ArtSlant - Openings & events en-us 40 - Bowers Museum - July 2nd, 2013 1:30 PM - 3:00 PM <p><strong>Lorenzo de’ Medici and the Golden Age of Florence</strong></p> <p>Jackie Powell, art historian and noted educator, completes the 2-part series, which began on June 25.</p> Thu, 27 Jun 2013 10:59:51 +0000 Elke Zauner - Riverside Art Museum - July 3rd, 2013 11:00 AM - 1:00 PM <p style="text-align: justify;"><span style="font-size: small;">Join us on <strong>Wednesday, July 3, from 11:00 a.m. - 1:00 p.m.</strong> for an Artist Brunch with artist Elke Zauner for the opening of her exhibit, <a title="Elke Zauner: Exit/Entry" href="">Elke Zauner: EXIT/ENTRY</a>.</span><br /><br /><span style="font-size: small;">Painter Elke Zauner is based out of Riverside's German Sister City of Erlangen. Zauner says of her work:</span><br /><br /><span style="font-size: small;">"In my paintings, I deal with architecture and light, the transitions between light and space, and the transparency of materiality. During my 2008 scholarship stay in the Villa Massimo in Rome...what particularly influenced me was the Roman light and the openness of the buildings, their architectural play of light, air, and shade, as well as the unbelievable easiness and elegance of the millennia-old buildings. One of my favorite buildings was the Pantheon, so I have picked up many elements of its architecture in my works, such as the protruding columns and the play of light.</span><br /><br /><span style="font-size: small;">"The fact that I started extending my works beyond the canvas to the walls is certainly also due to the influence of such magnificent pieces of art as the garden painted in the Villa Livia, or the ceiling fresco in the Sistine Chapel. By fitting the canvas into the respective room situations, my paintings gain the character of an installation."</span><br /><br /><span style="font-size: small;"><strong>This light brunch is free. However, we do ask that you RSVP by calling 951.684.7111 to help us ensure proper seating arrangements and refreshments. Thank you.</strong></span></p> Sat, 29 Jun 2013 16:29:56 +0000 Joshua Podoll - Christopher Grimes Gallery - July 5th, 2013 6:00 PM - 8:00 PM <p style="text-align: justify;"><span style="font-size: small;"><strong>Christopher Grimes Gallery is very pleased present an exhibition of new abstract paintings by Joshua Podoll. </strong>In his previous body of work Podoll introduced gestural brushstrokes that expressed honesty through imperfection. With these new paintings Podoll places greater emphasis on drawing &ndash; marks are built up layer upon layer from a white ground: blurry airbrush lines, transparent washy brushstrokes and heavy impasto piles all interweave to create a tapestry of mark-making. Within this densely layered space Podoll paints austere floating objects that act as portals and serve to create tension between themselves and the layers of marks. The paintings become energized through the bravado and angularity of brushwork and intensity of color and contrast.</span></p> <p style="text-align: justify;"><span style="font-size: small;"><strong>Podoll </strong>(Seattle, WA, 1972) lives and works in San Francisco. His work has been included in exhibitions at Torrance Art Museum, Torrance, CA (2010); <em>You Can Heal Your Life!</em>, curated by Emma Gray at Circus Gallery, Los Angeles, CA (2010); <em>Without Sun</em>, curated by Carole Ann Klonarides at Christopher Grimes Gallery (2007); Headlands Center for the Arts, Fort Barry, CA (2003); and University of Iowa Museum of Art, Iowa City, IA (2002).</span></p> Wed, 28 Aug 2013 15:38:07 +0000 Carlos Bunga - Christopher Grimes Gallery - July 5th, 2013 6:00 PM - 8:00 PM <p style="text-align: justify;"><span style="font-size: small;">The South Gallery will feature new paintings by <strong>Carlos Bunga</strong>, made as a part of a dialogue with his recent site-specific installation at the gallery. Photographs of this work, <em>Future Anterior</em>, were printed and used as a foundation on which to make the paintings. The paintings act as a more permanent reference to the structure which was by nature ephemeral. The manner in which paint was applied to the exterior of the original installation is maintained in these works, providing continuity and shared formal sensibility.</span></p> <p style="text-align: justify;"><span style="font-size: small;"><strong>Bunga</strong> (Porto, Portugal, 1976) lives and works in Barcelona. After studying Fine Arts at the Escola Superior de Arte e Design in Caldas da Rainha in Portugal, Bunga first attracted international attention with his work at the contemporary art biennial Manifesta 5 in San Sebastian, Spain (2004). Since then, has had solo shows of his work at Museu Serralves, Porto, Portugal (2012); Hammer Museum, Los Angeles, CA (2011); Miami Art Museum, Miami, FL (2009); and Museo de Arte Contemporanéa de Vigo, Spain (2009). His work is in the collections of such institutions as Museum of Modern Art, New York, NY; Hammer Museum, Los Angeles, CA; Serralves Foundation, Porto, Portugal; and Museo d'art Contemporani de Barcelona (MACBA), Barcelona, Spain.</span></p> Mon, 17 Jun 2013 18:14:28 +0000 Jasmine Worth - La Luz de Jesus Gallery - July 5th, 2013 8:00 PM - 11:00 PM <p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;" face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2"><strong>Jasmine Worth</strong> crafts scenes from fairytales gone awry—swirling seamlessly between the sweet and surreal, inevitably dipping into the valley of the morbid. Jasmine studied formally at Studio 2nd Street in southern CA, and earned her BFA from the <em>Laguna College of Art and Design</em>. While she possesses the credentials, the product of her toils clearly pours from the cobwebbed corners of her mind, not the classroom. Her paintings—a cabaret of vibrant hues—are a blend of soft textures and colorful characters, juxtaposed against gloomy themes. Created in her home of San Diego, Jasmine combines dark influences and subtle-yet-serious undertones with raw artistic talent and a rarely seen creativity. Her work exudes a strong bearing of individuality, manifested through characters that speak almost vocally and give a new element of depth to an otherwise two dimensional medium. Each scene tells a story and every story is as diverse in emotion as it is in appearance. <br /> <br /> In <strong><em>Cultus Sanguine</em></strong><em>,</em> Worth explores the connection between blood and life, birth and death, and the idea that all is one, even when seeming opposite. Playing with the theme of the connection of all, the ideas of birth of life from death, cycles, energy being neither created nor destroyed, as above so below are symbolically represented throughout the series. <br /> <br /> This is <strong>Jasmine Worth</strong>'s fourth feature exhibition at <em>La Luz de Jesus, </em>and has sold out all of her work each time.</span></span></p> Tue, 25 Jun 2013 10:53:43 +0000 Mel Weiner - La Luz de Jesus Gallery - July 5th, 2013 8:00 PM - 11:00 PM <p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;"><span face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2">The mangled, distorted and contorted qualities �of the boxer have always fascinated <strong>Mel Weiner</strong>. As a child, he'd watch <em>The Friday Night Fights</em> �on a black and white feed from his parents' TV in Echo Park. These fights etched a permanent spot in the young artist's psyche that infiltrated his creative outpu t for the next half century.<br /> <br /> Mel graduated from <em>Chouinard Art School</em> in 1971 and worked as a billboard painter and a scenic artist for movies and television, which trained him to capture a likeness that could be easily identified at great distance and in fast traffic. <br /> <br /> With <strong><em>Esther Milkfat and Other Characters</em></strong> �Weiner has rendered an illustrated expose of Hollywood's past through a lens on the outskirts of Tinseltown. Celebrity hanger-ons from the Tabloid Golden Age exude a playfully grotesque demeanor that's more <em>Frolic Room</em> than <em>Sardi's</em>.�In each of these skillful caricatures, Mel has surpassed satiric cartooning to breathe real life into his line work. <br /> <br /> </span></span><span face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2">This is <strong>Mel Weiner</strong>'s first feature exhibition at <em>La Luz de Jesus, </em>having previously exhibited at <em>Billy Shire Fine Arts</em>. </span></span><span face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2"><br /> </span><strong><br /></strong></span></span></p> Tue, 25 Jun 2013 10:55:31 +0000 Derek Harrison - La Luz de Jesus Gallery - July 5th, 2013 8:00 PM - 11:00 PM <p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;" face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2">The lines, shapes, colors and forms that the female figure presents are about as inspiring as it can get. When that is coupled with one of the most interesting and amazing places on earth, Los Angeles, the possibilities are infinite. This body of work has been in the making for the past couple of years. Over this period of time I've been able to paint the wonderful environment of LA with all of its unique locations and the very unique individuals that inhabit it. <em><strong>L.A. Woman</strong></em> is a series of works that encompass two ends of the spectrum when it comes to contemporary art. The purely visual, which yields a visceral response. One that is very powerful and is what makes art such a unique and amazing universal language. All of the locations and models in the pieces are carefully sought out and are what I find to be incredibly inspiring. LA lends itself to this ideal perfectly. The other element of my work is one that aims to convey female empowerment. The figures whom are painted are representing an array of emotions. The works are left as open narratives to be interpreted by the viewer. My hope is that through this engaging experience the viewer is part of the work and connects with it in a way that leaves them intrigued and most importantly, inspired. </span></span></p> <p style="text-align: justify;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;" face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2"><span style="font-family: arial,helvetica,sans-serif;"><strong><em>L.A. Woman</em></strong> is <strong>Derek Harrison</strong>'s second feature exhibition at <em>La Luz de Jesus</em>.</span> <br /> </span><strong><br /></strong></span></p> Tue, 25 Jun 2013 10:57:14 +0000 Click Mort - La Luz de Jesus Gallery - July 5th, 2013 8:00 PM - 11:00 PM <p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;"><span face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2"><strong><em>"Mutatis Mutandis"</em></strong> is a Latin phrase meaning "<em>only the necessary changes have been made</em>". The phrase calls attention to differences between the current state of things and the previous. It can be understood as meaning "acknowledging the difference between the two" or (more succinctly) as "acknowledging differences."�<br /> <br /> <strong>Click Mort</strong>'s work centers on indiscreet modifications to existing porcelain figurines. Each piece is a unique consolidation of two �or more previously unrelated figures, with extensive cutting, sculpting, sanding, and painting required to unify them into a new, seamless whole. The result is kitsch resurrected in a still vaguely familiar but somewhat less cozy form. Click's recapitated figures have found their way into several of the premeire collections of post-pop art via exhibitions in Pasadena, Los Angeles and Waxahachie, Texas.�The overwhelming majority of his patrons collect multiple pieces.<br /><br />Mr. Mort's formal training consists of a single high school ceramics class, where the tendency of his pieces to explode when fired eventually led to him being banned from the kiln.�He has since opted to work only with pre-fired materials.<br /> <br /> <strong><em>Mutatis Mutandis</em></strong> is <strong>Click Mort</strong>'s third feature exhibition at <em>La Luz de Jesus</em>. </span></span><span face="Verdana, Arial, Helvetica, sans-serif"><span style="font-size: small;" size="2"> </span></span> <span face="Verdana, Arial, Helvetica, sans-serif"><strong><span style="font-size: small;" size="2"><br /> </span></strong></span></span></p> Tue, 25 Jun 2013 10:58:53 +0000 Dennis McNett - AR4T Gallery - July 6th, 2013 6:00 PM - 9:00 PM <p><strong>Opening Reception:</strong><br /><strong> Saturday July 6, 2013 – 6 to 9pm </strong><br /><strong> </strong><br />Artists Republic 4 Tomorrow is eager to announce the return of the Wolfbat Tribe and the art of Dennis McNett to Laguna Beach. Wolfbat Meditations is McNett’s second show at Artists Republic 4 Tomorrow – a follow up to his 2012 solo exhibition Wolfbat Shamans and The Whale of Gratitude.<br /> <br />Wolfbat Meditations continues on the theme of gratitude, serenity and introspection. Dennis: “Starting the morning by breathing, writing, and clearing the mind opens the day to gratitude, imagination, awareness and clarity. I focus on waves, the pushing pulling swelling swirling water, the salty air, the course sand slowly warming from the sun, and patterns across the sea. Soon thoughts wander to kinetic energies, spirit beasts, stories, and structures.” Work will include a large selection of Dennis McNett’s woodcut prints, sculptural forms, wall installations, paper collage pieces and masks in mythical and animalistic creations.</p> Mon, 09 Sep 2013 05:43:50 +0000 Adriana Salazar - Cal State Fullerton Grand Central Art Center - July 6th, 2013 7:00 PM - 10:00 PM <p style="text-align: justify;"><span style="font-size: small;">Is there an end to our existence? Can we be separated from our bodies and be transformed into something else? Adriana Salazar's work has continued to revolve around these questions in different ways. This is why the realm of mortuary customs appeals to her: it presents numerous ways to approach the ultimate unknown.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Her past series of works have attempted to bring inanimate objects to life; crystalize human actions into mechanical devices; worked to blur the line that separates the natural and the artificial. Death has been an ever-present part of her work, understood in a broader sense, in her own words, "I want to address death as a dare to the certainties of knowledge, and as a challenge to deeply rooted traditions. Thus, my work has taken its course transforming mechanical actions, obsolete objects, fading plants and passing life into installations and objects that could become questioning situations themselves."</span></p> <p style="text-align: justify;"><span style="font-size: small;">For this current series, created during a two-month residency at Grand Central Art Center, the artist desired to go deeper into that moment of transition between life and death, finding out as much as she could about what happens with our bodies, with our consciousness and with everything we build around the death of others. In her words, "I found, amongst other things, that there is an aesthetics of transition, that there are rituals trying to maintain life after death, and laws which govern our bodies, even when we are not fully present. I also found out that there are transitional techniques and an intricate industry around them."</span></p> <p style="text-align: justify;"><span style="font-size: small;">Some of these techniques of transition have the purpose of dematerializing the body - its physical presence, associated to life and its impermanence - replacing it with a different kind of immaterial presence. In the crematory, a compartment ignites at a very high temperature until the body is almost entirely dissolved. In order to secure the transparency of this transition, all particles of bone are carefully separated from any other solid object that might exist in our remains. These foreign bodies - implants, replacements, metal bodily parts, and every sign of our artificial self - must be removed. All that is left are bones, which are then reduced to the size of grains of sand. These remains are kept in homes, spread at symbolic locations, interned at traditional burials site, or used in other creative manners. The artificial parts, on the other hand, are usually recycled for their metals or tossed away.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Salazar has decided to rescue as many cremated artificial body parts possible. These parts remain as solid as they were inside their bodies and are nevertheless considered residue. She found their value in this very ambiguity. They embody the question of the status of our own existence on a physical level: their materiality creates confusion between those objects as parts of a physical body and our own body, thus opening the gap between our certainties and uncertainties, beyond the matter of human death itself.</span></p> <p style="text-align: justify;"><span style="font-size: small;">The simple presence of these objects puts the status of life into question, allowing us to see, on one hand, the death of usage and value as something applicable to our own bodies. They allow us to see, on the other hand, the possibility of our existence as purely impermanent, earthly and physical. They allow us to see our possible becoming.</span></p> <p style="text-align: justify;">Bogota, Colombia based artist Adriana Salazar, GCAC Artist in Residence, May 6 – July 7, 2013.</p> <p style="text-align: justify;"><span style="font-size: small;"><b>Thursday, June 27th, 7-9pm<br /><a href="" target="_blank">2013 CALIFORNIA-PACIFIC TRIENNIAL, ARTISTS PANEL</a> <br />The Yost Theater, Santa Ana</b></span></p> <p style="text-align: justify;"><span style="font-size: small;"><b>Thursday, June 27th, following panel<br />NOTHING ELSE LEFT, GCAC SNEAK PREVIEW TOUR<br />Grand Central Art Center, Santa Ana</b></span></p> <p style="text-align: justify;"><span style="font-size: small;"><b>Sunday, June 30, 2013, 11am-5pm<br /><a href="" target="_blank">2013 CALIFORNIA-PACIFIC TRIENNIAL</a>, PUBLIC OPENING<br />Orange County Museum of Art, Newport Beach</b></span></p> Wed, 26 Jun 2013 07:50:02 +0000 Group Show - Night Gallery - July 6th, 2013 12:00 PM - 10:00 PM <p><span size="1" style="font-size: xx-small;">July 6th, 2013</span></p> <p><span size="1" style="font-size: xx-small;"><i>Shipwrecked</i>, a KCHUNG RADIO festival fundraiser hosted by NIght Gallery</span></p> <p><span size="1" style="font-size: xx-small;">12-9 pm</span></p> <p><span size="1" style="font-size: xx-small;">2276 East 16th Street, Los Angeles, CA 90021 <span color="#333333" face="Arial" style="color: #333333; font-family: Arial;"><b><br /> </b></span></span></p> <p><span size="1" style="font-size: xx-small;"><b><a href="" rel="nofollow" target="_blank"></a></b><br /></span></p> <p><span size="1" color="#333333" face="Arial" style="color: #333333; font-family: Arial; font-size: xx-small;"><b><a href="" rel="nofollow" target="_blank"></a></b></span></p> <p dir="ltr"></p> <p dir="ltr">_~</p> <p dir="ltr">_~ )_)_~</p> <p dir="ltr">)_))_))_)</p> <p dir="ltr">_!__!__!_</p> <p dir="ltr">\______t/</p> <div></div> <p dir="ltr">Steep your ears in the sea of ether, and witness a wide range of musical acts, performance art, Tarro Readings,  wares on sale by local artists. Food will be on hand from several local cullinary creatives. Games will be played. Come one come all! AHOY!! On the 6th of July, Night Gallery, an evolving epicenter of artistic inquiry located in the industrial district of Los Angeles, will host a KCHUNG Radio fundraiser amidst its walls of elegant grey.</p> <div></div> <p dir="ltr">KCHUNG is an egalitarian radio station broadcasting from Chinatown. Anyone can join and contribute to the organically developed programming that ranges from reading services, reports on wildlife conservation, on-air meditations, critical investigations, gestures of performative nature, and journeys into the psyches of debt collectors, to carefully and wildly curated music shows.</p> <div></div> <p dir="ltr">KCHUNG Radio produces over 40  hours of original programming per week, and is organizationally and financially sustained by its body of members, thus functioning as a conduit in giving voice to the diverse interests of Los Angeles community.</p> <div></div> <div></div> <p dir="ltr">_~ _~</p> <p dir="ltr">__|=|_|=|__</p> <p dir="ltr">\ o.o.o.oY/</p> <p dir="ltr">\_______/</p> <div></div> <p dir="ltr">PERFORMANCES BY:</p> <p dir="ltr">GENEVA JACUZZI</p> <p dir="ltr">TARA JANE ONIEL</p> <p dir="ltr">AMERICAN GRIZZLY</p> <p dir="ltr">SO MANY WIZARDS</p> <p dir="ltr">SPOKENEST</p> <p dir="ltr">CHERRI POP</p> <p dir="ltr">EMILY LACY</p> <p dir="ltr">BATWINGS CATWINGS</p> <p dir="ltr">SNEAKY SNAKE</p> <p dir="ltr">THUNDERBUMMER (FIRST SHOW)</p> <p dir="ltr">JAWS</p> <p dir="ltr">DUNES</p> <p dir="ltr">MATHEW TIMMONS</p> <p dir="ltr">LESSNESSES</p> <p dir="ltr">W-H-I-T-E</p> <p dir="ltr">TALL PAUL and CAYAL with LA PORSCHA</p> <p dir="ltr">AIR POP</p> <p dir="ltr">MARGIE SCHNIBBE</p> <div></div> <p dir="ltr">~~~~~~~~~~~~~~~~~~~~</p> <p dir="ltr">/|\</p> <p dir="ltr">/_|_\</p> <p dir="ltr">____|____</p> <p dir="ltr">\_o_o_o_/</p> <div></div> <p dir="ltr">VENDOR FAIR WITH:</p> <p dir="ltr">OTHERWILD</p> <p dir="ltr">VAGRANT FORMS</p> <p dir="ltr">EITHER WAY</p> <p dir="ltr">SALLY SPITZ</p> <p dir="ltr">SODAS + SANDWICHES BY EDEN'S HERBALS</p> <p dir="ltr">TAROT READINGS WITH SARAH FAITH</p> <p dir="ltr">DELICIOUS BAKED GOODS BY CLARA CAKES</p> <p dir="ltr">M R K N T A R O T</p> <p dir="ltr">AMY VON HARRINGTON CAKES &amp; GOODS</p> <p dir="ltr">MARVIN ASTORGA TAROT</p> <p dir="ltr">NEVER PRESS</p> <div></div> <p dir="ltr">+ MORE TBA</p> <div></div> <p dir="ltr">~~~~~~~~~~~~~</p> <div></div> <p dir="ltr"><strong>VIDEO SCREENINGS BY</strong></p> <div>CARRIE KEITH</div> <div>CALI DEWITT</div> <div>MARIAH GARNETT</div> <div>GUSTAVO HERRERA</div> <div>GURU RUGU</div> <div>AIMEE GOGUEN</div> <div>JUSTIN LONG</div> <div>JULIE LEQUIN</div> <div>ANDREW COX</div> <div>DEVIN KENNY</div> <div>JEMIMA WYMAN</div> <p>YELENA ZHELEZOV</p> <div></div> <p dir="ltr">_~ _~</p> <p dir="ltr">__|=|_|=|__</p> <p dir="ltr">\ o.o.o.oY/</p> <p dir="ltr">\_______/</p> <div></div> <p dir="ltr">$10 suggested donation</p> <div>(FUNds go to KCHUNG)</div> Tue, 02 Jul 2013 09:18:16 +0000 Sweet Samson - Studio Channel Islands Art Center (SCIART) - July 6th, 2013 4:00 PM - 6:00 PM <p>2222 Ventura Blvd Camarillo, CA 93010</p> Sat, 15 Mar 2014 18:10:03 +0000 Group Show - The Hive Gallery & Studios - July 6th, 2013 8:00 PM - 11:30 PM <p style="text-align: justify;"><span style="font-size: small;">It's Comicon month and this July, Resident Trek Lewis and The Hive curated an action packed lineup of artists making original artworks based off of DC and Marvel Comic Villains. Come enjoy the opening of "Villains", this Saturday night with over 40 of LA's greatest artists immortalizing "The Bad Guys".  </span></p> <p style="text-align: justify;"><span style="font-size: small;">The Hive Gallery is proud to present:</span></p> <p style="text-align: justify;"><span style="font-size: small;">Opening- July 6th 8-11:30PM</span><br /><span style="font-size: small;"> $5 Suggested Donation for opening show</span><br /><span style="font-size: small;"> Runs: July 6th- July 27th</span></p> <p style="text-align: justify;"><span style="font-size: small;">Featured Artist 1: TEWSR</span><br /><span style="font-size: small;"> Featured Artist 2: Jeff Jacobson</span><br /><span style="font-size: small;"> Featured Artist 3: Verbal Assault Rifle curated by Bruce Mitchell</span><br /><span style="font-size: small;"> Featured Artist 4: “Villains” curated by Trek Lewis and The Hive</span><br /><span style="font-size: small;"> Featured Tall Wall Artist: Joe Nix</span><br /><span style="font-size: small;"> Installation Artist: Eric Staniford</span></p> <p style="text-align: justify;"><span style="font-size: small;">Comic “Villains” curated by Trek Lewis and The Hive:</span></p> <p style="text-align: justify;"><span style="font-size: small;">JNGL   Dr. Doom Galactus</span><br /><span style="font-size: small;"> Marcel Dejure</span><br /><span style="font-size: small;"> J Salvador</span><br /><span style="font-size: small;"> Shaun “KASL”singer</span><br /><span style="font-size: small;"> Jennifer Ripassa</span><br /><span style="font-size: small;"> Rick Streck—-Venom</span><br /><span style="font-size: small;"> Steven Lopez</span><br /><span style="font-size: small;"> Cody”Mustacio ” Lusby</span><br /><span style="font-size: small;"> Alexander “DCD ” Smith</span><br /><span style="font-size: small;"> Mimi Yoon</span><br /><span style="font-size: small;"> Arlou Somo</span><br /><span style="font-size: small;"> Tewsr</span><br /><span style="font-size: small;"> Dytch66</span><br /><span style="font-size: small;"> Pascal Leo Cormier</span><br /><span style="font-size: small;"> Kelly Castillo</span><br /><span style="font-size: small;"> Angelina Christina</span><br /><span style="font-size: small;"> John Park</span><br /><span style="font-size: small;"> Dave Macdowell</span><br /><span style="font-size: small;"> Robert Yancy</span><br /><span style="font-size: small;"> Dcypher</span><br /><span style="font-size: small;"> Heng—Joker</span><br /><span style="font-size: small;"> Michael Rosner</span><br /><span style="font-size: small;"> Agapito Doronio</span><br /><span style="font-size: small;"> Edward Frausto -Braniac</span><br /><span style="font-size: small;"> Daisuke</span><br /><span style="font-size: small;"> Phil Aceves</span><br /><span style="font-size: small;"> Randy Kono —Dr. Doom bird</span><br /><span style="font-size: small;"> Patrick Hammerlin</span><br /><span style="font-size: small;"> Stephen Sandoval</span><br /><span style="font-size: small;"> Japanda-Mad Hatter &amp; Poison Ivy</span><br /><span style="font-size: small;"> Jinx- Crazy Quilt</span><br /><span style="font-size: small;"> Ben Boling</span><br /><span style="font-size: small;"> Walt Hall</span><br /><span style="font-size: small;"> Aaron Bolton</span><br /><span style="font-size: small;"> Rikk Roberts</span><br /><span style="font-size: small;"> John Malloy</span><br /><span style="font-size: small;"> Thomas lynch III</span><br /><span style="font-size: small;"> Steven V  Williams</span><br /><span style="font-size: small;"> Cig Neutron</span><br /><span style="font-size: small;"> Macsorro</span><br /><span style="font-size: small;"> Salah—-Lady Deathstrike</span><br /><span style="font-size: small;"> Adam Huntley</span><br /><span style="font-size: small;"> Deanna Adona</span><br /><span style="font-size: small;"> Amy Sheridan</span></p> <p style="text-align: justify;"><span style="font-size: small;">The Hive Gallery Resident Artists:</span></p> <p style="text-align: justify;"><span style="font-size: small;">Alyssa Beasley /Annie Terrazzo / Arlou Somo / / Ave Rose / David Reyes / Diana Levin / Doug Meyer/ / Dulcinea Circelli / Ellen Schinderman / Glenn Fox /</span><br /><span style="font-size: small;"> Graphation / Greg Gould / Gretchen Ingram / Hollis Hart / Ink Pen Mutations / Jennifer Korsen / Jinx / John Dang / J.Salvador / Keith Wong / Lisa Levy / Luciano Martinez /</span><br /><span style="font-size: small;"> Marcel DeJure / Marigrace Alebelda / Mark Posey / Meirav Haber / Michelle Hall / Mike Street / Nathan Cartwright / Patrick Haemmerlein / Randy Kono / Ken Dougherty /</span><br /><span style="font-size: small;"> Rob Sussman / Sara Hedstrom /Sarah Ockuly / Sarah Winkle / Shrine / Sonik / Stephan Canthal / Stephen Holman / Superpao / Teod Tomlinson / Walt Hall</span></p> <p style="text-align: justify;"><span style="font-size: small;">BATHROOM INSTALLATIONS BY:</span><br /><span style="font-size: small;"> Alex Chiu</span><br /><span style="font-size: small;"> Champoy</span><br /><span style="font-size: small;"> Daniella Batsheva</span><br /><span style="font-size: small;"> John Haley III</span></p> <p style="text-align: justify;"><span style="font-size: small;">HIVE TAROT DECK READING BY:</span><br /><span style="font-size: small;"> Seraphime Angelis</span><br /><span style="font-size: small;"> Medium, Astrologer, Card Reader, Poet</span><br /><span style="font-size: small;"></span></p> <p style="text-align: justify;"><span style="font-size: small;"></span></p> <p style="text-align: justify;"><span style="font-size: small;">FABRIC ENVIRONMENTS/ INSTALLATION by: Sonik</span></p> Tue, 25 Jun 2013 11:28:38 +0000 Bruce Mitchell, Scott Froschauer, Jake Mckinnon, Gregg Emmel, Sub Commander X, Macpherson Downs, Steve Whinslett, James Peterson - The Hive Gallery & Studios - July 6th, 2013 8:00 PM - 11:30 PM <div class="entry"> <p style="text-align: justify;">What is this about?  </p> <p style="text-align: justify;">The Verbal Assault Rifels began in 2007 out on the Playa at the Burning Man Festival. We carried Megaphones around and were liberal in their use. I made up the name one day and built the first. Friends began to make their own soon after. Now there are several. Each one a unique functioning work of expression. Say it LOUD. The Verbal Assault Rifle show will display several of these creations.</p> <p></p> <p>The Hive Gallery is proud to present:</p> <p>Opening- July 6th 8-11:30PM<br /> $5 Suggested Donation for opening show<br /> Runs: July 6th- July 27th</p> <p>Featured Artist 1: TEWSR<br /> Featured Artist 2: Jeff Jacobson<br /> Featured Artist 3: Verbal Assault Rifle curated by Bruce Mitchell<br /> Featured Artist 4: “Villains” curated by Trek Lewis and The Hive<br /> Featured Tall Wall Artist: Joe Nix<br /> Installation Artist: Eric Staniford</p> <br /> <p>HIVE TAROT DECK READING BY:<br /> Seraphime Angelis<br /> Medium, Astrologer, Card Reader, Poet<br /></p> <p></p> <p>FABRIC ENVIRONMENTS/ INSTALLATION by: Sonik</p> <p>SPONSORED BY:<br /><br /><br /></p> </div> Tue, 25 Jun 2013 11:29:25 +0000 - LACMA - Los Angeles County Museum of Art - July 7th, 2013 11:00 AM - 8:00 PM <p style="text-align: justify;"><span style="font-size: small;"><em>Shaping Power</em> features Luba masterworks from the Democratic Republic of the Congo on loan from the Royal Museum for Central Africa and rarely seen outside of Belgium. Figurative thrones, elegant scepters, and ancestral figures actively contributed to the formation and expansion of a highly influential Luba state from the 18th to early 20th centuries. The exhibition includes a kneeling female figure holding a bowl by the celebrated artist known as the <em>Buli Master</em>, as well as the Royal Museum&rsquo;s most iconic mask recalling the Luba culture hero&mdash;on loan for the first time ever. <em>Shaping Power</em> presents the richness and complexity of Luba arts, and lends insight into a world renowned African aesthetic and cultural legacy.</span></p> <p style="text-align: justify;"><span style="font-size: small;">A contemporary installation entitled <em>Congo: Shadow of the Shadow</em> (2005) by Aim&eacute; Mpane, on loan from the Smithsonian Institution&rsquo;s National Museum of African Art, presents a gripping commentary on re-shaping power during the colonial period using the play of light and shadow, substance and ethereality. In addition, a bead-laden Luba memory device from a private collection suggests how the past is continually re-imagined through the eyes of the present.</span></p> <p style="text-align: justify;"><span style="font-size: small;"><em>Shaping Power</em> marks the inauguration of a gallery and educational program dedicated to the arts of Africa at LACMA. This exhibition was co-organized by the Los Angeles County Museum of Art and the Royal Museum for Central Africa.</span></p> Thu, 04 Jul 2013 08:38:51 +0000 - MOCA (Museum of Contemporary Art) at Grand Ave. - July 7th, 2013 3:00 PM - 4:00 PM <div class="event-body"> <p style="text-align: justify;"><span style="font-size: small;">If Los Angeles is truly a global architectural capital, why are so many of its architects better appreciated elsewhere? Join a lively conversation exploring the influence of LA-based architects outside and inside of the city. Presented in conjunction with <a target="_blank" href=""><em>A New Sculpturalism: Contemporary Architecture from Southern California</em></a>, speakers are architects <strong>Neil Denari</strong>, <strong>HsinMing Fung</strong>, and <strong>Michael Maltzan</strong>; KCRW’s <strong>Frances Anderton</strong> moderates.</span></p> <p style="text-align: justify;"><span style="font-size: small;"><strong>FREE</strong> with museum admission</span></p> <p style="text-align: justify;"><span style="font-size: small;"><strong>Reservations for this event have closed</strong>; however, unclaimed tickets will be released to standby guests on a first-come, first-served basis. A simulcast of the panel will be available in the MOCA Grand Avenue Reading Room for overflow visitors.</span></p> </div> Thu, 04 Jul 2013 09:32:08 +0000