BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

September 12 &ndash\; October 8\, 2015


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Opening Reception: September 12\, 7-9

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Live performances:< br />Ciudad: September 12\, 7:30-8:30
Trophy: September 26\, 4-5

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Steve Turner is pleased to present Aislado\, featuring video\, photograp hs and performances by Carlos Martiel (b. 1989\, Havana). Martiel uses his body and earthy substances such as water\, soil and stone to explore issues of race\, isolation and injustice.

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Martiel will debut two performa nces that challenge his physical limits. At the opening reception on Septem ber 12\, he will lie in a coffin-sized box buried under the weight of seven layers of rocks and pebbles\, some of which he gathered at sites of police brutality in Los Angeles. Although encased\, he will be visible to the aud ience&mdash\;the front of the box will be made of transparent plexiglass. O n September 26\, in a second performance\, Martiel will endure immobilizing pain by have a hunting arrow lodged in his side.

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Carlos Martiel ha s presented forty different performances since 2007. In each\, he has teste d his ability to endure pain\, deprivation and physical restraint\, reducin g his existence to his biological need to survive. He has been sewn to gall ery walls\; he has bled himself\; he has surgically removed a piece of skin from his side\; and he has pinned his father&rsquo\;s military medals dire ctly onto his bare chest. Apart from such physically grueling work\, Martie l creates photo and video documentation of his performances. He lives and w orks in New York.

DTEND:20151008 DTSTAMP:20150903T215339 DTSTART:20150912 GEO:34.0906903;-118.3392758 LOCATION:Steve Turner\,6830 Santa Monica Blvd \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Aislado\, Carlos Martiel UID:394896 END:VEVENT BEGIN:VEVENT DTEND:20150912T210000 DTSTAMP:20150903T215339 DTSTART:20150912T190000 GEO:34.0906903;-118.3392758 LOCATION:Steve Turner\,6830 Santa Monica Blvd \nLos Angeles\, CA 90038 SEQUENCE:0 SUMMARY:Aislado\, Carlos Martiel UID:394897 END:VEVENT BEGIN:VEVENT DESCRIPTION:

BAD IDEAS is the seventh solo exhibition at Another Year in LA for pioneering conceptual artist Ste phen Kaltenbach. \; \; When asked to clarify the title\, BAD IDEAS\ , Kaltenbach responded with &ldquo\;There has always been something wrong w ith every art concept I've ever had&rdquo\;. \; Although clever and gli b\, that response is intentionally misleading and that misdirection has als o been a central part of his art oeuvre for almost 50 years - think his ano nymous 1968-69 Artforum ads (TELL A LIE\, START A RUMOR\, etc)\, hidden con tents (or not) inside the Time Capsules\, 1969 &ldquo\;Street Works&rdquo\; performances (that were never performed)\, secret regional artist personae since leaving NYC in 1970 and the list goes on and on.

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When pressed further for more information\, Kaltenbach sai d\, &ldquo\;BAD IDEAS refers to a body of work that either can't be done or shouldn't be done. After merging form with environment as completely as I considered possible in the Room Constructions\, I was looking for ways to&n bsp\;further minimize the art experience. \;One approach was \;the reduction of visual art \;to visualized art.

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Coincidental with the development of this a pproach was my situation \;as \;an unknown artist \;new to  \;NYC and unable to realize my ideas due to no reputation\, no gallery and therefore no funding for big pieces. This freed me to working on project dr awings which I gradually came to consider \;completed works. \;The most important \;effect of this was that it \;freed from the constr aints of the reality of actually making things. Since the work \;didn't have to become material \;to exist I was able to consider a much wider range of possibilities\, work that either couldn't exist due to the constr aints of \;physics or work that shouldn't exist due to being wrong in s ome way\, (either too dangerous or too esthetically\, philosophically or cu lturally incorrect.) \;

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For this onl ine exhibition\, Kaltenbach will reveal a new BAD IDEA each day during Sept ember and beginning with a new letterpress 3D anaglyphic print\, CAPUT.&nbs p\; What will make this ongoing exhibition both visually and historically s ignificant will be the addition of annotations and related works that suppo rt (or help to understand) each BAD IDEA.

DTEND:20150930 DTSTAMP:20150903T215339 DTSTART:20150901 GEO:34.132366;-118.224125 LOCATION:Another Year in LA\, \nLos Angeles\, CA 90065 SEQUENCE:0 SUMMARY:BAD IDEAS\, Stephen J. Kaltenback UID:394790 END:VEVENT BEGIN:VEVENT DTEND:20150901T200000 DTSTAMP:20150903T215339 DTSTART:20150901T180000 GEO:34.132366;-118.224125 LOCATION:Another Year in LA\, \nLos Angeles\, CA 90065 SEQUENCE:0 SUMMARY:BAD IDEAS\, Stephen J. Kaltenback UID:394791 END:VEVENT BEGIN:VEVENT DESCRIPTION:

FiberLicious examines the work of fifteen contempo rary artists who expand the possibilities of traditional fiber art and chal lenge the definition of who is and is not a fiber artist. The artists in th is exhibition use materials or techniques drawn from fiber-art practices to produce large installation and wall works\, participatory projects\, inter active and performative works and video. Their distinctive approaches to sc ale\, process and material bring the representational capacity of fiber art to a range of themes\, such as the intersection of human relationships\, i nterconnectedness of societies\, labor and economics of garments and textil es production\, and  \;the relation of fiber art to painting\, sculptur e\, fashion and decorative art.

DTEND:20160103 DTSTAMP:20150903T215339 DTSTART:20151025 GEO:34.1016178;-118.2950273 LOCATION:Los Angeles Municipal Art Gallery at Barnsdall Park (LAMAG)\,4800 Hollywood Blvd. \nLos Angeles\, CA 90027 SEQUENCE:0 SUMMARY:Fiberlicious\, Tanya Aguiñiga\, Liz Collins\, Enrique Castrejon\, D iedrick Brackens\, Krista Feld\, Dawn Ertl\, Carole Frances Lung\, Tina Lin ville\, J. Christopher Natrop\, Wendy Osher\, Chili Philly\, Jennifer Reifs neider\, Nike Schröder\, Lorenzo Hurtado Segovia\, Ruth Katzenstein Souza\, Ann Weber UID:394758 END:VEVENT BEGIN:VEVENT DTEND:20151025T220000 DTSTAMP:20150903T215339 DTSTART:20151025T180000 GEO:34.1016178;-118.2950273 LOCATION:Los Angeles Municipal Art Gallery at Barnsdall Park (LAMAG)\,4800 Hollywood Blvd. \nLos Angeles\, CA 90027 SEQUENCE:0 SUMMARY:Fiberlicious\, Tanya Aguiñiga\, Diedrick Brackens\, Enrique Castrej on\, Liz Collins\, Dawn Ertl\, Krista Feld\, Lorenzo Hurtado Segovia\, Tina Linville\, Carole Frances Lung\, J. Christopher Natrop\, Wendy Osher\, Chi li Philly\, Jennifer Reifsneider\, Nike Schröder\, Ruth Katzenstein Souza\, Ann Weber UID:394759 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The exhibition Carved and Whittled Sculpture will serve a s a backdrop for an afternoon of fun and learning around the art of wood ca rving. Designed for all ages\, this drop-in program will include gallery to urs (1:30 &\; 3PM)\, wood carving demonstrations and discussions with lo cal craftsmen about the wood carving process\, tools and techniques.

\n< p style="text-align: justify\;">Some of the carvers will include Koga Sabur o\, Richard Howell\, Duane Laxen and members of the California Carvers Guil d and Goodtime Carvers of Ramona.

DTEND:20150905T160000 DTSTAMP:20150903T215339 DTSTART:20150905T130000 GEO:32.7314223;-117.1510527 LOCATION:Mingei International Museum - San Diego\,1439 El Prado Balboa Park \nSan Diego\, CA 92101 SEQUENCE:0 SUMMARY:The Art of Wood Carving\, Koga Saburo\, Richard Howell\, Duane Laxe n UID:394614 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ragged Promised Land\, Seamus Conley UID:394610 END:VEVENT BEGIN:VEVENT DTEND:20150929T200000 DTSTAMP:20150903T215339 DTSTART:20150929T180000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ragged Promised Land\, Seamus Conley UID:394611 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ravens\, Tina Dille UID:394608 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Ravens\, Tina Dille UID:394609 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Utopia Project\, Jonas N.T. Becker UID:394606 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Utopia Project\, Jonas N.T. Becker UID:394607 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Assimilation\, Jeremie D. Riggleman UID:394604 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Assimilation\, Jeremie D. Riggleman UID:394605 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Hearsay UID:394602 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Hearsay UID:394603 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Three Ovals\, Judy Csotsits UID:394600 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Three Ovals\, Judy Csotsits UID:394601 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Michael Aschenbrenner\, Michael Aschenbrenner UID:394598 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Michael Aschenbrenner\, Michael Aschenbrenner UID:394599 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151116 DTSTAMP:20150903T215339 DTSTART:20150929 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Performances/Demos\, Marissa Quinn UID:394596 END:VEVENT BEGIN:VEVENT DTEND:20150929T180000 DTSTAMP:20150903T215339 DTSTART:20150929T110000 GEO:34.6971699;-118.1480359 LOCATION:Lancaster Museum of Art and History\,665 West Lancaster BLVD (Corn er of Ehrlich Ave. and Lancaster BLVD)\nLancaster \, CA 93534 SEQUENCE:0 SUMMARY:Myths & Legends - Performances/Demos\, Marissa Quinn UID:394597 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Although often grouped with Ca lifornia&rsquo\;s Photorealists\, the very unreality of David Ligare&rsquo\ ;s paintings and his underlying interest in antiquity belie such a label. A self-proclaimed Classicist\, Ligare&rsquo\;s perfectly ordered still life\ , landscape\, architectural\, and figurative paintings occupy their own poe tic world\, and the perfection of his unblemished subjects and hyper-purity of his paint application seem more unearthly than real.

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In achieving these results\, Ligare looks to the ancien ts for guidance. From Aristotle\, he has learned that many systems are base d on threes&mdash\;beginning\, middle\, and end\; birth\, life\, and death& mdash\;and he uses this tripartite structure in his compositions. He also r eference the formal relationships in classical sculpture and architecture. And yet his works are firmly based in the specifics of California&mdash\;it s topography and vegetation\, along with the omnipresent Pacific are bathed in the pure and wondrous light of the coast.

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Consisting of approximately 80 oil paintings\, watercolors\, and d rawings\, this will be the largest retrospective of Ligare&rsquo\;s work to date and will be accompanied by an extensive\, full-color catalogue.

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David Ligare: California Classicist was organized by the Crocker Art Museum\, Sacramento\, California and wi ll be presented at Laguna Art Museum from October 18\, 2015 through January 17\, 2016.

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This exhibition is made p ossible through the generosity of Barbara N. Hyland and William G. Hyland.< /p> DTEND:20160117 DTSTAMP:20150903T215339 DTSTART:20151018 GEO:33.5433709;-117.7881789 LOCATION:Laguna Art Museum\,307 Cliff Drive \nLaguna Beach\, CA 92651 SEQUENCE:0 SUMMARY:California Classicist\, David Ligare UID:394592 END:VEVENT BEGIN:VEVENT DTEND:20151018T170000 DTSTAMP:20150903T215339 DTSTART:20151018T110000 GEO:33.5433709;-117.7881789 LOCATION:Laguna Art Museum\,307 Cliff Drive \nLaguna Beach\, CA 92651 SEQUENCE:0 SUMMARY:California Classicist\, David Ligare UID:394593 END:VEVENT BEGIN:VEVENT DESCRIPTION:

For thirty years\, The Can yon Project examined\, considered\, and lobbied for the very existence of the Laguna Canyon. Primarily photographic documentation\, the project f unctioned in turns as art and activism. It unfolded in fifteen phases\, the first in 1980 and the final phase culminating the project in 2010. The Tell\, the eighth and paramount phase\, was a six hundred thirty-six foot long photographic mural mounted in the canyon. More than 100\,000 pers onal photographs\, donated by individual contributors\, covered the plywood surface of the structure.

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Although o rganized and primarily executed by artists Jerry Burchfield and Mark Chambe rlain\, thousands of volunteers participated. Burchfield and Chamberlain fo unded BC Space\, the landmark gallery and photo production studio in downto wn Laguna Beach\, which served as the de facto headquarters for the project .

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This exhibition at Laguna Art Museu m\, The Canyon Project: Artivism\, was curated by Mike McGee\, and will feature photography\, assemblage\, documents\, and ephemera related t o the various phases of the project.

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Laguna Wilderness Press will publish a book about the project in fall 2015.

DTEND:20160117 DTSTAMP:20150903T215339 DTSTART:20150918 GEO:33.5433709;-117.7881789 LOCATION:Laguna Art Museum\,307 Cliff Drive \nLaguna Beach\, CA 92651 SEQUENCE:0 SUMMARY:The Canyon Project: Artivism UID:394590 END:VEVENT BEGIN:VEVENT DTEND:20150918T170000 DTSTAMP:20150903T215339 DTSTART:20150918T110000 GEO:33.5433709;-117.7881789 LOCATION:Laguna Art Museum\,307 Cliff Drive \nLaguna Beach\, CA 92651 SEQUENCE:0 SUMMARY:The Canyon Project: Artivism UID:394591 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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Germany&rsquo\;s Weimar Republic \, established between the end of World War I and the Nazi rise to power\, was a thriving laboratory of art and culture. As the country experienced un precedented and often tumultuous social\, economic\, and political upheaval \, many artists rejected Expressionism in favor of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit&mdash\;New Object ivity&mdash\;its adherents turned a cold eye on the new Germany: its desper ate prostitutes\, crippled war veterans\, and alienated urban landscapes\, but also its emancipated New Woman\, modern architecture\, and mass-produce d commodities. \;New Objectivity: Modern German Art in the Weimar R epublic\, 1919&ndash\;1933 \;is the first comprehensive exhibition in the United States to explore the dominant artistic trends of this perio d. Organized around five thematic sections and featuring 150 works by more than 50 artists\, the exhibition mixes painting\, photography\, and works o n paper to bring them into a visual dialogue. Key figures of modernism\, su ch as Max Beckmann\, Otto Dix\, George Grosz\, August Sander\, and Christia n Schad are featured alongside lesser-known artists such as Aenne Biermann\ , Heinrich Maria Davringhausen\, Hans Finsler\, Carl Grossberg\, Lotte Jaco bi\, Alexander Kanoldt\, and Georg Schrimpf.

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This exhibition is included in General Admission. \;
Join now \;and s ee it free\, or \;reserve a ticket.

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Buy the book. \;

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This exhibition was organized by the Lo s Angeles County Museum of Art in association with Fondazione Musei Civici di Venezia. The exhibition is supported in part by the Art Mentor Foundatio n Lucerne\, the Robert Gore Rifkind Foundation\, Philippa Calnan\, \;an d Suzanne Deal Booth. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
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All exhib itions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Kitzia and Richard Goodman\, with generous annual f unding from Janet Chann and Michael Irwin in memory of George Chann\, Brad and Louise Edgerton\, Emily and Teddy Greenspan\, Jenna and Jason Grosfeld\ , Lenore and Richard Wayne\, and the Kenneth T. and Eileen L. Norris Founda tion.
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DTEND:20160118 DTSTAMP:20150903T215339 DTSTART:20151004 GEO:34.062785;-118.3587631 LOCATION:LACMA - Los Angeles County Museum of Art\,5905 Wilshire Avenue \nL os Angeles\, CA 90036 SEQUENCE:0 SUMMARY:New Objectivity: Modern German Art in the Weimar Republic\, 1919–19 33\, Max Beckmann\, Otto Dix\, George Grosz\, August Sander\, Christian Sch ad\, Aenne Biermann\, Heinrich Maria Davringhausen\, Hans Finsler\, Carl Gr ossberg\, Lotte Jacobi\, Alexander Kanoldt\, Georg Schrimpf UID:394586 END:VEVENT BEGIN:VEVENT DTEND:20151004T200000 DTSTAMP:20150903T215339 DTSTART:20151004T110000 GEO:34.062785;-118.3587631 LOCATION:LACMA - Los Angeles County Museum of Art\,5905 Wilshire Avenue \nL os Angeles\, CA 90036 SEQUENCE:0 SUMMARY:New Objectivity: Modern German Art in the Weimar Republic\, 1919–19 33\, Max Beckmann\, Aenne Biermann\, Heinrich Maria Davringhausen\, Otto Di x\, Hans Finsler\, Carl Grossberg\, George Grosz\, Lotte Jacobi\, Alexander Kanoldt\, August Sander\, Christian Schad\, Georg Schrimpf UID:394587 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The face can signify many trai ts of an individual. Faces of America: LACMA Collects presents the United States throughout the centuries\, as depicted in a series of portra its. Represented through diverse media\, these works each tell their own st ory and introduce a fascinating pictorial narrative of the country&rsquo\;s increasing urbanization\, modernization\, and diversification.

DTEND:20151108 DTSTAMP:20150903T215339 DTSTART:20150117 GEO:34.062785;-118.3587631 LOCATION:LACMA - Los Angeles County Museum of Art\,5905 Wilshire Avenue \nL os Angeles\, CA 90036 SEQUENCE:0 SUMMARY:Faces of America: LACMA Collects UID:394584 END:VEVENT END:VCALENDAR