thick \, Seth Armstrong UID:378592 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Come help raise awareness for the proposed Liberty Canyon La ndbridge! Through the art of Southern California photographers\, this group exhibit aims to show how many Los Angeles creatures (such as mountain lion s\, foxes\, coyotes\, deer\, and lizards) would benefit from a wildlife cro ssing by decreasing car accidents\, saving animals&rsquo\; lives\, and impr oving the genetic diversity of various species. Thanks to the dedicated wor k of groups such as the National Wildlife Federation\, CalTrans\, and the S anta Monica Mountains Fund the project has been granted $1 million from the State Coastal Conservancy\, but to be shovel ready by 2018 an additional $ 3 million is still necessary to complete engineering\, fund research\, and facilitate outreach\, education\, and advocacy for the campaign. In additio n to enjoying the wonderful art and learning about this nationally recogniz ed effort\, the $10 admission fee at the door includes wine\, hors d&rsquo\ ;oeuvres\, an entry to the raffle\, and complimentary valet in front of the gallery. All proceeds will be donated to the NWF. RSVP to rsvp@theg2galler y.com to attend.

DTEND:20150425 DTSTAMP:20150328T015242 DTSTART:20150425 GEO:33.990525;-118.46464 LOCATION:The G2 Gallery\,1503 Abbot Kinney Blvd \nVenice\, CA 90291 SEQUENCE:0 SUMMARY:Getting There: A Wildlife Crossing Over the 101\, Ron Azevedo\, bar ry rowan UID:378536 END:VEVENT BEGIN:VEVENT DTEND:20150425T210000 DTSTAMP:20150328T015242 DTSTART:20150425T183000 GEO:33.990525;-118.46464 LOCATION:The G2 Gallery\,1503 Abbot Kinney Blvd \nVenice\, CA 90291 SEQUENCE:0 SUMMARY:Getting There: A Wildlife Crossing Over the 101\, Ron Azevedo\, bar ry rowan UID:378537 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150801 DTSTAMP:20150328T015242 DTSTART:20150711 GEO:33.9179952;-118.3527258 LOCATION:Phantom Galleries LA -\,12619 Hawthorne Blvd. \nHawthorne\, CA 902 50 SEQUENCE:0 SUMMARY:Masks\, Jane Szabo UID:378520 END:VEVENT BEGIN:VEVENT DTEND:20150711T190000 DTSTAMP:20150328T015242 DTSTART:20150711T160000 GEO:33.9179952;-118.3527258 LOCATION:Phantom Galleries LA -\,12619 Hawthorne Blvd. \nHawthorne\, CA 902 50 SEQUENCE:0 SUMMARY:Masks\, Jane Szabo UID:378521 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150606 DTSTAMP:20150328T015242 DTSTART:20150425 GEO:34.0190877;-118.2317065 LOCATION:François Ghebaly Gallery\,2245 E Washington Blvd. \nLos Angeles\, CA 90021 SEQUENCE:0 SUMMARY:Solo Exhibition\, Anthony Lepore UID:378491 END:VEVENT BEGIN:VEVENT DTEND:20150425T220000 DTSTAMP:20150328T015242 DTSTART:20150425T190000 GEO:34.0190877;-118.2317065 LOCATION:François Ghebaly Gallery\,2245 E Washington Blvd. \nLos Angeles\, CA 90021 SEQUENCE:0 SUMMARY:Solo Exhibition\, Anthony Lepore UID:378492 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Susanne Vielmetter Los Angeles Projects is pleased to announce our first solo exhibition with the Tyrolea n painter Markus Bacher in Galleries 3 and 4. This is the artists first sol o exhibition in the United States. Featuring Bachers new paintings\, made i n Los Angeles\, onetwo painting focuses on a physical process of juxtaposit ion that follows individual and multi-layered decisions.

Bachers paintings\, which seem at first to be completely abstract\, in fact teeter on the edge of representation\, abstraction\, and figuration\, blurring th e need for distinctions between these categories. In Bachers work a single gesture can evoke mountains\, a swirl of script\, movement and energy\; an effect like sfumato fills the pictorial space with a suggestive\, illuminat ed haze\; and tiny figures emerge with such subtlety that one might suspect \, at first\, that they were imagined.

"Words can kill paintings and defining through naming limits perception.

The paintings ex plain themselves as themselves like a not forgotten handwritten love letter where the texture and quality of the paper simply felt right. \;

For me part of the objective of painting is to reveal the time in
which we live and simultaneously engage in the disruption of that
pe rception. My emotions and subconscious inform and guide the continuing dial ogue."

--Markus Bacher\, 2015

Markus Bacher\, (b. 198 3\, Kitzbhel\, Austria) studied painting and tapestry at the University of Applied Arts in Vienna. He has had solo exhibitions at the Museum Stiegenha us\, Langenlois\, Austria\; the Galerie Goldener Engl\, Hall in Tirol\, Aus tria\; and Contemporary Fine Arts\, Berlin\, Germany. Group exhibitions inc lude the Biennale Giovani Monza\, Serrone della Villa Reale Monza\, Italy\; Tiroler Landesmuseum\, Ferdinandeum\, Innsbruck\, Austria\; Red Bull Hanga r-7\, Salzburg and the Essl Museum\, Klosterneuburg\, Austria.

DTEND:20150523 DTSTAMP:20150328T015242 DTSTART:20150411 GEO:34.0314527;-118.3761739 LOCATION:SUSANNE VIELMETTER LOS ANGELES PROJECTS\,6006 Washington Blvd \nCu lver City\, CA 90232 SEQUENCE:0 SUMMARY:onetwo painting\, Markus Bacher UID:378489 END:VEVENT BEGIN:VEVENT DTEND:20150411T200000 DTSTAMP:20150328T015242 DTSTART:20150411T180000 GEO:34.0314527;-118.3761739 LOCATION:SUSANNE VIELMETTER LOS ANGELES PROJECTS\,6006 Washington Blvd \nCu lver City\, CA 90232 SEQUENCE:0 SUMMARY:onetwo painting\, Markus Bacher UID:378490 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Susanne Vielmetter Los Angeles Projects is pleased to announce our 6th solo exhibition with Tam Van Tran in Galleries 1 and 2. Dense rows of precious ceramic bottles surround Trans chaotic new paintings that explore the natural world and oppositional forc es such as silence and noise\, order and rupture. \;

Trans r eturn to painting on canvas favors immediate gesture and the language of ab straction. Profoundly tactile\, these works employ markers\, brushwork\, st amping and collage. Partly inspired by the watercolors of John Marin\, Tran 's recent paintings are an orchestra of color\, shape and gesture that prod uce a visual cacophony. Like jazz\, the paintings are about improvisation a nd presence\, the act and the process of making the work. Instead of acquie scing to the hermeneutic impulse\, Tran invites the viewer for an encounter \, to consider if the mystery of the world is the visible\, not the invisib le." *

The petite ceramic vessels reference military and funerar y formations\, the family units of historical figures from Vietnam\, and th e number of characters in the English\, Vietnamese and Sanskrit alphabets. These fragile treasures speak of time and heritage in contrast to the paint ings\, which explode before our eyes. \;

If Trans paintings ask the viewer to allow her experience to remain in the realm of the visual and ineffable\, the ceramics become vessels for memory and content. This d uality is critical to Trans practice and the way his work is intertwined wi th his personal memories of childhood\, war\, emigration/ immigration and e veryday situations including a stroll on the beach. In Exodus\, viewers may meditate on the interaction of the past and present. How do memory and pre sence inform our experience? How do we hear the lessons of the past in the cacophony of the present? \;

*Oscar Wilde

Tam Van Trans work has been featured in solo museum exhibitions at the Blaffer Art Museum at the University of Houston\, TX\, and the Knoxville Museum of Art \, TN and recent gallery exhibitions at Ameringer | McEnery | Yohe\, New Yo rk\, NY\, and Anthony Meier Fine Art\, San Francisco\, CA. His work has bee n included in group exhibitions\, such as Pattern: Follow the Rules\, at th e Eli and Edythe Broad Art Museum\, Lansing\, MI\; east EX east\, Brand New Gallery\, Milan\, Italy\; the 2004 Whitney Biennial\, Whitney Museum of Am erican Art\, New York\, NY\; in Paul Clay at Salon 94\, New York\, NY\; Mus eum of Fine Art Houston\, Houston\, TX\; the Institute of Contemporary Art Boston\, MA\; the San Francisco Art Institute\, San Francisco\, CA\; Intern ational Paper\, UCLA Hammer Museum\, Los Angeles\, CA\; and in the Drawing Biennial at the Weatherspoon Art Gallery\, The University of North Carolina \, Greensboro\, NC. His work is in the collections of the Museum of Modern Art\, New York\, NY\; The Whitney Museum of American Art\, New York\, NY\; the Hirshhorn Museum and Sculpture Garden\, Washington\, DC\; the ICA Bosto n\, Boston\, MA\; the Cleveland Museum of Art\, Cleveland\, OH\; and the Mu seum of Fine Arts\, Houston\, TX\, among others.

DTEND:20150523 DTSTAMP:20150328T015242 DTSTART:20150411 GEO:34.0314527;-118.3761739 LOCATION:SUSANNE VIELMETTER LOS ANGELES PROJECTS\,6006 Washington Blvd \nCu lver City\, CA 90232 SEQUENCE:0 SUMMARY:Exodus\, Tam Van Tran UID:378485 END:VEVENT BEGIN:VEVENT DTEND:20150411T200000 DTSTAMP:20150328T015242 DTSTART:20150411T180000 GEO:34.0314527;-118.3761739 LOCATION:SUSANNE VIELMETTER LOS ANGELES PROJECTS\,6006 Washington Blvd \nCu lver City\, CA 90232 SEQUENCE:0 SUMMARY:Exodus\, Tam Van Tran UID:378486 END:VEVENT BEGIN:VEVENT DESCRIPTION:

In this lecture-performance\, Hé\;ctor Bourges\, a member of the Mexico City-based artistic collect ive \;Teatro Ojo\, combines a series of gestures with images o f historical events that have influenced the Mexican national identity proj ect. Bourges explores a variety of staging forms and modes of performance ( such as \;nahualismo\, masks\, metamorphosis\, ventriloquism) to reveal common strategies of political powers.

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This lecture is part of a series of public programs leading to the upcoming project \;Palabras Ajenas \;at REDCAT\, a proposal that revisits Argentine artist \;Leó\;n Ferrari&rsquo\; s 1965 landmark piece of the same name. The research and curatorial line of this project includes a series of lectures and presentations that contextu alize Ferrari&rsquo\;s work historically and further investigate his proces ses and working method and related topics and issues.

DTEND:20150513T203000 DTSTAMP:20150328T015242 DTSTART:20150513T193000 GEO:34.0551542;-118.2506936 LOCATION:REDCAT\,631 West 2nd St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Desorganizar La Mimesis / Disorganizing Mimesis\, Héctor Bourges UID:378484 END:VEVENT BEGIN:VEVENT DESCRIPTION:

*The main concern of Falke Pis ano&rsquo\;s research-based practice is how\, where and through what proces ses an art object is produced and produces meaning. Starting from a primari ly sculptural practice\, Pisano looks at the expanded sites and moments whe n a work of art is conceptualized\, produced\, viewed\, discussed and repre sented. Her work includes lectures and presentations\, installations of dif ferent configurations of objects\, moving images of diagrams with voice-ove rs\, photographs and written word\, all of which create the multi-faceted a rtwork. Pisano&rsquo\;s commissioned project looks at mathematics as a cult ural construct\, and is conceived as a set for a film of ten chapters with &lsquo\;sets&rsquo\; of very different forms\, from a sculpture\, to a disp lay of \;objects on a table\, to a script for a lecture or a PowerPoint presentation. \;

DTEND:20150705 DTSTAMP:20150328T015242 DTSTART:20150509 GEO:34.0551542;-118.2506936 LOCATION:REDCAT\,631 West 2nd St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Solo Exhibition\, Falke Pisano UID:378482 END:VEVENT BEGIN:VEVENT DTEND:20150509T210000 DTSTAMP:20150328T015242 DTSTART:20150509T180000 GEO:34.0551542;-118.2506936 LOCATION:REDCAT\,631 West 2nd St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Solo Exhibition\, Falke Pisano UID:378483 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150523 DTSTAMP:20150328T015242 DTSTART:20150418 GEO:34.019521;-118.231777 LOCATION:Night Gallery\,2276 East 16th Street \nLos Angeles \, CA 90021 SEQUENCE:0 SUMMARY:Smiley Suicide\, Gyung Jin Shin UID:378480 END:VEVENT BEGIN:VEVENT DTEND:20150418T220000 DTSTAMP:20150328T015242 DTSTART:20150418T190000 GEO:34.019521;-118.231777 LOCATION:Night Gallery\,2276 East 16th Street \nLos Angeles \, CA 90021 SEQUENCE:0 SUMMARY:Smiley Suicide\, Gyung Jin Shin UID:378481 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150523 DTSTAMP:20150328T015242 DTSTART:20150418 GEO:34.019521;-118.231777 LOCATION:Night Gallery\,2276 East 16th Street \nLos Angeles \, CA 90021 SEQUENCE:0 SUMMARY:Goodnight Bojangles\, Zachary Armstrong UID:378476 END:VEVENT BEGIN:VEVENT DTEND:20150418T220000 DTSTAMP:20150328T015242 DTSTART:20150418T190000 GEO:34.019521;-118.231777 LOCATION:Night Gallery\,2276 East 16th Street \nLos Angeles \, CA 90021 SEQUENCE:0 SUMMARY:Goodnight Bojangles\, Zachary Armstrong UID:378477 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150627 DTSTAMP:20150328T015242 DTSTART:20150418 GEO:34.0902995;-118.3605261 LOCATION:Matthew Marks Gallery\, North Orange Grove\,1062 North Orange Grov e \n Los Angeles\, 90046 SEQUENCE:0 SUMMARY:'62 - '63 \, Anne Truitt UID:378474 END:VEVENT BEGIN:VEVENT DTEND:20150418T170000 DTSTAMP:20150328T015242 DTSTART:20150418T150000 GEO:34.0902995;-118.3605261 LOCATION:Matthew Marks Gallery\, North Orange Grove\,1062 North Orange Grov e \n Los Angeles\, 90046 SEQUENCE:0 SUMMARY:'62 - '63 \, Anne Truitt UID:378475 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150523 DTSTAMP:20150328T015242 DTSTART:20150426 GEO:34.0663502;-118.2384334 LOCATION:Jancar Gallery\,961 Chung King Road \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Dirt\, Doug Harvey\, Tricia Lawless Murray\, Daniel Hawkins\, Stacy Kranitz\, Leroy Stevens\, Alice Clements\, Richard Newton\, Elizabeth Trem ante\, Lee Lynch\, Thorbjorg Jonsdottir\, Joseph Hammer\, Ben Talbert UID:378472 END:VEVENT BEGIN:VEVENT DTEND:20150426T180000 DTSTAMP:20150328T015242 DTSTART:20150426T160000 GEO:34.0663502;-118.2384334 LOCATION:Jancar Gallery\,961 Chung King Road \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Dirt\, Alice Clements\, Joseph Hammer\, Doug Harvey\, Daniel Hawkin s\, Thorbjorg Jonsdottir\, Stacy Kranitz\, Lee Lynch\, Tricia Lawless Murra y\, Richard Newton\, Leroy Stevens\, Ben Talbert\, Elizabeth Tremante UID:378473 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150530 DTSTAMP:20150328T015242 DTSTART:20150417 GEO:34.0334166;-118.3758153 LOCATION:Anat Ebgi\,2660 La Cienega Boulevard \nLos Angeles\, CA 90034 SEQUENCE:0 SUMMARY:Solo Exhibition\, Neil Raitt UID:378469 END:VEVENT BEGIN:VEVENT DTEND:20150417T200000 DTSTAMP:20150328T015242 DTSTART:20150417T180000 GEO:34.0334166;-118.3758153 LOCATION:Anat Ebgi\,2660 La Cienega Boulevard \nLos Angeles\, CA 90034 SEQUENCE:0 SUMMARY:Solo Exhibition\, Neil Raitt UID:378470 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150613 DTSTAMP:20150328T015242 DTSTART:20150418 GEO:34.0831785;-118.3422911 LOCATION:Aran Cravey\,6918 Melrose Ave. \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Solo Exhibition\, Bea Fremderman UID:378467 END:VEVENT BEGIN:VEVENT DTEND:20150418T210000 DTSTAMP:20150328T015242 DTSTART:20150418T180000 GEO:34.0831785;-118.3422911 LOCATION:Aran Cravey\,6918 Melrose Ave. \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Solo Exhibition\, Bea Fremderman UID:378468 END:VEVENT END:VCALENDAR