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Two years after British-American photojournalist Tim Hetherington's deat h while documenting the Libyan war\, this lecture will explore alternative representations of conflict. Hetherington sought to shift the emphasis from the military hardware to the "software" of conflict\, making war a persona l matter. The discussion will explore the legacy of Hetherington's work wit h contributions from colleagues Stephen Mayes\, Director of VII Photo in Ne w York\, Michael Kamber\, conflict photographer\, author and co-founder of the Bronx Documentary Center as well as award-winning writer/director Topaz Adizes who had collaborated with Hetherington on a film before his death.< /span>

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Online registration for this event opens Wednesday\, April 17 at 12pm PST and Thursday\, April 18 at 9:30am PST
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The Annenberg Space for Photography offers live progra mming through our IRIS Nights lecture series\, a public program offered fre e of charge\, by online reservation on a first-come\, first-served basis. T he series brings to life the most current exhibit with presentations by exh ibit featured photographers and other notable experts and guest artists. Th ese programs give attendees unique access to the artists in the intimate se tting of the Photography Space.

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Pleas e note that our lectures tend to fill up quickly. Don't be discouraged if y ou are unable to get tickets through our online ticketing system. The stand by list for each lecture begins at 5pm on the day of the event in person at the Photography Space. About 10 minutes prior to the start of the lecture\ , we release any seats that have not been claimed by ticketholders to our s tandby guests.

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DTEND:20130425T200000 DTSTAMP:20141001T062125 DTSTART:20130425T183000 GEO:34.0588889;-118.4133333 LOCATION:Annenberg Space for Photography\,2000 Avenue of the Stars Century Plaza\nLos Angeles\, CA 90067 SEQUENCE:0 SUMMARY:IRIS Nights Lecture Series: Tim Hetherington: A Very Personal War UID:271266 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Artists Jane and Louise Wilsons' video installations often inhabit the d ecaying sites of twentieth-century institutions. Their Unfolding the Ar yan Papers (2009) is a special project commissioned by Animate Project s and the British Film Institute (BFI)\, presented within the exhibition Stanley Kubrick. In this talk\, the artists will discuss The Tox ic Camera\, a more recent project\, with curator Rita Gonzalez.

DTEND:20130425T030000 DTSTAMP:20141001T062125 DTSTART:20130425T190000 GEO:34.062785;-118.3587631 LOCATION:LACMA - Los Angeles County Museum of Art\,5905 Wilshire Avenue \nL os Angeles\, CA 90036 SEQUENCE:0 SUMMARY:Artist Talk: Jane and Louise Wilson\, Jane and Louise Wilson UID:264688 END:VEVENT BEGIN:VEVENT DESCRIPTION:
In 241 B.C.\, off the northwest coast of Sicily in the Eg adi Islands\, Roman warships ensnared a Carthaginian fleet loaded with supp lies\, defeated it\, and brought an end to the First Punic War. This victor y provided Rome with its first overseas territory\, Sicily\, and launched R ome on a path of Mediterranean conquest.

Underwater archaeologist Jeffrey G. Royal speaks about t he exciting discovery of remains from the Battle of the Egadi Islands—inclu ding rams\, helmets\, and amphoras—and the new insights they provide about warship construction\, ship-to-ship engagements\, armor types\, state organ ization\, and fleet operations in the ancient world.

This program is presented in conjunction wit h the exhibition Sicily: Art and Invention between Gr eece and Rome on view at the Getty Villa April 3 through August 19\ , 2013.

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About Jeffrey G. Royal
Jeffrey G. Royal earned his Ph.D. in anthropology from Texas A&\;M University\, College Station\, Texas and is currently Director of RPM Nautical Foundation in Key West\, Florida. Royal's research ranges from the Roman through Late Antiquity periods\, and his current pro jects focus on the assessment of warships\, strategies\, and tactics used i n the Mediterranean during the Roman era\, Roman-era exchange\, and oversea s trade in the Adriatic Sea in antiquity. He has directed numerous underwat er projects in Sicily with the Soprintendenza del Mare\, as well as in Ital y\, Spain\, Morocco\, Turkey\, Albania\, Montenegro\, and Israel. Royal ser ves as adjunct professor in the Maritime Studies Program at East Carolina U niversity\, Greenville.

DTEND:20130425T210000 DTSTAMP:20141001T062125 DTSTART:20130425T193000 GEO:34.0454412;-118.5647643 LOCATION:The Getty Villa\,17985 Pacific Coast Hwy. \nMalibu\, CA 90272 SEQUENCE:0 SUMMARY:Underwater Archaeology off Sicily: Rewriting Naval Warfare in the T hird Century B.C. UID:270026 END:VEVENT BEGIN:VEVENT DESCRIPTION:

MIA presents video art from eight international ar tists exploring how individuals experience different types of relationships between people and their bodies. LIMBIC RESONANCE on April 26< sup>th s tarts at 8PM and the audience is en couraged to participate in a free-form discussion of the artworks after the event.

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A secur ity guard and a healer perform as themselves in Feelers (Esotropia Con versations II) (2012) by Nadav Assor\, their practices of body-therapy and body-search highlighting the similarities and contrasts of their professions. An investigation of t he body reacting to audio stimulus\, limbic (2012) by German arti st < span size="2" style="font-size: small\;">Manfred Borsch will give you the chills. Transit (2012 ) by Jeffrey Curtis\, is base d on the astronomical phenomenon of the same name\, it is an exploration of space\, distance\, and relationships . Depicting three stages of romantic relationships\, <\;3 (2012) from Finnish artist < /span>Anikó Kuikka\, strips the sweetness out of romance. Using two florescent light bulbs\, Ashley Morgan conveys th e breakdown of a relationship in Stars Have Their Moment (2012). Working with an actor and the familia r gesture of a kiss in White Horse (2012)\, Karin Stohart examines the construction and implications of romantic fantasy. Based on Daniel J. Siegel’s notion that what we remember are not the feelings associ ated with an intense experience\, but the narrative created while undergoin g it\, Karen Sztajnberg documents a cast of people remembering of a moment of sexual inadequacy in The Narrative of Inadequacy (2012). An evocative landscape film\, no title (2012) by Austrian artist\, Antoinette Zwirchmayr\, is a dreamlike meditation on the body.
The MIA (Moving Image Art) series began in June of 2012\, founded b y video artist Alanna Simone to promote the work of artists who use the mov ing image. Every 4th Friday at 8PM\, the MIA series screens video art\, exp erimental films\, performance art\, essay films and animation from local an d international artists at the Armory Center for the Arts\, 145 North Raymo nd Avenue\, Pasadena\, CA 91103. Each program is organized around a theme a nd regular screenings usually last a little over an hour. A donation of $5 is suggested. If you'd like more information about MIA screenings\, please visit the series' website
http://MIAscreen.com o r send an email to: newsletter@MIAscreen.com

DTEND:20130426T220000 DTSTAMP:20141001T062125 DTSTART:20130426T200000 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:MIA presents LIMBIC RESONANCE\, Antoinette Zwirchmayr\, Karen Sztaj nberg\, Karin Stohart\, Ashley Morgan\, Anikó Kuikka\, Jeffrey Curtis\, Man fred Borsch\, Nadav Assor UID:270889 END:VEVENT BEGIN:VEVENT DTEND:20130426T170000 DTSTAMP:20141001T062125 DTSTART:20130426T100000 GEO:34.0154369;-118.2870861 LOCATION:California African American Museum\,600 State Drive Exposition Par k\nLos Angeles\, CA 90037 SEQUENCE:0 SUMMARY:Things that Cannot Be Seen Any Other Way: The Art of Manuel Mendive \, Manuel Mendive UID:265360 END:VEVENT BEGIN:VEVENT DESCRIPTION:

While dance has long intersected meaningfully with the visual arts\, the past five to ten years have witnessed an explosion of dance being presente d in an art context. Dancing with the Art World convenes artists\, choreographers\, curators\, and historians to reflect on the recent interf ace between dance and art\, consider its historical precedents\, and debate its effects on artistic and institutional practice. Art historian and crit ic Douglas Crimp\, the Fanny Knapp Allen Professor of Art History at the University of Rochester\, will give a keynote address Friday evening. Other participants include Johanna Burton\, the Keith Haring Director and Curator of Education and Public Engagement at the New Museum\; Kristy Edmunds\, director of CAP-UCLA\; Anne Ellegood\, senior curator at the Hammer\; and artists Simone Forti\, Andrea Fraser\, Mary Kelly\, and Yvonne Rainer.

Dancing with the Art World is organ ized by Brennan Gerard and Ryan Kelly\, M FA candidates\, Interdisciplinary Studio\, UCLA Department of Art with facu lty advisor Andrea Fraser. The conference has been co-orga nized by the Hammer Museum and the UCLA Department of Art.
ALL HAMMER PUBLIC PROGRAMS ARE FREE. Assigned seating is available in the Billy Wilder Theater. Free tickets are required and available at the Box Office\, one ticket per person on a firs t come\, first served basis. Members enjoy priority seating and seat select ion\, subject to availability. Membership does not guarantee seating. Arriv al at least one half hour prior to program time is recommended.

Dancing with the Art World is sponsored by grants from the UCLA Arts Initiative Fund and Universit y of California Institute for Research in the Arts (UCIRA)\, and is funded by the UCLA Campus Programs Committee of the Programs Activities Board.


Public programs are made possible by a major gift from the Dream Fund at UCLA.
Generous support is also provided by Hammer member s\; Susan Bay Nimoy and Leonard Nimoy\; the Simms/Mann Family Foundation\; Bronya and Andrew Galef\; Good Works Foundation and Laura Donnelley\; and a n anonymous donor.

DTEND:20130426T193000 DTSTAMP:20141001T062125 DTSTART:20130426T173000 GEO:34.0593793;-118.4437966 LOCATION:Hammer Museum\,10899 Wilshire Boulevard \nLos Angeles\, CA 90024 SEQUENCE:0 SUMMARY:Hammer Lectures: Dancing with the Art World: Day 1\, Simone Forti\, Andrea Fraser\, Mary Kelly\, Yvonne Rainer UID:264642 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Artist Edgar Arceneaux gives a brief talk on his untitl ed work in the exhibition Selections from the Grunwald Center and the H ammer Contemporary Collections

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Born in 1972\, Los Angele s-based artist Edgar Arceneaux received a BFA from the Art Center College o f Design and a MFA from the California Institute of the Arts. Arceneaux con structs drawings\, installations\, video and film works as complex arrangem ents of association that examine adjacencies and points of contact between implausible relations. From 1999 to 2012 Arceneaux served as Director of th e Watts House Project\, an artist driven neighborhood redevelopment project centered around the historic Watts Towers. Edgar and art historian Sue Bel l Yank co-founded WHP as an organization in 2009. Edgar cares about the rel ationship between art and the social space and has committed his profession al life to its exploration.   

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He has participated in ar tist residencies at Art Pace in San Antonio\; Skowhegan School of Painting and Sculpture in Maine\, and at the Fachhochschule Aachen\, in Aachen\, Ger many. Solo exhibitions of his work have been presented at the Hammer Museum \, Los Angeles\; the Kitchen\, New York\; the San Francisco Museum of Moder n Art\; The Studio Museum in Harlem\, and the Museum für Gegenwartskunst in Basel\, Switzerland. His work was recently included in Marking Time at the Museum of Contemporary Art in Sydney\, Australia\; Mutatis\, Mutandis\, at the Vienna Secession\, Vienna\, Austria\; the 2008 Whitney Biennial\, New York. He is currently developing three new projects\, a collaborative proje ct with the US State Department and the country of Sao Tome\, Africa\;  a r esearch project entitled New Financial Architectures for Creative Commun ities\; and Beyond Entertainment\, a web and TV series on medial literacy in popular cinema for the public television network KCET/Link\, L os Angeles.  

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DTEND:20130426T153000 DTSTAMP:20141001T062125 DTSTART:20130426T143000 GEO:34.0593793;-118.4437966 LOCATION:Hammer Museum\,10899 Wilshire Boulevard \nLos Angeles\, CA 90024 SEQUENCE:0 SUMMARY:Hammer Lectures: Edgar Arceneaux\, Edgar Arceneaux UID:271293 END:VEVENT BEGIN:VEVENT DTEND:20130426T200000 DTSTAMP:20141001T062125 DTSTART:20130426T180000 GEO:34.0902995;-118.3605261 LOCATION:Matthew Marks Gallery\, North Orange Grove\,1062 North Orange Grov e \n Los Angeles\, 90046 SEQUENCE:0 SUMMARY:Scopophilia \, Nan Goldin UID:273352 END:VEVENT BEGIN:VEVENT DTEND:20130426T210000 DTSTAMP:20141001T062125 DTSTART:20130426T120000 GEO:34.1458399;-118.1583898 LOCATION:Norton Simon Museum\,411 W. Colorado Blvd \nPasadena\, CA 91105-18 25 SEQUENCE:0 SUMMARY:Beyond Brancusi: The Space of Sculpture\, Henry Moore\, Isamu Noguc hi\, Barbara Hepworth\, Donald Judd\, Carl Andre\, John McCracken\, Robert Irwin\, DeWain Valentine\, Helen Pashgian\, Louis Nevelson\, Robert Morris\ , Charles Mattox\, Gabriel Kohn\, Craig Krauffman\, Guy Dill\, Larry Bell UID:264451 END:VEVENT BEGIN:VEVENT DTEND:20130426T190000 DTSTAMP:20141001T062125 DTSTART:20130426T120000 GEO:34.0835505;-118.3194931 LOCATION:Paris Photo Los Angeles\,Paramount Pictures Studios 5555 Melrose A venue \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Paris Photo Los Angeles 2013 - Exhibitors UID:268870 END:VEVENT BEGIN:VEVENT DTEND:20130426T210000 DTSTAMP:20141001T062125 DTSTART:20130426T190000 GEO:33.981805;-117.370465 LOCATION:Riverside Art Museum\,3425 Mission Inn Avenue \nRiverside\, CA 925 01 SEQUENCE:0 SUMMARY:More Dreamers of the Golden Dream\, Douglas McCulloh UID:264480 END:VEVENT BEGIN:VEVENT DTEND:20130426T200000 DTSTAMP:20141001T062125 DTSTART:20130426T170000 GEO:34.0834999;-118.3333886 LOCATION:Thomas Duncan Gallery\,6109 Melrose Avenue \nLos Angeles\, CA 9002 8 SEQUENCE:0 SUMMARY:Solo Exhibition\, Lucas Knipscher UID:272938 END:VEVENT BEGIN:VEVENT DTEND:20130427T210000 DTSTAMP:20141001T062125 DTSTART:20130427T190000 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:Contested Destination\, Gina Osterloh\, Betsy Lin Seder\, JEANNIE S IMMS\, Gabie Strong\, Kristine Thompson\, Carrie Yury UID:270569 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20130427T213000 DTSTAMP:20141001T062125 DTSTART:20130427T193000 GEO:34.0279746;-118.4679684 LOCATION:bG BLEICHER/GORMAN\,Bergamot Station\, 2525 Michigan Ave space G8A \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:'Beyond The Naked Eye' Artist Talk / Closing Reception\, Jeff Alu\, Tatiana Botton\, Stephen Confer\, Tm Gratkowski\, Rene Jaccobs\, Jonathon Kambouris\, Echo Lew\, Susie Loucks\, Sean Maher\, Organa Meets\, Mallory M orrison\, Claudio Santini\, Erin Stone\, Hector Suarez\, Janice Tieken\, De rek Van Oss\, Nick Veasey UID:273221 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Please join us for coffee and croissants on the final day of Brice Bischoff's show\, The Glassell Park Serie s. 

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The exhibition is named after the neighborhood in Los Angeles where Brice has his studio and where all th e work was made. The show considers the site of the artist's studio as a my thic place\, where\, as Bischoff states\, "materials\, actions\, and the ar tist combine in an alchemic process of ideas and intentions." 

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You can f ind more information on our website\, or in the exhibition catalog\, Brice Bischoff: The Glassell Park Series.

DTEND:20130427T120000 DTSTAMP:20141001T062125 DTSTART:20130427T100000 GEO:34.040097;-118.237935 LOCATION:Cirrus Gallery\,542 S. Alameda St. \nLos Angeles\, CA 90013-1708 SEQUENCE:0 SUMMARY:'The Glassell Park Series' Closing Reception\, Brice Bischoff UID:273540 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Hidden treasures from the private collections of Folk Art Council member s and CAFAM

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CAFAM will be inviting guests to shop selected vintage treasures from the mid-century to the 1980s. As a special added att raction\, members of the Folk Art Council will be making selected pieces of their private collections available for showcase and purchase. Proceeds be nefit CAFAM.

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Visit vintagesale.cafam.org for more info.

DTEND:20130427T160000 DTSTAMP:20141001T062125 DTSTART:20130427T120000 GEO:34.062177;-118.3555702 LOCATION:Craft and Folk Art Museum\,5814 Wilshire Blvd. \nLos Angeles\, CA 90036 SEQUENCE:0 SUMMARY:Vintage Marketplace UID:271278 END:VEVENT END:VCALENDAR