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In the 1960s\, L.A. artists such as Peter Alexander\, Helen Pashgian and De Wain Valentine began working with cast resin\, creating highly polished sculptural forms that explored relationships of light and space\, transluc ency and opacity. The requisite pristine surfaces of these objects allowed for the visual interplay of reflection and optical penetration. For Terry O 'Shea\, however\, resin offered more fluid\, painterly properties\; his col ored drips react like oil in water. In addition\, he was clearly not as con cerned about purity\, sometimes leaving insects that alighted on the sticky surfaces to remain embedded in the final product\, like natural amber. As Holly Myers observed for the LA TIMES\, O'Shea's work could possess a "wooz y decadence\," and an effect that is "darker\, more psychological" than the work of other artists using the same material. This exhibition\, entitled< i> Serious Candy\, marks Craig Krull Gallery's representation of the Te rry O'Shea estate. The exhibit will include a selection of his resin capsul es from the 60s. These colorfully striped\, smoothly polished\, psychedelic pills fit comfortably in the palm of one's hand\, functioning as sensual t alismans. The exhibit also includes watercolors delicately dripped into con centric circles that echo the rings of color in his capsules.

DTEND:20130831 DTSTAMP:20141222T154336 DTSTART:20130713 GEO:34.0276049;-118.4678444 LOCATION:Craig Krull Gallery\,Bergamot Station 2525 Michigan Ave. Building B-3\nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Serious Candy\, Terry O'Shea UID:283662 END:VEVENT BEGIN:VEVENT DTEND:20130713T180000 DTSTAMP:20141222T154336 DTSTART:20130713T160000 GEO:34.0276049;-118.4678444 LOCATION:Craig Krull Gallery\,Bergamot Station 2525 Michigan Ave. Building B-3\nSanta Monica\, CA 90404 SEQUENCE:0 SUMMARY:Serious Candy\, Terry O'Shea UID:283663 END:VEVENT END:VCALENDAR