BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

For the latest iteration of 18th Street Arts Center&rsquo\;s Artist Lab series\, artist \;Miljohn Ruperto \;brings the Lab framework int o dialogue with science and philosophy. In collaboration with animator Aim& eacute\;e de Jongh and neuroscientist Rajan Bhattacharyya\, he will investi gate the speculative possibilities of mineral &ldquo\;deformities&rdquo\; i nspired by Georges Canguilhem&rsquo\;s text\, \;Knowledge of Life. The three come together to grapple with a particular assertion by Cang uilhem\, a philosopher of science\, that &ldquo\;there are no mineral monst ers\,&rdquo\; or rather that the scientific category of mineral is incompat ible with human notions of deformity. Ruperto&rsquo\;s exhibition \;Mineral Monsters \;delves into a space wherein humans are irrelev ant\, unable to project their own attributes onto or against the material w orld. His work then troubles that space by introducing visual aspects that trigger our implicit\, negative responses\, such that the neutral tenor of Canghuilhem&rsquo\;s position shifts to a more troubling\, oppositional one . Ruperto will use the Artist Lab as a working studio to untangle the relat ionship between science and philosophy and contemplate the ways in which ou r categorization of natural phenomena both shapes and hinders our broader c onceptualization of life. Working together with animator de Jongh\, Ruperto will create computer-generated visuals. These visual forms will be derived from conversations with Bhattacharyya and from his research based in concr ete scientific principles.

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Canguilhem\, a French philosopher and physici an\, served as a mentor to many scholars and philosophers\, notably Foucaul t and Derrida. \; His work often questions accepted science\, arguing t hat it serves to reduce organisms to neatly functioning and predictable mac hines when in fact biology is complex and subject to wide variation. Accord ing to Canguilhem\, all minerals exist in nature\, whether they contain mut ations or not\, and thus the idea that there exists typical and atypical va rieties of minerals is simply a human construction. Ruperto and his collabo rators use Canguilhem&rsquo\;s negation of human potential for influence ov er nature as the starting point for a meditation on the basic nature of hum ans to be governed by attraction and repulsion.

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Ruperto&rsquo\;s interes t in scientific philosophy and history is ongoing\, represented by his earl ier collaboration with artist Ulrik Heltoft\, \;Voynich Botanical S tudies\, exhibited at the Thomas Solomon Gallery in New York in 2013 a nd in the 2014 Whitney Biennial. \;Voynich Botanical Studies \; was inspired by a 16th \;century manuscript containing drawings of various species of plants whose historical existence cannot be corroborate d scientifically. Also displayed at the Whitney was an earlier collaborativ e animation created by Ruperto with de Jongh.

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Miljohn Ruperto&rsquo\ ;s Artist Lab Residency at 18th Street Arts Center and all associated event s have been made possible through the generous support of the \;Los Angeles County Arts Com mission \;and \;The Andy Warhol Foundation for the Visual Arts.

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Saturday\, September 6\, from 6 - 9pm.

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To RSVP\, please visit:&nbs p\;h ttp://reception6sept2014.eventbrite.com.

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DTEND:20141003 DTSTAMP:20140902T115324 DTSTART:20140714 GEO:34.0232998;-118.477291 LOCATION:18th Street Arts Center\,1639 18th St. \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Mineral Monsters\, Miljohn Ruperto UID:345455 END:VEVENT BEGIN:VEVENT DTEND:20140906T210000 DTSTAMP:20140902T115324 DTSTART:20140906T180000 GEO:34.0232998;-118.477291 LOCATION:18th Street Arts Center\,1639 18th St. \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Mineral Monsters\, Miljohn Ruperto UID:345456 END:VEVENT BEGIN:VEVENT DESCRIPTION:

18th Street Arts Center&rsquo\;s visiting artist \;Yukako Ando \; presents several site-specific installations in the Atrium Gallery that eng age with themes of urban daily life in Los Angeles. This exhibition documen ts Ando&rsquo\;s questions and impressions informed by the humor of America n &ldquo\;pop consumption culture&rdquo\; and by her interior responses. An do&rsquo\;s approach to her work is diaristic\, instinctive\, and personal. Ando uses daily necessities to create the important elements of her work a nd explore ideas of time and space\, drawing additional inspiration from th e city&rsquo\;s climate\, buildings\, and freeway connections. The works on exhibit reflect her experiences of Los Angeles collected from past visits and during her residency.

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Yukako Ando is a visual artist who focuses on the everyday phenomena from which the fundamental questions of life are con figured. Ando\, born in 1972 in Osaka\, Japan\, currently lives and works i n Dü\;sseldorf\, Germany. She graduated from the Department of Sculptur e of Kyoto Seika University in 1994 and earned her MA degree from Kunstakad emie Dü\;sseldorf in 2001. She has won numerous international scholarsh ips and prizes. Most notably she is a recent recipient of the Program for A rts Fellowship by the Japanese Department of Cultural Affairs who is the fu nder for her current residency at 18th Street Arts Center. Additionally\, s he is currently a 2014 Japan-United States Exchange Friendship Program in t he Art Fellow\, which is sponsored by the Art of Japan-United States Friend ship Commission.

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 \;Atrium Gallery programming is underwritten b y the \;Andy Warhol Foundation for the Visual Arts

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 \;< /p>\n

Saturday\, September 6\, from 6 - 9pm.

\n< p style="text-align: justify\;">To RSV P\, please visit: \;http://reception6sept2014.eventbrite.com.

DTEND:20141003 DTSTAMP:20140902T115324 DTSTART:20140714 GEO:34.0232998;-118.477291 LOCATION:18th Street Arts Center\,1639 18th St. \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Priority Required\, Yukako Ando UID:345459 END:VEVENT BEGIN:VEVENT DTEND:20140906T210000 DTSTAMP:20140902T115324 DTSTART:20140906T180000 GEO:34.0232998;-118.477291 LOCATION:18th Street Arts Center\,1639 18th St. \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Priority Required\, Yukako Ando UID:345460 END:VEVENT BEGIN:VEVENT DESCRIPTION:

An exhibition of spatial interventions reflecting on the inquiry of scal e.

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Historically\, Los Angeles as a city has been a site of inspiration a nd exploration for architects and designers alike. The city has been develo ped around and defined by a variety of large-scale urban planning projects as well as medium and smaller sized residential and public work Including h ousing\, product design and technological Innovations\, through these vario us architecture and design projects\, the city has nurtured experimental pu rsuits and critical inquiry and today it continues to expand in the contemp oraneous city.

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Projects are currently being developed at various scales All over L.A. from miniscule to monumental and everything In-between. Small \, medium\, large\, extra-large Los Angeles takes Rem Koolhaas and Bruce Ma us seminal text as a departure point and more importantly as an organizing principle to examine the production and discourse of Architecture and desig n within today&rsquo\;s city of L.A. bringing coherence to the body of work of an emergent group of Los Angeles-based designers that span across disci plines from architecture and graphics to digital media and sound art\, to j ewelry\, landscape\, lighting\, product\, and textile design\; the show hig hlights the ways in which young Practitioners are currently thinking and ma king in los Angeles in addition to their impact on the present-day city and its future.

DTEND:20140914 DTSTAMP:20140902T115324 DTSTART:20140609 GEO:34.0627232;-118.3605188 LOCATION:A + D Museum\,6032 Wilshire Blvd. \nLos Angeles\, CA 90036 SEQUENCE:0 SUMMARY:Come In! S\,M\,L\,XLa UID:334727 END:VEVENT BEGIN:VEVENT DTEND:20140609T170000 DTSTAMP:20140902T115324 DTSTART:20140609T110000 GEO:34.0627232;-118.3605188 LOCATION:A + D Museum\,6032 Wilshire Blvd. \nLos Angeles\, CA 90036 SEQUENCE:0 SUMMARY:Come In! S\,M\,L\,XLa UID:334728 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The 2013 -2015 exhibition year at Angels Gate Cultural Cente r marks the beginning of a larger concept that explores our local community ’s stories and personal narratives in the galleries. We hope to generate di alogue about how\, as a community\, we can share and communicate regardless of differing opinions and ideologies. The gallery will be turned into an e xperimental space where art and art-making become part of an ongoing conver sation about the community. Through partnerships with local non-profits\, a rtists\, storytellers and the community at large\, the galleries hope to ca pture a slice of Americana that is unique within our nation and particular to Los Angeles. Artist's work will rotate on an ongoing basis. 


DTEND:20150619 DTSTAMP:20140902T115324 DTSTART:20130512 GEO:33.7360619;-118.2922461 LOCATION:Angels Gate Cultural Center\,3601 South Gaffey St.\, Box 1 \nSan P edro\, CA 90731 SEQUENCE:0 SUMMARY:Gettin' Off the Ground: Contemporary Stories from an American Commu nity UID:276487 END:VEVENT BEGIN:VEVENT DTEND:20130512T200000 DTSTAMP:20140902T115324 DTSTART:20130512T180000 GEO:33.7360619;-118.2922461 LOCATION:Angels Gate Cultural Center\,3601 South Gaffey St.\, Box 1 \nSan P edro\, CA 90731 SEQUENCE:0 SUMMARY:Gettin' Off the Ground: Contemporary Stories from an American Commu nity UID:276488 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Angels Gate Cultural Center (AGCC) exhibition cycle 2013-201 5 explores how stories within the community shape the collective \;cons ciousness \;in San Pedro and South Bay area. For 2014\, Los Angeles bas ed artist Fausto Fernandez was selected to work on the next iteration of th e exhibition cycle. The collaboration marks \;the beginning of a year-l ong partnership with the \;Southwest Regional Council of \;Carpente rs\, \;the Pile Drivers\, Bridge\, Dock and Wharf Builders Local Union 2375 whereby \;AGCC will explore the stories of members and their famil ies\, the history of the labor movement in San Pedro and how this impacts t he community at large. \;

DTEND:20150109 DTSTAMP:20140902T115324 DTSTART:20140209 GEO:33.7360619;-118.2922461 LOCATION:Angels Gate Cultural Center\,3601 South Gaffey St.\, Box 1 \nSan P edro\, CA 90731 SEQUENCE:0 SUMMARY:Supporting Structures: A Community Arts Project\, Fausto Fernandez UID:318539 END:VEVENT BEGIN:VEVENT DTEND:20140209T160000 DTSTAMP:20140902T115324 DTSTART:20140209T140000 GEO:33.7360619;-118.2922461 LOCATION:Angels Gate Cultural Center\,3601 South Gaffey St.\, Box 1 \nSan P edro\, CA 90731 SEQUENCE:0 SUMMARY:Supporting Structures: A Community Arts Project\, Fausto Fernandez UID:318540 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Annenberg Space for Photog raphy today announced its next exhibition\, Country: Portraits of an Am erican Sound. \; This exhibit presents images of the pioneers\, po ets and icons of country music\, and will be offered free to the public May 31 through September 28\, 2014. \; Guest curators for this exhibit are Shannon Perich of the Smithsonian&rsquo\;s National Museu m of American History\, and Tim Davis and Michael McCall of the Country Mus ic Hall of Fame®\; and Museum.

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Country: Portraits of an American Sound uses historical and contempor ary photographs to explore how images shape the public identity of country music performers and of the genre itself.  \;Celebrated performers such as Johnny Cash\, Dolly Parton\, Keith Urban and Hank Williams&mdash\;as we ll as deejays\, fans\, executives and musicians&mdash\;are seen in the work s of photographers who documented multiple generations of this popular hist ory.

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The work of the featured photogr aphers spans from post-World War II America into the new century. \; Th e photographers include the late amateur photographer Elmer William s\; the late studio photographer Walden S. Fabry\ ; veteran Grand Ole Opry staff photographer Les Leverett\; the late Los Angeles-based photographer Leigh Wiener\; Bo ston-based documentary photographer Henry Horenstein\; ico nic entertainment photographers Henry Diltz\, Raea nne Rubenstein and Ethan Russell\; and contempora ry photographers David McClister and Michael Wilso n. Through their work&mdash\;a variety of documentary\, studio\, p romotional and fine art images&mdash\; guests visiting the Annenberg Space for Photography can see and experience the power of photography to portray American ideals that country music embodies.

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In addition to over 110 prints\, the exhibit will feature an origin al half-hour documentary commissioned by the Annenberg Space for Photograph y and produced by Arclight Productions. \; The film explores the image of country music and its 80 year evolution and highlights the role of photo graphy in documenting its history\, capturing its culture and portraying it s uniquely American sound. \; The film features photographers Henry Dil tz\, Henry Horenstein\, Les Leverett\, David McClister\, Raeanne Rubenstein \, Leigh Wiener and Michael Wilson.  \;Over a dozen country music artis ts also appear\, including Roy Clark\, Merle Haggard\, Lyle Lovett\, LeAnn Rimes\, Marty Stuart and Lee Ann Womack.

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Also on display will be country albums and film posters\, a slideshow o f digital images\, archival artifacts from musical instruments to stage cos tumes and a jukebox containing rare audio files.

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Woven throughout the Photography Space will be screens presenti ng short videos including one by Shannon Perich and The Biscuit Factory that gives an overview of the origin of country music\; a short film by Henry Horenstein about the legendary Texas music hall the Broken Spoke a nd additional archival videos.

DTEND:20140928 DTSTAMP:20140902T115324 DTSTART:20140531 GEO:34.0588889;-118.4133333 LOCATION:Annenberg Space for Photography\,2000 Avenue of the Stars Century Plaza\nLos Angeles\, CA 90067 SEQUENCE:0 SUMMARY:Country: Portraits of an American Sound\, Elmer Williams\, Walden S . Fabry\, Les Leverett\, Leigh Wiener\, Henry Horenstein\, Henry Diltz\, Ra eanne Rubenstein\, Ethan Russell\, David McClister\, Michael Wilson UID:330724 END:VEVENT BEGIN:VEVENT DTEND:20140531T193000 DTSTAMP:20140902T115324 DTSTART:20140531T110000 GEO:34.0588889;-118.4133333 LOCATION:Annenberg Space for Photography\,2000 Avenue of the Stars Century Plaza\nLos Angeles\, CA 90067 SEQUENCE:0 SUMMARY:Country: Portraits of an American Sound\, Henry Diltz\, Walden S. F abry\, Henry Horenstein\, Les Leverett\, David McClister\, Raeanne Rubenste in\, Ethan Russell\, Leigh Wiener\, Elmer Williams\, Michael Wilson UID:330725 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Fifth Wall \; is inspired by multiple sources: the unique architecture of the Armory&rsqu o\;s Raymond Avenue building\; German modernist theater practitioner Bertol t Brecht&rsquo\;s notion of dialectical theater\, including the breakdown o f the &ldquo\;fourth wall&rdquo\; and the emphasis of function over the bin ary considerations of form and content\; and artwork that challenges the au thority of a fixed point of view and suggests a deeper form of reciprocal e ngagement\; and the Armory&rsquo\;s 25th \;year of programmi ng.

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The Fifth Wall \;con sists of works on paper\, sculpture\, painting\, video\, and photography by seven artists from Los Angeles\, rural Connecticut\, Warsaw\, and Berlin. Each has created works that take into consideration alternate\, or &ldquo\; wrong&rdquo\; points of view or perspectives. Alice Kö\;nitz&rsquo\;s&n bsp\;Los Angeles Museum of Art\, \;a c. 13&rsquo\; x 10&rsquo\ ; x 10&rsquo\; outdoor sculpture that also functions as a museum\, will be moved from the driveway of her Eagle Rock studio and re-installed in the Ar mory&rsquo\;s Caldwell Gallery\, where it will provide a literal and metaph orical platform for performances to be staged during the run of the exhibit ion. Evan Holloway&rsquo\;s delicate line drawings of the sides of epic ste el sculptures by David Smith\, and Marco Rios&rsquo\;s &lsquo\;repaintings& rsquo\; in oil on canvas of his childhood abstractions\, consider artworks from unexpected spatial or temporal disruptions. Interior spaces are recons idered by Corrina Schnitt\, who has created a video that shows household an d domestic farm animals slowly being introduced into a living room and the mayhem that ensues\, and Farrah Karapetian\, who uses photograms to render images of architectural interiors in three dimensions. Our physical senses of sight and sound are challenged by Tom Friedman\, who confronts basic ass umptions about daily life through unexpected use of familiar materials\, an d Artur Zmijewski\, a visual artist and filmmaker who has created lyrical a udio/visual works with deaf/mute children.

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Drawing from Brecht&rsquo\;s theatrical practice\, the show invites c ritical self-reflectivity in the viewer. The works in this exhibition &ldqu o\;show what is shown in the showing\,&rdquo\; to borrow Brecht&rsquo\;s ph rasing. The viewer is made aware of ideas of labor\, point of view\, and ar chitectural and social constructs that affect their perception of a piece o f work. This show seeks to de-familiarize viewers with their own experience of art\, and to produce a feeling of strangeness toward what would otherwi se have been considered only in a canonical context. Brecht&rsquo\;s word f or this was the \;Verfremdungseffekt\, or &ldquo\;alienation e ffect&rdquo\; which\, when applied to art\, can offer new content in even t he most familiar contexts. Just as Brecht wanted his audience to remain awa re of the falsity of the spectacle\, \;The Fifth Wall \;se eks to remind the viewer of the fallacy of point of view. It provides famil iarity of subject matter with an estrangement to the object&rsquo\;s origin al context.

DTEND:20141214 DTSTAMP:20140902T115324 DTSTART:20140713 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:The Fifth Wall\, Tom Friedman\, Evan Holloway\, Farrah Karapetian\, Alice Könitz\, Marco Rios\, Corinna Schnitt\, Artur Zmijewski UID:336642 END:VEVENT BEGIN:VEVENT DTEND:20140712T210000 DTSTAMP:20140902T115324 DTSTART:20140712T180000 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:The Fifth Wall\, Tom Friedman\, Evan Holloway\, Farrah Karapetian\, Alice Könitz\, Marco Rios\, Corinna Schnitt\, Artur Zmijewski UID:336643 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Big City Forum (BCF) will occupy the second-floor Mezzanine Galleries at Armory Center for the Arts from Sunday\, July 13 through Sunda y\, December 14\, 2014\, during Phase II of its 15-month residency entitled  \;City of Hope\, City of Resistance: Research and Actions at the U rban Level. With the Armory as a host venue\, BCF\, a project founded by Leonardo Bravo\, will design and build a dynamic reading room/library as a site from which to present three exhibitions\, conduct film screenings\, and hold a series of conversations\, workshops\, and other discursive even ts. The first exhibition\, from Sunday\, July 13 through Sunday\, August 31 \, will feature \;The Queen&rsquo\;s English\, work by Martine Syms with photographer Cat Roif. A reception\, free and open to the public \, will take place on Saturday\, July 12\, from 7-9pm. Big City Forum&rsquo \;s residency \;City of Hope\, City of Resistance: Research and Act ions at the Urban Level \;is being facilitated by Armory&rsquo\;s Gallery Director / Chief Curator Irene Tsatsos.

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The City of Hop e/City of Resistance \;reading room/library\, a central element of BCF&rsquo\;s residency at the Armory\, is designed by Los Angeles-based ar tist Jeff Cain of Shed Research Institute to frame and facilitate conversat ions and engagement around the key questions raised during the residency an d meant to serve as a dynamic\, interactive platform for diverse\, shared c reativity. A dynamic\, evolving set of programs within this context\, with special guest contributors\, will be featured in an exhibition format every two months. Programmatic continuity throughout BCF&rsquo\;s occupancy of t he Armory will be in the recommended reading shelf\, comprised of books con tributed by past BCF participants\, with each book to include a small biogr aphy and statement from each contributor.

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About Guest Contr ibutors Martine Syms and Cat Roif
Featured guest contributors will be introduced throughout BCF&rsquo\;s occupancy of the Armory. The fi rst of three sets of guest contributors are Martine Syms with Cat Roif\, wh ose work will be displayed from July 12-August 31\, 2014. \;The Que en&rsquo\;s English\, a project by Syms\, takes inspiration from libra rian JR Roberts&rsquo\;s 1981 annotated bibliography \;Black Lesbia ns\, a book whose cover she was drawn to when browsing at a used books tore with a specific intention not to purchase anything.

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The Qu een&rsquo\;s English \;gathers books from the chapter of \;Black Lesbians \;entitled &ldquo\;Literature &\; Criticism.&rd quo\; It also features a series of photographic diptychs in collaboration w ith Roif\, along with other source materials\, to consider the role of &ldq uo\;the reader&rdquo\; as a position of power. About this notion\, and in r esponse to her project entitledReading Trayvon Martin\, Syms notes \, &ldquo\;Here\, reading\, once considered a solitary endeavor\, is re-exa mined as an active stance through the added dimensions of posting\, sharing \, reframing\, and thus contributing to a broader conversation across socia l media. The act of bookmarking becomes synonymous with the process of stak ing out a position\, publicly declaring a side or a perspective.&rdquo\;

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About \;The Queen&rsquo\;s English\, and her work in gen eral\, Syms says\, &ldquo\;I consider much of my work an excursus from a pr imary text. I&rsquo\;m engaged in trying to read what&rsquo\;s not there.&r dquo\; The introduction of \;Black Lesbians \;states: &ldq uo\;As this bibliography undoubtedly proves\, a body of [Black lesbian] lit erature exists\, although it is often hidden or unidentified for reasons di rectly related to the social\, political\, and economic realities of being Black\, female\, and lesbian.&rdquo\;

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Martine Syms is an artist and &ldquo\;conceptual entrepreneur&rdquo\; based in Los Angeles. Her work exp lores themes as varied as Afrofuturism\, queer theory\, the power of langua ge\, and the spiritual nature of the color purple. From 2007-2011\, she dir ected Golden Age\, a project space she founded in Chicago that focused on e xhibitions\, performances\, and printed matter\, and where she organized ov er fifty innovative cultural projects ranging from film screenings to inter active online exhibitions. She also initiated Dominica Publishing\, which i ncludes a catalogue of ten titles by international\, emerging artists. Syms has lectured at Light Industry in Brooklyn\; Project Row Houses and the Ho uston Museum of African American Art\, both in Houston\; South by Southwest in Austin\; California Institute of the Arts\, Valencia\; University of Ch icago and the Museum of Contemporary Art in Chicago\; Johns Hopkins Univers ity and Maryland Institute College of Art\, both in Baltimore\; and MoMA P. S.1 in Queens\, among other venues. Her artwork has been exhibited and scre ened at the New Museum in New York\; Museum of Contemporary Art and School of the Art Institute of Chicago\; Capricious Space in Brooklyn\; The Wassai c Project in upstate New York\; and at White Flag Projects in St. Louis. Sy ms is a graduate of the School of the Art Institute of Chicago with a degre e in Film\, Video\, and New Media.

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Cat Roif is a Los Angeles-based photographer\, photo stylist\, and editor who experiments with the relation ships between color and light\; figure and landscape\; and sex\, maximalism \, and opulence. Her work has appeared in \;Spin\, \;R olling Stone\, \;Nasty Gal\, and more. Roif was raised in &ldquo\;late Post-modern Miami\,&rdquo\; attended Savannah College of Art and Design in Georgia\, and earned her BFA in Photography in 2010 from the School of Visual Arts in New York.

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About \;City of Hope\, City of Resistance: Research and Actions at the Urban Level
Los Angeles is at a pivotal moment of transition and transformat ion. Social fragmentation and isolation is giving way to a celebration of p lurality and difference\; identities and communities are coalescing around collective\, design-based solutions.

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City of Hope\, City of Res istance: Research and Actions at the Urban Level \;is Big City For um&rsquo\;s 15-month\, three-part residency at Armory Center for the Arts\; it brings together the creative forces of numerous participants across the fields of architecture\, urban design\, contemporary art\, new media\, and social and community activism. The residency explores\, discusses\, and pr oduces various forms of social space from community-based initiatives\; new physical and social architectures\; individual and collective actions that have affected public civic engagement\; and ideas and actions that will in fluence life in the region in constructive\, positive ways.

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The pro ject is organized in three separate phases. Phase I\, from January through June 2014\, has focused on research\; Phase II\, from July through December 2014\, is the occupation of the Armory Center for the Arts\; Phase II\, fr om January through March 2015\, will consolidate the ideas generated throug hout 2014 into a publication\, to be released in spring 2015.

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About Big City Forum
Big City Forum (BCF)\, founded in 200 8 by Los Angeles-based artist\, educator\, and activist Leonardo Bravo and co-directed with artist/graphic designer River Jukes-Hudson since 2013\, is an independent\, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public spac e\, the built environment\, and social change.

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About Big Ci ty Forum in Residence at the Armory
The residency \;C ity of Hope\, City of Resistance: Research and Actions at the Urban Level \;builds upon an existing collaboration between the Exhibitions Dep artment at the Armory and BCF\, which has been crucial in advancing public discourse on the notion of social and civic engagement within the built env ironment. Since spring 2012 BCF has been in residence at the Armory\, upon the invitation of Armory&rsquo\;s Gallery Director/Chief Curator Irene Tsat sos\, during which time it has programmed two seasons of lively\, discursiv e events (Mapping LA \;in 2012 and \;Transforming the Social \;in 2013) comprised of a series panels of leading architec ts\, theorists\, and planners who\, along with a room of engaged participan ts\, have explored current creative practices that inform the landscape\, c ulture\, and geography of Los Angeles. Along with the programmatic ambition s and theoretical investigations described above\, \;City of Hope\, City of Resistance: Research and Actions at the Urban Level \;ser ves as an incubation period for Big City Forum as it develops plans to laun ch future programmatic platforms. Big City Forum&rsquo\;s residency at Armo ry Center for the Arts is being supported with funding from the National En dowment for the Arts. \;

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DTEND:20150130 DTSTAMP:20140902T115324 DTSTART:20140713 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:City of Hope\, City of Resistance: Research and Actions at the Urba n Level \, Martine Syms with photographer Cat Roif UID:336648 END:VEVENT BEGIN:VEVENT DTEND:20140712T210000 DTSTAMP:20140902T115324 DTSTART:20140712T180000 GEO:34.1483586;-118.1490967 LOCATION:Armory Center for the Arts\,145 N. Raymond Ave. \nPasadena\, CA 91 103 SEQUENCE:0 SUMMARY:City of Hope\, City of Resistance: Research and Actions at the Urba n Level \, Martine Syms with photographer Cat Roif UID:336649 END:VEVENT BEGIN:VEVENT DESCRIPTION:

July 19 - September 5 at Artspace Warehouse: \;
Pop Momentum

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New art exhibition POP MOMENTUM opens July 19\, 2014 at A rtspace Warehouse. Featured artists include \;Joh nny Taylor\,Gerdine Duijsens\, \;Gerhard Voelkle\, \;Fran kie Alfonso\, and \;Ashleigh Sumner.

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Opening Reception Sat\, July 19\, 6:30 - 8:30pm.

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This exhibit ion showcases artists working with found images and the variety of construc ts they are able to employ to create a new visual framework. In some cases the usage is direct--the artist captures and manipulates an existing image to create it anew through their own interpretation and expression. In other s\, the image serves more as inspiration\, a path to visual representation. In all cases\, the final product relies on the idea of the image and the w ay we observe the everyday\, as much as the image itself.

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LA based art \;Johnny Taylor \;explores the visual miscellany we encounter each day without taking the time to really observe . Working in acrylic\, marker\, screen print\, and spray paint on canvas or wood\, Taylor finds inspiration in the imagery detritus of the urban lands cape: graffiti\, murals\, hand-painted signs\, graphic design\, vintage adv ertising\, store displays and package design. &ldquo\;I paint what I see. M y practice of building up the artwork in layers and then subsequently maski ng and tearing them away is informed by peeling abandoned billboards which reveal parts of images that came before. I am intrigued by the scraps of th eir history visible all at once.&rdquo\;

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G erdine Duijsens \;was born in Utrecht\, Netherlands\, where she stu died at the Art Academy and the Academy of Fine Arts in Belgium. Her artwor k is a synthesis between figurative and abstract art. Mostly it is abstract with figurative elements. It fits perfectly in the spirit of modern times where people are focused on the exterior of something or someone. As a resu lt\, the creative and imaginative power unfolds\, which is the most importa nt consideration for artist and viewer. Her enormous drive and energy is ap parent in all her paintings. &ldquo\;There are many opportunities in your l ife\, so you must have the courage to be open. You might not grab everythin g\, but if you do\, make it into something.&rdquo\;

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Gerhard Vö\;lkle&rsquo\;s \;works are visual experimen ts based on images he has collected over the years. Inspired by the volcani c rocks he found of the Spanish island of Lanzarote\, Vö\;lkle has crea ted a unique technique of painting with rust. In works made with this proce ss\, his deliberate marks mix with the uncontrollable natural oxidation\, w hich transforms the surface into an organic\, evolving entity. He often cre ates silhouettes of figures in dynamic poses\, wearing a mix of modern and traditional clothing. Vö\;lkle also makes metalworks of cutout figures and minimalist cubes&mdash\;their rusting surfaces symbolizing nature\, dec ay\, and the passing of time.

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Frankie Alfon so \;has a distinct and fresh voice in the art world. He creates hi s work using lively colors and spontaneous\, well-balanced composition. His work is best described as a style of automatic creation where he uses simp le lines to make complicated arrangements of balance and harmony. His style is a mix of cubism\, cartoon art\, graffiti and abstract expressionism.

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Through bold\, abstract expression\, \;As hleigh Sumner \;attempts to incorporate the implied visual of the d ensely populated\, urban landscape with the raw\, gritty texture of industr ial areas. The combination of these elements is intended to evoke a powerfu l sense of unrestrained vitality. She often creates her artworks with her o wn versions of found images she photographs on her trips to Europe. She als o applies acrylic paint in many layers and sometimes employs spray paint an d resin to give her artworks a unique finish.

DTEND:20140905 DTSTAMP:20140902T115324 DTSTART:20140719 GEO:34.0760122;-118.3501977 LOCATION:Artspace Warehouse\,7358 Beverly Boulevard \nLos Angeles\, CA 9003 6 SEQUENCE:0 SUMMARY:Pop Momentum\, Gerhard Voelkle\, Johnny Taylor\, Frankie Alfonso\, Gerdine Duijens\, ASHLEIGH SUMNER UID:347042 END:VEVENT BEGIN:VEVENT DTEND:20140719T203000 DTSTAMP:20140902T115324 DTSTART:20140719T183000 GEO:34.0760122;-118.3501977 LOCATION:Artspace Warehouse\,7358 Beverly Boulevard \nLos Angeles\, CA 9003 6 SEQUENCE:0 SUMMARY:Pop Momentum\, Frankie Alfonso\, Gerdine Duijens\, ASHLEIGH SUMNER\ , Johnny Taylor\, Gerhard Voelkle UID:347043 END:VEVENT BEGIN:VEVENT DESCRIPTION:

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  \;bG Gallery is pleased to present &ldquo\;Baby Animals&rdquo\;. With depic tions of baby animals by a wide variety of artists and mediums\, this exhib it promises to be the cutest exhibit of the Summer!

DTEND:20140901 DTSTAMP:20140902T115324 DTSTART:20140823 GEO:34.0279746;-118.4679684 LOCATION:bG BLEICHER/GORMAN\,Bergamot Station\, 2525 Michigan Ave space G8A \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Baby Animals\, Kate Jackson\, Jennifer Fields Ferris\, Keith Dugas\ , Ted Meyer\, Christopher Mudgett\, Simone Gad\, Terri Berman\, Nicole Bruc kman\, Hilary Wootton\, Douglas Alvarez\, Daniel Rolnik\, Airom\, Carol Pow ell UID:350387 END:VEVENT BEGIN:VEVENT DTEND:20140823T220000 DTSTAMP:20140902T115324 DTSTART:20140823T190000 GEO:34.0279746;-118.4679684 LOCATION:bG BLEICHER/GORMAN\,Bergamot Station\, 2525 Michigan Ave space G8A \nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Baby Animals\, Airom\, Douglas Alvarez\, Terri Berman\, Nicole Bruc kman\, Keith Dugas\, Jennifer Fields Ferris\, Simone Gad\, Kate Jackson\, T ed Meyer\, Christopher Mudgett\, Carol Powell\, Daniel Rolnik\, Hilary Woot ton UID:350388 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Step inside the framework of famous paintings and experience art like ne ver before in Framed: Step into Art&trade\;\, opening at Bowers Mu seum's Kidseum on Sunday\, January 26\, 2014. Children and adults can enjoy a robust noontime meal in Grant Wood's Dinner for Threshers\, climb into a tent and explore camping gear in John Singer Sargent's Camp at Lake O'Hara and add "corn husks" to the flower tower in Diego Rivera's Corn Festival. Enter Clementine Hunter's Big Chicken and get behind the reins of a giant r ooster. Visitors can explore a small collection of Mona Lisa prints featuri ng the original and famous parodies\, then step behind a cutout version and replace Mona Lisa's face with their own. Framed continues at Kidseum throu gh May 11\, 2014.

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Dinner for Threshers by Grant Wood\n

Enter Grant Wood's Dinner for Threshers and learn about rural life at the turn o f the century. Visitors can tend to a chicken and eggs\, prepare a meal in the kitchen\, set the dining table\, enjoy a noontime dinner\, and mix and match the farmers' patterned shirts. Observe the painting's details\, such as patterns\, the farmers' tan lines and the hour of the meal.

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Camp at L ake O'Hara by John Singer Sargent

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Visitors travel to the Canadian Rockie s in 1916 at John Singer Sargent's Camp at Lake O'Hara. Children can climb inside a tent and explore camping gear like Sargent would have used. After cooking a pretend meal over the campfire\, kids can tell stories around the fire and arrange items in a magnetic frame to show what a painting of toda y's campsite may look like.

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< span style="font-size: small\;">Big Chicken by Clementine Hunter

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Step inside Big Chicken by Clementine Hunter\, Louisiana's most famous f emale artist and folk art icon\, and create imaginary animals like Hunter's "goosters" by mixing body parts. Children and adults can load the cart wit h cotton\, climb behind the reins of the giant rooster and take their load to town.

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Corn Festival by Diego Rivera

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Travel south of the border through this piece from the Court of Fiestas in the Ministry of Edu cation Building in Mexico City. Visitors can explore a rendition of one of Rivera's frescos\, add flowers and ribbons of "corn husks" to the flower to wer for a celebration and include their flourish in a mural on a miniature building.

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This exhibit encourages children to ask questions and find ans wers through the exploration of art\, and gain an understanding that everyo ne can have fun with art and appreciate it. Using art as a tool for express ion and understanding\, parents and grandparents are encouraged to help chi ldren view art as an important aspect of our lives. Bowers hopes everyone e njoys this opportunity to explore art from the inside out.

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F ramed: Step into Art&trade\; was created by Minnesota Children's Museum.

DTEND:20140921 DTSTAMP:20140902T115324 DTSTART:20140126 GEO:33.7627867;-117.8677338 LOCATION:Bowers Museum\,2002 N. Main St. \nSanta Ana\, CA 97206 SEQUENCE:0 SUMMARY:Framed: Step Into Art UID:323406 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The horse's impact on both Chi nese and Japanese culture cannot be overstated. They shepherded goods\, peo ple and ideas across the expansive and varied climates of a continent durin g the height of the Silk Roads. They were indispensable as military charger s and aided in the expansion and control of empires.

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The horse was embraced as companion and participant in leis ure and recreational activities including polo\, horse "dancing\," and hunt ing. Horses also figure prominently in the mythology\, philosophy\, religio n\, and folklore of both China and Japan.

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The Chinese quest for bigger\, better\, and faster horses required imm ense resources\, and breeders continually refined their stocks. The prized "heavenly horses" were large\, powerful specimens sought from the Fergana r egion of Central Asia. Legend states that these horses could fly and would sweat blood (likely caused by parasitic nematodes that lived just under the ir skin).

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Most of the earliest repres entations of horses from China are pottery\, stone\, or bronze sculptures f ound in the graves of the elite and intended to accompany the deceased into the afterlife. Later\, horse painting became a major genre in and of itsel f. Through trade and human exploration\, horses made their way from the Asi an mainland to Japan by way of the Korean peninsula. Early evidence of the importance of horses in Japanese life includes superb bronze trappings and haniwa (cylindrical clay sculptures) in the shape of horses that were place d within or around the great imperial tomb mounds. With the rise of the sam urai\, the horse became firmly established as an indispensable component of Japanese warfare as well as a lasting symbol of refinement and power.

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During this year of the horse we celebrat e these animals that continue to fascinate and inspire people around the wo rld.

DTEND:20141116 DTSTAMP:20140902T115324 DTSTART:20140614 GEO:33.7627867;-117.8677338 LOCATION:Bowers Museum\,2002 N. Main St. \nSanta Ana\, CA 97206 SEQUENCE:0 SUMMARY:Heavenly Horses: Two Thousand Years of Chinese and Japanese Equine Art UID:340316 END:VEVENT BEGIN:VEVENT DTEND:20140614T160000 DTSTAMP:20140902T115324 DTSTART:20140614T100000 GEO:33.7627867;-117.8677338 LOCATION:Bowers Museum\,2002 N. Main St. \nSanta Ana\, CA 97206 SEQUENCE:0 SUMMARY:Heavenly Horses: Two Thousand Years of Chinese and Japanese Equine Art UID:340317 END:VEVENT BEGIN:VEVENT DESCRIPTION:

C.A.V.E Gallery is pleased to present \;"Remix Every Second" \;- a two person exhibition featuring Danish artist Morten Andersen a nd Italian artist Vesod Brero - two exciting artists who have been pushing creative boundaries\, developing a unique\, futuristic style that is rapidl y gaining worldwide attention. Each artist harmonizes classical painting te chniques with the freestyle of graffiti art. \; The twisting\, geometri c works in this show reflect the rhythmic tension and constant state of flu x of today's universe.

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< span style="font-size: small\;">MORTEN ANDERSEN

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Morten Andersen has developed a fresh\, stylized painting technique\, governed by a bold intuition and impulse. Nothing stands still. As a viewer\, one is se duced and drawn into the futuristic\, dynamic universe of Andersen's work. The pieces emanate a confident\, well-shaken cocktail of both classic and i nnovative modes of expression. Crisp shapes mesh\, overlap and twist around each other\; forms vacillate between sharply defined elements that rhythmi cally become transparent and dissolve - resulting in canvas masterpieces th at appear in motion and breathing.  \;

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VESOD BRERO< /span>

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Vesod's paintings\, on the other hand\, represent frozen moments in time - entangled and linked with the present and future. The perception of time is a fundamental concept in the artist's work. Time - a nonspatial continu um - is captured in three dimensional space. The artist encapsulates figure s in complex\, layered\, crystallized fractures in an attempt to capture an eternal present.

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Vesod's artistic attitude has been fostered by his fat her Dovilio Brero\, a surrealistic painter whose influence has had a signif icant impact on Vesod since his youth. Alongside direct exposure to Renaiss ance art and Futurism in Italy\, Vesod also took interest as a teenager in the graffiti world in the beginning of the 90s. Mathematics\, the subject V esod earned his degree in\, has also had an important influence on the arti st's work. This can be recognized in Vesod's focus on harmonizing anatomic proportion and futuristic dynamics.

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Artists' Reception: Saturd ay AUGUST 9\, 2014 \; 6-9pm
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Morten Andersen &\; Vesod will be in attendance
DTEND:20140906 DTSTAMP:20140902T115324 DTSTART:20140809 GEO:33.9916683;-118.4704376 LOCATION:C.A.V.E. Gallery\,1108 Abbot Kinney Blvd. \nVenice\, CA 90291 SEQUENCE:0 SUMMARY:Remix Every Second\, Morten Andersen\, Vesod UID:346384 END:VEVENT BEGIN:VEVENT DTEND:20140809T210000 DTSTAMP:20140902T115324 DTSTART:20140809T180000 GEO:33.9916683;-118.4704376 LOCATION:C.A.V.E. Gallery\,1108 Abbot Kinney Blvd. \nVenice\, CA 90291 SEQUENCE:0 SUMMARY:Remix Every Second\, Morten Andersen\, Vesod UID:346385 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Only 3% of the contiguous United States is still consider ed protected wild space.

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As our culture increasingly pressures us to mai ntain a personal "brand\,&rdquo\; be in constant contact\, and snapchat eve ry moment\, maybe it's not just our geographic wild spaces that are endange red\, but our internal wild spaces as well. \;

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Artist Susan R obb's \;Wild Times \;merges new media\, social engagement\ , and a 2\,650- mile hike as an invitation to explore wildness as a geograp hic ideal and a state of mind. \;

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Beginning in mid-April 2014 \, Robb embarked on a 5-month adventure from Mexico to Canada on the Pacifi c Crest Trail. Using the trail as a nomadic studio and her experiences as i nspiration and medium\, she will create digital works&mdash\;photos\, video s\, and 3D files&mdash\;periodically sending them to Grand Central Art Cent er and a series of additional West Coast art venues. There they will be pri nted\, projected\, and installed\, evolving into cumulative exhibitions\, a meditation on what it means to be wild today. \;

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In addition to Grand Central Art Center\, collaborative venues include: Palm Springs A rt Museum\, Palm Desert\, CA\; 826\, San Francisco\, CA\; Tacoma Art Museum \, Tacoma\, WA\; Frye Art Museum\, Seattle\, WA\; and Henry Art Gallery\, S eattle\, WA.&n bsp\;

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At \;its core\, \;Wild Times  \;is a proposition to YOU to seek out and explore your own wildness.&n bsp\;To aid this process\, Robb has developed satellite events and programm ing. The project website \;features &ldquo\;Hack Your Wild&rdquo\; inst ructions for creative action\, the results of which can be posted and share d. Additional experiential opportunities are being offered at the venues: a "hero&rsquo\;s journey" writing workshop\, group "therapy" explorations\, improv comedy situationist dé\;rives\, and a "trail magic" master cla ss. \;

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Collaborators include: artists Fallen Fruit\, Eroyn Fr anklin\, Mandy Greer\, Anastasia Hill and Eric Olson\, writer Michael David Lukas\, psychoanalyst Nicole Wiggins\, artist and improv comedian Graham D owning\, designer Katrina Hess\, radio producer Jenny Asarnow\, and writer\ , filmmaker and cultural critic Charles Mudede. \;

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To further deepen the conversation\, Robb has collected stories from &ldquo\;everyday explorers\,&rdquo\; individuals who investigate or embody wildness by thei r own light and mettle. These media-rich features\, shared online and in pr int\, explore disaster edens\, portray the life of a dominatrix\, and consi der the social and emotional toll of wild fires\, among other subjects. Tog ether\, they depict diverse paths taken in pursuit of\, or in response to\, the wild. \; \;

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The exhibitions\, programs\, and partici patory website will enable venue visitors and the public at large to serve as collaborators&mdash\;interacting with the project\, with Robb\, and the broad \;Wild Times \;community. \;

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From the untrammeled spaces of the PCT\, and with the host venues and her collaborat ors\, Robb hopes to plot the coordinates of wildness in contemporary life. Through \;Wild Times\, \;she \;offers her body and wor k as a conduit between gallery and wilderness\, public and trail\, form and formless\, as a way to cultivate the wild terrain that resides in us all.< /span> \;< /p>\n

Wild Times \;is a pr oject of Creative Capital and is supported by Grand Central Art Center\, Pa lm Springs Art Museum\, 826 Valencia\, Tacoma Art Museum\, Frye Art Museum\ , and the Henry Art Gallery. \;

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Generous in-kind support has been provided by Ma kerBot\, Microsoft\, Projecteo\, Washington Trails Association\, and Whole Foods Market.&nbs p\; \;

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ABOUT THE ARTIST

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Susan Robb&rsquo\ ;s work is an ongoing investigation of people\, place\, and our search for utopia. She orchestrates temporary\, site-responsive\, and socially-engaged projects to transform contemporary concerns&mdash\;climate crisis\, social isolation\, high-speed daily living&mdash\;into opportunities to re-envisi on and re-connect. Her projects include \;The Long Walk\,  \;ONN/OF "a light festival"\, \;Parking Squid\, \ ;Sleeper Cell Training Camp\, and \;Warmth Giant Black Too bs. Robb&rsquo\;s work has been funded by a Pollack Krasner Foundation Grant\, two Artist Trust Fellowships\, a Stranger Genius Award\, 4Culture\ , and the City of Seattle&rsquo\;s Office of Arts and Culture. In 2013\, sh e received a Creative Capital grant to produce \;Wild Times.&n bsp\;Her work has been collected and shown nationally and internationally.< /span>

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http://www.wildtimesproject.com

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http://www.susa nrobb.com/

DTEND:20141005 DTSTAMP:20140902T115324 DTSTART:20140503 GEO:33.7461522;-117.8695317 LOCATION:Cal State Fullerton Grand Central Art Center\,125 N. Broadway \nSa nta Ana\, CA 92701 SEQUENCE:0 SUMMARY:Wild Times\, Susan Robb UID:334730 END:VEVENT BEGIN:VEVENT DTEND:20140607T220000 DTSTAMP:20140902T115324 DTSTART:20140607T190000 GEO:33.7461522;-117.8695317 LOCATION:Cal State Fullerton Grand Central Art Center\,125 N. Broadway \nSa nta Ana\, CA 92701 SEQUENCE:0 SUMMARY:Wild Times\, Susan Robb UID:334731 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Demonstrating our continuing e fforts to preserve and maintain a wide range of African American history\, art and culture\, the California African American Museum is proud to presen t an eclectic sampling of recent additions to our collection and that of ou r Friends Foundation. This exhibition is an overview of relevant historical objects and artwork donated over several years and as recently as 2014. Th e exhibit includes a Jefferson High School yearbook (1922)\; an internation al movie poster for the Sidney Poitier feature film Brother John (1971)\; a slave &ldquo\;Bill of Sale of J. M. Wilson to David Pointer&rdquo\; from L ouisiana (1860)\; and artworks by Phoebe Beasley\, Miguel Covarrubias\, Jun e Edmonds\, George Evans\, Charles Haywood\, Manuel Mendive\, Rosalyn Myles \, John Outterbridge\, Duane Paul\, and Betye Saar.

DTEND:20140907 DTSTAMP:20140902T115324 DTSTART:20140626 GEO:34.0154369;-118.2870861 LOCATION:California African American Museum\,600 State Drive Exposition Par k\nLos Angeles\, CA 90037 SEQUENCE:0 SUMMARY:Recent Acquisitions - Curatorial Selections\, Phoebe Beasley\, Migu el Covarrubias\, June Edmonds\, George Evans\, Charles Haywood\, Manuel Men dive\, Rosalyn Myles\, John Outterbridge\, Duane Paul\, Betye Saar UID:340321 END:VEVENT BEGIN:VEVENT DTEND:20140626T170000 DTSTAMP:20140902T115324 DTSTART:20140626T100000 GEO:34.0154369;-118.2870861 LOCATION:California African American Museum\,600 State Drive Exposition Par k\nLos Angeles\, CA 90037 SEQUENCE:0 SUMMARY:Recent Acquisitions - Curatorial Selections\, Phoebe Beasley\, Migu el Covarrubias\, June Edmonds\, George Evans\, Charles Haywood\, Manuel Men dive\, Rosalyn Myles\, John Outterbridge\, Duane Paul\, Betye Saar UID:340322 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Curvature: Lines and Shapes represents the exp ressive figurative illustrations by two emerging artists\, Michael Kilgore and Anthony &ldquo\;Eve&rdquo\; Kemp. Their artistic styles include the inf luences of Fauvism\, Expressionism and Cubism. These varied artworks of bol d and simplistic lines to colorful and detailed patterns and shapes celebra te and highlight elements of history\, physical features and family connect ions\, often associated with African Americans or in the lives of the artis ts. This will be their first exhibition at a major museum in Los Angeles.

DTEND:20141102 DTSTAMP:20140902T115324 DTSTART:20140724 GEO:34.0154369;-118.2870861 LOCATION:California African American Museum\,600 State Drive Exposition Par k\nLos Angeles\, CA 90037 SEQUENCE:0 SUMMARY:Curvature: Lines and Shapes\, Michael Kilgore\, Anthony “Eve” Kemp UID:348124 END:VEVENT END:VCALENDAR