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NEWS AND REVIEWS


with tag: conceptual [clear]

GIFs Are Offish Legit says Saatchi (and it’s pronounced “Motion Photography”)  
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4/18/14 Posted 4/18/14

Saatchi Art, the Saatchi Gallery, and Google+ just announced the winners of their first-ever Motion Photography Prize. “Motion Photography” is apparently the high-brow version of a GIF, those low-brow, low-tech repeating videos long enjoyed by Tumblr gurls and basement dwelling neckbeards, and more recently, everyone. They've also already been kind of a thing in the art world—the Pittsburgh collective VIA launched its intense 2014 T.GIF tournament last month and we hosted our own... [more]

20140303235233-mj_1 A Million Little Pieces  
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Meredith James at Jack Hanley Gallery- New York > New York
March 15th - April 13th
Posted 4/4/14

The red-and-white checked, anamorphic floor of Meredith James’s video installation Delmar, showing through April 13th at the Jack Hanley Gallery, primes viewers to expect a puzzle. The video triptych behind the green velvet curtains at the far end of the gallery doesn’t disappoint. As a form, the triptych can be traced from the painted altarpieces of the early Renaissance to modern films. Before the now standard use of widescreen in film, Abel Gance made use of a triptych format to... [more]

20140305145226-invitation_front KNN TV of Busan visits the exhibition  
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Gaby Berglund Cardenas at Soohoh Rom Busan, South Korea > Worldwide Busan
March 17th - March 29th
Posted 3/29/14

It starts at minute 33:50. Here's the link: http://v.knn.co.kr/watch.php?v=HSZBVPSA [more]

20131212080534-reversedperspective_sg_e_invite Landscape as a Verb  
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Sanchayan Ghosh at EXPERIMENTER > India
December 13th, 2013 - February 8th
Posted 2/16/14

Published in http://www.artindiamag.com/quarter_02_02_14/index.html, Page 27 In Sanchayan Ghosh’s second solo at Experimenter, Kolkata, Reversed Perspective: 3 Conjunctions, from the 13th of December to the 8th of February, the viewer can chart his or her course in many ways, both physically and mentally.The landscape of Birbhum is deconstructed and re-imagined via a wooden truss studded with red LEDs; there are dropdowns marked with images of Blossom Theatre, the artist’s ongoing... [more]

20131119211631-small_image Adel Gorgy, Traces of Pollock, de Kooning and Warhol, Abstract Photographic Works at Able Fine Art NY Gallery – Review by Mary Gregory  
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Adel Gorgy at Able Fine Art NY Gallery > New York
December 4th, 2013 - December 31st, 2013
Posted 1/27/14

Adel Gorgy, Traces of Pollock #3, 2013, Pigment Print, 40 x 72 in. (100 x 180 cm.) Adel Gorgy, in his current exhibition, Traces of Pollock, de Kooning and Warhol at Able Fine Art NY in Chelsea has brought keen observation, a graceful esthetic and a unique vision and process to an impressive body of work. In the current age of knockoffs and spinoffs, prequels and sequels, true originality of thought and expression, like Adel Gorgy's, is rare and worthy of attention. In a series of photographi... [more]

20121103053100-reneelotenerotitle1 DO NOT WORK WITH PEVETO  
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Renée Lotenero at PEVETO > Worldwide Houston
November 2nd, 2012 - December 15th, 2012
Posted 1/23/14

The exhibition is good, and congrats to the artist. A good friend of mine told me a rather disturbing story recently. He had been working with scott for years, and scott has helped him a great deal. Recently scott has not been able to sell as much art to pay his bills and has resorted to throwing events to sustain his gallery. Scott openly admits his failure, in his bathroom there is a painting that says 'BLACKBALL' which he says he got an employee to make in order to remind him how his ex-wife ha... [more]

20140216020210-no-fly-zone-postcard-e1390583248514 The New York Times "A Kinship With Westbeth"  
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Christopher Morris, Richard Mosse, Martha Rosler, Nichole Sobecki, Claudia Vargas, Lawrence Weiner at Westbeth Gallery > New York
March 1st - March 16th
Posted 1/18/14

http://www.nytimes.com/2014/01/19/realestate/a-kinship-with-westbeth.html?smid=fb-share A Kinship With Westbeth JAN. 17, 2014 Gwynne Duncan with her husband, Alec Stephen, and their seven-year-old daughter, Mimi, in the living room that doubles as Ms. Duncan’s painting studio. Sasha Maslov for The New York Times What I Love By DAN SHAW Decades before the elevated train tracks on the Lower West Side of Manhattan were transformed into a global tourist attraction called the High Line,... [more]

20140216020210-no-fly-zone-postcard-e1390583248514 The New York Times "A Kinship With Westbeth"  
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Christopher Morris, Richard Mosse, Martha Rosler, Nichole Sobecki, Claudia Vargas, Lawrence Weiner at Westbeth Gallery > New York
March 1st - March 16th
Posted 1/18/14

http://www.nytimes.com/2014/01/19/realestate/a-kinship-with-westbeth.html?smid=fb-share A Kinship With Westbeth JAN. 17, 2014 Gwynne Duncan with her husband, Alec Stephen, and their seven-year-old daughter, Mimi, in the living room that doubles as Ms. Duncan’s painting studio. Sasha Maslov for The New York Times What I Love By DAN SHAW Decades before the elevated train tracks on the Lower West Side of Manhattan were transformed into a global tourist attraction called the High Line, they were Gwynne Duncan’s playground. As children growing up in the 1970s in Westbet... [more]

20131218092550-image Huffington Post "Messages For The People" review  
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at FusionMia, Wynwood Arts District in Miami > Miami
December 18th, 2013 - December 18th, 2013
Posted 12/18/13

Art Basel turns Miami Beach into a stage showcasing incredibly innovative and important contemporary art from around the globe. But under a 10,000-square-foot tent in the Wynwood District, art fuses with music, fashion, and philanthropy.Art of Fusion MIA will present Miles Regis and his "Messages For the People" exhibit. "Messages" consists of intricate pieces fusing image with text to provide profound social and cultural commentary. Modern day hieroglyphics color Regis's canvases delivering ast... [more]

20131218094236-image Huffington Post Review - Art Basel 2013 -  
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Miles Regis at Art of Fusion Pop-Up Gallery > Miami
December 2nd, 2013 - December 7th, 2013
Posted 12/18/13

Art Basel turns Miami Beach into a stage showcasing incredibly innovative and important contemporary art from around the globe. But under a 10,000-square-foot tent in the Wynwood District, art fuses with music, fashion, and philanthropy.Art of Fusion MIA will present Miles Regis and his "Messages For the People" exhibit. "Messages" consists of intricate pieces fusing image with text to provide profound social and cultural commentary. Modern day hieroglyphics color Regis's canvases delivering ast... [more]

20131115094759-forside_invitasjon_ny Recent Research of Norway's Sculpture, Photography, Video and Site specific Installation  
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Paul Brandt, Barbara Czapran, Helen Eriksen, Group Exhibit, Håkon Anton Fagerås, Sverre Hoel, Anlaug Jakobsen, Janne Kruse, Istvan Listez, Pierre Lionel Matte, TONJE RAMSTAD, Mari Røysamb, Vigdis Storsveen, Ståle Sørensen, Lucie Noël Thune at NOoSPHERE > New York
November 29th, 2013 - December 29th, 2013
Posted 12/18/13

February 29th was the opening night for the show A COOL WIND BLOWS at NOoSPHERE Arts. Another time this nonprofit art space is an important place where put on show and create connection between the american and the norwegian art scene. A COOL WIND BLOWS was born from the collaboration between the National Association of Norwegian Sculptures (NBF) and the art space. 14 norwegian artists are showing their works creating literally a cool wind blowing through the gallery’s spaces flooding in a wi... [more]

20131213134508-vivi-sepultura-header-web2 Vivi Sepultura. A condition of memory  
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Larissa Aharoni at F_AIR - Florence Artist in Residence > Worldwide Florence
November 26th, 2013 - February 14th
Posted 12/13/13

Larissa Aharoni “Vivi Sepultura” - F_AIR November 26, 2013 - February 14, 2014 Larissa Aharoni's immersive video installation “Vivi Sepultura”, her first video-project and conclusive work of her residency stay at F_AIR, is a meditation on the sense of individual responsibility for all human beings and a condition of memory. Not a memory in the literal sense but a memory retained within the material, indentations or scars, which tell a story of violent and repetitious... [more]

20131126162751-cuppapins_clarendon_exhibit Love tea? Me too :)  
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Pins at Clarendon Fine Art > London
December 5th, 2013 - December 11th, 2013
Posted 11/26/13

If you love tea, you'll love it, if you don't, you'll still love it, hopefully :) P [more]

20130901181254-daddy_blows_smoke__detail_5_ Dynamic Exchange of Visual Dialogue -  
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Duane Paul at Reginald Ingraham Gallery > Los Angeles
September 7th, 2013 - October 12th, 2013
Posted 11/6/13

http://artillerymag.com/duane-paul/ DUANE PAUL Reginald Ingraham Gallery / Los Angeles by Greg Angaza Pitts · November 5, 2013 · in November 2013, Reviews Share on facebookShare on twitterShare on emailShare on pinterest_shareMore Sharing Services10 “Speaking Tongues (The material of communication)” introduces Duane Paul’s considerable talent and ability in the artist’s first solo exhibition. The show’s 12 works (all 2013) are divided into... [more]

20131023130947-me-invisible_grief__68x84__oil Cheryl Callery / Thekla Hammond at Vessel Gallery  
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Cheryl Calleri, Thekla Hammond at Vessel Gallery > San Francisco
October 2nd, 2013 - October 26th, 2013
Posted 10/23/13

http://www.visualartsource.com/index.php?page=editorial&pcID=26&aID=1920 Author: DeWitt Cheng Curator: Lonnie Lee The mixed-media works of Cheryl Calleri and the oil paintings of Thekla Hammond, together exhibited under the unifying title "Coalesce," complement each other well enough. But the two artists went beyond that level of dialogue and coalesced — or, more prosaically, collaborated — on a joint project, a video installation, "Co-Motion," with music by Armando Mafu... [more]

20130923130056-090rep Primary Forms with a Bold Function  
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Eva Fidjeland, Jane Walker at Galerie Stexwig > Berlin
September 15th, 2013 - October 27th, 2013
Posted 9/23/13

I like the slight melancholy mystery of these images. In general, the softened color palette and contrast evokes a faded memory, but the primary forms have a bold function. `Evolution´ employs a primordial form, spiraling up out of the water like a mythic sea creature. I also see the faintly grainy quality and washed out magenta tonality as harkening back to old photographic documentary film, though I`m unsure of the media/process employed here. I find the vertical orientation is also unexpected fo... [more]


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