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with tag: installation [clear]

ROMANOVA SVETLANA-ART  
by
3/31/20 Posted 3/5/09

         Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]

STAINED-GLASS WINDOWS  
by
3/5/19 Posted 3/5/09

http://svetlana-romano.livejournal.com/ http://svetlana-romano.livejournal.com/ http://svetlana-romano.livejournal.com/ [more]

Group exhibition "The Trip" at Loft 594, Bushwick NY  
by
12/13/14 Posted 3/26/14

Group exhibition "The Trip" at Loft 594, Bushwick NY [more]

Art and the Environment in East-Central Europe Introduction - from a special issue of ARTMargins  
by
8/27/14 Posted 8/27/14

Art and the Environment in East-Central Europe is an editorial project born from interviews and other forms of interaction with artists and cultural producers concerned, in one way or another, with the idea and the material reality of what goes by the name of the "natural environment." In the different pieces collected within this project, the term "environment" unfolds into a broad variety of concepts and artistic practices that do not, and should not, become homogenized. A survey rather than... [more]

Conversations in the Dark: Bill Hart  
by
8/25/14 Posted 8/25/14

[Originally published: Artlink » vol 33 no 3, 2013 » Conversations in the Dark: Bill Hart On the occaision of Dark MOFO, the wintertime festival at the Museum of Old and New Art (MONA), Tasmania, Australia] It is no surprise that Dark MOFO, MONA's wintertime festival of art, sound, and light, would contain artworks related to deviance. What is more surprising is that the festival opened with such a modest start. Hobart-based Bill Hart’s multimedia installation Conversations in t... [more]

Spiral Stories: Simon Starling at the MCA Chicago   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
by
Simon Starling at Museum of Contemporary Art (MCA) June 7th - November 2nd
Posted 8/22/14

An Italian/Polish Fiat, wheels to the wall, is anchored over your head. In the next room, two slabs of marble dominate the space—250 kg from Italy, one ton from China—floating above the floor. They support each other by means of a simple pulley. Further into the exhibition, helium-filled jacks hold up and balance a 4,900 lb. plate of Romanian steel. These three works are given top billing in Simon Starling: Metamorphology, the artist’s first major American museum survey. Starling... [more]

Surface Tension  
by
Ayesha Sultana at EXPERIMENTER May 9th - June 26th
Posted 8/21/14

Published in http://www.artindiamag.com/quarter_04_03_14/index.html Acts of drawing are sometimes summed up as dirtying the paper delicately,1 but Ayesha Sultana’s drawings in Outside the field of view, her first solo at Experimenter, Kolkata, mounted from the 9th of May to the 26th of June, are anything but delicate. Sultana ‘dirties’ the paper vigorously and obsessively, while reining in her mark-marking within perfectly geometric shapes. Nine graphite drawings of various si... [more]

How, Against Stacked Odds, Did Art by an African Artist Become the Centerpiece of the World’s Most Prestigious Contemporary Showcase?  
by
8/21/14 Posted 8/21/14

from The Ann Arbor Review of Books South African Artist Wim Botha has prepared an incredible work of carved books for the Venice Biennale. “Unless there’s terrible news Africa doesn’t get much notice in this part of the world.” Thus begins a piece by Pulitzer Prize-winning author Holland Cotter, for The New York Times. The piece, titled “A Million Pieces of Home”, subconsciously reveals a patronizing ideology which more often than not pervades the We... [more]

When Depression Strikes - HYPERALLERGIC  
by
8/20/14 Posted 8/20/14

Installation view of “Depression” at Francois Ghebaly Gallery. All images by the author for Hyperallergic. LOS ANGELES — It was 4:20pm when I walked into Depression and encountered Andrea Ursuta’s piece “Stoner” (2013). A batting-cage ball-throwing machine creaked on, spun once, and died before it could eject anything from its quarantined-off belly. It is located inside a larger batting cage. There is no entrance. There is no bat to play with. Stones are... [more]

My Favorite Artworks in Kunsthaus, Graz, Austria  
by
8/19/14 Posted 8/25/14

The ultra-modern museum, Kunsthaus, in Graz, Austria, was a distinctive architecture and its attraction is itself. That said, I did see some very interesting works in this museum during my 2012 visit to Graz. My favorite item was an installation - a wooden forest flourishing under several intense circular florescent lights, suggesting a giant incubator, or an solemn, almost spiritual outer space, where several stars or planets converging upon alien soil. Very intriguing. My second fa... [more]

Endurance training for the noncommittal   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
by
Conrad Guevara at City Limits July 19th - August 23rd
Posted 8/18/14

At the heart of the works in No Can Handle is the ethos of endurance. Entering the exhibition is not unlike entering an interpretation of a physical training facility. Equipment-like inventions dangle from the ceiling and perch amidst the gallery space; there is even a painted panel squatting in the crease of a gym mat on the floor. Many of the works, like Bow 4 (2014) have a suggestive tenacity. Bow 4 is a delicately curved wooden pole bending like a “C” around an entire wall, held in plac... [more]

Three Exhibitions That Are Shaking Up Colour This Summer   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
by
at National Gallery June 18th - September 7th
Posted 8/18/14

The National Gallery’s summer exhibition Making Colour guides the audience through the spectrum of materials used throughout history to create artists’ pigment—from blues, through reds and oranges, to purples. Each room focuses on a specific colour and the multiple materials used to make it over time, from early earth pigments, through lakes (dyes made into pigment) to the new artificial coal tar derived pigments created around the time of the Impressionists. The function of t... [more]

A Space for Dreamers: An Interview with Duncan Alexander Cameron Stewart  
by
8/17/14 Posted 8/17/14

Toronto, Aug. 2014: “The daydream transports the dreamer outside the immediate world to a world that bears the mark of infinity.” –Gaston Bachelard The tipping point between the limitless and the limited is well traversed. A common steadiness has been found in speaking of the two types of spaces at once, though they are indeed opposed to one another with regards to the dream: the two exist synonymously for the dreamer. But in using the metaphor of immense space to describe int... [more]

Lets see if we can get the monads off my tit  
by
8/14/14 Posted 8/14/14

some how i guess there just no accounting for bad taste so lets see if we can make them taste good [more]

Who's in charge of change?  
by
8/14/14 Posted 8/14/14

For eons of time mass consciousness has been under the illusion that politics is the control center for world affairs, that presidents define the destinies of both countries and people and we the public are subject to its wavering discourse. We have been led to believe that media sets the trend for cultural standards of how we should feel and think and that the answer to true happiness lies in upholding the values embodied by the majority and the most popular in our circle of influence. ... [more]

Under Construction  
by
8/13/14 Posted 8/13/14

This new page is under construction for a while as I add very old works scanned from slides. I'm also choosing a few for sale and print here at this site, and am minded for catalogues and a new book page deadlines. I'm Trying to get the photography done without too much slowing down. Two peices are going to show early next year in the Bienale Di Palermo in Palermo, Sicily and Florence Italy. I think artists who've been admitted all get an award and there's a competition for a prize. ... [more]


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