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Cohen Gallery is pleased to announce \;A Life of Reflection\, an exhibition of work from f our separate series from the long career of LA-based artist Arthur Taussig\ , from March 21 &ndash\; May 2\, 2015. The opening reception will be Saturd ay\, March 21st at 7pm. Taussig will be in the gallery on opening night\, a nd will return on Saturday\, April 11th to host an intimate concert of his acclaimed fingerstyle guitar music.

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A native of Eagle Rock\, Arthur Taussig studied Physics at UC Berkeley bef ore accepting a position at the Ford-Aeronautics Corporation in Orange Coun ty in 1964. After discovering Orange Coast College he began studying art an d photography with John Upton\, and soon went under the tutelage of Minor W hite\, Imogen Cunningham\, Jerry Uelsman\, Robert Heinecken\, Ansel Adams\, and Paul Caponigro\, among others. By 1967\, Taussig had left the military -industrial complex behind and recorded his first album\, entitled &ldquo\; Fate is Only Once.&rdquo\; Though the record remained obscure upon its rele ase\, it was picked up by Tompkins Square Records for re-release in 2010. T aussig played the South by Southwest Festival in Austin\, TX in 2013 and wa s ranked among the 50 best performances that year by Wired Magazine. By 197 1\, Taussig had his MS in Biological Chemistry and a PhD in Biophysics\, bo th from UCLA\, and was beginning to exhibit his artwork internationally.

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Taussig&rsquo\;s work is representati ve of some of the larger themes of the 1970s photography scene in Los Angel es. Photographers of this decade were determined to stretch the boundaries of the medium\, to steer it away from landscapes and street subjects and to ward the concerns of the era&rsquo\;s contemporary visual art trends. For T aussig and contemporaries like Robert Heinecken\, experimental techniques a nd counter-cultural aesthetics became the norm.

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For a series called &ldquo\;Signs O&rsquo\; The Times\,&rdquo\ ; Taussig brings a sardonic eye to street photography\, capturing Southern California road signs and billboards that often seem to be a parody themsel ves &ndash\; like a tantalizing Kent Cigarette ad next to a Mount Sinai bil lboard promising that pre-arranged interments unburden your loved ones. Thr oughout this series\, Taussig employs the boundaries of the frame to clever ly emphasize the illogic of the sign&rsquo\;s placement\, or omit the logic of it.

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In a series from the late 7 0s/early 80s\, Taussig arranges shards of mirrored glass atop the pages of his favorite art books and photographs the results. Great works of photogra phy and Modern Art &ndash\; by the likes of Mondrian\, Arbus\, Kertesz\, an d many others &ndash\; are appropriated and fragmented into new images. Lik e a beam of light through a prism\, a single image is splintered apart and spatially reordered: each part of the whole allowed to stand on its own\, m ade to signify something new.

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Also featured in this exhibition are selections of prints from two contemporary series: one is a Tarot Card deck called &ldquo\;The Tarot Project&rdquo\; a nd the other is entitled &ldquo\;The Alchemical Adventures of Alice or The Ninety-Nine Headless Woman\,&rdquo\; and is based on \;Alice in Won derland. Both series bring together images from 19th Century engraving s\, illustrated myths and fairy tales\, anatomical atlases\, cartographic i llustrations\, advertising\, fashion\, and books on art history and science . Made digitally\, each collage is rich with Jungian symbology and full of allusions to literary works\, scientific theories\, and mass culture tropes . This series represents Taussig&rsquo\;s ability to keep up with new techn iques\, as well as his interest in the intersections of art and science.

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Arthur Taussig&rsquo\;s work has been in numerous exhibitions and collections throughout the years: including at LACMA\, The Getty\, The Art Institute of Chicago\, Denver Museum of Art\, De Young Museum\, Fogg Art Museum at Harvard University\, Metropolitan Muse um of Art in New York City\, San Francisco Museum of Modern Art\, Portland Art Museum\, Seattle Art Museum\, and the New Orleans Museum of Art\, among many others.

DTEND:20150502 DTSTAMP:20150426T001827 DTSTART:20150327 GEO:34.0760162;-118.3500916 LOCATION:Cohen Gallery\,7354 Beverly Boulevard \nLos Angeles\, CA 90036 SEQUENCE:0 SUMMARY:A Life of Reflection\, Arthur Taussig UID:381889 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Launch for \;Animal Sh elter \;#4 and \;Mark von Schlegell&rsquo\;s \;Sundogz

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With Mark von Schlegell and Chr is Kraus in conversation\, readings\, and a screening  \;  \;

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 \; \; -  \; \;Animal Shelter \;is an &lsquo\;occasional intellectual journ al&rsquo\; published by Semiotext(e)

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 \; \; -  \; \;Sundogz \;is the t hird novel in Mark von Schlegell&rsquo\;s System Series  \;  \;

DTEND:20150426T210000 DTSTAMP:20150426T001827 DTSTART:20150426T190000 GEO:34.04298;-118.227011 LOCATION:356 Mission\,356 South Mission Road \nLos Angeles\, CA 90033 SEQUENCE:0 SUMMARY:Launch for 'Animal Shelter #4' and Mark Von Schlegell's 'Sundogz' UID:381888 END:VEVENT BEGIN:VEVENT DESCRIPTION:

COMMUNITY FORUM &\; Book La unch for \;M anuel Vason's \;Double Exposures.

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Join us a community forum exploring the relationship of performance art t o photography\, and photography's relationship to performance art. This for um celebrates the publication of \;Manuel Vason's \;Double Exposures\, a se ries of collaborations between the London-based photographer and some of to day's most important and provocative performance artists. Artists featured in \;Double Exposures \;include Mat Fraser (pictured above )\, Ron Athey\, Franko B\, Helena Goldwater\, Joshua Sofaer\, Oreet Ashery\ , Jamie Lewis Hadley\, and Martin O'Brien. Join Manuel in a conversation wi th H. Cassils\, Zackary Drucker\, Jamie McMurry\, Jennifer Doyle and more! All are invited to contribute to this artist-centered conversation about th e cultivation of productive collaboration between photographers and perform ance artists. We'll show images from \;Double Exposures\, and there will be copies of the book for sale.

DTEND:20150428T210000 DTSTAMP:20150426T001827 DTSTART:20150428T190000 GEO:34.0675686;-118.2356123 LOCATION:Human Resources\,410 Cottage Home St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Photography as Performance: Manuel Vason's Double Exposures UID:381885 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150508 DTSTAMP:20150426T001827 DTSTART:20150430 GEO:34.075692;-118.4411339 LOCATION:UCLA New Wight Gallery\,1100 Broad Art Center 240 Charles E. Young Drive\nLos Angeles\, CA 90095 SEQUENCE:0 SUMMARY:MFA Exhibition #4\, Ross McLain\, Natalia Margulis\, David Kwon\, C arla Jay Harris UID:381873 END:VEVENT BEGIN:VEVENT DTEND:20150430T200000 DTSTAMP:20150426T001827 DTSTART:20150430T170000 GEO:34.075692;-118.4411339 LOCATION:UCLA New Wight Gallery\,1100 Broad Art Center 240 Charles E. Young Drive\nLos Angeles\, CA 90095 SEQUENCE:0 SUMMARY:MFA Exhibition #4\, Carla Jay Harris\, David Kwon\, Natalia Marguli s\, Ross McLain UID:381874 END:VEVENT BEGIN:VEVENT DESCRIPTION:
Late Night with David Letterman
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History Discovered
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by
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Marc Karzen
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Discussion \;with the Arti st Marc Karzen
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In conjunction with
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THIS \;Sunday  \;April 26\, 2015 \; \;from 3-6pm
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All works listed below will be up for auction at the
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The Last Day of May Sale
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Sunday \;May 31\, 2015 starting at \;12pm
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Full PDF list of works by Ma rc Karzen here
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From 1982-1992\, Marc Karzen photographed a series of slice-of-life-moments that punctuated segments\, introduced \;guests an d branded this historic ground breaking show.
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This unique collection of artwork was all photographed by Marc Karzen and have been sto red in his archives for more \;than two decades. They were thought to b e missing and have never been displayed or viewed by the public until now.< /div>\n
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Each photograph in the Art of Late Night collection is a m aster C-print\, some with hand collage and all are signed on \;verso by the artist. The Late Night nomenclature is included in every image. These striking\, witty and inventive artworks were used multiple times throughout the eleven years that Letterman's show was on NBC.
DTEND:20150426T180000 DTSTAMP:20150426T001827 DTSTART:20150426T150000 GEO:34.0276049;-118.4678444 LOCATION:SANTA MONICA AUCTIONS\,2525 Michigan Ave. Suite A5 Bergamot Statio n Arts Center\nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:The Letterman Bumpers\, Marc Karzen UID:381870 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Please join us for a talk-thro ugh with Marten Elder of his exhibition \;New Color Photographs&nbs p\;at the gallery \;Saturday\, May 2nd.  \;The talk will begin at \;12 PM. \;

DTEND:20150502T130000 DTSTAMP:20150426T001827 DTSTART:20150502T120000 GEO:34.098385;-118.331264 LOCATION:Tif Sigfrids\,1507 Wilcox Avenue \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:New Color Photographs: Talk-through with Marten Elder\, Marten Elde r UID:381869 END:VEVENT BEGIN:VEVENT DESCRIPTION:

bG Gallery presents a group exhibit\, New Nude\, contemporar y and modern artists who have experimented with the nude subject or pushed it into new territory. From sensual to impassive\, passionate to cerebral\, the naked human form continues to inspire.

DTEND:20150523 DTSTAMP:20150426T001827 DTSTART:20150509 GEO:34.0279746;-118.4679684 LOCATION:bG BLEICHER/GORMAN\,Bergamot Station\, 2525 Michigan Ave space G8A \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:New Nude\, Allois\, Arthur Giron\, Shaun Berke\, Matthew Robertson\ , Daniel Catalano\, Mara Zaslove\, Ed Freeman\, Teresa Flowers\, Darren Sar avis\, Dan Busta\, Bob Moskowitz\, Charley Gallay\, Alex Schaefer\, Mark Ry den\, Henry Miller\, Helmut Newton\, Martin Eder UID:381859 END:VEVENT BEGIN:VEVENT DTEND:20150509T220000 DTSTAMP:20150426T001827 DTSTART:20150509T183000 GEO:34.0279746;-118.4679684 LOCATION:bG BLEICHER/GORMAN\,Bergamot Station\, 2525 Michigan Ave space G8A \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:New Nude\, Allois\, Shaun Berke\, Dan Busta\, Daniel Catalano\, Mar tin Eder\, Teresa Flowers\, Ed Freeman\, Charley Gallay\, Arthur Giron\, He nry Miller\, Bob Moskowitz\, Helmut Newton\, Matthew Robertson\, Mark Ryden \, Darren Saravis\, Alex Schaefer\, Mara Zaslove UID:381860 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150606 DTSTAMP:20150426T001828 DTSTART:20150509 GEO:34.1017001;-118.313255 LOCATION:Young Art\,5658 Hollywood Boulevard \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:Solo Exhibition\, Jessica Williams UID:381829 END:VEVENT BEGIN:VEVENT DTEND:20150509T200000 DTSTAMP:20150426T001828 DTSTART:20150509T180000 GEO:34.1017001;-118.313255 LOCATION:Young Art\,5658 Hollywood Boulevard \nLos Angeles\, CA 90028 SEQUENCE:0 SUMMARY:Solo Exhibition\, Jessica Williams UID:381830 END:VEVENT BEGIN:VEVENT DESCRIPTION:

&ldquo\;A kiss is the beginnin g of cannibalism.&rdquo\;

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-Georges Ba taille

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Franç\;ois Ghebaly is pleased to present Man Shal l Know Nothing of It\, an exhibition of new sculpture by Cammie Staros .

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Staros continues her investigation into the abstract\, mutant possibilities of antiquated forms. Body-scale wo rks in wood\, brass\, and ceramic both invite and repulse the viewer&rsquo\ ;s touch. Staros&rsquo\;s sculptures size us up\, as if to envelop and devo ur. Meanwhile\, they seem to watch us back through painted eyes&mdash\;perc hed\, for example\, in a tuck of Venetian blinds.

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Staros mates tropes of Modernism with the ancient forms of Gre ece and Egypt\; the resulting double-entendre&rsquo\;d objects are at once coolly elegant and quietly salacious. The shapely hips of clay pots stacked into a precarious totem flaunt the voluptuous undulations of a Brancusi. A n oversized pot lies semi-prostrate\, propped on its handles\, impassive as a reclining nude. The simple lines and circles on its sides evoke soft bod ily protrusions in the language of Picasso or Miró\;. Where detailed narrative paintings ring fired surfaces of ancient artifacts\, Staros wipes these pots into red\, white\, and black abstractions.

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The present sculptures bear a similarly abstracted relati onship to the human form. The language of bodies and of vessels overlaps\; round bellies belong to clay jars\, wood carvings have hands. Recalling LeW ittian angles\, shelves in the posture of Egyptian reliefs or wooden snakes extend to the height of a standard doorway. These uncanny sculptures push traditional dynamics between man and object until their sensual anthropomor phic shapes seem to veil a threat. They promise much\, yet relinquish littl e&mdash\;beyond echoes of a lecherous past\; a dry orgy of antiquities\; hi stories stacked and interpenetrating\; bodies reduced to patterns in abstra ct congress.

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Cammie Staros graduated from Brown in 2006 with a BA in Art and Semiotics and from CalArts in 2011 with an MFA in Art.

DTEND:20150606 DTSTAMP:20150426T001828 DTSTART:20150425 GEO:34.0190877;-118.2317065 LOCATION:François Ghebaly Gallery\,2245 E Washington Blvd. \nLos Angeles\, CA 90021 SEQUENCE:0 SUMMARY:Man Shall Know Nothing Of It\, Cammie Staros UID:381703 END:VEVENT BEGIN:VEVENT DTEND:20150425T200000 DTSTAMP:20150426T001828 DTSTART:20150425T180000 GEO:34.0190877;-118.2317065 LOCATION:François Ghebaly Gallery\,2245 E Washington Blvd. \nLos Angeles\, CA 90021 SEQUENCE:0 SUMMARY:Man Shall Know Nothing Of It\, Cammie Staros UID:381704 END:VEVENT BEGIN:VEVENT DESCRIPTION:

This group exhibition focuses on Victor Papanek&rsquo\;s pio neering influence on sustainable\, socially responsible\, human-centered de sign and the relevance of his oeuvre to current discourses in contemporary art\, particularly in providing a critical framework for an object-oriented social practice. The project asserts Papanek&rsquo\;s legacy as a galvaniz ing force in contemporary visual art and social practice.

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Victor Pa panek (1923\, Vienna - 1998\, Lawrence\, KS) was an American designer\, cri tic\, and educator. He studied design at Cooper Union and Massachusetts Ins titute of Technology\, was briefly a student of Frank Lloyd Wright\, taught and lectured widely around the country and in Europe\, and had a deep impa ct here in Southern California\, where he was a founding dean at California Institute of the Arts. He found a strong ally in Buckminster Fuller\, who wrote the introduction to his book \;Design for the Real World \, which remains one of the most widely read books in the field of design\, particularly in universities.

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Papanek did not believe in patents\, feeling they stymied innovation and prevented urgent design solutions from reaching their audiences. \;After Victor Papanek: The Future Is No t What It Used To Be \;pairs reproductions of Papanek&rsquo\;s ori ginal unpatented plans and drawings with realized projects by artists and a rt teams that offer interpretations of those original plans\, using Papanek &rsquo\;s works as &ldquo\;prompts&rdquo\; or &ldquo\;scores&rdquo\; for th e creation of new work by contemporary artists.

DTEND:20150906 DTSTAMP:20150426T001828 DTSTART:20150509 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:After Victor Papanek: The Future Is Not What It Used To Be \, Dave Hullfish Bailey\, CamLab\, Ken Ehrlich & Mathias Heyden\, Rafa Esparza\, Ro bby Herbst\, Olga Koumoundouros\, Liz Nurenberg\, Michael Parker UID:381560 END:VEVENT BEGIN:VEVENT DTEND:20150509T200000 DTSTAMP:20150426T001828 DTSTART:20150509T180000 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:After Victor Papanek: The Future Is Not What It Used To Be \, Dave Hullfish Bailey\, CamLab\, Rafa Esparza\, Robby Herbst\, Ken Ehrlich & Math ias Heyden\, Olga Koumoundouros\, Liz Nurenberg\, Michael Parker UID:381561 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Team (gallery\, inc.) is pleas ed to announce a solo show of work by American painter Sam McKinniss. The e xhibition will run from 07 June through 09 August 2015. Team (bungalow) is located at 306 Windward Avenue in Venice\, CA. Concurrently\, our 83 Grand Street and 47 Wooster Street spaces in New York will house a solo exhibitio n by Tabor Robak and a group show by Andrew Gbur\, Jaya Howey and David Rat cliff.

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For his debut Los Angeles exhi bition\, Sam McKinniss presents a collection of new paintings\, representin g the two visually disparate but complimentary practices in which he works concurrently. The representational works portray human figures\, lithe bodi es at once sexually suggestive and distinctly funereal. Similarly fraught w ith closely tied eroticism and morbidity\, the second body of work consists of virulent\, predominately grey-scale abstractions\, overlaid with famili ar cartoon renderings of ghosts. The willful incongruity of the two styles provides tension and counterpoint within the \;oeuvre: conside red together\, they engage in an encompassing exploration of the sex-death instinct from the discrete positions of the bodily and disembodied. Referen ces to the history of painting &ndash\; from Baroque and Mannerist painting to Imagism and Abstract Expressionism &ndash\; are present throughout McKi nniss&rsquo\; work\, acting as the unlikely unifying quality in his seeming ly irreconcilable modes of making. The artist foregrounds the cross-section of violence and indulgence\, sexuality and death\, that is omnipresent in our culture.

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With the figurative pain tings\, McKinniss works from photographs &ndash\; both found images and pic tures he has taken himself. His subjects range from reclining male nudes\, to Alicia Silverstone in her role as Batgirl\, to an anonymous night-time t exter\, to former boy-band member Zayn Malik. The artist probes points of u nexpected emotional intersection: his bodies are taut with simultaneous agg ression and sexuality\, defensiveness and vulnerability\, pathos and humor. The paintings evoke an onslaught of associations and visual precedents: th e erotic enticement of Donatello&rsquo\;s David\, the anxiety and romance o f Film Noir\, the self-reflexiveness of Caravaggio&rsquo\;s Narcissus. The artist&rsquo\;s stylistic mimicry and wide range of subject matter places h im in a blurred authorial position: he is at once consumer and creator\, sp ectator and carnivore. \;

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McKinni ss&rsquo\; ghosts delve into the rough sensuality of the painterly act\, it s close relation to the friction and tactility of sex. The comingling and m arbling of fluids on a surface reads as erotic and violent\, while the smea red white ghosts are playful but disturbing manifestations of \;Le Petit Mort. The overlaid specters also explicitly reject and ridicule the notion put forth by many abstractionists that painting is pure and unto itself: by seamlessly pairing these cartoonish figures with copycat abstra ctions\, McKinniss presents the painter as an (always) image-ridden image-m aker.

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Sam McKinniss has been featured in numerous group exhibitions. This is his first exhibition with Team.

DTEND:20150816 DTSTAMP:20150426T001828 DTSTART:20150607 GEO:33.989341;-118.468779 LOCATION:Team Gallery\,306 Windward Avenue \nLos Angeles\, CA 90291 SEQUENCE:0 SUMMARY:Dear Metal Thing\, Sam McKinniss UID:381485 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A \;hapax lego menon \;(pronounced \;/ˈhæ\;pɨks lɨˈɡɒmənɒn/ \;or \;/ˈheɪpæ\;ks/[1]) (pl. \;hapax legomena< /em>\, sometimes abbreviated to \;hapaxes) is a \;word \;which occurs only once in either the written record of a language\, the works of an author\, or in a single text. While technically incorrect\, the term is also someti mes used of a word that occurs in only one of an author&rsquo\;s works\, ev en though it occurs more than once in that work.

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Jessica Dalva&lsquo\;s third feature exhibitio n at La Luz de Jesus Gallery is a new approach to her established formula. The work is multidimensional and multi-faceted\, but the methods and accomp lishment is an all-encompassing progression. So\, accept what you know\, an d expect something extraordinary.

DTEND:20150531 DTSTAMP:20150426T001828 DTSTART:20150501 GEO:34.100466;-118.28998 LOCATION:La Luz de Jesus Gallery\,4633 Hollywood Blvd. \nLos Angeles\, CA 9 0027 SEQUENCE:0 SUMMARY:Hapax Legomena\, Jessica Dalva UID:381483 END:VEVENT BEGIN:VEVENT DTEND:20150501T230000 DTSTAMP:20150426T001828 DTSTART:20150501T200000 GEO:34.100466;-118.28998 LOCATION:La Luz de Jesus Gallery\,4633 Hollywood Blvd. \nLos Angeles\, CA 9 0027 SEQUENCE:0 SUMMARY:Hapax Legomena\, Jessica Dalva UID:381484 END:VEVENT BEGIN:VEVENT DESCRIPTION:

At first glance\, \;Annie Murphy-Robinson&rsquo\;s drawings look like photographs of impossibly beautiful girls in a range of settings&ndash\;from the miraculo us to the mundane. No works of emulsion on photo paper\, these are charcoal drawings of the artist&rsquo\;s own daughters. Prolonged viewing reveals t he impeccable technique of the medium&rsquo\;s greatest living artist captu ring an essence that would be unavailable to anyone not immediately related to them. Annie&rsquo\;s work exposes a familiarity that isn&rsquo\;t just a perfect rendering\, but reveals the complex emotions of her subjects in a way that transcends the sterility of forced poses. Her chosen medium may b e charcoal\, but her product is real human empathy.

DTEND:20150531 DTSTAMP:20150426T001828 DTSTART:20150501 GEO:34.100466;-118.28998 LOCATION:La Luz de Jesus Gallery\,4633 Hollywood Blvd. \nLos Angeles\, CA 9 0027 SEQUENCE:0 SUMMARY:Roles and Poses\, Annie Murphy-Robinson UID:381481 END:VEVENT BEGIN:VEVENT DTEND:20150501T230000 DTSTAMP:20150426T001828 DTSTART:20150501T200000 GEO:34.100466;-118.28998 LOCATION:La Luz de Jesus Gallery\,4633 Hollywood Blvd. \nLos Angeles\, CA 9 0027 SEQUENCE:0 SUMMARY:Roles and Poses\, Annie Murphy-Robinson UID:381482 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150613 DTSTAMP:20150426T001828 DTSTART:20150509 GEO:34.0335725;-118.3758276 LOCATION:Cherry and Martin\,2712 S. La Cienega Blvd. \nLos Angeles\, CA 900 34 SEQUENCE:0 SUMMARY:Solo Exhibition\, Matt Connors UID:381479 END:VEVENT BEGIN:VEVENT DTEND:20150509T200000 DTSTAMP:20150426T001828 DTSTART:20150509T180000 GEO:34.0335725;-118.3758276 LOCATION:Cherry and Martin\,2712 S. La Cienega Blvd. \nLos Angeles\, CA 900 34 SEQUENCE:0 SUMMARY:Solo Exhibition\, Matt Connors UID:381480 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150603 DTSTAMP:20150426T001828 DTSTART:20150517 GEO:34.0675686;-118.2356123 LOCATION:Human Resources\,410 Cottage Home St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Chilean Miracle/Milagro Chileno\, Francisco Huichaqueo\, Hugo Leone llo\, Mria José Rojas\, Sergio Acevedo\, Mario Z\, Angie Saiz\, Adrés Grill o UID:381476 END:VEVENT BEGIN:VEVENT DTEND:20150523T210000 DTSTAMP:20150426T001828 DTSTART:20150523T190000 GEO:34.0675686;-118.2356123 LOCATION:Human Resources\,410 Cottage Home St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Chilean Miracle/Milagro Chileno\, Sergio Acevedo\, Adrés Grillo\, F rancisco Huichaqueo\, Hugo Leonello\, Mria José Rojas\, Angie Saiz\, Mario Z UID:381477 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150521 DTSTAMP:20150426T001828 DTSTART:20150513 GEO:34.0675686;-118.2356123 LOCATION:Human Resources\,410 Cottage Home St. \nLos Angeles\, CA 90012 SEQUENCE:0 SUMMARY:Above Snakes\, Jamie McMurry UID:381472 END:VEVENT END:VCALENDAR