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LOS ANGELES\, CA (September 4\, 2015) - KM Fine Arts is pleased to announce The Singulari ty is Near\, a solo exhibition of new hyperrealist paintings by Ramsey Dau\, on view from September 12\, 2015 &ndash\; October 31\, 2015 at the gallery&rsquo\;s West Hollywood location at 814 N. La Cienega Blvd\, Los Angeles\, CA 90069. An opening reception will be hel d on Saturday\, September 12\, from 6-8pm with the artist in attendance. A catalog will accompany the exhibition and features essays by Peter Frank an d Carlos Rivera. This will be the artist&rsquo\;s first solo exhibition wit h the gallery. An in-studio video interview with Peter Frank will be releas ed on www.artists1on1.c om in tandem with the exhibition.

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Ramsey Dau&rsquo\;s carefully articulated compositions\, guided by intuitive special awareness and his s ubconscious mind\, are masterfully rendered investigations of human awarene ss. Each dynamic composition acts a playful interplay between concept and t echnique\; simple and complex\; and conscious and subconscious decision-mak ing.

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Collage aesthetic is highly present in Dau&rsquo\;s work-- he embraces the careful choreography available to the collage medium and repur poses it in a playful\, mimicking way. At first glance his work may be mist aken for an actual collage\, complete with tape and torn paper. However\, D au has intentionally removed himself from this method that is sometimes has ty and haphazard. Dau instead slows the collage process down by painting\, in trompe-l'&oelig\;il fashion\, each element that appears to be adhered to the work. Peter Frank aptly states that &ldquo\;this\, combined with the t ender\, almost old-master precision of his painterly craft\, gives Dau&rsqu o\;s art a poignancy that outweighs the sly irony involved in painting pict ures of paper.&rdquo\;

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Through utilizing collage logic\, Dau is abl e to unite seemingly disjointed elements to create works that are intensely cerebral and offer reveal new realities. Art-historical images of tribal A frican sculpture and wares populate this new body of work\, as do bold grap hic patterns and expressionistic marks. Text is often included in his work\ , and is typically gleaned from his readings of existential philosophers an d neuroscientists such as Immanuel Kant\, Bertrand Russell\, or Oliver Sack s. Combined\, these elements\, floated on grey-white backgrounds\, induce a sense of intuitive familiarity: a dé\;jà\; -vu of sorts\, or f eeling of remembering the future.

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Ambiguity is an intentional and e ssential element in Dau&rsquo\;s painting process\; contrived works that sp eak to a specific meaning are of no interest to him creatively or intellect ually. His work instead­\; serves as a minimalist roadmap to the subcons cious mind. As a powerfully curious person\, Dau is more interested in the meaning that is ascribed to the work through investigation of the subconsci ous. Carlos Rivera explains\, &ldquo\;In Dau&rsquo\;s world\, our frenetic attention spans are not permanently fractured. He hypothesizes that we are still capable of extended periods of thought\, and separating the good ambi guity from the bad&rdquo\;. To view his work is to embark on a mental arche ological dig: through focused effort and time a meaning will slowly come in to focus. \;

DTEND:20151031 DTSTAMP:20150904T211037 DTSTART:20150912 GEO:34.0856726;-118.3764322 LOCATION:KM Fine Arts\,814 N. LaCienega \nLos Angeles\, CA 90069 SEQUENCE:0 SUMMARY:Ramsey Dau | The Singularity is Near\, Ramsey Dau UID:395136 END:VEVENT BEGIN:VEVENT DTEND:20150912T200000 DTSTAMP:20150904T211037 DTSTART:20150912T180000 GEO:34.0856726;-118.3764322 LOCATION:KM Fine Arts\,814 N. LaCienega \nLos Angeles\, CA 90069 SEQUENCE:0 SUMMARY:Ramsey Dau | The Singularity is Near\, Ramsey Dau UID:395137 END:VEVENT BEGIN:VEVENT DESCRIPTION:

September 11-13\, 2015 \, 8PM-11PM nightly/ workshop 12pm-4pm

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VOLUME and LACE present the second Resonant Forms festival for three days from September 11 through 13\, 2015. This year&rsqu o\;s festival will present unique performances by a range of artists in the emergent fields of experimental electronic music\, sound\, and performance art. The artists featured in this festival represent varied approaches to the interplay of artistic mediums\, and take risks not frequently observed in traditional creative modalities.

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R esonant Forms will take place inside i have never been here before\, an immersive installation by Los Angeles based artist Rafa Esparza.

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Purchase tickets here.
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SCHEDULE OF EVENTS

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September 11
8:00PM &ndash\; 11:00PM

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Resonant Forms \;opens with an evening of performances by thr ee artists associated with acclaimed UK experimental sound label\, Touch. O rganized by Touch label head Mike Harding\, this evening features a rare pe rformance by \;Simon Scott\, a multi-instrumentalist\, sound ecologist and drummer (formerly of Slowdive) from Cambridge\, UK. Th e aesthetics of active listening and the subjective distinction of composit ional materials and sound timbres are predominant explorations in his work. Glasgow based sound artist \;Bethan Parkes \;expl ores the inherent dimensionality of sound through multi-channel/ambisonic c ompositions and installations. \;Jen Boyd \;is a s ound artist and curator based in Northern California who works with field r ecordings of the natural world\, forgotten spaces\, and the environment. Th e evening will also feature a DJ set by \;Mike Harding . Harding has been running the audio-visual label Touch for 30+ years and i n this period has acquired much experience and information on disseminating cultural sounds to a wider audience. Since its first release in 1982\, Tou ch has created sonic and visual productions that combine innovation with a level of care and attention that has made it the most enduring of any indep endent company of its time.

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S eptember 12
8:00PM &ndash\; 11:00PM

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In celebration of their 15th Anniversary\, A ustralian music label Room40 will present performances by Lawrence English\ , John Chantler\, Steve Roden\, and film projections by Paul Clipson. \ ;Lawrence English\, who founded the label\, is a composer\ , media artist and curator based in Australia. He investigates the politics of perception to create works that ask audiences to become aware of that w hich exists at the edge of perception. UK based artist \;John C hantler \;uses technology to exploit the inner zones of audibl e electricity\, exploring texture and dimension with a relentless ferocity.  \;Paul Clipson \;is a filmmaker who often collabo rates with sound artists and musicians on films\, live performances\, and i nstallations. His Super 8 and 16mm films aim to bring to light subconscious visual preoccupations that reveal themselves while working in a stream of consciousness manner\, responding to and conversing with the temporal quali ties of musical composition and live performance. \;Steve Roden  \;is a visual and sound artist from Los Angeles. Roden&rsquo\ ;s working process uses various forms of specific notation and translates t hem through self invented systems into scores\, which then influence the pr ocess of painting\, drawing\, sculpture\, and composition.

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Workshop
12:00PM &ndas h\; 4:00PM

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The Radic al Listener: \;Field recording\, agency and the art of relational liste ning

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The beauty of field rec ording is that it can happen anywhere. This September\, join Lawrence Engli sh as he casts his ears towards Hollywood Blvd. Hollywood Blvd. is one of t he iconic visual landmarks of the city\, and it also happens to contain a d iverse sound world. Join us as we explore various &ldquo\;sound locations&r dquo\; in the neighborhood\, collect recordings\, share techniques/methods and discuss the ways in which field recordings can be used in sound art and music practices.

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You don&rsquo\;t ne ed to be a skilled field recorder to attend &ndash\; this is for everyone\, from the curious first timer to the well-experienced sound designer. This field trip will cover not just technical aspects\, but philosophical\, aest hetic and conceptual approaches to working with environmental sound.

\n< p style="text-align: justify\;">Participants are required to bring their ow n recording device &ndash\; whether it is a digital field recorder\, casset te recorder\, minidisc\, iPhone\, iPad\, video camera\, or other mobile rec ording device. English will teach how you can capture very interesting and compelling recordings using any kind of technology.

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September 13
8:00PM &ndash\; 11:00PM

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Resonant Forms \;will conclude with a series of performances organized in collabor ation with LACE Assistant Director Shoghig Halajian. For the closing night of both the festival and Esparza&rsquo\;s \;i have never been here before\, these artists will explore notions of race\, identity and bel onging in response to the installation. \;Rafa Esparza  \;is a multidisciplinary artist whose work ranges in medium from insta llation\, sculpture to drawing\, painting\, and most predominantly live per formance. Woven into his many bodies of work are his interests in history\, personal narratives\, and kinship. \; \;Raquel Gutié \;rrez \;is a film actor\, curator\, publishe r\, playwright\, arts administrator\, and community organizer. She writes a bout \;art\, culture\, music\, film\, performance and community buildin g and creates original solo and ensemble performance compositions. \;Nikki Darling \;is a third generation Angelino on her fa ther&rsquo\;s side and Neomexicano on her mother&rsquo\;s. She is a feminis t\, womanist\, transcendentalist\, Unitarian Universalist. She believes in Henry David Thoreau\, Elizabeth Taylor\, Gloria Anzaldua\, and Joseph Campb ell. She believes in people\, and she believes in you.

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DTEND:20150913 DTSTAMP:20150904T211037 DTSTART:20150911 GEO:34.10119;-118.331831 LOCATION:Los Angeles Contemporary Exhibitions (LACE)\,6522 Hollywood Blvd. \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:Resonant Forms UID:395134 END:VEVENT BEGIN:VEVENT DTEND:20150911T230000 DTSTAMP:20150904T211037 DTSTART:20150911T200000 GEO:34.10119;-118.331831 LOCATION:Los Angeles Contemporary Exhibitions (LACE)\,6522 Hollywood Blvd. \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:Resonant Forms UID:395135 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151107 DTSTAMP:20150904T211037 DTSTART:20150920 GEO:34.1020306;-118.3218147 LOCATION:Freedman Fitzpatrick\,6051 Hollywood Blvd. # 107\nLos Angeles\, C A 90028 SEQUENCE:0 SUMMARY:Men Are Women\, Karl Holmqvist UID:395132 END:VEVENT BEGIN:VEVENT DTEND:20150920T210000 DTSTAMP:20150904T211037 DTSTART:20150920T180000 GEO:34.1020306;-118.3218147 LOCATION:Freedman Fitzpatrick\,6051 Hollywood Blvd. # 107\nLos Angeles\, C A 90028 SEQUENCE:0 SUMMARY:Men Are Women\, Karl Holmqvist UID:395133 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151024 DTSTAMP:20150904T211037 DTSTART:20150911 GEO:34.0857121;-118.3383265 LOCATION:Various Small Fires\,812 North Highland Avenue \nLos Angeles\, Cal ifornia 90038 SEQUENCE:0 SUMMARY:Labor Day\, Joshua Nathanson UID:395130 END:VEVENT BEGIN:VEVENT DTEND:20150911T200000 DTSTAMP:20150904T211037 DTSTART:20150911T180000 GEO:34.0857121;-118.3383265 LOCATION:Various Small Fires\,812 North Highland Avenue \nLos Angeles\, Cal ifornia 90038 SEQUENCE:0 SUMMARY:Labor Day\, Joshua Nathanson UID:395131 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151024 DTSTAMP:20150904T211037 DTSTART:20150911 GEO:34.0857121;-118.3383265 LOCATION:Various Small Fires\,812 North Highland Avenue \nLos Angeles\, Cal ifornia 90038 SEQUENCE:0 SUMMARY:Over Easy\, Bjorn Copeland UID:395128 END:VEVENT BEGIN:VEVENT DTEND:20150911T200000 DTSTAMP:20150904T211037 DTSTART:20150911T180000 GEO:34.0857121;-118.3383265 LOCATION:Various Small Fires\,812 North Highland Avenue \nLos Angeles\, Cal ifornia 90038 SEQUENCE:0 SUMMARY:Over Easy\, Bjorn Copeland UID:395129 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151024 DTSTAMP:20150904T211037 DTSTART:20150911 GEO:34.0857121;-118.3383265 LOCATION:Various Small Fires\,812 North Highland Avenue \nLos Angeles\, Cal ifornia 90038 SEQUENCE:0 SUMMARY:You're Fired!\, Josh Kline UID:395126 END:VEVENT BEGIN:VEVENT DTEND:20150911T200000 DTSTAMP:20150904T211037 DTSTART:20150911T180000 GEO:34.0857121;-118.3383265 LOCATION:Various Small Fires\,812 North Highland Avenue \nLos Angeles\, Cal ifornia 90038 SEQUENCE:0 SUMMARY:You're Fired!\, Josh Kline UID:395127 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Samuel Freeman is p leased to announce a groundbreaking exhibition of work by \;Kristian Bu rford. Opening on Friday the 11th of September\, Burford presents for the f irst \;time three discrete scenes staged concurrently in one venue. The y are accompanied by a \;suite of small bronzes which serve as precurso rs to the larger works. Each resulting scene \;is a single self-contain ed sculpture\, exhibited together to create an immersive and deeply \;a ffecting psychological environment for the viewer.

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She is flooded with light\,
He is sa turated with liquid &ndash\; and we are inundated\,
W e are plagued with &mdash\; and thrilled by &mdash\; the uncertainty and ch aos of our nature.

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Always the primal fa ntasy of becoming the world again\, of surrendering to it as to death\, of relinquishing control to things more real than God.

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What did Pollock say\, &ldquo\;I am nature&rdquo\; the boatman &rsquo\;s drip paintings dissipate in the water. He is nature.

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-Kristian

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Kristian Burford&rsquo\;s Returned Daug hter situates the viewer as the parent of an estranged \;daughter\ , thrust into the role at the exact moment when the wayward child returns h ome\, \;evidently in a state of high emotion. Her expression is ambiguo us\, indistinguishable \;between distress and excitement. The resulting friction is unnerving\, presenting a \;storyline that cannot be resolv ed. Has she been assaulted and is returning home to seek \;sanctuary\, or do the deep shadows behind her conceal more sinister intentions?

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Installed in the gallery courtyar d\, a small boat rests improbably on the concrete \;floor\, cocked up a t an angle by the weight of a standing man urinating over the rail. This&nb sp\;normally private act is on full display\, frozen and proffered\, carefu lly held at a distance \;through the permanent closure of the glass doo rs. Both inside but outside\, the figure \;becomes more and less than a man\; he is a specimen on display and a metaphor for \;primal urges. A lways kept at a distance\, the audience becomes a group voyeur\, where  \;images of peep shows and zoological dioramas combine.

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Resting atop a circular plinth calculated to show a reclining figure just beyond reach\, \;Light Bath evoke s a funereal air lit with a glow of the supernatural. A scaled-down \;f igure \;lies within a bed of light in the center of a chapel-like struc ture\, but she might as well \;be laid upon an altar\, or perhaps sinki ng into a pool. The initial feel of spirituality and \;ascension is ero ded from below\, and it is the viewer&rsquo\;s doubting presence that corro des the \;scene\; in this piece it is the viewer who is the whisper in the darkness.

DTEND:20151031 DTSTAMP:20150904T211037 DTSTART:20150911 GEO:34.033969;-118.377335 LOCATION:Samuel Freeman\,2639 South La Cienega Blvd. \nLos Angeles\, CA 900 34 SEQUENCE:0 SUMMARY:Scenes\, Kristian Burford UID:395124 END:VEVENT BEGIN:VEVENT DTEND:20150911T210000 DTSTAMP:20150904T211037 DTSTART:20150911T180000 GEO:34.033969;-118.377335 LOCATION:Samuel Freeman\,2639 South La Cienega Blvd. \nLos Angeles\, CA 900 34 SEQUENCE:0 SUMMARY:Scenes\, Kristian Burford UID:395125 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151017 DTSTAMP:20150904T211037 DTSTART:20150913 GEO:34.0981241;-118.3359796 LOCATION:Overduin & Co.\,6693 Sunset Boulevard \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:Solo Exhibition\, Will Benedict UID:395122 END:VEVENT BEGIN:VEVENT DTEND:20150913T200000 DTSTAMP:20150904T211037 DTSTART:20150913T180000 GEO:34.0981241;-118.3359796 LOCATION:Overduin & Co.\,6693 Sunset Boulevard \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:Solo Exhibition\, Will Benedict UID:395123 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Matthew Marks is pleased to an nounce an exhibition of works by Trisha Donnelly in his gallery at 1062 Nor th Orange Grove.

The exhibition will be on view from September 26 to November 7\, Tuesday through Saturday\, from 10:00 AM to 6:00 PM.

For additional information\, please contact Ted Turner at (212) 243-0200 or ted@matthewmarks.com

DTEND:20151107 DTSTAMP:20150904T211037 DTSTART:20150926 GEO:34.0902995;-118.3605261 LOCATION:Matthew Marks Gallery\, North Orange Grove\,1062 North Orange Grov e \n Los Angeles\, 90046 SEQUENCE:0 SUMMARY:Solo Exhibition\, Trisha Donnelly UID:395118 END:VEVENT BEGIN:VEVENT DTEND:20150926T170000 DTSTAMP:20150904T211037 DTSTART:20150926T150000 GEO:34.0902995;-118.3605261 LOCATION:Matthew Marks Gallery\, North Orange Grove\,1062 North Orange Grov e \n Los Angeles\, 90046 SEQUENCE:0 SUMMARY:Solo Exhibition\, Trisha Donnelly UID:395119 END:VEVENT BEGIN:VEVENT DESCRIPTION:

September 12 &ndash\; October 8\, 2015


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Opening Reception: September 12\, 7-9

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Live performances:< br />Ciudad: September 12\, 7:30-8:30
Trophy: September 26\, 4-5

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Steve Turner is pleased to present Aislado\, featuring video\, photograp hs and performances by Carlos Martiel (b. 1989\, Havana). Martiel uses his body and earthy substances such as water\, soil and stone to explore issues of race\, isolation and injustice.

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Martiel will debut two performa nces that challenge his physical limits. At the opening reception on Septem ber 12\, he will lie in a coffin-sized box buried under the weight of seven layers of rocks and pebbles\, some of which he gathered at sites of police brutality in Los Angeles. Although encased\, he will be visible to the aud ience&mdash\;the front of the box will be made of transparent plexiglass. O n September 26\, in a second performance\, Martiel will endure immobilizing pain by have a hunting arrow lodged in his side.

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Carlos Martiel ha s presented forty different performances since 2007. In each\, he has teste d his ability to endure pain\, deprivation and physical restraint\, reducin g his existence to his biological need to survive. He has been sewn to gall ery walls\; he has bled himself\; he has surgically removed a piece of skin from his side\; and he has pinned his father&rsquo\;s military medals dire ctly onto his bare chest. Apart from such physically grueling work\, Martie l creates photo and video documentation of his performances. He lives and w orks in New York.

DTEND:20151008 DTSTAMP:20150904T211037 DTSTART:20150912 GEO:34.0906903;-118.3392758 LOCATION:Steve Turner\,6830 Santa Monica Blvd \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Aislado\, Carlos Martiel UID:394896 END:VEVENT BEGIN:VEVENT DTEND:20150912T210000 DTSTAMP:20150904T211037 DTSTART:20150912T190000 GEO:34.0906903;-118.3392758 LOCATION:Steve Turner\,6830 Santa Monica Blvd \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Aislado\, Carlos Martiel UID:394897 END:VEVENT BEGIN:VEVENT DESCRIPTION:

BAD IDEAS is the seventh solo exhibition at Another Year in LA for pioneering conceptual artist Ste phen Kaltenbach. \; \; When asked to clarify the title\, BAD IDEAS\ , Kaltenbach responded with &ldquo\;There has always been something wrong w ith every art concept I've ever had&rdquo\;. \; Although clever and gli b\, that response is intentionally misleading and that misdirection has als o been a central part of his art oeuvre for almost 50 years - think his ano nymous 1968-69 Artforum ads (TELL A LIE\, START A RUMOR\, etc)\, hidden con tents (or not) inside the Time Capsules\, 1969 &ldquo\;Street Works&rdquo\; performances (that were never performed)\, secret regional artist personae since leaving NYC in 1970 and the list goes on and on.

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When pressed further for more information\, Kaltenbach sai d\, &ldquo\;BAD IDEAS refers to a body of work that either can't be done or shouldn't be done. After merging form with environment as completely as I considered possible in the Room Constructions\, I was looking for ways to&n bsp\;further minimize the art experience. \;One approach was \;the reduction of visual art \;to visualized art.

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Coincidental with the development of this a pproach was my situation \;as \;an unknown artist \;new to  \;NYC and unable to realize my ideas due to no reputation\, no gallery and therefore no funding for big pieces. This freed me to working on project dr awings which I gradually came to consider \;completed works. \;The most important \;effect of this was that it \;freed from the constr aints of the reality of actually making things. Since the work \;didn't have to become material \;to exist I was able to consider a much wider range of possibilities\, work that either couldn't exist due to the constr aints of \;physics or work that shouldn't exist due to being wrong in s ome way\, (either too dangerous or too esthetically\, philosophically or cu lturally incorrect.) \;

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For this onl ine exhibition\, Kaltenbach will reveal a new BAD IDEA each day during Sept ember and beginning with a new letterpress 3D anaglyphic print\, CAPUT.&nbs p\; What will make this ongoing exhibition both visually and historically s ignificant will be the addition of annotations and related works that suppo rt (or help to understand) each BAD IDEA.

DTEND:20150930 DTSTAMP:20150904T211037 DTSTART:20150901 GEO:34.132366;-118.224125 LOCATION:Another Year in LA\, \nLos Angeles\, CA 90065 SEQUENCE:0 SUMMARY:BAD IDEAS\, Stephen J. Kaltenback UID:394790 END:VEVENT BEGIN:VEVENT DTEND:20150901T200000 DTSTAMP:20150904T211037 DTSTART:20150901T180000 GEO:34.132366;-118.224125 LOCATION:Another Year in LA\, \nLos Angeles\, CA 90065 SEQUENCE:0 SUMMARY:BAD IDEAS\, Stephen J. Kaltenback UID:394791 END:VEVENT BEGIN:VEVENT DESCRIPTION:

FiberLicious examines the work of fifteen contempo rary artists who expand the possibilities of traditional fiber art and chal lenge the definition of who is and is not a fiber artist. The artists in th is exhibition use materials or techniques drawn from fiber-art practices to produce large installation and wall works\, participatory projects\, inter active and performative works and video. Their distinctive approaches to sc ale\, process and material bring the representational capacity of fiber art to a range of themes\, such as the intersection of human relationships\, i nterconnectedness of societies\, labor and economics of garments and textil es production\, and  \;the relation of fiber art to painting\, sculptur e\, fashion and decorative art.

DTEND:20160103 DTSTAMP:20150904T211037 DTSTART:20151025 GEO:34.1016178;-118.2950273 LOCATION:Los Angeles Municipal Art Gallery at Barnsdall Park (LAMAG)\,4800 Hollywood Blvd. \nLos Angeles\, CA 90027 SEQUENCE:0 SUMMARY:Fiberlicious\, Tanya Aguiñiga\, Liz Collins\, Enrique Castrejon\, D iedrick Brackens\, Krista Feld\, Dawn Ertl\, Carole Frances Lung\, Tina Lin ville\, J. Christopher Natrop\, Wendy Osher\, Chili Philly\, Jennifer Reifs neider\, Nike Schröder\, Lorenzo Hurtado Segovia\, Ruth Katzenstein Souza\, Ann Weber UID:394758 END:VEVENT BEGIN:VEVENT DTEND:20151025T220000 DTSTAMP:20150904T211037 DTSTART:20151025T180000 GEO:34.1016178;-118.2950273 LOCATION:Los Angeles Municipal Art Gallery at Barnsdall Park (LAMAG)\,4800 Hollywood Blvd. \nLos Angeles\, CA 90027 SEQUENCE:0 SUMMARY:Fiberlicious\, Tanya Aguiñiga\, Diedrick Brackens\, Enrique Castrej on\, Liz Collins\, Dawn Ertl\, Krista Feld\, Lorenzo Hurtado Segovia\, Tina Linville\, Carole Frances Lung\, J. Christopher Natrop\, Wendy Osher\, Chi li Philly\, Jennifer Reifsneider\, Nike Schröder\, Ruth Katzenstein Souza\, Ann Weber UID:394759 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The exhibition Carved and Whittled Sculpture will serve a s a backdrop for an afternoon of fun and learning around the art of wood ca rving. Designed for all ages\, this drop-in program will include gallery to urs (1:30 &\; 3PM)\, wood carving demonstrations and discussions with lo cal craftsmen about the wood carving process\, tools and techniques.

\n< p style="text-align: justify\;">Some of the carvers will include Koga Sabur o\, Richard Howell\, Duane Laxen and members of the California Carvers Guil d and Goodtime Carvers of Ramona.

DTEND:20150905T160000 DTSTAMP:20150904T211037 DTSTART:20150905T130000 GEO:32.7314223;-117.1510527 LOCATION:Mingei International Museum - San Diego\,1439 El Prado Balboa Park \nSan Diego\, CA 92101 SEQUENCE:0 SUMMARY:The Art of Wood Carving\, Koga Saburo\, Richard Howell\, Duane Laxe n UID:394614 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150904T211037 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ragged Promised Land\, Seamus Conley UID:394610 END:VEVENT BEGIN:VEVENT DTEND:20150929T200000 DTSTAMP:20150904T211037 DTSTART:20150929T180000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ragged Promised Land\, Seamus Conley UID:394611 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150904T211037 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ravens\, Tina Dille UID:394608 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150904T211037 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ravens\, Tina Dille UID:394609 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150904T211037 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Utopia Project\, Jonas N.T. Becker UID:394606 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150904T211037 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Utopia Project\, Jonas N.T. Becker UID:394607 END:VEVENT END:VCALENDAR