Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticity and abi... [more]
T'HO fest Yucatan Art Code:
Is a visual dialogue among civilizations, an international collective of contemporary art in painting, sculpture, photography, Installation, mix media, digital art, and video. Jose Luis Rodriguez de Armas, General Coordinator, is a critic member of AICA Cuba-Mexico, an experienced museologist, and curator at this festival on contemporary art in Yucatan.
What does a dialogue among civilizations mean? One could argue that there are two groups of civilizations in the wo... [more]
As we flock around her right after our final MA Visual Arts First Year Juries and I request some time for an interview as directed by my professor Sir Quddus Mirza (Editor of ArtNow), there is a yes and a no in the answer that I get. The word enigmatic is a constant in all the published material that I’ve read about Sumaya Durrani in my humble quest to know a bit about her and we, the visual arts Master's students frozen in the space of her eloquence, are proof that it’s true.
If I were to ask you to tell me about an artist who worked within the architecture of rundown lodgings in Los Angeles in the 1970s, you might come back to me with a famous man who has spoken about his time working in the Mendota Hotel: James Turrell. If I were to ask you to guess again, you might shrug your shoulders and tell me how bored of my game you are. “Oh,” I would say with a lilt in my voice and a spark in my eye, fueled by your disinterest, “oh what you don’t yet... [more]
ROSAE NOVICHENKO, Brazilian worldwide awarded artist, with the International Art Exhibition RIO ART OLYMPICS 2016.
Curator: Salvo Nugnes
Rio de Janeiro - Al Tiffany's Ipanema Hotel Residence la mostra internazionale "Rio Art - Olimpiadi dell'arte"
Con il contributo straordinario di grandi personaggi della cultura e dello sport
Dal 5 al 21 agosto 2016, la splendida Rio De Janeiro sarà al centro dell'attenzione pubblica mondiale, ospitando la 31° edizione dei Giochi Olimpici. Pro... [more]
Transformation II by Chalchitra Academy
31 artists. 19 of them ‘contemporary’, 12 ‘traditional’.
This gathering of artmakers which include fine art degree holding artists, professional illustrators, a print collective, self-taught art object-makers, family-trained traditional art and ritual object makers, a 3D street artist, a performance artist and many more whose practice can’t be neatly categorised, is contrary to contemporary exhibition trends t... [more]
Video Photo Credit: Faye Arranz. Artist, PD Packard (left), Video Director, Christine Puma (middle), and Artist + Akua Inks Inventor, Susan Rostow (left).
To view new VIDEO:
Artist P D Packard takes you through the making of her Printed Decorative Papers using Akua Inks. Her "commitment to color", as she describes, inspires the layering of the decorative patterns she creates using dried leaves that she's collected. Packard emphasizes the importance of devising a "color story", selectin... [more]
To deal with art and approaching it are the first basic steps that every artist in his research must address.
To approach the various forms of artistic expression and to bring it into line for us, may often be a difficult but necessary challenge to us, when we place ourselves in front of an collective exhibition, in which different artists and their different visual languages interact, feel and live art together. The artwork reflects the individual expression of a general feeling, is influence... [more]
Lichtundfire’s “Raid Envy” Group Show Curated by D. Dominick Lombardi
With Works by Todd Bartel, Ross Caudill, Karlos Carcamo, Augustus Goertz, Bodo Korsig, D. Dominick Lombardi, Mary Ann Strandell and Joan Waltemath.
July 13 – August 12, 2016
LICHTUNDFIRE 175 Rivington Street New York, New York USA 10002
Summer Gallery Hours: · July: Tuesday – Saturday 12:00 to 6:00 PM · August: Tuesday – Friday 12:00 to 6:00 PM
Gallery Hours: : Wed-Sa... [more]
On the Front Lines by Jillian Russo, LINEA (June 9, 2015) by reviewer1 Sigmund Abeles, Charles Alston, Stanley Boxer, Terence Coyle, Jack Faragasso, Michael Goldberg, Peter Golfinopoulos, Daniel Greene, Al Held, John Hultberg, Paul Jenkins, Everett Raymond Kinstler, Hughie Lee-Smith, Alfred Leslie, Knox Martin, Frank Herbert Mason, Frank O’Cain, Anthony Palumbo, Robert Rauschenberg, Bill Scharf, Sidney Simon, GREG WYATT at Phyllis Harriman Mason Gallery at The Art Students League of New York
June 19th, 2015 - July 29th, 2015
On the Front Lines
by Jillian Russo | June 9, 2015
Since the passage of the GI Bill during World War II, thousands of veterans have studied at the Art Students League of New York. Returning World War II veterans rejuvenated the League, making it a site of experimentation and an incubator for postwar artists. The GI Bill made an art education accessible to those who might not otherwise have become engaged in the field, and the influx of students strengthened an ambitious community.... [more]
My 2005 oil painting Forest Within, currently showing at the McGuire Real Estate gallery in Berkeley as part of the “Crowded by Beauty” exhibit, is a play of optical illusion - the painting is a seemingly outdoor scene, yet the landscape is framed within a boxy confinement, and beams of light cast from behind and the shadows fall on the real or imaginary wall further enhances the blur of the boundary, where interior met exterior, reality met illusion.
Forest Within Oil on Canvas 24" x 30" Completed in 2005
Originally posted on matthewfelixsun.com... [more]
The night is thick with heat and windless humidity. I am restless and stimulated, my body temperature rising in the dark room as I stare at and am consumed by an extraordinary Macri image: Drop Curtain. I have no idea what Macri intends by this image, his title notwithstanding, but I mean to write what it means to me because I cannot quench the fire in my bones until I do so. We don’t need to know what an artist “meant” in order to understand what the art means to us, and it... [more]
Art and object are at a crossroads, the latter pressing upon the former in unapologetic terms. With these blurry borders, the object—once just a thing in the world, a commodity, really—is now widely considered art object par excellence, meaningful in its quotidian thingness, its ontological being now revelatory. That we’ve arrived at a juncture where the object now speaks is interesting to think through in terms of the potential epistemological offshoots. For instance, what know... [more]