Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
India
refine

NEWS AND REVIEWS

20150115103607-achia_anzi_untitled__foam_concrete____fibreglass___iron___wood Faraway In The Land Of Nod BY Archana Khare-Ghose | January 30, 2015  
by
Achia Anzi at Threshold Art Gallery, C 221 Sarvodaya Enclave, New Delhi-110017 January 18th - February 24th
Posted 1/31/15

"Distance", a marble milestone installation, as part of the exhibition "Land of Nod" by Achia Anzi (Achia Anzi/ Threshold Art Gallery) Achia Anzi It’s such a beautiful and brilliant concept that its best explanation can come only the one who has created it. That’s the Israeli artist Achia Anzi. We ask him to elaborate on the title of his exhibition – and in fact, the exhibition itself, which is called the “Land of Nod”. Explains A... [more]

20150127091215-0f26b4be-bc15-472c-9630-8b191cac3a84 Fair Flow: Exclusive India Art Fair Mixtape by Maja Rezoug  
by
1/27/15 Posted 1/27/15

Maja Rezoug has been active as a DJ since 2008. Since 2012, Rezoug has been exploring the beat scene from a Zagreb perspective with her radio show, club night, and blog Beat The Future—the first and only of its kind in Croatia. Now her interest is focused on world sounds and the electronic interpretation of them, as well as her own musical creations and rich sound tapestry, with a preference for lo-fi analogue media, which she also uses for shooting her 8 and 16mm experimental short films... [more]

20150207155217-zakkir_05 HUMANS HAVE HUNGER FOR HUMANITY, DOES DOGS (THIS IS JUST A METAPHOR YOU CAN THINK OF ANY OTHER NON LIVING ANIMAL LIKE FRIDGE, SOFA, WASHING MACHINE, AUTOMOBILES TOO) HAVE HUNGER FOR DOGITY!  LoL  
by
Zakkir Hussain at GALLERYSKE - Bangalore January 17th - February 27th
Posted 1/21/15

Zakir Hussain’s latest works at Gallery SKE in Bangalore is a wonderful presentation of works to understand that originality can only be claimed as an unclaimed, seen as the other in the final omnipresent grand narrative of itself. The claim to originality that his works make in the beginning is by having a title ‘no title’. This is very interesting as the self proclamation of having no title negates the presence of the trace of the past. If there is any coincide... [more]

20140806221608-rainbow_lake__rainbow_lotuses__24x24_ FOLDED AND BEAUTIFUL  
by
Ankon Mitra at VISUAL ARTS GALLERY HABITAT CENTRE DELHI August 16th, 2014 - August 20th, 2014
Posted 8/22/14

http://wwv.asianage.com/arts/fold-and-beautiful-291 ‘Rainbow Lake, Rainbow Lotuses ‘The Folded Garden’ combines the Japanese art of origami with oil-on-canvas and enamel-paint-on-board creations to make for installations that move beyond paper, using materials like polypropylene, brass and silk Origami is an unusual choice for creating a series of art installations, one might think. Not simply because the Japanese art is entirely based on folding sheets of paper but also because th... [more]

20140507103144-002 Surface Tension  
by
Ayesha Sultana at EXPERIMENTER May 9th, 2014 - June 26th, 2014
Posted 8/21/14

Published in http://www.artindiamag.com/quarter_04_03_14/index.html Acts of drawing are sometimes summed up as dirtying the paper delicately,1 but Ayesha Sultana’s drawings in Outside the field of view, her first solo at Experimenter, Kolkata, mounted from the 9th of May to the 26th of June, are anything but delicate. Sultana ‘dirties’ the paper vigorously and obsessively, while reining in her mark-marking within perfectly geometric shapes. Nine graphite drawings of various si... [more]

20140804080203-frieze_review_tagore_image Entry for Frieze Writers' Prize 2013  
by
Rabindranath Tagore at National Gallery of Modern Art - NGMA Mumbai April 19th, 2013 - July 15th, 2013
Posted 8/4/14

The total oeuvre of more than two thousand drawings and paintings were literally Rabindranath Tagore’s last harvest. Dated between 1928 to 1941, created by a man consumed, they are unlike anything else bearing his name, which would turn out to be their undoing. Disenchanted with being turned into an institute back home and a mystic world over, troubled by failing health and thoroughly shaken by the goings on in the family, the nation and the world, painting was both Tagore’s last ro... [more]

Salesroom Artist: Asmita Rajiv  
by
7/6/14 Posted 7/6/14

(Image: Asmita Rajiv, We The Puppets-2, 2014, Acrylic on Canvas, 24 x 30 inches; © Asmita Rajiv) Asmita Rajiv (b. 1973, India) My paintings depict the modern day lives of common men and women filled with dreams, aspirations, blunders, triumphs, disappointments, joys, regrets, sorrow and gratitude. These are the times of a 100 metre sprint. We sprint to a finish line, only to find that it is the beginning of a new start line. We race wearing our myopic lens through which we choose to o... [more]

20140603005022-npjptr0001 http://indianexpress.com/article/cities/delhi/green-mile/#.U6i9GnD7s68.facebook  
by
NP JAYAN at India International Centre (IIC) ANNEXE June 19th, 2014 - June 26th, 2014
Posted 6/24/14

CITIES Home Cities Delhi Photography exhibition showcases environmental degradation Written by Nikita Puri | New Delhi | June 24, 2014 1:30 pm Print Share on facebookShare on twitterShare on google_plusone_shareShare on redditShare on linkedinShare on pinterest_shareMore Sharing Services2 0 Comments One of NP Jayan’s photographs at the exhibition SUMMARY A photography exhibition uses the backdrop of the Periyar Tiger Reserve to showcase environmental degradation Tweet Th... [more]

20140603005022-npjptr0001 http://economictimes.indiatimes.com/environment/developmental-issues/pilgrim-crush-endangers-periyar-reserve/articleshow/36920484.cms  
by
NP JAYAN at India International Centre (IIC) ANNEXE June 19th, 2014 - June 26th, 2014
Posted 6/22/14

CHENNAI: From a distance, it is hard to figure out what the mess piled up on the banks of river Pamba is. The photograph is actually a surreal view of a sea of sodden dhotis abandoned by pilgrims as they end the hard trek to the Sabarimala shrine in Kerala. This pile will soon degrade into pulp and join other junk and sewage waste that flows down this once-pristine river that feeds the Periyar Tiger Reserve. This will include water bottles, the oil drained from the smashed coconut shel .. Read more... [more]

20140603005022-npjptr0001 http://epaperbeta.timesofindia.com/Article.aspx?eid=31805&articlexml=Sabarimala-crush-puts-reserve-at-risk-22062014011045  
by
NP JAYAN at India International Centre (IIC) ANNEXE June 19th, 2014 - June 26th, 2014
Posted 6/22/14

Jun 22 2014 : The Times of India (Ahmedabad) Sabarimala crush puts reserve at risk Malini Nair TNN From a distance, it is hard to figure out what the mess piled up on the banks of river Pamba is. The photograph is actually a surreal view of a sea of sodden dhotis abandoned by pilgrims as they end the hard trek to the Sabarimala shrine in Kerala. This pile will soon degrade into pulp and join other junk and sewage waste that flows down this once-pristine river that feeds the Periyar Tiger Reserv... [more]

20140528222250-00220140529 CIRCUMAMBULATING MELANCHOLY FROM INSIDE OUT  
by
Naveen Kumar A, Lokesh B. H., Aishwaryan K, Mohan Kumar T. at Gallery Sumukha - Bangalore May 24th, 2014 - June 21st, 2014
Posted 6/4/14

The artists have constructed a ritualistic way to make viewers encounter their collective pursuit. At the origin of the circumambulation is Lokesh B H’s colourful melancholy. A sense of deprivation is narrated, busses and people traveling in these busses have colour but the airplane is just not functional; it does not have a door or window. A cat is hunting for a fish bigger than its mouth. There is no center to most of the compositions instead is a synecdoche; when the center is painted... [more]

20140326233304-00120140327 NGMA and the Amrita Sher-Gill retrospective  
by
Amrita Sher-Gil at National Gallery Of Modern Art - NGMA Bengaluru March 30th, 2014 - April 30th, 2014
Posted 4/15/14

Let me start with a small proviso which may get me booted out of your reading list. I saw the exhibition at the NGMA in New Delhi. However, given my views on the Bangalore NGMA (http://dillikidiva24.blogspot.in/2012/12/name-that-city.html), I'm pretty sure the exhibition will be similiar. ah well, here goes nothing.. If theres one painter from India people have heard of, chances are that it's Amrita Sher-Gill. She lived for only 28 years (1913- 1941) across two continents in four countries, w... [more]

20140226125143-00 Watchlist Artist: Srinivasa Prasad  
by
Srinivasa Prasad at GALLERYSKE - Bangalore 2/26/14 Posted 2/26/14

In Deep Sleep, Srinivasa Prasad journeys back to the memories of childhood and the subconscious to create work that is playful, engaging and interactive. Employing discarded, found, retired, reused and readymade objects Prasad creates works across the media of sculpture and installation, video and photography. Continuing his exploration of ritual, Prasad infuses his work with elements of performance. The eponymous work in the show is a black tent constructed of mosquito nets, hung from the ce... [more]

20131212080534-reversedperspective_sg_e_invite Landscape as a Verb  
by
Sanchayan Ghosh at EXPERIMENTER December 13th, 2013 - February 8th, 2014
Posted 2/16/14

Published in http://www.artindiamag.com/quarter_02_02_14/index.html, Page 27 In Sanchayan Ghosh’s second solo at Experimenter, Kolkata, Reversed Perspective: 3 Conjunctions, from the 13th of December to the 8th of February, the viewer can chart his or her course in many ways, both physically and mentally.The landscape of Birbhum is deconstructed and re-imagined via a wooden truss studded with red LEDs; there are dropdowns marked with images of Blossom Theatre, the artist’s ongoing... [more]

20140122120019-l1002724 Watchlist Artist: Priyanka Choudhary  
by
Priyanka Choudhary at Gallery Maskara 1/22/14 Posted 1/22/14

To commemorate 100 years of Word War 1, we are pleased to announce artist Priyanka Choudhary’s fourth solo show titled 1914 - 2014 at Gallery Maskara. From Titian to today, war and the aftermath of war has always found its way into art and art history. The year 2014 is of particular significance as it is the centenary year of World War 1. It was a moment that forever changed the geo-political and economic landscape of the 20th century and had a catalytic effect on India's struggle for Inde... [more]

20130923070850-5 Dark Matter Hits White Cube: Excavating India’s Coal Miners  
by
Prabhakar Pachpute at EXPERIMENTER September 28th, 2013 - September 28th, 2013
Posted 11/27/13

http://hyperallergic.com/91996/dark-matter-hits-white-cube-excavating-indias-coal-miners/ [more]


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.