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MODERN CONTEMPORARy

MODERN CON T E M P O RARy
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MODERN  CONTEMPORARy


TRADiTiONAL; T h e n      ;   There was MODERN;  & t h e n came CONTEMPORARY.

.(Modern + Contemporary = Traditional,  may b e..)  (Traditional - Modern = Contemporary, may b e ) (Traditional - Contemporary = M o d   ern )


Modern h a s been  f o r gatten..  &  Con tempo r a r y  ; h a s b e e n;  s t u c k.

C  a   n   these 2      b  e;  m  i  x e d..     o  r;    associated..     -or   m a  d  e;  H iB R i D..-

CONTEMPORARY    MODERN;  O r;   " M O D E R N   CONTEMPORARy "..

M O D E R N   can  b e defined   a s;      "  d e v i d e ABLE "  into P a r ts          ; -I asume-

& CON TEMPO R A R y  c a n;  C O N T A i N;      i   n     "    O  N  E ".     -I assume-

S O; "   MODERN i n CONTEMPORARY  "     means; More than ONE MODERN; i n the b a s e  (domain) o f the  ; c o n t e m p o  r a r y.-as a platFORM-.

C O N TE M PORARy   i n MODERN;  M  e a n s;   i t  is  U N i C A L L y;  SiMPLEy; B A S İ C A L L y; contemporary because, m o d e r n;  t h i n g s  -MODERN_-  f  i  l  l  e  s   i N..s o, contemporary wouldn' t   copy  itself..(contemporary multiplied  w  i  t  h  contemporary  ; creates  a tresh; c r a p..because the m a i n  thing about contemporary  i  s; i t  i s  a platform to p u t    , all  i  n   O N E..;  

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"   A  T H i N G  "    C O N T E M P O RARY ,  b u t       M     O      D       E    R   N..   ( 2 MODERN THiNG COMBiNED by CONTEMPORARy)


"   T  W  O    S i D E D  "


       

T h i s   is   "  O N E  ";   P i c t u r e..(or painting)  ..but  c a n  these  2;  a c t  L i k e  they a r e 2  " OTHER  T H i N g s " ..

i   f  they  a r e ;  2 other things;  (that means they can b e saparated from e a c h  other..as different things; b  u  t  still;  devided  p a r t s..)

T  h  i  s   THiNG;  (picture)  i  s  Contemporary;  b e c a u s e  i t   c   a   n   still;  B  E;   "  O   N   E  ";   ( although i t has 2 different " thinGs " i n it.

.

T h i s  Black-B e a r d e d   M A N; (MALE)    H a s;  the  Picture o f his  L A D Y; ( FEMALE F O R M)  i n  his  v i s o n  ..SO h e is Contemporary..

S  O   D O E S;    this L a d y;  (in red veil; black hair)    carries   - includes-  the vision  o f  his man  ; in h e r  p i c t u r e;  S  O; this is a contemporary  P i c t u r e   , too..(Contemporary  b  u  t  ; MOD E R N ).. 


if these 2 (male &female) should  w a l k o n the  ROAD; on the street;  I  should think; t h i s  ; " I  w a s    ; i n  H e a v e n "..  ( Two same  things but  absolutely the same b u t  upside  d a w n e d..can 2 person; -or thing-    b e  the same,  i n the d e p t h s  of  our M i n d.our ratio will find o u t; that they are the same thing i n     d u a l  v i s i o n...) 


..

 
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GLOBALLY;   " two MODERNs " combined  i n  a   " subject "     ; i n  a        Contemporary;   b   a   s   e...


..an other o n e..

 
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 "   T  W   O;   S i D E D   "


  

  M A L E                                 FEMALE

 
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+  CONTEMPORARy  ....


  

    "    FLAME  UNDERPANTED  W O M E N.."    .. (......men on the t o p..)

 
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 " 2 S i D E D  "     ....   + CONTEMPORARy


                 

 
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....is there any    " thinG   "     ; that can b e  turned      - upside-dawn-  ; i  n    A  r  t   slant..   as  ART..

 


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" THE O R i G i N A L &U N iC  "           A  R  T;               T   H  i  N  g "


" 5 th Grade "  is  important, I agree.

.that means " photoshop " did not make this " thing .   the primitive the thecnique;  t h e  " miracle "has   t h e    "  a r t    T h i n g ", i s.

T h i s;  " T h i n g "   happened;   - o r  occured or  "has been  installed; somehow " -     i n the paint;  ...can w e  say t h i s  is an artistic T h i n g.(because i t was a living  t h i n g   i n my brain,and  came o u t  by my own DOings  ; I can s e e  a  fresh content  i n it..)

...(important thing is , this was  l o c a t e d   on the spatula corner surface  somehow ; f r o m  an other dimention; and I DO L i k e  t h i s T h i n g; and it i s UNiC..    - while I w a s  surfing o n; paints &tuval-     and has jumped   o n the tuval,.    i s s u e    is, I work on  " 4 art deciplines "       for these       f r e e;  untouched, spontaneous ,      " things "  can appear somehow..i n the paint..   I f e e l    these " things"     has a  special  aesthetic,    and dimension..  (All randomly o c c u r i n g..)

 

S  O;  I do not need, " photoshop "    to upgrade these..(actually MGI PHOTO Suite 2;  i s enough,)  (because I think  they have something that has been elevated, b y my   w o r k     and   b y    m y;     deeds..) O n the contrary,  perfect thecniques, w i  l l   damage,  their natural  t a s t e s.

T h e s e  " things "  have  artistic " potential "  to  b e  carried,  to   t h e  " F o r m "..  I can feel these F o r m s  that can b e constracted b y  simple and   b a s i c;    copy, paste,  turn, strech ; thecniques,, nothing  m o r e..

A l t h o u g h ,  t h e s e ;   "o r i g i a n a l;  Paint  t h i n g  s "  -like shown  a b o v e-     ;        a r e ;  highly B a r o q u e...t h e y  have  unknown F O R M;  C a p a cities;  a l s o.  - h i d d e n   i n s i d e-     ..  SO  i S S U E;  i s;  to    carry them  to  the   s u r face.. with a b a s i c;  miror  i m a g e;  -other side; a b s o l u t e v a l u m e-  spaceing..(changing  the d i m e n s i o n  3  to 4..-say- )

L e o n a r d o  has;  h i d d e n;    4. dimension;  t h i n gs;  into his;  w o r ks..L e t 's  say  these   "  hidden T h i n g s  of 4. dimension can b e catched  like a fish  w h e n    they can fall dawn into the paint;    and     - i f  w e ; had  given  birth  t o them i n o u r brain, &h e a r t; o r  Body & our souls-  (Leonardo has had a computer in his mind; and a miror to turn things to 4 th, dimension ; w h e r e FORM;  O C C U R   e s..

..an other important thing i s;  Y o u  ONLY; c u t  a slice to form,   t h r e e   different  F i g u r e F o r m i n g..this is a fast calculation when creating a r t.FORMs..

T h e original "paint thing " is a opening door; to; a thousand ; metamorphoses,  o f  n e w  F o r m s..maybe that can b e worked on making  a realm o f fancy..  ( what else, a r t ;  c a n  b e ;   m o r e then  t h a t.. genine  BAOQUE;  & t h e F O R M ing  i n  ABSOLUTE..)


P a i n T; i t s e l f;  i s  a     M e d i u m;     -a SPACE  ; a v o l u m e -        to our souls that they  carry     t h e s e;              streching  F o r m s    i  n       m e t a m o r p h o s i s..ONLy..


( this   i   s;   there are  "  NO    L i N E S   "   ;  driven i n  these " p a i n T     T h i N g s.."   )  they simply o c c u r e d ;in the paint -V O L U M E.


 
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" the M E T A MORPHOSiS of   F O R M ing; through  ABSOLUTE VOLUME; o f MASS -MATTER-  A R T. 

SO, w h a t..  

P e o p l e  o f   the   " s o c i e t y ";    a r e    SO;  f u c k e d;  -or being fucked-  b u t  ,they are  f r e e   to; e x p r e s s;  what is happenning o n  them.  (or  a  free country ; SO they can e x p r e  s s ;  how they are being  " s c r e w e d "  by;  t h e  SYSTEM.

Y e s ; s c r e w  is a    " fact   "  -a driver- in human history,     ,  b u t;  problem i s;       people " s c r e w "   p e o p l e.. (or people a r e being screwed.)  SO, w e need  a r t;  then screwing can happen i n art    m e d i u m s..  (not i n  h u m a n..)  (screwing  sound i s ;   very very hard a thing to do..screwing paint or letters, are so..too..i n arts..)

T h e mistake i n art history;  i  s;      ART ; and ARTists has b e e n  " slaves        for; S o c i o l o g y   M A K E R S..-or psycology MAKERs; o r SOCiAL SCiENCE;  M A K E R s..  A l s o  PEOPLE h a s b e e n; M A  D E;   the La b o r a t o r y   animals;;  to  the  SOCiAL  SCiENCEs.too..A r t i s t s  has accepted  to play role o f beeing  " driver " i n these; social  Laboratories..T  h  i s   is  s e r i o u s   problem..  b o t h   4  art & society & individuals..

SERiOUS  ART;  gives this result..  S  O;  ART,  has  to  change;  D i m e n s i o n;  to  be  o u t   o f;  s o c i e t y..

t h e s e  " metamorphoseds  "    a r e ;   far far a h e a d  of  these; s o c i a l l y   s c r e w e d  crap -garbage-  " t h i n g s "  i n human shape..

...are they serious.. y  e  s ;because t h e y  o c c u r  i n  a   different    ;    "   d i m e n  s i o n  "    ..i f  payed attantion.. they are serious; because  ; they are transandantally MADE;  i n      A b s o l u t e      V o l u m e..

......but social L a b o r a t o r y  sleves beeing  s c r e w e d;  can not pay attention.   b e c a u s e  they  think; that;  when they get this social personality;  t h e y  think that they had  ;b e e n       e l a v e t e d  to   ;    an  o t h e r ;  dimension , b u t  not ABSOLUTE..

W H O; h a s  ABSOLUTE  V O L U M E; in his brain;    -not filled with social trash-  c a n  p e r c e i v e;   the dimension o f ABSOLUTE VOLUME..

U can not m a k e   art;   (  b y    using     the    u n i c   art thecnique o f art;   -that i s the must  o f  screwing   matter-)      o  n     p e o p l e.  .for  Sociology    t  o;               proceed;  O  N..  (being a    s u p e r  state;   sometime s   can change    where art    r i v e r    has to r u n; naturally;,  t  o  o..)  

Posted by murat danis on 6/17/12







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